{"product_id":"re-imagining-defa-east-german-cinema-in-its-national-and-transnational-contexts-9781785331053","title":"Re-Imagining DEFA: East German Cinema in its","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \tBy the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In \u003cem\u003eRe-Imagining DEFA\u003c\/em\u003e, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \t\u003cem\u003e“Taken together, the essays [by a diverse group of international scholars] create a coherent whole representing the richness of film production before, during, and after DEFA (Deutsche Film Aktiengesellschaft), the state-owned East German film production company at the loose center of this [useful and compelling] collection.”\u003c\/em\u003e \u003cstrong\u003e• Choice\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“…a significant contribution to contemporary DEFA scholarship…with an emphasis on breaking open temporal and spatial boundaries. The superb introduction offers an incisive overview of the rapid evolution of DEFA scholarship over the past 25 years, and invites readers to re-imagine DEFA within a much broader framework of both German and global filmmaking histories and traditions… The diversity of approaches offered here and throughout the entire volume affirms the power and promise of transnational and transtemporal inquiry; thanks to projects like this, and the rich resources of both German archives and the DEFA Film Library, our appreciation of DEFA’s multiple legacies will only continue to grow.”\u003c\/em\u003e \u003cstrong\u003e• Monatshefte\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“It is in the marvellous orchestration of case studies of films, stars, stylistic means and genres that Allan and Heiduschke, [two of the most respected scholars of East German film culture], provide to scholars a multi-layered exploration in DEFAs national and transnational contexts, while also opening up their book to a broader readership to take it on a fascinating journey into DEFA’s rich past.”\u003c\/em\u003e \u003cstrong\u003e• Historical Journal of Film, Radio and Television\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“Berghahn is known for its publication of excellent books on German Cinema within its catalog. This recent work proves no exception to the rule. Including fifteen essays by well known scholars in the field aware of the changing complexities of subject matter and well versed in necessary archive research,  [it] presents a fine collection exploring a cinema that is very little known to most Western viewers…a sterling example of what a scholarly academic anthology should be, an excellent model in its own right that should stimulate others to investigate this former national cinema and not consign it to oblivion.”\u003c\/em\u003e \u003cstrong\u003e• Film International\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“\u003c\/em\u003eRe-Imagining DEFA \u003cem\u003erepresents a comprehensive examination of East German film-making at every level of production and distribution which will appeal both to readers familiar with and those who are new to East German cinema. As the title suggests, each chapter in this volume is characterized by the idea of looking anew at both familiar and also overlooked material…[It] represents a clear milestone in East German Film Studies and not only serves as an excellent starting point for those new to East German Film Studies, but also opens up fascinating new avenues of exploration for scholars in the field.”\u003c\/em\u003e \u003cstrong\u003e• Modern Language Review\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“This is an excellent book that includes among its contributors many of the most respected scholars on DEFA and East German cinema. There is an impressive array of critical and historical approaches on offer here, reflecting the breadth of scholarship on the subject and relating GDR film to a whole array of other areas and disciplines from Third Cinema to science fiction.”\u003c\/em\u003e \u003cstrong\u003e• Hunter Bivens\u003c\/strong\u003e, University of California, Santa Cruz\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“Looking back from what is now 25 years after reunification, this fine and original collection of essays represents a new phase in scholarship on East German films and filmmakers, one that builds on the achievements of past research while asking valuable new questions.”