{"product_id":"renaissance-poetry-9780631230090","title":"Renaissance Poetry","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis concise collection of Renaissance poetry includes selections from the works of Wyatt, Sidney, Marlow, Shakespeare, Jonson, Donne, Herbert and Milton.   * Contains a selection of the most significant Renaissance Poetry.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eSeries Editor's Preface. \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eAcknowledgements.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1. Edmund Spenser (?1552-99):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEpithalamion\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eProthalamion\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Faerie Queene.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e1. The bower of Bliss (II. xii.).\u003c\/p\u003e \u003cp\u003e2. The garden of Adonis (III. vi.).\u003c\/p\u003e \u003cp\u003e3. Mutability claims to rule the world (VII. vii.).\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2. Sir Walter Ralegh (?1552-1618):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Nymph's Reply to the Shepherd\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3. Fulke Greville, Lord Brooke (1554-1628):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eCaelica.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 69 (‘When all this All doth pass from age to age').\u003c\/p\u003e \u003cp\u003eSonnet 86 (‘The earth with thunder torn, with fire blasted').\u003c\/p\u003e \u003cp\u003eSonnet 99 (‘Down in the depth of mine iniquity').\u003c\/p\u003e \u003cp\u003eSonnet 100 (‘In night when colours all to black are cast').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4. Sir Philip Sidney (1554-86):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eCertain Sonnets.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 31 (‘Thou blind man's mark, thou fool's self-chosen snare').\u003c\/p\u003e \u003cp\u003eSonnet 32 (‘Leave me, O love which reachest but to dust').\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eAstrophil and Stella.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 1 (‘Loving in truth, and fain in verse my love to show').\u003c\/p\u003e \u003cp\u003eSonnet 27 (‘Because I oft, in dark abstracted guise').\u003c\/p\u003e \u003cp\u003eSonnet 31 (‘With how sad steps, O moon, thou climb'st the skies!').\u003c\/p\u003e \u003cp\u003eSonnet 34 (‘Come, let me write. And to what end? To ease').\u003c\/p\u003e \u003cp\u003eSonnet 39 (‘Come sleep! O sleep, the certain knot of peace').\u003c\/p\u003e \u003cp\u003eSonnet 45 (‘Stella oft sees the very face of woe').\u003c\/p\u003e \u003cp\u003eSonnet 54 (‘Because I breathe not love to every one').\u003c\/p\u003e \u003cp\u003eSonnet 94 (‘Grief find the words, for thou hast made my brain').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5. Michael Drayton (1563-1631):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eIdea.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 6 (‘How many paltry, foolish, painted things').\u003c\/p\u003e \u003cp\u003eSonnet 13 (‘You're not alone when you are still alone').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6. Christopher Marlowe (1564-93):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Passionate Shepherd to his Love\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7. William Shakespeare (1564-1616):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eSonnets\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eSonnet 1 (‘From fairest creatures we desire increase').\u003c\/p\u003e \u003cp\u003eSonnet 2 (‘When forty winters shall besiege thy brow').\u003c\/p\u003e \u003cp\u003eSonnet 12 (‘When I do count the clock that tells the time').\u003c\/p\u003e \u003cp\u003eSonnet 18 (‘Shall I compare thee to a summer's day?').\u003c\/p\u003e \u003cp\u003eSonnet 29 (‘When in disgrace with fortune and men's eyes').\u003c\/p\u003e \u003cp\u003eSonnet 30 (‘When to the sessions of sweet silent thought').\u003c\/p\u003e \u003cp\u003eSonnet 55 (‘Not marble, not the gilded monuments').\u003c\/p\u003e \u003cp\u003eSonnet 60 (‘Like as the waves make towards the pebbled shore').\u003c\/p\u003e \u003cp\u003eSonnet 64 (‘When I have seen by Time's fell hand defaced').\u003c\/p\u003e \u003cp\u003eSonnet 71 (‘No longer mourn for me when I am dead').\u003c\/p\u003e \u003cp\u003eSonnet 73 (‘That time of year thou mayst in me behold').\u003c\/p\u003e \u003cp\u003eSonnet 90 (‘Then hate me when thou wilt; if ever, now').\u003c\/p\u003e \u003cp\u003eSonnet 91 (‘Some glory in their birth, some in their skill').\u003c\/p\u003e \u003cp\u003eSonnet 94 (‘They that have power to hurt and will do none').\u003c\/p\u003e \u003cp\u003eSonnet 96 (‘Some say thy fault is youth, some wantonness').\u003c\/p\u003e \u003cp\u003eSonnet 110 (‘Alas,tis true, I have gone here and there').\u003c\/p\u003e \u003cp\u003eSonnet 115 (‘Those lines that I before have writ, do lie').\u003c\/p\u003e \u003cp\u003eSonnet 116 (‘Let me not to the marriage of true minds').\u003c\/p\u003e \u003cp\u003eSonnet 121 (‘Tis better to be vile than vile esteemed').\u003c\/p\u003e \u003cp\u003eSonnet 129 (‘The expense of spirit in a waste of shame').\u003c\/p\u003e \u003cp\u003eSonnet 130 (‘My mistress' eyes are nothing like the sun').\u003c\/p\u003e \u003cp\u003eSonnet 138 (‘When my love swears that she is made of truth').\u003c\/p\u003e \u003cp\u003eSonnet 139 (‘O call me not to justify the wrong').\u003c\/p\u003e \u003cp\u003eSonnet 140 (‘Be wise as thou art cruel, do not press').\u003c\/p\u003e \u003cp\u003eSonnet 141 (‘In faith, I do not love thee with mine eyes').\u003c\/p\u003e \u003cp\u003eSonnet 147 (‘My love is as a fever, longing still').\u003c\/p\u003e \u003cp\u003eSonnet 148 (‘Oh me! What eyes hath Love put in my head').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8. Thomas Campion (1567-1620):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCherry-Ripe\u003c\/i\u003e (‘There is a garden in her face').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9. John Donne (1572-1631):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove's Deity\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSong\u003c\/i\u003e (‘Go and catch a falling star').\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWoman's Constancy\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Flea\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Bait\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Will\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Sun Rising\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Computation\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Lecture upon the Shadow\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove's Alchemy\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Ecstasy\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Good-Morrow\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAir and Angels\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Prohibition\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove's Infiniteness\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove's Growth\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Anniversary\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Canonization\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Valediction: Of Weeping\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Valediction: Forbidding Mourning\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Funeral\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Relic\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTwicknam Garden.