{"product_id":"routledge-companion-to-audiences-and-the-performing-arts-9780367695842","title":"Routledge Companion to Audiences and the","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThe \u003ci\u003eRoutledge Companion to Audiences and the Performing Arts\u003c\/i\u003e represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance.\u003c\/p\u003e\u003cp\u003eThis study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines.\u003c\/p\u003e\u003cp\u003eThis Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThe Paradox of Audiences\u003c\/p\u003e\u003cp\u003eMatthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley\u003c\/p\u003e\u003cp\u003ePart One: Histories, Theories and Questions of Social Justice\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eLynne Conner\u003c\/p\u003e\u003cp\u003e1. Ellen Dissanayake in Conversation \u003c\/p\u003e\u003cp\u003eEllen Dissanayake and Lynne Conner\u003c\/p\u003e\u003cp\u003e2. Histories of Audiencing: On Evidence, Mythology and Nostalgia\u003c\/p\u003e\u003cp\u003eHelen Freshwater\u003c\/p\u003e\u003cp\u003e3. Disrupting the Audience as Monolith\u003c\/p\u003e\u003cp\u003eLynne Conner\u003c\/p\u003e\u003cp\u003e4. Who? Why? and How?: The Contribution of Sociology to the Study of Arts Audiences and Where it Needs Help\u003c\/p\u003e\u003cp\u003eLaurie Hanquinet\u003c\/p\u003e\u003cp\u003e5. The Future of Audiences and Audiencing\u003c\/p\u003e\u003cp\u003eJennifer Novak Leonard\u003c\/p\u003e\u003cp\u003e6. Which Global? Which Local?: Aucitya, Rasa, Development, Ase and other Demands on the Audience \u003c\/p\u003e\u003cp\u003eGlenn Odom and Giri Raghunathan\u003c\/p\u003e\u003cp\u003e7. Forced Experiences: Shifting Modes of Audience Involvement in Immersive Performances\u003c\/p\u003e\u003cp\u003eDoris Kolesch and Theresa Schütz\u003c\/p\u003e\u003cp\u003ePart Two: Policies, Politics and Practices\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eBen Walmsley\u003c\/p\u003e\u003cp\u003e8. Alan Brown in Conversation\u003c\/p\u003e\u003cp\u003eAlan Brown and Emma McDowell \u003c\/p\u003e\u003cp\u003e9. Are We the Baddies?: Audience Development, Cultural Policy and Ideological Precarity\u003c\/p\u003e\u003cp\u003eSteven Hadley\u003c\/p\u003e\u003cp\u003e10. At what cost? Working Class Audiences and the Price of Culture \u003c\/p\u003e\u003cp\u003eMaria Barrett\u003c\/p\u003e\u003cp\u003e11. A ‘Universal Design’ for Audiences with Disabilities?\u003c\/p\u003e\u003cp\u003eBree Hadley\u003c\/p\u003e\u003cp\u003e12. Fans and Fandom in the Performing Arts\u003c\/p\u003e\u003cp\u003eKirsty Sedgman\u003c\/p\u003e\u003cp\u003e13. The Role of the Audience in Forum and Interactive Theatre: Perspectives from Bangladesh\u003c\/p\u003e\u003cp\u003eMeghna Guhathakurta\u003c\/p\u003e\u003cp\u003e14. Audience Engagement and the Production of Efficacious Theatre: Case Studies from Ghana\u003c\/p\u003e\u003cp\u003eAwo Mana Asiedu\u003c\/p\u003e\u003cp\u003e15. Critical Perspectives on Valuing Culture: Tensions and Disconnections between Research, Policy and Practice\u003c\/p\u003e\u003cp\u003eBen Walmsley and Julian Meyrick\u003c\/p\u003e\u003cp\u003ePart Three: Methods, Methodologies and Understanding Audiences\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eMatthew Reason\u003c\/p\u003e\u003cp\u003e16. Martin Barker in Conversation \u003c\/p\u003e\u003cp\u003eMartin Barker and Matthew Reason\u003c\/p\u003e\u003cp\u003e17. Mixing Methods in Audience Research Practice: A multi-method(ological) discussion\u003c\/p\u003e\u003cp\u003eEmma McDowell\u003c\/p\u003e\u003cp\u003e18. Quantifying the Dance Spectacle in the