{"product_id":"pastoral-poetry-of-the-english-renaissance-an-anthology-the-manchester-spenser-9780719096822","title":"Pastoral Poetry of the English Renaissance An","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eAn invaluable, unique collection that combines classic texts with little-known material. This book will give a uniquely full picture of one of the most fashionable and dynamic areas of Renaissance poetry.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction to Volume 1\u003cbr\u003e1. Idyll VIII\t \t\t\t\tTheocritus, tr. anon.\u003cbr\u003e2. Idyll XI\t\t\t\t\tTheocritus, tr. anon.\u003cbr\u003e3. The Pastorall Wooing\t\t\t\tTheocritus, tr. Edward Sherburne \u003cbr\u003e4. Fragments\t\t\t\t\tTheocritus and Virgil, tr. ‘T.B.’ \u003cbr\u003e5. Epitaph on Bion   \t\t\t\tMoschus, tr. Thomas Stanley\u003cbr\u003e6. Eclogue I\t\t\t\t\tVirgil, tr. William Webbe\u003cbr\u003e7. Eclogue II\t\t\t\t\tVirgil, tr. Abraham Fraunce\u003cbr\u003e8. Eclogue IV\t\t\t\t\tVirgil, tr. Abraham Fleming \u003cbr\u003e9. Eclogue X\t\t\t\t\tVirgil, tr. Abraham Fleming \u003cbr\u003e10. Georgic II\t\t\t\t\tVirgil, tr. Abraham Cowley \u003cbr\u003e11. Georgic III\t\t\t\t\tVirgil, tr. Richard Robinson \u003cbr\u003e12. Epode II\t\t\t\t\tHorace, tr. Sir Richard Fanshawe\u003cbr\u003e13. On the Rustic Life\t\t\t\tMartial(?), tr. Richard Ashmore \u003cbr\u003e14. The Consolation of Philosophy, Bk II, Poem 5\tBoethius, tr. Queen Elizabeth I \u003cbr\u003e15. Eclogue IV.1-75\t\t\t\tMantuan, tr. George Turberville \u003cbr\u003e16. Eclogue VI.54-105\t\t\t\tMantuan, tr. Alexander Barclay \u003cbr\u003e17. Eclogue VII.1-50\t\t\t\tMantuan, tr. Thomas Harvey \u003cbr\u003e18. Robene and Makyne\t\t\t\tRobert Henryson\u003cbr\u003e19. From Of Gentleness and Nobility\t\tJohn Rastell (?), John Heywood (?)\u003cbr\u003e20. To His Little Field\t\t\t\tMarcantonio Flaminio, tr. Richard Ashmore \u003cbr\u003e21. Kala’s Complaint\t\t\tBasilio Zanchi, tr. William Drummond of Hawthornden \u003cbr\u003e22. ‘O eyes, that see not him’\t\t\tJorge de Montemeyor, tr. Bartholomew Yong \u003cbr\u003e23. Passed Contents\t\t\t\tJorge de Montemeyor, tr. Bartholomew Yong \u003cbr\u003e24. ‘I pray thee keep my kine’\t\t\tAlonso Perez, tr. Bartholomew Yong \u003cbr\u003e25. Prologue to the Eclogues\t\t\tAlexander Barclay\u003cbr\u003e26. Eclogue I.175-304\t\t\t\tAlexander Barclay\u003cbr\u003e27. Eclogue III.455-524\t\t\t\tAlexander Barclay\u003cbr\u003e28. Eclogue IV. 37-66, 93-232\t\t\tAlexander Barclay\u003cbr\u003e29. ‘Oh! Shepherd, Oh! Shepherd’\t\t\tAnonymous\u003cbr\u003e30. ‘Hey, troly loly lo, maid, whither go you?’