\u003c\/em\u003e \u003cstrong\u003e• Brad Prager\u003c\/strong\u003e, University of Missouri\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \tList of Illustrations\u003cbr\u003e \tAcknowledgments\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eIntroduction:\u003c\/strong\u003e Re-Imagining East German Cinema\u003cbr\u003e \t\u003cem\u003eSeán Allan and Sebastian Heiduschke\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART I: INSTITUTIONS \u0026amp; IDEOLOGY\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 1.\u003c\/strong\u003e The State-Owned Cinema Industry and Its Audience\u003cbr\u003e \t\u003cem\u003eRosemary Stott\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 2.\u003c\/strong\u003e History and Subjectivity. The Evolution of DEFA Film Music\u003cbr\u003e \t\u003cem\u003eLarson Powell\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 3.\u003c\/strong\u003e ‘Fatal Attractions’. Modernist Set Design and the East-West Divide in DEFA Films of the 1950s and early 1960s\u003cbr\u003e \t\u003cem\u003eAnnette Dorgerloh\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART II: NATIONAL AND TRANSNATIONAL CONTEXTS\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 4. \u003c\/strong\u003eDEFA and the Legacy of \u003cem\u003eFilm Europe\u003c\/em\u003e. Prestige, Institutional Exchange, and Film Co-Productions\u003cbr\u003e \t\u003cem\u003eMariana Ivanova\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 5.\u003c\/strong\u003e Betting on Entertainment. The Cold War Scandal of \u003cem\u003eSpielbank-Affäre\u003c\/em\u003e [\u003cem\u003eCasino Affair\u003c\/em\u003e, 1957]\u003cbr\u003e \t\u003cem\u003eStefan Soldovieri\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 6.\u003c\/strong\u003e ‘Operación Silencio’. Studio H\u0026amp;S’s Chile Cycle as Latin American Third Cinema\u003cbr\u003e \t\u003cem\u003eDennis Hanlon\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 7.\u003c\/strong\u003e Deconstructing Orientalism. DEFA’s Fictions of East Asia\u003cbr\u003e \t\u003cem\u003eQinna Shen\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 8.\u003c\/strong\u003e Transnational Stardom. DEFA’s Management of Dean Reed\u003cbr\u003e \t\u003cem\u003eSeán Allan\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART III: GENRE \u0026amp; POPULAR CINEMA\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 9.\u003c\/strong\u003e Walter Felsenstein and the DEFA Opera Film\u003cbr\u003e \t\u003cem\u003eSabine Hake\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 10.\u003c\/strong\u003e Dreams of ‘Cosmic Culture’ in \u003cem\u003eDer schweigende Stern\u003c\/em\u003e [\u003cem\u003eThe Silent Star\u003c\/em\u003e, 1960]\u003cbr\u003e \t\u003cem\u003eSonja Fritzsche\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 11.\u003c\/strong\u003e The DEFA \u003cem\u003eIndianerfilm\u003c\/em\u003e. Narrating the Postcolonial through Gojko Mitic\u003cbr\u003e \t\u003cem\u003eEvan Torner\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 12.\u003c\/strong\u003e Defining Socialist Children’s Films, Defining Socialist Childhoods\u003cbr\u003e \t\u003cem\u003eBenita Blessing\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART IV: DEFA’S LEGACY\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 13.\u003c\/strong\u003e DEFA’s Last Gasp. Ruins, Melancholy and the End of East German Filmmaking\u003cbr\u003e \t\u003cem\u003eNick Hodgin\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 14.\u003c\/strong\u003e \u003cem\u003eKLK an PTX. Die Rote Kapelle\u003c\/em\u003e. DEFA’s Antifascist Myth Revisited\u003cbr\u003e \t\u003cem\u003eSebastian Heiduschke\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 15.\u003c\/strong\u003e DEFA’s Afterimages. Looking Back at the East from the West in \u003cem\u003eDas Leben der Anderen\u003c\/em\u003e [\u003cem\u003eThe Lives of Others\u003c\/em\u003e, 2006] and \u003cem\u003eBarbara\u003c\/em\u003e (2012)\u003cbr\u003e \t\u003cem\u003eDaniela Berghahn\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \tBibliography\u003c\/p\u003e","brand":"Berghahn Books","offers":[{"title":"Default Title","offer_id":51042352005463,"sku":"9781785331053","price":36.11,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781785331053.jpg?v=1750953986","url":"https:\/\/bookcurl.com\/products\/re-imagining-defa-east-german-cinema-in-its-national-and-transnational-contexts-9781785331053","provider":"Book Curl","version":"1.0","type":"link"}