{"product_id":"romanticism-and-visuality-9780415875790","title":"Romanticism and Visuality","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis book investigates the productive crosscurrents between visual culture and literary texts in the Romantic period, focusing on the construction and manipulation of the visual, the impact of new visual media on the literary and historical imagination, and on fragments and ruins as occupying the shifting border between the visible and the invisible. It examines a broad selection of instances that reflect debates over how seeing should itself be viewed: instances, from Daguerre's Diorama, to the staging of Coleridge's play Remorse, to the figure of the Medusa in Shelley's poetry and at the Phantasmagoria, in which the very act of seeing is represented or dramatized. In reconsidering literary engagements with the expanding visual field, this study argues that the popular culture of Regency Britain reflected not just emergent and highly capitalized forms of mass entertainment, but also a lively interest in the aesthetic and conceptual dimensions of looking. What is commonly thought to\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Exploring the inter-relationship between literature and visual culture in the Romantic period, Thomas (humanities, U. of Sussex) looks at how seeing itself was viewed, both by people involved in creating visual spectacle and those who responded by writing in literature about the status of the visual. Her topics include the fragment in ruins, Romantic idealism and the interference of sight, and vision and revulsion in Shelley. Some of the chapters have been published as independent essays.\" -- Book News Inc., August 2008\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePreface and Acknowledgments \u003c\/p\u003e\u003cp\u003eList of Illustrations \u003c\/p\u003e\u003col\u003e\u003cli\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003e(Introduction) Regarding Visuality: From the \u003cbr\u003ePicturesque to the Panorama \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003e‘Shadows of a Magnitude’: \u003cbr\u003eKeats, Fragments, and Vision\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eThe Fragment in Ruins \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eSeeing Past Rome: Ruins, History, Museums \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eRomantic Idealism and the Interference of Sight \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eMaking Visible: The Diorama, the Double, \u003cbr\u003eand the Gothic Subject \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eSeeing Things (\"as they are\"): Coleridge, Schiller, \u003cbr\u003eand the Play of Semblance \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eVision and Revulsion: Shelley, Medusa, and \u003cbr\u003ethe Phantasmagoria \u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003eNotes\u003c\/p\u003e\u003cp\u003eBibliography \u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":51018209231191,"sku":"9780415875790","price":43.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780415875790.jpg?v=1750776026","url":"https:\/\/bookcurl.com\/products\/romanticism-and-visuality-9780415875790","provider":"Book Curl","version":"1.0","type":"link"}