\tAnonymous\u003cbr\u003e31. Harpelus’ Complaint\t\t\t\tAnonymous\u003cbr\u003e32. Eclogue II: Dametas\t\t\t\tBarnabe Googe\u003cbr\u003e33. Golden Age Chorus\t\t\t\tTorquato Tasso, tr. Samuel Daniel \u003cbr\u003e34. Golden Age Chorus\t\t\t\tGiovanni Battista Guarini, tr. Richard Fanshawe \u003cbr\u003e35. ‘Along the verdant fields’\t\t\tJean Chassanion, tr. Thomas Beard\u003cbr\u003e36. Song\t\t\t\t\tJean Passerat, tr. William Drummond of Hawthornden\u003cbr\u003e37. ‘There where the pleasant Eske’\tAntonio Beffa, tr. William Drummond of Hawthornden \u003cbr\u003e38. The Shepherd’s Calendar, ‘April’\t\tEdmund Spenser\u003cbr\u003e39. ‘O ye nymphs most fine’\t\t\tWilliam Webbe\u003cbr\u003e40. The Shepherd’s Calendar, ‘June’\t\t\tEdmund Spenser\u003cbr\u003e41. The Shepherd’s Calendar, ‘July’\t\t\tEdmund Spenser\u003cbr\u003e42. From Colin Clout’s Come Home Again\t\tEdmund Spenser\u003cbr\u003e43. Astrophel\t\t\t\t\tEdmund Spenser\u003cbr\u003e44. The Faerie Queene VI.ix.5-36\t\t\tEdmund Spenser\u003cbr\u003e45. The Faerie Queene V.x.5-30\t\t\tEdmund Spenser\u003cbr\u003e46. From The Lady of May\t\t\t\tPhilip Sidney\u003cbr\u003e47. ‘Come, shepherd’s weeds…’\t\t\tPhilip Sidney\u003cbr\u003e48. ‘My sheep are thoughts’\t\t\tPhilip Sidney\u003cbr\u003e49. ‘And are you there Old Pas?’\t\t\tPhilip Sidney\u003cbr\u003e50. ‘O sweet woods’\t\t\t\tPhilip Sidney\u003cbr\u003e51. ‘You goat-herd gods…’\t\t\t\tPhilip Sidney\u003cbr\u003e52. ‘Since that to death’\t\t\t\tPhilip Sidney\u003cbr\u003e53. ‘Philisides, the Shepherd good and true’\t\tPhilip Sidney (?)\u003cbr\u003e54. Of the Quietness that Plain Country Bringeth\tThomas Churchyard\u003cbr\u003e55. From A Revelation of the True Minerva\t\tThomas Blenerhasset\u003cbr\u003e56. Argentile and Curan\t\t\t\tWilliam Warner\u003cbr\u003e57. Amyntas: The Second Lamentation\t\tThomas Watson, tr. Abraham Fraunce\u003cbr\u003e58. Amyntas: The Last Lamentation\t\t\tThomas Watson, tr. Abraham Fraunce\u003cbr\u003e59. An Old-Fashioned Love, Epistle 1\t\tJohn Trussel (?)\u003cbr\u003e60. The Argument of Amyntas\t\t\tJohn Finet (?)\u003cbr\u003e61. ‘Arcadian Syrinx’\t\t\t\tAbraham Fraunce\u003cbr\u003e62. A Tale of Robin Hood\t\t\t\tAnonymous\u003cbr\u003e63. From Daphnis and Chloe\t\t\tAngel Day\u003cbr\u003e64. An Eclogue Gratulatory to Robert Earl of Essex\tGeorge Peele\u003cbr\u003e65. From Descensus Astraeae\t\t\tGeorge Peele\u003cbr\u003e66. Apollo and Daphne, from the Bisham Entertainment     Anonymous\u003cbr\u003e67. An Eclogue Between a Shepherd and a Herdman\tArthur Gorges\u003cbr\u003e68. The Country Lass\t\t\t\tArthur Gorges\u003cbr\u003e69. The Herdman’s Happy Life\t\t\tWilliam Byrd\u003cbr\u003e70. ‘Though Amarillis dance in green’\t\tWilliam Byrd\u003cbr\u003e71. The Shepherd’s Ode\t\t\t\tRobert Greene\u003cbr\u003e72. Doron’s Jig\t\t\t\t\tRobert Greene\u003cbr\u003e73. Doron’s Eclogue Joined with Carmela’s\t\tRobert