{"product_id":"reverse-shots-indigenous-film-and-media-in-an-international-context-9781554583355","title":"Reverse Shots: Indigenous Film and Media in an International Context","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity. \u003c\/p\u003e \u003cp\u003e The contributors to \u003ci\u003eReverse Shots\u003c\/i\u003e offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003eReverse Shots: Indigenous Film and Media in an International Context\u003c\/i\u003e, edited by Wendy Gay Pearson and Susan Knabe\u003c\/li\u003e\n\u003cli\u003ePart I. Dream Makers\u003c\/li\u003e\n\u003cli\u003eIntroduction: Globalizing Indigenous Film and Media  Wendy Gay Pearson and Susan Knabe\u003c\/li\u003e\n\u003cli\u003e1. He Who Dreams: Reflections on an Indigenous Life in Film  Michael Greyeyes\u003c\/li\u003e\n\u003cli\u003ePart II. Decolonizing Histories\u003c\/li\u003e\n\u003cli\u003e2. Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices  Ernie Blackmore\u003c\/li\u003e\n\u003cli\u003e3. Taking Pictures B(l)ack: The Work of Tracey Moffatt  Susan Knabe\u003c\/li\u003e\n\u003cli\u003e4. \u003ci\u003eThe Journals of Knud Rasmussen\u003c\/i\u003e: Arctic History as Post\/Colonial Cinema  Kerstin Knopf\u003c\/li\u003e\n\u003cli\u003e5. Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's \u003ci\u003eThe Djarn Djarns\u003c\/i\u003e and \u003ci\u003eBlack Talk\u003c\/i\u003e  Colleen McGloin\u003c\/li\u003e\n\u003cli\u003e6.\"\"Once upon a Time in a Land Far, Far Away\"\": Representations of the Pre-Colonial World in \u003ci\u003eAtanarjuat\u003c\/i\u003e, \u003ci\u003eOfelas\u003c\/i\u003e and \u003ci\u003e10 Canoes\u003c\/i\u003e  Wendy Gay Pearson\u003c\/li\u003e\n\u003cli\u003ePart III. Mediating Practices\u003c\/li\u003e\n\u003cli\u003e7. Ka Whawhai Tonu Mātou: Indigenous Television in Aotearoa\/New Zealand  Jo Smith and Sue Abel\u003c\/li\u003e\n\u003cli\u003e8. Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser  Jenny Fraser and Adam Szymanski\u003c\/li\u003e\n\u003cli\u003e9. On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South  Erin Morton and Taryn Sirove\u003c\/li\u003e\n\u003cli\u003ePart IV. Documentary Approaches\u003c\/li\u003e\n\u003cli\u003e10. The Prince George Métis Elders Documentary Project: Matching Product with Process in New Forms of Documentary  Stephen Foster and Mike Evans\u003c\/li\u003e\n\u003cli\u003e11. \"\"Whacking the Indigenous Funny Bone\"\": Native Humour and Its Healing Powers in Drew Hayden Taylor's \u003ci\u003eRedskins, Tricksters, and Puppy Stew\u003c\/i\u003e  Ute Lischke\u003c\/li\u003e\n\u003cli\u003e12. Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro  Maeghan Pirie\u003c\/li\u003e\n\u003cli\u003e13. \"\"I Wanted to Say How Beautiful We Are\"\": Cultural Politics in Loretta Todd's \u003ci\u003eHands of History\u003c\/i\u003e  Gail Vanstone\u003c\/li\u003e\n\u003cli\u003ePart V. Other Perspectives\u003c\/li\u003e\n\u003cli\u003e14. Filming Indigeneity as \u003ci\u003eFlânerie\u003c\/i\u003e: Dialectic and Subtext in Terrance Odette's \u003ci\u003eHeater\u003c\/i\u003e  Tanis MacDonald\u003c\/li\u003e\n\u003cli\u003e15. Playing with Land Issues: Subversive Hybridity in \u003ci\u003eThe Price of Milk\u003c\/i\u003e  Davinia Thornley\u003c\/li\u003e\n\u003cli\u003eGlossary\u003c\/li\u003e\n\u003cli\u003eBibliography\u003c\/li\u003e\n\u003cli\u003eIndex\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\u003c\/ul\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wilfrid Laurier University Press","offers":[{"title":"Default Title","offer_id":52151309893975,"sku":"9781554583355","price":33.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781554583355.jpg?v=1762960794","url":"https:\/\/bookcurl.com\/products\/reverse-shots-indigenous-film-and-media-in-an-international-context-9781554583355","provider":"Book Curl","version":"1.0","type":"link"}