{"product_id":"poems-for-the-millennium-volume-one-9780520072275","title":"Poems for the Millennium Volume One","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eReveals the revolutionary concepts at the very heart of twentieth-century poetry. This volume offers three 'galleries' of individual poets - figures such as Mallarme, Stein, Rilke, Tzara, Mayakovsky, Pound, H D, Vallejo, Artaud, Cesaire, and Tsvetayeva.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Poems for the Millennium: Part One is ... one of the very best of its kind.\" Kaurab Online\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction\u003cbr\u003e Thanks and Acknowledgments\u003cbr\u003e\u003cbr\u003e FORERUNNERS\u003cbr\u003e Prologue to Forerunners\u003cbr\u003e William Blake\u003cbr\u003e \"Obey thou the Words of the Inspired Man\"\u003cbr\u003e Friedrich Holderlin\u003cbr\u003e In the Days of Socrates\u003cbr\u003e Elias Lonnrot\u003cbr\u003e from The Kaleva\/a\u003cbr\u003e Walt Whitman\u003cbr\u003e This Compost\u003cbr\u003e Charles Baudelaire\u003cbr\u003e Fuses I \u0026amp; II\u003cbr\u003e Emily Dickinson\u003cbr\u003e Fascicle 34 Poem 9\u003cbr\u003e Bald Mountain Zaum-Poems\u003cbr\u003e Gerard Manley Hopkins\u003cbr\u003e That Nature is a Heraclitean Fire and of the Comfort\u003cbr\u003e of the Resurrection\u003cbr\u003e Isidore Ducasse, Comte de Lautreamont\u003cbr\u003e from Maldoror\u003cbr\u003e Arthur Rimbaud\u003cbr\u003e from A Season in Hell\u003cbr\u003e After Bitahatini\u003cbr\u003e from The Night Chant\u003cbr\u003e Stephane Mallarme\u003cbr\u003e from Le Livre\u003cbr\u003e\u003cbr\u003e A FIRST GALLERY\u003cbr\u003e Stephane Mallarme\u003cbr\u003e A Throw of the Dice Never Will Abolish Chance\u003cbr\u003e C. P. Cavafy\u003cbr\u003e Waiting for the Barbarians\u003cbr\u003e Days of 1908\u003cbr\u003e And I Lounged and Lay on their Beds\u003cbr\u003e Adolf Wolfli\u003cbr\u003e Nostalgic Song for My Beloved\u003cbr\u003e from From the Cradle to the Graave, or, through\u003cbr\u003e working and sweating, suffering and hardship, even\u003cbr\u003e through prayyer into damnation\u003cbr\u003e Match Factory at Chaami 1911\u003cbr\u003e Ruben Darlo\u003cbr\u003e Far Away and Long Ago\u003cbr\u003e To Roosevelt\u003cbr\u003e Paul Valery\u003cbr\u003e Crusoe\u003cbr\u003e Alfred Jarry\u003cbr\u003e The Passion of Jesus Considered as an Uphill Race\u003cbr\u003e Gertrude Stein\u003cbr\u003e from Tender Buttons\u003cbr\u003e A Valentine to Sherwood Anderson\u003cbr\u003e from Lifting Belly\u003cbr\u003e Rainer Maria Rilke\u003cbr\u003e Death\u003cbr\u003e Tombs of the Hetaerae\u003cbr\u003e The First Duino Elegy\u003cbr\u003e Max Jacob\u003cbr\u003e 1914\u003cbr\u003e from The Cock and the Pearl\u003cbr\u003e Andrey Bely\u003cbr\u003e from The Dramatic Symphony\u003cbr\u003e Guillaume Apollinaire\u003cbr\u003e Horse