Greene\u003cbr\u003e74. The Description of the Shepherd and his Wife\tRobert Greene\u003cbr\u003e75. The Shepherd’s Wife’s Song\t\t\tRobert Greene\u003cbr\u003e76. The Song of a Country Swain at the Return of Philador    Robert Greene\t\u003cbr\u003e77. Of the Vanity of Wanton Writings\t\tRobert Greene\u003cbr\u003e78. Old Damon’s Pastoral\t\t\t\tThomas Lodge\u003cbr\u003e79. Coridon’s Song\t\t\t\tThomas Lodge\u003cbr\u003e80. A Pleasant Eclogue between Montanus and Coridon     Thomas Lodge\u003cbr\u003e81. Phillis, Sonnet 4\t\t\t\tThomas Lodge\u003cbr\u003e82. Phillis, Sonnet 12\t\t\t\tThomas Lodge\u003cbr\u003e83. To Reverend Colin\t\t\t\tThomas Lodge\u003cbr\u003e84. The Passionate Shepherd to his Love\t\tChristopher Marlowe\u003cbr\u003e85. The Nymph’s Reply to the Shepherd\t\tWalter Ralegh (?)\u003cbr\u003e86. Another of the Same Nature\t\t\tAnonymous\u003cbr\u003e87. Psalm 23\t\t\t\t\ttr. Sir John Davies\u003cbr\u003e88. On Lazy and Sleeping Shepherds\t\tAndrew Willett\u003cbr\u003e89. Coridon to his Phillis\t\t\t\tEdward Dyer (?)\u003cbr\u003e90. ‘One night I did attend my sheep’\t\tBarnabe Barnes\u003cbr\u003e91. ‘Sing sing (Parthenophil)’\t\t\tBarnabe Barnes\u003cbr\u003e92. From Oenone and Paris\t\t\tThomas Heywood\u003cbr\u003e93. From Amphrisa the Forsaken Shepherdess\tThomas Heywood\u003cbr\u003e94. Mercury’s Song\t\t\t\tThomas Heywood\u003cbr\u003e95. From The Affectionate Shepherd, The Second Day     Richard Barnfield\u003cbr\u003e96. From ‘The Shepherd’s Content’\t\t\tRichard Barnfield\u003cbr\u003e97. Cynthia, Sonnet XV\t\t\t\tRichard Barnfield\u003cbr\u003e98. Cynthia, Sonnet XVIII\t\t\t\tRichard Barnfield\u003cbr\u003e99. From Moderatus\t\t\t\tRobert Parry\u003cbr\u003e100. Damon’s Ditty\t\t\t\tFrancis Sabie\u003cbr\u003e101. ‘Shepherd, i’faith now I say’\t\t\tRobert Sidney\u003cbr\u003e102. ‘Day which so bright dids’t shine’\t\tRobert Sidney\u003cbr\u003e103. Chloris, Sonnet 3\t\t\t\tWilliam Smith\u003cbr\u003e104. Chloris, Sonnet 5\t\t\t\tWilliam Smith\u003cbr\u003e105. From The Shepherd’s Complaint\t\tJohn Dickenson\u003cbr\u003e106. Description of Arcadia, from The Shepherd’s Complaint      John Dickenson\u003cbr\u003e107. ‘In a field full fair of flowers’                                    Anonymous\u003cbr\u003e108. The Unknown Shepherd’s Complaint                     Anonymous\u003cbr\u003e109. To Thomas Strangways                                             Thomas Bastard\t\u003cbr\u003e110. Sonnet from Sundry Christian Passions\t\tHenry Lok\u003cbr\u003e111. ‘The Lord he is my shepherd’\t\t\tNicholas Breton\u003cbr\u003e112. ‘Upon a dainty hill’\t\t\t\tNicholas Breton\u003cbr\u003e113. ‘In time of yore’                                                          Nicholas Breton\u003cbr\u003e114. ‘Fair