Audience’s Mind: A Methodological Quest for Neuroscience Research\u003c\/p\u003e\u003cp\u003eCorinne Jola\u003c\/p\u003e\u003cp\u003e19. Continuous and Collective Measures of Real-Time Audience Engagement\u003c\/p\u003e\u003cp\u003eL.S. Merritt Millman, Guido Orgs and Daniel Richardson\u003c\/p\u003e\u003cp\u003e20. Audience Interaction: Approaches to Researching the Social Dynamics of Live Audiences\u003c\/p\u003e\u003cp\u003ePatrick G.T. Healey, Matthew T. Harris and Michael F. Schober\u003c\/p\u003e\u003cp\u003e21. Quantitative Measures of Audience Experience\u003c\/p\u003e\u003cp\u003eWing Tung Au, Zhumeng Zuo and Paton Pak Chun Yam\u003c\/p\u003e\u003cp\u003e22. The Benefits and Challenges of Large-Scale Qualitative Research\u003c\/p\u003e\u003cp\u003eStephanie Pitts and Sarah Price\u003c\/p\u003e\u003cp\u003e23. Creative Methods and Audience Research: Affordances and Radical Potential\u003c\/p\u003e\u003cp\u003eMatthew Reason\u003c\/p\u003e\u003cp\u003e24. Ethics in Audience Research: By the Book or on the Hop? \u003c\/p\u003e\u003cp\u003eKatya Johanson and Hilary Glow\u003c\/p\u003e\u003cp\u003ePart Four: Shorts: Adventures in Thinking About Audiences\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eKatya Johanson\u003c\/p\u003e\u003cp\u003e25. Affect\u003c\/p\u003e\u003cp\u003eLucy Thornett\u003c\/p\u003e\u003cp\u003e26. Agency\u003c\/p\u003e\u003cp\u003eAstrid Breel\u003c\/p\u003e\u003cp\u003e27. Co-Creation\u003c\/p\u003e\u003cp\u003eMichael Pinchbeck and Rachel Baynton\u003c\/p\u003e\u003cp\u003e28. Covid-19\u003c\/p\u003e\u003cp\u003eTully Barnett\u003c\/p\u003e\u003cp\u003e29. Data\u003c\/p\u003e\u003cp\u003eRishi Coupland\u003c\/p\u003e\u003cp\u003e30. Dialogue\u003c\/p\u003e\u003cp\u003eMaddy Costa\u003c\/p\u003e\u003cp\u003e31. Integrated and Inclusive\u003c\/p\u003e\u003cp\u003eVipavinee Artpradid\u003c\/p\u003e\u003cp\u003e32. Labour\u003c\/p\u003e\u003cp\u003eMartin Young\u003c\/p\u003e\u003cp\u003e33. Language\u003c\/p\u003e\u003cp\u003eMichelle Loh\u003c\/p\u003e\u003cp\u003e34. Laughter\u003c\/p\u003e\u003cp\u003eNatalie Diddams\u003c\/p\u003e\u003cp\u003e35. Marginalia\u003c\/p\u003e\u003cp\u003eHelen Yung\u003c\/p\u003e\u003cp\u003e36. Memory\u003c\/p\u003e\u003cp\u003eElaine Faull\u003c\/p\u003e\u003cp\u003e37. One-to-One\u003c\/p\u003e\u003cp\u003eRachel Gomme\u003c\/p\u003e\u003cp\u003e38. Pantomime\u003c\/p\u003e\u003cp\u003eRobert Marsden\u003c\/p\u003e\u003cp\u003e39. Post-Humanity\u003c\/p\u003e\u003cp\u003eFayen D’Evie\u003c\/p\u003e\u003cp\u003e40. Post-Show\u003c\/p\u003e\u003cp\u003eDiane Ragsdale\u003c\/p\u003e\u003cp\u003e41. Rehearsal\u003c\/p\u003e\u003cp\u003eAnja Ali Haapala\u003c\/p\u003e\u003cp\u003e42. Relaxed\u003c\/p\u003e\u003cp\u003eLauren Hall and Paul Wilshaw\u003c\/p\u003e\u003cp\u003e43. Risk\u003c\/p\u003e\u003cp\u003eElla de Búrca\u003c\/p\u003e\u003cp\u003e44. Sickness\u003c\/p\u003e\u003cp\u003eVerónica Rodríguez\u003c\/p\u003e\u003cp\u003e45. Thresholds\u003c\/p\u003e\u003cp\u003eStefania Donini\u003c\/p\u003e\u003cp\u003e46. Touch\u003c\/p\u003e\u003cp\u003eElena S.V. Flys\u003c\/p\u003e\u003cp\u003eAfterword: Covid-19, Audiences, and the Future of the Performing Arts\u003c\/p\u003e\u003cp\u003eMatthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley\u003c\/p\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":51018025599319,"sku":"9780367695842","price":40.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780367695842.jpg?v=1750775396","url":"https:\/\/bookcurl.com\/products\/routledge-companion-to-audiences-and-the-performing-arts-9780367695842","provider":"Book Curl","version":"1.0","type":"link"}