Calligram\u003cbr\u003e Zone\u003cbr\u003e A Phantom of Clouds\u003cbr\u003e from Poems for Lou\u003cbr\u003e The Little Car\u003cbr\u003e from Victoire\u003cbr\u003e Pablo Picasso\u003cbr\u003e A Bottle of Suze\u003cbr\u003e Franz Kafka\u003cbr\u003e Before the Law\u003cbr\u003e Mina Loy\u003cbr\u003e from Love Songs to ]oannes\u003cbr\u003e Three Moments in Paris\u003cbr\u003e Dino Campana\u003cbr\u003e Genoa\u003cbr\u003e Fernando Pessoa\u003cbr\u003e \"The startling reality of things\"\u003cbr\u003e from Maritime Ode\u003cbr\u003e from Oblique Rain\u003cbr\u003e Ezra Pound\u003cbr\u003e Papyrus\u003cbr\u003e The Return\u003cbr\u003e Canto One\u003cbr\u003e Hagiwara Sakutaro\u003cbr\u003e Chair\u003cbr\u003e Spring Night\u003cbr\u003e Lover of Love\u003cbr\u003e So Terrifyingly Melancholy\u003cbr\u003e Blaise Cendrars\u003cbr\u003e The Great Fetishes\u003cbr\u003e from The Prose of the Trans-Siberian\u003cbr\u003e and of Little Jeanne of France\u003cbr\u003e Marcel Duchamp\u003cbr\u003e The 1914 Box\u003cbr\u003e Giuseppe Ungaretti\u003cbr\u003e THREE POEMS\u003cbr\u003e Mattina\/ Morning\u003cbr\u003e Soldiers\u003cbr\u003e Babel\u003cbr\u003e The Rivers\u003cbr\u003e Pierre Reverdy\u003cbr\u003e Secret\u003cbr\u003e Flower Market\u003cbr\u003e Inn\u003cbr\u003e Squares\u003cbr\u003e Vicente Huidobro\u003cbr\u003e Ars Poetica\u003cbr\u003e CowBoy\u003cbr\u003e Express\u003cbr\u003e\u003cbr\u003e FUTURISMS\u003cbr\u003e Prologue to Futurism I\u003cbr\u003e Carlo Carra\u003cbr\u003e Demonstration for Intervention in the War\u003cbr\u003e F. T. Marinetti\u003cbr\u003e from The Manifesto of Futurism\u003cbr\u003e Apres Ia Marne, Joffre visita le front en auto\u003cbr\u003e from Zang Tumb Tuuum\u003cbr\u003e Successively\u003cbr\u003e from The Variety Theater Manifesto\u003cbr\u003e\u003cbr\u003e FOUR SINTESI\u003cbr\u003e Francesco Cangiullo: Detonation\u003cbr\u003e F. T. Marinetti: A Landscape Heard\u003cbr\u003e F. T. Marinetti: They Are Coming\u003cbr\u003e Fortunato Depero: Colors\u003cbr\u003e Paolo Buzzi\u003cbr\u003e Finger-Nails\u003cbr\u003e Aldo Palazzeschi\u003cbr\u003e The Stranger\u003cbr\u003e Nuns Go Walking\u003cbr\u003e Prologue to Futurism II\u003cbr\u003e Vasily Kamensky\u003cbr\u003e Constantinople: Ferroconcrete Poem\u003cbr\u003e D. Burliuk, Aleksandr Kruchenykh, V. Mayakovsky,\u003cbr\u003e Viktor Khlebnikov\u003cbr\u003e from A Slap in the Face of Public Taste\u003cbr\u003e Velimir Khlebnikov\u003cbr\u003e Incantation by Laughter\u003cbr\u003e Four Poems\u003cbr\u003e from Zangezi\u003cbr\u003e Aleksei Kruchenykh\u003cbr\u003e Declaration of the Word as Such\u003cbr\u003e from Pomade\u003cbr\u003e From the Sahara to America\u003cbr\u003e Vladimir Mayakovsky\u003cbr\u003e Listen\u003cbr\u003e from A Cloud in Trousers\u003cbr\u003e Screaming My Head Off\u003cbr\u003e Mayakovsky's Suicide