in a morn’                                                           Nicholas Breton\u003cbr\u003e115. ‘Fair Phillis is the shepherds’ queen’                      Nicholas Breton\u003cbr\u003e116. A pastoral of Phillis and Coridon\t\tNicholas Breton\u003cbr\u003e117. ‘In the merry month of May’\t\t\tNicholas Breton\t\u003cbr\u003e118. ‘The fields are green’\t\t\t\tNicholas Breton\u003cbr\u003e119. A Shepherd’s Dream\t\t\t\tNicholas Breton (?)\u003cbr\u003e120. Coridon’s Supplication to Phillis\t\tNicholas Breton\u003cbr\u003e121. The Second Shepherd’s Song\t\t\tNicholas Breton\u003cbr\u003e122. A Farewell to the World\t\t\tNicholas Breton\u003cbr\u003e123. ‘Peace Shepherd’\t\t\t\tAnonymous\u003cbr\u003e124. ‘When I was a little swain’\t\t\tNicholas Breton (?)\u003cbr\u003e125. A Pastoral Riddle\t\t\t\tAnonymous\u003cbr\u003e126. Upon a Kiss Given\t\t\t\tJohn Lilliat\u003cbr\u003e127. The Shepherdess Her Reply\t\t\tJohn Lilliat\u003cbr\u003e128. An Excellent Pastoral Ditty\t\t\tJohn Ramsey (?)\u003cbr\u003e129. On the Reported Death of the Earl of Essex\tAnonymous\u003cbr\u003e130. Votum Primum\t\t\t\tAnonymous\u003cbr\u003e131. The Page’s Pleasant Rustick\t\t\tAnonymous\u003cbr\u003e132. Theorello. A Shepherd’s Idyllion\t\tEdmund Bolton (?)\u003cbr\u003e133. The Shepherd’s Song for Christmas\t\tEdmund Bolton (?)\u003cbr\u003e134. Phillida’s Love-Call to Her Coridon, and His Replying    Anonymous\u003cbr\u003e135. Damætas' Jig in Praise of His Love\t\tJohn Wootton\u003cbr\u003e136. Wodenfride’s Song in Praise of Amargana\tW.H. (?)\u003cbr\u003e137. A Poor Shepherd’s Introduction\t\tRobert Chester\u003cbr\u003e138. Eclogue upon the Death of Sir Philip Sidney\t‘A.W’\u003cbr\u003e139. A Dialogue between Two Shepherds in Praise of Astraea     Mary Herbert, Countess of \t\t\t\t\t\t\t\t\tPembroke\u003cbr\u003e140. Fiction How Cupid Made a Nymph Wound Herself with His Arrows    Anonymous\u003cbr\u003e141. ‘A shepherd poor’\t\t\t\tFrancis Davison\u003cbr\u003e142. From The Ocean to Cynthia\t\t\tWalter Ralegh\u003cbr\u003e143. Epitaph on Robert Cecil\t\t\tWalter Ralegh\u003cbr\u003e144. ‘Feed on my flocks’\t\t\t\tHenry Chettle\u003cbr\u003e145. A Pastoral Song between Phillis and Amarillis\tHenry Chettle (?)\u003cbr\u003e146. The Shepherd’s Spring Song\t\t\tHenry Chettle\u003cbr\u003e147. The Good Shepherd’s Sorrow\t\t\tAnonymous\u003cbr\u003e148. The Shepherd’s Lamentation\t\t\tAnonymous\u003cbr\u003e149. Fair Dulcina Complaineth\t\t\tAnonymous\u003cbr\u003e150. A Pleasant Country Maying Song\t\tAnonymous\u003cbr\u003e151. The Country Lass\t\t\t\tMartin Parker (?)