{"product_id":"searching-for-arts-new-publics-9781841503110","title":"Searching for Art's New Publics","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eDrawing on contributions from practicing artists, writers, curators, and academics, \u003cem\u003eSearching for Art’s New Publics\u003c\/em\u003e explores the ways in which artists seek to involve, create and engage with new and diverse audiences—from passers-by encountering and participating in the work unexpectedly, to professionals from other disciplines and members of particular communities who bring their own agendas to the work. Bridging the gap between practice and theory, this exciting book touches on issues of relational aesthetics, but also offers an illustrated artist-based approach. \u003cem\u003eSearching for Art’s New Publics\u003c\/em\u003e will appeal to students studying fine art (especially those with an interest in cross-disciplinary work and public art) and those studying curating.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePreface – Tammy Bedford\u003c\/p\u003e  \u003cp\u003eIntroduction – Jeni Walwin\u003c\/p\u003e  \u003cp\u003eKeynote Essay: Don’t Look Now! Art after the Viewer and beyond Participation – Dave Beech\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePART I: Participation: Open or Closed \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eChapter 1: The Anatomy of a Participatory Project – Sally O’Reilly\u003c\/p\u003e  \u003cp\u003eChapter 2: Interview with Artist Chris Evans – Will Bradley\u003c\/p\u003e  \u003cp\u003eChapter 3: Case Study One: Adam Dant’s Operation Owl Club – Helen Sumpter\u003c\/p\u003e  \u003cp\u003eChapter 4: Who Speaks? Who Listens? Het Reservaat and Critical Friends –Sophie Hope\u003c\/p\u003e  \u003cp\u003eChapter 5: Tell Me Your Story: An Interview with Artist Harrell Fletcher – Marisa Sánchez\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart II: Sonic Openness \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eChapter 6: Open Sounds: On the Track of the Dissolving Audience – David Briers\u003c\/p\u003e  \u003cp\u003eChapter 7: Eagles are the Best: Juneau Projects in Conversation – Ben Sadler and Phil Duckworth\u003c\/p\u003e  \u003cp\u003eChapter 8: Case Study Two: Melanie Pappenheim in Reading – Helen Sumpter\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart III: The Emancipation of the Spectator: The Viewer Completes the Circuit\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eChapter 9: Headless in Hirschhorn’s Classroom – Jonathan Lahey Dronsfield\u003c\/p\u003e  \u003cp\u003eChapter 10: Linked – Graeme Miller\u003c\/p\u003e  \u003cp\u003eChapter 11: London Fieldworks: Polaria and Little Earth – Bruce Gilchrist and Jo Joelson\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart IV: The Art Object Reaches Out: Dissolves, Embraces\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eChapter 12: A Fair Event: Considering an Action by Nina Beier – Vincent Honoré\u003c\/p\u003e  \u003cp\u003eChapter 13: Case Study Three: Gillian Wearing – Family History – Helen Sumpter\u003c\/p\u003e  \u003cp\u003eChapter 14: An Audience with… – Adam Sutherland\u003c\/p\u003e  \u003cp\u003eChapter 15: Bata-ville: We Are Not Afraid of the Future – Nina Pope with contributions from Mike Ostler\u003c\/p\u003e  \u003cp\u003eChapter 16: Co-productive Exhibition-making – Paul O’Neill\u003c\/p\u003e","brand":"Intellect Books","offers":[{"title":"Default Title","offer_id":51042921939287,"sku":"9781841503110","price":27.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781841503110.jpg?v=1750956234","url":"https:\/\/bookcurl.com\/products\/searching-for-arts-new-publics-9781841503110","provider":"Book Curl","version":"1.0","type":"link"}