Note\u003cbr\u003e Anatol Stern\u003cbr\u003e Europa\u003cbr\u003e\u003cbr\u003e EXPRESSIONISM\u003cbr\u003e Prologue to Expressionism\u003cbr\u003e Wassily Kandinsky\u003cbr\u003e Sounds\u003cbr\u003e Chalk and Soot\u003cbr\u003e Else Lasker-Schiiler\u003cbr\u003e Chronica\u003cbr\u003e THREE PORTRAITS\u003cbr\u003e Georg Trakl\u003cbr\u003e George Grosz\u003cbr\u003e To the Barbarian:\u003cbr\u003e August Stramm\u003cbr\u003e Encounter\u003cbr\u003e Urdeath\u003cbr\u003e Battlefield\u003cbr\u003e Paul Klee\u003cbr\u003e The Wolf Speaks\u003cbr\u003e Poem\u003cbr\u003e A Friend\u003cbr\u003e The Happy One\u003cbr\u003e Poem\u003cbr\u003e Gottfried Benn\u003cbr\u003e Little Aster\u003cbr\u003e Lovely Childhood\u003cbr\u003e Cycle\u003cbr\u003e Man and Woman Go through the Cancer Ward\u003cbr\u003e Night Cafe\u003cbr\u003e A Bunch of Drifter Sons Hollered\u003cbr\u003e GeorgTrakl\u003cbr\u003e Sleep\u003cbr\u003e The Evening\u003cbr\u003e De Profundis\u003cbr\u003e Revelation and Decline\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e DADA\u003cbr\u003e Prologue to Dada\u003cbr\u003e Tristan T zara\u003cbr\u003e Zurich Chronicle February I9I6\u003cbr\u003e Hugo Ball\u003cbr\u003e The Sun\u003cbr\u003e from Flight Out of Time\u003cbr\u003e The Complete Sound-Poems of Hugo Ball\u003cbr\u003e Tristan Tzara\u003cbr\u003e Metal Coughdrops\u003cbr\u003e Chanson Dada\u003cbr\u003e from Dada Manifesto on Feeble \u0026amp; Bitter Love\u003cbr\u003e The Great Lament of My Obscurity Three\u003cbr\u003e Richard Huelsenbeck\u003cbr\u003e \"We Hardly\"\u003cbr\u003e Richard Huelsenbeck, Marcel Janko, Tristan Tzara\u003cbr\u003e L'amiral cherche une maison a louer\u003cbr\u003e Hans Arp\u003cbr\u003e Kaspar Is Dead\u003cbr\u003e People\u003cbr\u003e The Great Unrestrained Sadist\u003cbr\u003e The Man. The Woman\u003cbr\u003e Francis Picabia\u003cbr\u003e Spermal Chimney\u003cbr\u003e from Eunuch Unique\u003cbr\u003e Portrait de Tristan Tzara\u003cbr\u003e Marcel Duchamp\u003cbr\u003e Speculations\u003cbr\u003e SURcenSURE\u003cbr\u003e Cast Shadows\u003cbr\u003e Else von Freytag-Loringhoven\u003cbr\u003e Affectionate\u003cbr\u003e Holy Skirts\u003cbr\u003e Kurt Schwitters\u003cbr\u003e Desire\u003cbr\u003e Portrait of Herwarth Walden\u003cbr\u003e Anna Blossom Has Wheels\u003cbr\u003e Murder Machine 43\u003cbr\u003e from Ur Sonata\u003cbr\u003e Theo van Doesburg\u003cbr\u003e Still Life: The Table\u003cbr\u003e Remembrance of the Founts of Night\u003cbr\u003e Georges Ribemont-Dessaignes\u003cbr\u003e Artichokes\u003cbr\u003e Andre Breton\u003cbr\u003e The Mystery Corset\u003cbr\u003e Andre Breton \u0026amp; Philippe Soupault\u003cbr\u003e from The Magnetic Fields\u003cbr\u003e\u003cbr\u003e A SECOND GALLERY\u003cbr\u003e William Butler Yeats\u003cbr\u003e from A Vision and The Second Coming\u003cbr\u003e Gertrude