{"product_id":"protest-cultures-a-companion-9781785331480","title":"Protest Cultures: A Companion","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \tProtest is a ubiquitous and richly varied social phenomenon, one that finds expression not only in modern social movements and political organizations but also in grassroots initiatives, individual action, and creative works. It constitutes a distinct cultural domain, one whose symbolic content is regularly deployed by media and advertisers, among other actors. Yet within social movement scholarship, such cultural considerations have been comparatively neglected. \u003cem\u003eProtest Cultures: A Companion\u003c\/em\u003e dramatically expands the analytical perspective on protest beyond its political and sociological aspects. It combines cutting-edge synthetic essays with concise, accessible case studies on a remarkable array of protest cultures, outlining key literature and future lines of inquiry.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \t\u003cem\u003e“This volume definitely provides an important starting point: It helps explain how different protest movements construct their own reality, use media in novel ways, organize actions across all spheres of public life, and involve various representations, their very own language, as well as different forms of rule breaking. And it repeatedly reminds us how much work there still is to be done—how little we actually know about why and how protest occurs.”\u003c\/em\u003e \u003cstrong\u003e• German Politics and Society\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \tList of Figures\u003cbr\u003e \tList of Tables\u003cbr\u003e \tTables\u003cbr\u003e \tAcknowledgments\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003cbr\u003e \t\u003cem\u003e\u2028Kathrin Fahlenbrach, Martin Klimke, and Joachim Scharloth\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART I: PERSPECTIVES ON PROTEST\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 1. \u003c\/strong\u003eProtest in Social Movements\u003cbr\u003e \t\u003cem\u003eDonatella Della Porta\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 2.\u003c\/strong\u003e Protest Cultures in Social Movements: Dimensions and Functions\u2028\u003cbr\u003e \t\u003cem\u003eDieter Rucht\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 3.\u003c\/strong\u003e Protest in the Research on Sub- and Countercultures\u2028\u003cbr\u003e \t\u003cem\u003eRupa Huq\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 4.\u003c\/strong\u003e Protest as Symbolic Politics\u003cbr\u003e \t\u003cem\u003eJana Günther\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 5.\u003c\/strong\u003e Protest and Lifestyle\u003cbr\u003e \t\u003cem\u003eNick Crossley\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 6.\u003c\/strong\u003e Protest as Artistic Expression\u003cbr\u003e \t\u003cem\u003eT.V. Reed\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 7.\u003c\/strong\u003e Protest as a Media Phenomenon\u003cbr\u003e \t\u003cem\u003eKathrin Fahlenbrach\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART II: MORPHOLOGY OF PROTEST\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 8.\u003c\/strong\u003e Ideologies\/Cognitive Orientation\u003cbr\u003e \t\u003cem\u003eRuth Kinna\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 9.\u003c\/strong\u003e Frames and Framing Processes\u003cbr\u003e \t\u003cem\u003eDavid A. Snow\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 10.\u003c\/strong\u003e Cultural Memory\u003cbr\u003e \t\u003cem\u003eLorena Anton\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 11.\u003c\/strong\u003e Narratives\u003cbr\u003e \t\u003cem\u003eJakob Tanner\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 12.\u003c\/strong\u003e Utopia\u003cbr\u003e \t\u003cem\u003eLaurence Davis\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 13.\u003c\/strong\u003e Identity\u003cbr\u003e \t\u003cem\u003eNatalia Ruiz-Junco and Scott Hunt\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 14.\u003c\/strong\u003e Emotions\u003cbr\u003e \t\u003cem\u003eDeborah B. Gould\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 15.\u003c\/strong\u003e Commitment\u003cbr\u003e \t\u003cem\u003eCatherine Corrigall-Brown\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART III: MORPHOLOGY OF PROTEST\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 16.\u003c\/strong\u003e Body\u003cbr\u003e \t\u003cem\u003eAndrea Pabst\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 17.\u003c\/strong\u003e Dance as Protest\u2028\u003cbr\u003e \t\u003cem\u003eEva Aymamí Reñé\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 18. \u003c\/strong\u003eViolence\/Militancy\u003cbr\u003e \t\u003cem\u003eLorenzo Bosi\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 19.\u003c\/strong\u003e The Role of Humor in Protest Cultures\u2028\u003cbr\u003e \t\u003cem\u003eMarjolein ‘t Hart\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 20.\u003c\/strong\u003e Fashion in Social Movements\u003cbr\u003e \t\u003cem\u003eNicole Doerr\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 21.\u003c\/strong\u003e Action’s Design\u003cbr\u003e \t\u003cem\u003eTali Hatuka\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 22.\u003c\/strong\u003e Alternative Media\u003cbr\u003e \t\u003cem\u003eAlice Mattoni\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 23.\u003c\/strong\u003e Graffiti\u003cbr\u003e \t\u003cem\u003eJohannes Stahl\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 24.\u003c\/strong\u003e Posters and Placards\u003cbr\u003e \t\u003cem\u003eSascha Demarmels\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 25.