\u003cbr\u003e152. The Obsequy of Fair Phillida\t\t\tAnonymous\u003cbr\u003e153. The Shepherd and the King\t\t\tAnonymous\u003cbr\u003e154. The Lover’s Delight\t\t\t\tAnonymous\u003cbr\u003e155. Phillida Flouts Me\t\t\t\tAnonymous\u003cbr\u003e156. Robin Hood and the Shepherd\t\t\tAnonymous\u003cbr\u003e157. The Arcadian Lovers\t\t\t\tAnonymous\u003cbr\u003e158. The Beautiful Shepherdess of Arcadia\t\tAnonymous\u003cbr\u003e159. ‘As at noon Dulcina rested’\t\t\tAnonymous\u003cbr\u003e160. Idea the Shepherd’s Garland, Eclogue VII\tMichael Drayton\u003cbr\u003e161. Idea the Shepherd’s Garland, Eclogue VIII\tMichael Drayton\u003cbr\u003e162. Eclogue IX, 1606\t\t\t\tMichael Drayton\u003cbr\u003e163. From Poly-Olbion\t\t\t\tMichael Drayton\u003cbr\u003e164. The Shepherd’s Sirena\t\t\tMichael Drayton\u003cbr\u003e165. The Description of Elizium\t\t\tMichael Drayton\u003cbr\u003e166. The Muses Elizium, Nymphal VI\t\tMichael Drayton\u003cbr\u003e167. The Muses Elizium, Nymphal X\t\t\tMichael Drayton\u003cbr\u003e168. From Pastoral Elegy III\t\t\tWilliam Basse\u003cbr\u003e169. Laurinella, of True and Chaste Love\t\tWilliam Basse\u003cbr\u003e170. Phillis\t\t\t\t\tGiovan Battista (Giambattista) Marino, tr. \t\t\t\t\t\t\tWilliam Drummond of Hawthornden \u003cbr\u003e171. A Shepherd Inviting a Nymph to His Cottage\tGirolamo Preti, tr. Edward Sherburne \u003cbr\u003e172. ‘Jolly shepherd and upon a hill as he sat’\tThomas Ravenscroft\u003cbr\u003e173. ‘Come follow me merrily’\t\t\tThomas Ravenscroft\u003cbr\u003e174. To His Loving Friend Master John Fletcher\tGeorge Chapman\u003cbr\u003e175. Hymn to Pan, from The Faithful Shepherdess\tJohn Fletcher\u003cbr\u003e176. A Sonnet\t\t\t\t\tHonoré d'Urfé\u003cbr\u003e177. ‘Close by a river clear’\t\t\tHonoré d'Urfé\u003cbr\u003e178. From Christ’s Victory and Triumph\t\tGiles Fletcher\u003cbr\u003e179. The Complaint of the Shepherd Harpalus\tDavid Murray\u003cbr\u003e180. ‘A jolly shepherd that sat on Sion hill’\t\tAnonymous\u003cbr\u003e181. ‘Alas, Our Shepherd’\t\t\t\tWilliam Alabaster\u003cbr\u003e182. The Shepherd’s Speech from Himatia-Poleos\tAnthony Munday\u003cbr\u003e183. To His Much Loved Friend Master W Browne\tChristopher Brooke\u003cbr\u003e184. An Eclogue between Willy and Wernocke\tJohn Davies of Hereford\u003cbr\u003e185. The Shepherd’s Hunting, Eclogue V\t\tGeorge Wither\u003cbr\u003e186. From Fair Virtue\t\t\t\tGeorge Wither\u003cbr\u003e187. Hymn for a Sheep-Shearing\t\t\tGeorge Wither\u003cbr\u003e188. Hymn for a Shepherd\t\t\t\tGeorge Wither\u003cbr\u003e189. From Britannia’s Pastorals, Book I\t\tWilliam Browne\u003cbr\u003e190. From Britannia’s Pastorals, Book II Song 1 ll.817-1050\tWilliam Browne\u003cbr\u003e191. To Penshurst\t\t\t\tBen Jonson\u003cbr\u003e192. To Sir Robert Wroth\t\t\t\tBen Jonson\u003cbr\u003e193. Hymns from Pan’s Anniversary\t\tBen Jonson\u003cbr\u003e194. A New Year’s Gift Sung to King Charles, 1635\tBen