Stein\u003cbr\u003e Identity a Poem\u003cbr\u003e Rainer Maria Rilke\u003cbr\u003e The Eighth Duino Elegy\u003cbr\u003e Wallace Stevens\u003cbr\u003e Dance of the Macabre Mice\u003cbr\u003e Connoisseur of Chaos\u003cbr\u003e James Joyce\u003cbr\u003e from Ulysses\u003cbr\u003e William Carlos Williams\u003cbr\u003e The Locust Tree in Flower\u003cbr\u003e Paterson\u003cbr\u003e D. H. Lawrence\u003cbr\u003e Tortoise Shout\u003cbr\u003e Ezra Pound\u003cbr\u003e Canto 32\u003cbr\u003e Canto 51\u003cbr\u003e H. D. (Hilda Doolittle)\u003cbr\u003e from Tribute to the Angels\u003cbr\u003e Marianne Moore\u003cbr\u003e Sea Unicorns and Land Unicorns\u003cbr\u003e T. S. Eliot\u003cbr\u003e [The Waste Land]\u003cbr\u003e St.-John Perse\u003cbr\u003e from Anabasis\u003cbr\u003e Edith Sitwell\u003cbr\u003e from Far;ade\u003cbr\u003e Still Falls the Rain\u003cbr\u003e The Madwoman in the Park\u003cbr\u003e Osip Mandelstam\u003cbr\u003e from Tristia\u003cbr\u003e Whoever Finds a Horseshoe\u003cbr\u003e Poem No. 286 (On Stalin)\u003cbr\u003e The Charlie Chaplin Poem\u003cbr\u003e Last Poems\u003cbr\u003e Edith Sodergran\u003cbr\u003e Hell\u003cbr\u003e Vierge Moderne\u003cbr\u003e Instinct\u003cbr\u003e Cesar Vallejo\u003cbr\u003e from Tri\/ce: IX, XXV, LXXV\u003cbr\u003e The Hungry Man's Wheel\u003cbr\u003e Telluric and Magnetic\u003cbr\u003e Vicente Huidobro\u003cbr\u003e from Altazor: Cantos I, VI, vn\u003cbr\u003e Jorge de Lima\u003cbr\u003e Distribution of Poetry\u003cbr\u003e Papa John\u003cbr\u003e The Enormous Hand\u003cbr\u003e Poem of Any Virgin\u003cbr\u003e J. V. Foix\u003cbr\u003e When I Sleep, Then I See Clearly\u003cbr\u003e I Arrived in That Town, Everyone Greeted Me,\u003cbr\u003e and I Recognized No One. When I Was Going to\u003cbr\u003e Read My Verses, the Devil, Hidden behind a Tree,\u003cbr\u003e Called Out to Me Sarcastically and Filled My\u003cbr\u003e Hands with Newspaper Clippings\u003cbr\u003e Marina Tsvetayeva\u003cbr\u003e from The Poem of the End\u003cbr\u003e e. e. cummings\u003cbr\u003e No Thanks, No. 70\u003cbr\u003e Poem, or Beauty Hurts Mr. Vinal\u003cbr\u003e Lucian Blaga\u003cbr\u003e I Will Not Crush the World's Corolla of Wonders\u003cbr\u003e Psalm\u003cbr\u003e Jacob Glatshteyn\u003cbr\u003e To a Friend Who Wouldn't Bother to Strain His\u003cbr\u003e Noodleboard Because Even So It Is Hard to\u003cbr\u003e Go Hunting When Your Rifle Is Blunt and Love\u003cbr\u003e Is Soft as an Old Blanket\u003cbr\u003e Eugenio Montale\u003cbr\u003e The Lemon Trees\u003cbr\u003e The Eel\u003cbr\u003e Little Testament\u003cbr\u003e Paul van Ostaijen\u003cbr\u003e The Murderers\u003cbr\u003e Hart Crane\u003cbr\u003e The Mango Tree\u003cbr\u003e The Circumstance\u003cbr\u003e 0 Carib Isle!