{"product_id":"politics-in-a-glass-case-feminism-exhibition-cultures-and-curatorial-transgressions-9781846318931","title":"Politics in a Glass Case: Feminism, Exhibition","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWhat happens to art when feminism grips the curatorial imagination? How do sexual politics become realised as exhibits? Is the struggle against gender discrimination compatible with the aspirations of museums led by market values? Beginning with the feminist critique of the art exhibition in the 1970s and concluding with reflections on intersectional curating and globalisation after 2000, this pioneering collection offers an alternative narrative of feminism’s impact on art. The essays provide rigorous accounts of developments in Scandinavia, Eastern and Southern Europe as well as the UK and US, framed by an introduction which offers a politically engaging navigation of historical and current positions. Delivered through essays, memoirs and interviews, discussion highlights include the Tate Modern hang, relational aesthetics, the global exhibition, feminism and technology in the museum, the rise of curatorial collectivism, and insights into major exhibitions such as Gender Check on Eastern Europe. Bringing together two generations of curators, artists and historians to rethink distinct and unresolved moments in the feminist re-modelling of art contexts, this volume dares to ask: is there a history of feminist art or one of feminist presentations of artworks?  Contributors include Deborah Cherry, Jo Anna Isaak, Malin Hedlin Hayden, Lubaina Himid, Amelia Jones, Kati Kivimaa, Alexandra Kokoli, Kuratorisk Aktion, Suzana Milevska, Suzanne Lacy, Lucy Lippard, Sue Malvern, Nancy Proctor, Bojana Pejić, Helena Reckitt, Jessica Sjöholm Skrubbe, Jeannine Tang and Catherine Wood.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e1. How to Be Seen: An Introduction to Feminist Politics, Exhibition Cultures and Curatorial Transgressions\u003c\/li\u003e\n\u003cli\u003eAngela Dimitrakaki and Lara Perry\u003c\/li\u003e\n\u003cli\u003ePART I. Feminism in the Art Institution\u003c\/li\u003e\n\u003cli\u003e2. Sexual Politics: Art Style\u003c\/li\u003e\n\u003cli\u003e(Introduction to the 1978 Hayward Annual Exhibition Catalogue)\u003c\/li\u003e\n\u003cli\u003eLucy Lippard\u003c\/li\u003e\n\u003cli\u003e3. A Great Time to Be A Woman? Feminism and Women’s Art at Tate Modern\u003c\/li\u003e\n\u003cli\u003eLara Perry\u003c\/li\u003e\n\u003cli\u003e4. Feminism, Participation and Matrixial Encounters: Towards a Radical, Sustainable Museum (Practice)\u003c\/li\u003e\n\u003cli\u003eNancy Proctor\u003c\/li\u003e\n\u003cli\u003e5. A Serious Suggestion: Give Up the Goat. Art Collections and Feminist Critique in Sweden\u003c\/li\u003e\n\u003cli\u003eJessica Sjöholm Skrubbe and Malin Hedlin Hayden\u003c\/li\u003e\n\u003cli\u003e6. Exhibiting Black Women's Art in the 1980s\u003c\/li\u003e\n\u003cli\u003eLubaina Himid\u003c\/li\u003e\n\u003cli\u003ePART II. Exhibitions and Counter-Practices\u003c\/li\u003e\n\u003cli\u003e7. The Lessons of Sexual Politics: From the 1970s to Empire. An interview with Amelia Jones\u003c\/li\u003e\n\u003cli\u003eAngela Dimitrakaki\u003c\/li\u003e\n\u003cli\u003e8. Rethinking Inside the Visible\u003c\/li\u003e\n\u003cli\u003eSue Malvern\u003c\/li\u003e\n\u003cli\u003e9. Art as Life, Art as Politics, Art as Political Action. An Interview with Suzanne Lacy\u003c\/li\u003e\n\u003cli\u003eCatherine Wood\u003c\/li\u003e\n\u003cli\u003e10. Forgotten Relations: Feminist Artists and Relational Aesthetics\u003c\/li\u003e\n\u003cli\u003eHelena Reckitt\u003c\/li\u003e\n\u003cli\u003e11. Insights from Italy: Pleasure, Plurality, and Shaping the Present\u003c\/li\u003e\n\u003cli\u003eJo Anna Isaak\u003c\/li\u003e\n\u003cli\u003e12. Gender Check, Feminism and Curating in Eastern Europe: An Interview with Bojana Pejić\u003c\/li\u003e\n\u003cli\u003eKatrin Kivimaa\u003c\/li\u003e\n\u003cli\u003ePART III. Curating the Other\/Curating as Other\u003c\/li\u003e\n\u003cli\u003e13. The ‘Woman Artist’ as Curatorial Effect\u003c\/li\u003e\n\u003cli\u003eAlexandra M. Kokoli\u003c\/li\u003e\n\u003cli\u003e14. With her Fingers on the Political Pulse: The Transnational Curating of Maud Sulter\u003c\/li\u003e\n\u003cli\u003eDeborah Cherry\u003c\/li\u003e\n\u003cli\u003e15. Archiving\/An-archiving Gender Difference, or the 'Silkworm Cocoon' of Feminist Curatorial Research and Practices in the Balkans\u003c\/li\u003e\n\u003cli\u003eSuzana Milevska\u003c\/li\u003e\n\u003cli\u003e16. The Problem of Equality, or Translating 'Woman' in the Age of Global Exhibition\u003c\/li\u003e\n\u003cli\u003eJeannine Tang\u003c\/li\u003e\n\u003cli\u003e17. Curatorial Collectives and Feminist Politics in 21st-Century Europe An interview with Kuratorisk Aktion\u003c\/li\u003e\n\u003cli\u003eAngela Dimitrakaki\u003c\/li\u003e\n\u003cli\u003eBibliography\u003c\/li\u003e\n\u003cli\u003eIndex\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Liverpool University Press","offers":[{"title":"Default Title","offer_id":51360209207639,"sku":"9781846318931","price":109.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781846318931.jpg?v=1754126990","url":"https:\/\/bookcurl.com\/products\/politics-in-a-glass-case-feminism-exhibition-cultures-and-curatorial-transgressions-9781846318931","provider":"Book Curl","version":"1.0","type":"link"}