{"product_id":"performing-arts-in-prisons-creative-perspectives-9781783209972","title":"Performing Arts in Prisons: Creative Perspectives","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcross the world, performing arts programmes are increasing in number, scope and professionalism. They attract increasing academic and media attention. Theoretical and applied research, organizational evaluation reports, documentary films and journalism are detailing prison arts and creating recognition that this body of work is becoming a valued part of the correctional enterprise. There is a growing body of evidence that suggests music, theatre, poetry and dance can contribute to prisoner wellbeing, management, rehabilitation and reintegration. \u003cem\u003ePerforming Arts in Prisons: Creative Perspectives \u003c\/em\u003eexplores prison arts in Australia, the United States, the United Kingdom and Chile, and creates a new framework for understanding its practices.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eNotes on Contributors\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePreface\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIntroduction: Performing arts in prisons - creative perspectives\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMicheal Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib Schippers\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 1: A correctional perspective on the creative arts in prisons\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eAndrew Day\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 2: Geese Theatre Company - 30 years on\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eLouise Heywood, Andy Watson MBE and Michael Balfour\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 3: One Mob Different Country: First Peoples of Australia dance in Darwin Prison\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eJohn Rynne, Dennis Lew Fatt and Brett Schroder\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 4: 'This place is full of drama queens': Reflecting on the value of drama in a women's prison\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eSarah Woodland\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 5: Through the looking glass: A voice from the inside \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eAnya (pseudonym)\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 6: Breaking the fifth wall: How performance might assist desistance from crime\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eLinda Davey\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 7: Drumming interventions in Australian prisons: Insights from the Rhythm2Recovery model\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eSimon Faulkner and Brydie-Leigh Bartleet\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 8: Arts in Corrections New Zealand\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eJacqui Moyes\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 9: The play's the thing: Performance in Prison Shakespeare\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eRob Pensalfini\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 10: 'Heart and heartbeat': Working beyond prison theatre, performing \u003cem\u003eprotagonismo\u003c\/em\u003e social in the real world\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003ePenelope Glass\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 11: 'Strategies for success': Trusting the power of the arts\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMaud Clarke\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 12: Performing arts activities with hopes to build positive self-identity, heal harms and broaden the US public's perceptions of people inside prisons\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMary L. Cohen\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 13: Unlocked: Prison poetry workshops as a key to engaging inmates\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eJohanna Featherstone and Huib Schippers\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 14: 'Music is the colour of my skin': The story of the Murru Band\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDudley Billing and Dave Palmer\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eConcluding Reflections \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMicheal Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib Schippers\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndex\u003c\/strong\u003e\u003c\/p\u003e","brand":"Intellect Books","offers":[{"title":"Default Title","offer_id":51042269888855,"sku":"9781783209972","price":78.26,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781783209972.jpg?v=1750953708","url":"https:\/\/bookcurl.com\/products\/performing-arts-in-prisons-creative-perspectives-9781783209972","provider":"Book Curl","version":"1.0","type":"link"}