{"product_id":"performing-ethnomusicology-9780520238312","title":"Performing Ethnomusicology","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eConsidering the formidable theoretical, ethical, and practical issues that confront ethnomusicologists who direct such ensembles, this volume discusses problems of public performance and the pragmatics of pedagogy and learning processes.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"A book of great importance and long overdue.\" - R. Anderson Sutton, author of Calling Back the Spirit; \"Both original and stimulating, this book presents widely known material in a highly theorized and organized manner.\" - Katherine J. Hagedorn, author of Divine Utterances\"\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments Introduction. Teaching What Cannot Be Taught: An Optimistic Overview Ted Solis   PART 1. SOUNDING THE OTHER: ACADEMIC WORLD MUSIC ENSEMBLES IN HISTORICAL PERSPECTIVE 1. Subject, Object, and the Ethnomusicology Ensemble: The Ethnomusicological \"We\" and \"Them\" Ricardo D. Trimillos  2. \"A Bridge to Java\": Four Decades Teaching Gamelan in America Hardja Susilo  3. Opportunity and Interaction: The Gamelan from Java to Wesleyan Sumarsam  4. \"Where's 'One'?\": Musical Encounters of the Ensemble Kind Gage Averill  PART 2. SQUARE PEGS AND SPOKESFOLK: SERVING AND ADAPTING TO THE ACADEMY 5. A Square Peg in a Round Hole: Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy Roger Vetter  6. \"No, Not 'Bali Hai!\": Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan David Harnish 7. Cultural Interactions in an Asian Context: Chinese and Javanese Ensembles in Hong Kong J. Lawrence Witzleben   PART 3. PATCHWORKERS, ACTORS, AND AMBASSADORS: REPRESENTING OURSELVES AND OTHERS 8. \"Can't Help but Speak, Can't Help but Play\": Dual Discourse in Arab Music Pedagogy Ali Jihad Racy  9. The African Ensemble in America: Contradictions and Possibilities David Locke  10. Klez Goes to College Hankus Netsky  11. Creating a Community, Negotiating Among Communities: Performing Middle Eastern Music for a Diverse Middle Eastern and American Public Scott Marcus  PART 4. TAKE-OFF POINTS: CREATIVITY AND PEDAGOGICAL OBLIGATION 12. Bilateral Negotiations in Bimusicality: Insiders, Outsiders, and the \"Real Version\" in Middle Eastern Music Performance Anne K. Rasmussen  13. Community of Comfort: Negotiating a World of \"Latin Marimba\" Ted Solis  14. What's the \"It\" That We Learn to Perform?: Teaching BaAka Music and Dance Michelle Kisliuk and Kelly Gross  15. \"When Can We Improvise?\": The Place of Creativity in Academic World Music Performance David W. Hughes   Afterword. Some Closing Thoughts from the First Voice: An Interview with Mantle Hood Ricardo D. Trimillos   Works Cited List of Contributors Index","brand":"University of California Press","offers":[{"title":"Default Title","offer_id":49402819543383,"sku":"9780520238312","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780520238312.jpg?v=1730481600","url":"https:\/\/bookcurl.com\/products\/performing-ethnomusicology-9780520238312","provider":"Book Curl","version":"1.0","type":"link"}