{"product_id":"poetry-and-cultural-studies-9780252076084","title":"Poetry and Cultural Studies","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA collection of critical texts exploring poetry's engagement with the social\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Recommended.\"--\u003ci\u003eChoice\u003c\/i\u003e \u003cbr\u003e\"A brilliant resource.\"--\u003ci\u003eRain Taxi\u003c\/i\u003e\u003cbr\u003e\"It is time for this book. Poetry is studied more and more frequently with a cultural studies approach, and Damon and Livingston provide the perfect balance in this collection.\"--Juliana Spahr, coeditor of \u003ci\u003ePoetry and Pedagogy: The Challenge of the Contemporary\u003c\/i\u003e and author of several collections of poetry\u003cbr\u003e\"A reader that brings together foundational essays on the conjunction of poetry and cultural studies is not just timely but more and more urgent as the canon of poetry taught in the academy opens beyond a small clutch of 'masterpieces' and cultural studies begins to engage popular poetry, newspaper poetry, rap, slam, and other ephemeral performance poetries. This book is an important intervention in the reconfiguration of these fields of study.\"--Adalaide Morris, author of \u003ci\u003eHow to Live\/What to Do: H.D.'s Cultural Poetics\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eACKNOWLEDGMENTS   ix\u003cbr\u003e INTRODUCTION   1\u003cbr\u003e\u003ci\u003eMaria Damon and Ira Livingston\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePrecursors\u003c\/b\u003e\u003cbr\u003e 1\u003ci\u003e   \u003c\/i\u003ePreface to \u003ci\u003eLyrical Ballads   21\u003c\/i\u003e\u003cbr\u003e WILLIAM WORDSWORTH\u003cbr\u003e 2\u003ci\u003e   \u003c\/i\u003eTwo Essays on Poetry and Society\u003ci\u003e   \u003c\/i\u003e25\u003cbr\u003e THEODOR ADORNO\u003cbr\u003e 3\u003ci\u003e   \u003c\/i\u003eOn Some Motifs in Baudelaire\u003ci\u003e   \u003c\/i\u003e37\u003cbr\u003e WALTER BENJAMIN\u003cbr\u003e 4\u003ci\u003e   \u003c\/i\u003eWhat Is a Minor Literature?\u003ci\u003e   \u003c\/i\u003e56\u003cbr\u003e GILLES DELEUZE AND FELIX GUATTARI\u003cbr\u003e 5\u003ci\u003e   \u003c\/i\u003eOf the Sorrow Songs\u003ci\u003e   \u003c\/i\u003e61\u003cbr\u003e W. E. B. DU BOIS\u003cbr\u003e 6\u003ci\u003e   \u003c\/i\u003eA Theory of Discourse\u003ci\u003e   \u003c\/i\u003e67\u003cbr\u003e ANTONY EASTHOPE\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEthnography\u003c\/b\u003e\u003cbr\u003e 7\u003ci\u003e   \u003c\/i\u003eSome Aspects of Folk Poetry\u003ci\u003e   \u003c\/i\u003e77\u003cbr\u003e AMERICO PAREDES\u003cbr\u003e 8\u003ci\u003e   \u003c\/i\u003eThe Signifying Monkey and the Language of Signifyin(g): Rhetorical Difference and the Orders of Meaning\u003ci\u003e   \u003c\/i\u003e90\u003cbr\u003e HENRY LOUIS GATES JR.\u003cbr\u003e 9\u003ci\u003e   \u003c\/i\u003eShifting Politics in Bedouin Love Poetry\u003ci\u003e   \u003c\/i\u003e116\u003cbr\u003e LILA ABU-LAUGHOD\u003cbr\u003e 10\u003ci\u003e   \u003c\/i\u003eThe Poetric Construction of Self\u003ci\u003e   \u003c\/i\u003e133\u003cbr\u003e STEVEN C. CATON\u003cbr\u003e 11\u003ci\u003e   \u003c\/i\u003eTell Them about Us: Some Poems from Southie\u003ci\u003e   \u003c\/i\u003e147\u003cbr\u003e MARIA DAMON\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMass Culture\/Cultural Politics\u003c\/b\u003e\u003cbr\u003e 12\u003ci\u003e   \u003c\/i\u003eThe Bride of the Assembly Line: Radical Poetics in Construction\u003ci\u003e   \u003c\/i\u003e163\u003cbr\u003e BARRETT WATTEN\u003cbr\u003e 13\u003ci\u003e   \u003c\/i\u003eAssembly Poetics in the Global Economy: Nicaragua\u003ci\u003e   \u003c\/i\u003e177\u003cbr\u003e BRUCE CAMPBELL\u003cbr\u003e 14\u003ci\u003e   \u003c\/i\u003eBlack Texts\/Black Contexts\u003ci\u003e   \u003c\/i\u003e195\u003cbr\u003e TRICIA ROSE\u003cbr\u003e 15\u003ci\u003e   \u003c\/i\u003eKickin' Eality, Kickin' Ballistics: Gangsta Rap and Postindustrial Los Angeles\u003ci\u003e   \u003c\/i\u003e199\u003cbr\u003e ROBIN D. G. KELLEY\u003cbr\u003e 16\u003ci\u003e   \u003c\/i\u003ePoetry for the People\u003ci\u003e   \u003c\/i\u003e213\u003cbr\u003e AMITAVA KUMAR\u003cbr\u003e 17\u003ci\u003e   \u003c\/i\u003e\u003ci\u003eLa Douceur de foyer: \u003c\/i\u003eLyric Poetry of the Year\u003ci\u003e\u003c\/i\u003e1857 as a Model for the Communication of Social Norms\u003ci\u003e   \u003c\/i\u003e226\u003cbr\u003e HANS ROBERT JAUSS\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNational (De)Formations\u003c\/b\u003e\u003cbr\u003e 18\u003ci\u003e   \u003c\/i\u003eSmoke Rings: Worker-Poets in the France of Louis-Philippe\u003ci\u003e   \u003c\/i\u003e237\u003cbr\u003e JACQUES RANCIERE\u003cbr\u003e 19\u003ci\u003e   \u003c\/i\u003eRimbaud and the Transformation of Social Space\u003ci\u003e   \u003c\/i\u003e248\u003cbr\u003e KRISTIN ROSS\u003cbr\u003e 20\u003ci\u003e   \u003c\/i\u003ePoetry and the Public: The Social Form of Modern U.S. Poetics\u003ci\u003e   \u003c\/i\u003e266\u003cbr\u003e JOSEPH HARRINGTON\u003cbr\u003e 21\u003ci\u003e   \u003c\/i\u003eNation and Imagination\u003ci\u003e   \u003c\/i\u003e285\u003cbr\u003e DIPESH CHAKRABARTY\u003cbr\u003e 22\u003ci\u003e   \u003c\/i\u003eAngel Island and the Poetics of Error\u003ci\u003e   \u003c\/i\u003e301\u003cbr\u003e YUNTE HUANG\u003cbr\u003e 23\u003ci\u003e   \u003c\/i\u003e\"HOO, HOO, HOO\": Some Episodes in the Construction of Modern Male Whiteness\u003ci\u003e   \u003c\/i\u003e310\u003cbr\u003e RACHEL BLAU DUPLESSIS\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSubject (De)Formations\u003c\/b\u003e\u003cbr\u003e 24\u003ci\u003e   \u003c\/i\u003eA Poem Is Being Written\u003ci\u003e   \u003c\/i\u003e333\u003cbr\u003e EVE KOSOFSKY SEDGWICK\u003cbr\u003e 25\u003ci\u003e   \u003c\/i\u003eA Musician Is Being Beaten\u003ci\u003e   \u003c\/i\u003e340\u003cbr\u003e JOHN MOWITT\u003cbr\u003e 26\u003ci\u003e   \u003c\/i\u003ePoetry and Anthropology\u003ci\u003e   \u003c\/i\u003e347\u003cbr\u003e TRINH T. MINH-HA\u003cbr\u003e 27\u003ci\u003e   \u003c\/i\u003ePoetry Is Not a Luxury\u003ci\u003e   \u003c\/i\u003e355\u003cbr\u003e AUDRE LORDE\u003cbr\u003e 28\u003ci\u003e   \u003c\/i\u003eA Blow Is Like an Instrument\u003ci\u003e   \u003c\/i\u003e359\u003cbr\u003e CHARLES BERNSTEIN\u003ci\u003e   \u003c\/i\u003e359\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReinventing Tradition\u003c\/b\u003e\u003cbr\u003e 29\u003ci\u003e   \u003c\/i\u003eSappho Is Burning: Fragmentary Introduction\u003ci\u003e   \u003c\/i\u003e375\u003cbr\u003e PAGE DUBOIS\u003cbr\u003e 30\u003ci\u003e   \u003c\/i\u003eGenocide, Modernism, and American Verse: Reading Diana Der-Hovanessian\u003ci\u003e   \u003c\/i\u003e390\u003cbr\u003e WALTER KALAIDJIAN\u003cbr\u003e 31\u003ci\u003e   \u003c\/i\u003eThe Forms of Things Unknown\u003ci\u003e   \u003c\/i\u003e406\u003cbr\u003e STEPHEN HENDERSON\u003cbr\u003e 32\u003ci\u003e   \u003c\/i\u003eHistory of the Voice, 1979=1981\u003ci\u003e   \u003c\/i\u003e417\u003cbr\u003e KAMAU BRATHWAITE\u003cbr\u003e 33\u003ci\u003e   \u003c\/i\u003eOf Poetry and Power: Maya Angelou on the Inaugural Stage\u003ci\u003e   \u003c\/i\u003e428\u003cbr\u003e ZOFIA BURR\u003cbr\u003e 34\u003ci\u003e   \u003c\/i\u003eNuyorican Language\u003ci\u003e   \u003c\/i\u003e437\u003cbr\u003e MIGUEL ALGARIN\u003cbr\u003e INDEX\u003ci\u003e   \u003c\/i\u003e447\u003cbr\u003e  ","brand":"University of Illinois Press","offers":[{"title":"Default Title","offer_id":49400482890071,"sku":"9780252076084","price":23.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780252076084.jpg?v=1730470797","url":"https:\/\/bookcurl.com\/products\/poetry-and-cultural-studies-9780252076084","provider":"Book Curl","version":"1.0","type":"link"}