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Nocturnal upon St Lucy's Day, being the Shortest Day\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo his Mistress Going to Bed\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eHoly Sonnett.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 6 (‘Death be not proud, though some have called thee').\u003c\/p\u003e \u003cp\u003eSonnet 10 (‘Batter my heart, three-personed God, for thee').\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGood Friday, 1613. Riding Westward\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Hymn to God the Father\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHymn to God, my God, in my Sickness\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10. Ben Jonson (?1573-1637):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eEpigrams.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn Court-Worm\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn my First Daughter\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn my First Son\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn Gut\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Forest.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Penshurst\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Sir Robert Wroth\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSong. To Celia\u003c\/i\u003e (‘Drink to me only with thine eyes').\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEpistle. To Katharine, Lady Aubigny\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eUnderwoods.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Celebration of Charis in ten lyric pieces\u003c\/i\u003e (extract).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHer Triumph\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMy Picture, left in Scotland\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Epitaph on Master Vincent Corbet\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Immortal Memory and Friendship of that Noble Pair, Sir Lucius Cary and Sir H. Morison.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Elegy. On the Lady Jane Pawlet, Marchioness of Winton\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eCynthia's Revels.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSlow, slow, fresh fount\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11. Robert Herrick (1591-1674):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eHesperides.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Argument of his Book\u003c\/i\u003e (‘I sing of brooks, of blossoms, birds, and bowers').\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWhen he would have his Verses Read\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eDelight in Disorder\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Virgins, to Make Much of Time\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eUpon Julia's Clothes\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Funeral Rites of the Rose\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Daisies, not to shut so soon\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCherry-Ripe\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHis Cavalier\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Difference betwixt Kings and Subjects\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eKings and Tyrants\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSlavery\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIll Government\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHis Return to London\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12. Henry King (1592-1669):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Exequy\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13. George Herbert (1593-1633):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Temple.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Pulley\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eChurch Monuments\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eRedemption\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eNature\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePrayer\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Pilgrimage\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eArtillery\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Collar\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Flower\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e14. John Milton (1608-74):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eL'Allegro\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIl Penseroso\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLycidas\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn the Lord General Fairfax at the Siege of Colchester\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Lord General Cromwell\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Sir Henry Vane the Younger\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn the Late Massacre in Piedmont\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn his Blindness\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Cyriack Skinner\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Same\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn his Deceased Wife\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e15. Andrew Marvell (1621-78):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Garden\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn a Drop of Dew\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Mower against Gardens\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Coronet\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Dialogue between the Soul and Body\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eBermudas\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Nymph complaining for the Death of her Fawn\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Picture of Little T.C. in a Prospect of Flowers\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo his Coy Mistress\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Horatian Ode upon Cromwell's Return from Ireland\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e16. Henry Vaughan (1621-95):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eSilex Scintillans.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Seed growing Secretly\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Night\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Morning Watch\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eRegeneration.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Retreat\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSilence, and stealth of days!\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe World\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eI walked the other day (to spend my hour)\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThey are all gone into the world of light!\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e17. Thomas Traherne (1637-74):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEden\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eInnocence\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMy Spirit\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eIndex of titles and first lines.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":53515459952983,"sku":"9780631230090","price":84.5,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/bookcurl.com\/products\/renaissance-poetry-9780631230090","provider":"Book Curl","version":"1.0","type":"link"}