Jonson\u003cbr\u003e195. From The Careless Shepherdess\t\tThomas Goffe\u003cbr\u003e196. Damon and Moeris\t\t\t\tWilliam Drummond of Hawthornden\u003cbr\u003e197. Erycine at the Departure of Alexis\t\tWilliam Drummond of Hawthornden\u003cbr\u003e198. Alexis to Damon\t\t\t\tWilliam Alexander\u003cbr\u003e199. A Pastoral Elegy on the Death of Sir Anthony Alexander\t William Drummond of Hawthornden\u003cbr\u003e200. Fragment of a Greater Work\t\t\tWilliam Drummond of Hawthornden\u003cbr\u003e201. From Damon: Or a Pastoral Elegy\t\tGeorge Lauder\u003cbr\u003e202. Hermes and Lycaon\t\t\t\tEdward Fairfax\u003cbr\u003e203. The Solitude\t\t\t\t\tAntoine Girard Saint-Amant, tr. Thomas, \t\t\t\t\t\t\tThird Baron Fairfax.\u003cbr\u003e204. Amor Constans\t\t\t\tChristopher Morley\u003cbr\u003e205. The Shepherd’s Dialogue of Love\t\tAnonymous\u003cbr\u003e206. Technis’ Tale\t\t\t\tRichard Brathwait\u003cbr\u003e207. The Shepherd’s Holiday\t\t\tRichard Brathwait\u003cbr\u003e208. ‘Tell me love what thou canst do’\t\tRichard Brathwait\u003cbr\u003e209. Song: ‘Love as well can make abiding’\t\tMary Wroth\u003cbr\u003e210. ‘A shepherd who no care did take’\t\tMary Wroth\u003cbr\u003e211. ‘You pleasant flowery mead’\t\t\tMary Wroth\u003cbr\u003e212. Of Jack and Tom\t\t\t\tJames I\u003cbr\u003e213. From Taylor’s Pastoral\t\t\tJohn Taylor\u003cbr\u003e214. ‘Woodmen Shepherds’\t\t\tJames Shirley\u003cbr\u003e215. An Eclogue between a Carter and a Shepherd\tNicholas Oldisworth\u003cbr\u003e216. A Sonnet\t\t\t\t\tWilliam Herbert, Earl of Pembroke\u003cbr\u003e217. An Ode upon Occasion of His Majesty’s Proclamation     Richard Fanshawe\u003cbr\u003e218. Songs from Fuimus Troes\t\t\tJasper Fisher\u003cbr\u003e219. Piscatory Eclogue VII\t\t\t\tPhineas Fletcher\u003cbr\u003e220. To My Beloved Thenot in Answer of His Verse\tPhineas Fletcher\u003cbr\u003e221. From The Purple Island\t\t\tPhineas Fletcher\u003cbr\u003e222. Christmas, Part II\t\t\t\tGeorge Herbert\u003cbr\u003e223. To My Noblest Friend, I. C. Esquire\t\tWilliam Habington\u003cbr\u003e224. That a Pleasant Poverty Is to Be Preferred Before Discontented Riches     Abraham Cowley\u003cbr\u003e225. The Country Life\t\t\t\tAbraham Cowley, tr. by himself\u003cbr\u003e226. Eclogue to Master Jonson\t\t\tThomas Randolph\u003cbr\u003e227. An Eclogue Occasioned by Two Doctors Disputing upon Predestination    Thomas Randolph\u003cbr\u003e228. An Eclogue on the Palilia on Cotswold Hills\tThomas Randolph\u003cbr\u003e229. A Dialogue betwixt a Nymph and a Shepherd\tThomas Randolph\u003cbr\u003e230. Lycidas\t\t\t\t\tJohn Milton\u003cbr\u003e231. Ode IV.21: From The Song of Song\t\tCasimir Sarbiewski, tr. George Hills\u003cbr\u003e232. The Praise of a Religious Recreation\t\tCasimir Sarbiewski, tr. George Hills \u003cbr\u003e233. The Spring\t\t\t\t\tThomas Carew\u003cbr\u003e234. To Saxham\t\t\t\t\tThomas Carew\u003cbr\u003e235. On Westwell Downs\t\t\t\tWilliam Strode\u003cbr\u003e236. Thenot’s Abode\t\t\t\tAnonymous\u003cbr\u003e237. All Hail to Hatfield\t\t\t\tAnonymous\u003cbr\u003e238. Tom and Will\t\t\t\tSidney Godolphin (?)