\u003cbr\u003e Federico Garcia Lorca\u003cbr\u003e Night Suite, for Piano \u0026amp; Poet's Voice\u003cbr\u003e Ode for Walt Whitman\u003cbr\u003e\u003cbr\u003e SURREALISM\u003cbr\u003e Prologue to Surrealism\u003cbr\u003e Andre Breton\u003cbr\u003e from Manifesto of Surrealism (1924)\u003cbr\u003e Robert Desnos\u003cbr\u003e Trance Event\u003cbr\u003e Language Event One\u003cbr\u003e Language Event Two\u003cbr\u003e Andre Breton\u003cbr\u003e A Man and Woman Absolutely White\u003cbr\u003e Free Union\u003cbr\u003e Poem-Object\u003cbr\u003e On the Road to San Romano\u003cbr\u003e Go for Broke\u003cbr\u003e Philippe Soupault\u003cbr\u003e FOUR POEMS\u003cbr\u003e Route\u003cbr\u003e Life-Saving Medal\u003cbr\u003e Sporting Goods\u003cbr\u003e Sunday\u003cbr\u003e Comrade\u003cbr\u003e Louis Aragon\u003cbr\u003e Poem to Shout in the Ruins\u003cbr\u003e Benjamin Peret\u003cbr\u003e My Final Agonies\u003cbr\u003e Joan of Arc\u003cbr\u003e On All Fours\u003cbr\u003e Robert Desnos\u003cbr\u003e Cuckoo\u003cbr\u003e Midway\u003cbr\u003e Epitaph\u003cbr\u003e Tristan Tzara\u003cbr\u003e Maison Aragon\u003cbr\u003e from The Approximate Man\u003cbr\u003e Gisele Prassinos\u003cbr\u003e Hair Tonic\u003cbr\u003e A Conversation\u003cbr\u003e Paul Eluard \u0026amp; Andre Breton\u003cbr\u003e from The Immaculate Conception\u003cbr\u003e Salvador Dali\u003cbr\u003e The Great Masturbator\u003cbr\u003e Max Ernst\u003cbr\u003e from The Hundred Headless Woman\u003cbr\u003e Anton in Artaud\u003cbr\u003e All Writing Is Garbage\u003cbr\u003e The Spurt of Blood\u003cbr\u003e\u003cbr\u003e \"OBJECTIVISTS\"\u003cbr\u003e Prologue to \"Objectivists\"\u003cbr\u003e Ezra Pound\u003cbr\u003e Vortex. Pound.\u003cbr\u003e William Carlos Williams\u003cbr\u003e from Spring and All\u003cbr\u003e Louis Zukofsky\u003cbr\u003e from Poem Beginning \"The\"\u003cbr\u003e George Oppen\u003cbr\u003e Discrete Series\u003cbr\u003e Charles Reznikoff\u003cbr\u003e Testimony\u003cbr\u003e Carl Rakosi\u003cbr\u003e A Journey Away\u003cbr\u003e Basil Bunting\u003cbr\u003e from The First Book of Odes\u003cbr\u003e \"Weeping oaks grieve, chestnuts raise\"\u003cbr\u003e Vestiges\u003cbr\u003e\u003cbr\u003e NEGRITUDE\u003cbr\u003e Prologue to Negritude\u003cbr\u003e Aime Cesaire\u003cbr\u003e Macumba Word\u003cbr\u003e Aime Cesaire \u0026amp; Rene Depestre\u003cbr\u003e from Discourse on Colonialism\u003cbr\u003e Leopold Sedar Senghor\u003cbr\u003e Speech and Image: An African Tradition of the Surreal\u003cbr\u003e Taga for Mbaye Dy6b\u003cbr\u003e Man and Beast\u003cbr\u003e The Kaya-Magan\u003cbr\u003e Leon Damas\u003cbr\u003e Just Like the Legend\u003cbr\u003e S.O.S.