\u003c\/strong\u003e Images and Imagery of Protest\u2028\u003cbr\u003e \t\u003cem\u003eKathrin Fahlenbrach\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 26.\u003c\/strong\u003e Typography and Text Design\u003cbr\u003e \t\u003cem\u003eJürgen Spitzmüller\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 27.\u003c\/strong\u003e Political Music and Protest Song\u003cbr\u003e \t\u003cem\u003eBeate Kutschke\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART IV: MORPHOLOGY OF PROTEST: DOMANIS OF PROTEST ACTIONS\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 28.\u003c\/strong\u003e The Public Sphere\u003cbr\u003e \t\u003cem\u003eSimon Teune\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 29.\u003c\/strong\u003e Public Space\u2028\u003cbr\u003e \t\u003cem\u003eTali Hatuka\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 30.\u003c\/strong\u003e Everyday Life\u003cbr\u003e \t\u003cem\u003eAnna Schober\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 31.\u003c\/strong\u003e Cyber Space\u003cbr\u003e \t\u003cem\u003ePaul G. Nixon and Rajash Rawal\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART V: MORPHOLOGY OF PROTEST: RE-PRESENTATION OF PROTEST\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 32.\u003c\/strong\u003e Witness and Testimony\u003cbr\u003e \t\u003cem\u003eEric G. Waggoner\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 33.\u003c\/strong\u003e Media Coverage\u003cbr\u003e \t\u003cem\u003eAndy Opel\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 34.\u003c\/strong\u003e Archives\u2028\u003cbr\u003e \t\u003cem\u003eHanno Balz\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART VI: PRAGMATICS OF PROTEST: PROTEST PRACTICES\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 35.\u003c\/strong\u003e Uttering\u003cbr\u003e \t\u003cem\u003eConstanze Spiess\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 36.\u003c\/strong\u003e Street Protest\u003cbr\u003e \t\u003cem\u003eMatthias Reiss\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 37.\u003c\/strong\u003e Insult and Devaluation\u2028\u003cbr\u003e \t\u003cem\u003eJohn Michael Roberts\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 38.\u003c\/strong\u003e Public Debating\u2028     \u003cbr\u003e \t\u003cem\u003eMary E. Triece\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 39.\u003c\/strong\u003e Media Campaigning\u003cbr\u003e \t\u003cem\u003eJohanna Niesyto\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 40.\u003c\/strong\u003e Theatrical Protest\u2028\u003cbr\u003e \t\u003cem\u003eDorothea Kraus\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 41.\u003c\/strong\u003e Movie\/Cinema\u003cbr\u003e \t\u003cem\u003eAnna Schober\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 42.\u003c\/strong\u003e Civil Disobedience\u003cbr\u003e \t\u003cem\u003eHelena Flam and Åsa Wettergren\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 43.\u003c\/strong\u003e Creating Temporary Autonomous Zones\u003cbr\u003e \t\u003cem\u003eFreia Anders\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 44.\u003c\/strong\u003e Mummery\u2028\u003cbr\u003e \t\u003cem\u003eSebastian Haunss\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 45.\u003c\/strong\u003e Recontextualization of Signs and Fakes\u003cbr\u003e \t\u003cem\u003eDavid Eugster\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 46.\u003c\/strong\u003e Clandestinity\u003cbr\u003e \t\u003cem\u003eGilda Zwerman\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 47.\u003c\/strong\u003e Violence\/Destruction\u003cbr\u003e \t\u003cem\u003ePeter Sitzer and Wilhelm Heitmeyer\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART VIII: PRAGMATICS OF PROTEST: REACTIONS TO PROTEST ACTIONS\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 48.\u003c\/strong\u003e Political and Institutional Confrontation\u003cbr\u003e \t\u003cem\u003eLorenzo Bosi and Katrin Uba\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 49.\u003c\/strong\u003e Suppression of Protest\u003cbr\u003e \t\u003cem\u003eBrian Martin\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 50.\u003c\/strong\u003e Cultural Conflicts in the Discursive Fields\u2028\u003cbr\u003e \t\u003cem\u003eNick Crossley\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 51.\u003c\/strong\u003e Assimilation of Protest Codes: Advertisement and Mainstream Culture\u003cbr\u003e \t\u003cem\u003eRudi Maier\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 52.\u003c\/strong\u003e Corporate Reactions\u003cbr\u003e \t\u003cem\u003eVeronika Kneip\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART VIII: PRAGMATICS OF PROTEST: LONG-TERM CONSEQUENCES\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 53.\u003c\/strong\u003e Biographical Impact\u2028\u003cbr\u003e \t\u003cem\u003eMarco Giugni\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 54.\u003c\/strong\u003e Changing Gender Roles\u2028\u003cbr\u003e \t\u003cem\u003eKristina Schulz\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 55.\u003c\/strong\u003e Founding of Milieus\u003cbr\u003e \t\u003cem\u003eMichael Vester\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 56.\u003c\/strong\u003e Diffusion of Symbolic Forms\u2028\u003cbr\u003e \t\u003cem\u003eDieter Rucht\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 57.\u003c\/strong\u003e Political Correctness\u2028\u003cbr\u003e \t\u003cem\u003eSabine Elsner-Petri\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \tIndex\u003c\/p\u003e","brand":"Berghahn Books","offers":[{"title":"Default Title","offer_id":51042372780375,"sku":"9781785331480","price":118.8,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781785331480.jpg?v=1750953990","url":"https:\/\/bookcurl.com\/products\/protest-cultures-a-companion-9781785331480","provider":"Book Curl","version":"1.0","type":"link"}