\u003cbr\u003e Hiccups\u003cbr\u003e Aime Cesaire\u003cbr\u003e from Notebook of a Return to the Native Land\u003cbr\u003e The Miraculous Weapons\u003cbr\u003e\u003cbr\u003e A THIRD GALLERY\u003cbr\u003e Anna Akhmatova\u003cbr\u003e Requiem\u003cbr\u003e Nelly Sachs\u003cbr\u003e Chorus of the Dead\u003cbr\u003e Chorus of the Stars\u003cbr\u003e Hugh MacDiarmid\u003cbr\u003e from A Drunk Man Looks at the Thistle\u003cbr\u003e David Jones\u003cbr\u003e Miyazawa Kenji\u003cbr\u003e Spring and the Ashura\u003cbr\u003e Daydreaming on the Trail\u003cbr\u003e Pictures of the Floating World\u003cbr\u003e Bertolt Brecht\u003cbr\u003e First Psalm (Posthumous)\u003cbr\u003e Three Fragments\u003cbr\u003e Alabama Song\u003cbr\u003e Melvin B. Tolson\u003cbr\u003e from The Harlem Gallery: Book I, the Curator\u003cbr\u003e Henri Michaux\u003cbr\u003e from Slices of Knowledge\u003cbr\u003e Tomorrow\u003cbr\u003e Francis Ponge\u003cbr\u003e The Oyster\u003cbr\u003e from The Sun Placed in the Abyss\u003cbr\u003e Wen Yiduo (Wen I-to)\u003cbr\u003e Dead Water\u003cbr\u003e Miracle\u003cbr\u003e Vitezslav Nezval\u003cbr\u003e City with Towers\u003cbr\u003e Trap Door\u003cbr\u003e George Seferis\u003cbr\u003e The Poplar Leaf\u003cbr\u003e Mathios Paskalis among the Roses\u003cbr\u003e Les Anges sont blancs\u003cbr\u003e Laura Riding\u003cbr\u003e Elegy in a Spider's Web\u003cbr\u003e Gyula lllyes\u003cbr\u003e Logbook of a Lost Caravan\u003cbr\u003e Work\u003cbr\u003e While the Record Plays\u003cbr\u003e Nazim Hikmet\u003cbr\u003e Letters from Chankiri Prison\u003cbr\u003e Langston Hughes\u003cbr\u003e from Montage of a Dream Deferred\u003cbr\u003e Carlos Drummond de Andrade\u003cbr\u003e The Dead in Frock Coats 6\u003cbr\u003e The Dirty Hand\u003cbr\u003e Motionless Faces 6\u003cbr\u003e Lorine Niedecker\u003cbr\u003e News\u003cbr\u003e Subliminal\u003cbr\u003e Nicolas Guillen\u003cbr\u003e Don't Know No English\u003cbr\u003e Sense maya\u003cbr\u003e Wake for Papa Montero\u003cbr\u003e Moon\u003cbr\u003e The Usurers\u003cbr\u003e from The Daily Daily\u003cbr\u003e Pablo Neruda\u003cbr\u003e Walkin' Around\u003cbr\u003e Sexual Water\u003cbr\u003e Only Death\u003cbr\u003e Louis Zukofsky\u003cbr\u003e from Songs of Degrees\u003cbr\u003e \"A\" 1\u003cbr\u003e Kenneth Rexroth\u003cbr\u003e from Prolegomena to a Theodicy\u003cbr\u003e Kusano Shimpei\u003cbr\u003e Birthday Party\u003cbr\u003e 4 or 5 Tadpoles\u003cbr\u003e Skylarks and Fuji\u003cbr\u003e Gunnar Ekelof\u003cbr\u003e Like Ankle-Rings, This Music\u003cbr\u003e If You Ask Me\u003cbr\u003e Hangman\u003cbr\u003e Absentia Animi\u003cbr\u003e Rene Char\u003cbr\u003e from Leaves of Hypnos\u003cbr\u003e Roger Gilbert-Lecomte\u003cbr\u003e Preface or The Drama of Absence in an Eternal Heart\u003cbr\u003e The Son of the Bone Speaks\u003cbr\u003e Old Precept of the Dead World\u003cbr\u003e Wink\u003cbr\u003e Rene Daumal\u003cbr\u003e from Clavicles for a Great Poetic Game\u003cbr\u003e Persephone That Is to Say Double Issue\u003cbr\u003e Short Revelation Concerning Death and Chaos\u003cbr\u003e Miklos Radnoti\u003cbr\u003e The Angel of Dread\u003cbr\u003e Seventh Eclogue\u003cbr\u003e YiSang\u003cbr\u003e from Crow's-Eye View\u003cbr\u003e Paper Memorial Stone\u003cbr\u003e Soyong Problems\u003cbr\u003e from Critical Condition\u003cbr\u003e Muriel Rukeyser\u003cbr\u003e The Dam\u003cbr\u003e Octavio Paz\u003cbr\u003e Hymn among the Ruins\u003cbr\u003e\u003cbr\u003e A BOOK OF ORIGINS\u003cbr\u003e Prologue to Origins\u003cbr\u003e Confucius I Ezra Pound\u003cbr\u003e from The Great Digest\u003cbr\u003e Orpingalik\u003cbr\u003e \"Songs are thoughts, sung out with the breath ... \"\u003cbr\u003e Alcheringa Definitions\u003cbr\u003e Leopold Sedar Senghor\u003cbr\u003e \"The African image is not an image by equation ... \"\u003cbr\u003e Allama Prabhu\u003cbr\u003e For the Lord of Caves\u003cbr\u003e Clayton Eshleman\u003cbr\u003e Placements I\u003cbr\u003e Robert Duncan\u003cbr\u003e from Rites of Participation\u003cbr\u003e Amiri Baraka (LeRoi Jones)\u003cbr\u003e from Why's I Wise\u003cbr\u003e Aborigine Sound Poem\u003cbr\u003e Lily Events\u003cbr\u003e from The Goulburn Island Cycle\u003cbr\u003e Tristan Tzara\u003cbr\u003e from Poemes Negres\u003cbr\u003e The Dance of the Greased Women\u003cbr\u003e Tropical Winter\u003cbr\u003e Awotunde Aworinde\u003cbr\u003e from I fa Suite in Praise of the Yoruba Oracle\u003cbr\u003e Aime Cesaire\u003cbr\u003e Ex-Voto for a Shipwreck\u003cbr\u003e Three for Bear\u003cbr\u003e Seven Songs \u0026amp; Song Pictures\u003cbr\u003e Richard Johnny John, Jerome Rothenberg, lan Tyson\u003cbr\u003e Songs from the Society of the Mystic Animals\u003cbr\u003e Simon Ortiz\u003cbr\u003e Telling about Coyote\u003cbr\u003e from Cantares Hexicanos\u003cbr\u003e Maria Sabina\u003cbr\u003e from The Midnight Velada\u003cbr\u003e The 13th Horse Song of Frank Mitchell\u003cbr\u003e from The I Ching\u003cbr\u003e The Marrying Maiden\u003cbr\u003e Jackson Mac Low\u003cbr\u003e Mani-Mani Gatha\u003cbr\u003e Ezra Pound\u003cbr\u003e Canto 49\u003cbr\u003e Charles Olson\u003cbr\u003e The Song of Ullikummi\u003cbr\u003e Armand Schwerner\u003cbr\u003e TabletV\u003cbr\u003e from The Thunder, Perfect Mind\u003cbr\u003e Diane di Prima\u003cbr\u003e from Loba\u003cbr\u003e Doc Reese\u003cbr\u003e 01' Hannah\u003cbr\u003e Bessie Smith\u003cbr\u003e Black Mountain Blues\u003cbr\u003e Naftali Bacharach\u003cbr\u003e A Poem for the Sefirot as a Wheel of Light\u003cbr\u003e Jacques Gaffarel\u003cbr\u003e Celestial Alphabet Event\u003cbr\u003e Edmond Jabes\u003cbr\u003e from The Book of Questions\u003cbr\u003e\u003cbr\u003e Credits\u003cbr\u003e Index of Authors","brand":"University of California Press","offers":[{"title":"Default Title","offer_id":49402794738007,"sku":"9780520072275","price":31.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780520072275.jpg?v=1730481532","url":"https:\/\/bookcurl.com\/products\/poems-for-the-millennium-volume-one-9780520072275","provider":"Book Curl","version":"1.0","type":"link"}