\u003cbr\u003e239. The Shepherd’s Oracle\t\t\tFrancis Quarles\u003cbr\u003e240. Scenes from a Pastoral Play\t\t\tJane Cavendish and Elizabeth Brackley\u003cbr\u003e241. A Pastoral upon the Birth of Prince Charles\tRobert Herrick\u003cbr\u003e242. A Pastoral Sung to the King\t\t\tRobert Herrick\u003cbr\u003e243. To His Muse\t\t\t\t\tRobert Herrick\u003cbr\u003e244. The Hock-Cart\t\t\t\tRobert Herrick\u003cbr\u003e245. A New-Year’s Gift Sent to Sir Simeon Steward\tRobert Herrick\u003cbr\u003e246. A Dialogue Weeping the Loss of Pan\t\tMildmay Fane\u003cbr\u003e247. My Happy Life, to a Friend\t\t\tMildmay Fane\u003cbr\u003e248. In Praise of a Country Life\t\t\tMildmay Fane\u003cbr\u003e249. From Psyche\t\t\t\t\tJoseph Beaumont\u003cbr\u003e250. A Pastoral Dialogue between Coridon and Thirsis   Anonymous\u003cbr\u003e251. The Shepherds\t\t\t\tHenry Vaughan\u003cbr\u003e252. Daphnis: An Elegiac Eclogue\t\t\tHenry Vaughan\u003cbr\u003e253. From The Shepherd’s Holiday\t\t\tWilliam Denny\u003cbr\u003e254. ‘Jack! Nay prithee come away’\t\t\tPatrick Cary\u003cbr\u003e255. The Pleasure of Retirement\t\t\tEdward Benlowes\u003cbr\u003e256. A Description of Shepherds and Shepherdesses\tMargaret Cavendish\u003cbr\u003e257. A Shepherd’s Employment Is Too Mean an Allegory for Noble Ladies     Margaret Cavendish\u003cbr\u003e258. Similizing the Sea to Meadows and Pastures\tMargaret Cavendish\u003cbr\u003e259. Jack the Plough-Lad’s Lamentation\t\tThomas Robins (?)\u003cbr\u003e260. A Pastoral Dialogue\t\t\t\tThomas Weaver\u003cbr\u003e261. The Isle of Man\t\t\t\tThomas Weaver\u003cbr\u003e262. Upon Cloris Her Visit after Marriage\t\tWilliam Hammond\u003cbr\u003e263. A Pastoral Song: With the Answer\t\tAnonymous\u003cbr\u003e264. A Pastoral Song\t\t\t\tAnonymous\u003cbr\u003e265. A Song\t\t\t\t\tAnonymous\u003cbr\u003e266. The Land-Schap between Two Hills\t\tEldred Revett\u003cbr\u003e267. The Milkmaids\t\t\t\tAnonymous\u003cbr\u003e268. Coridon and Strephon\t\t\tAston Cokayn\u003cbr\u003e269. The Old Ballet of Shepherd Tom\t\tAnonymous\u003cbr\u003e270. The Jolly Shepherd\t\t\t\tAnonymous\u003cbr\u003e271. To My Ingenious Friend Master Brome\t\tIzaak Walton\u003cbr\u003e272. Pastoral on the King’s Death\t\t\tAlexander Brome\u003cbr\u003e273. A Dialogue betwixt Lucasia and Rosania\tKatherine Philips\u003cbr\u003e274. A Country Life\t\t\t\tKatherine Philips\u003cbr\u003e275. Eclogue. Corydon, Clotten\t\t\tCharles Cotton\u003cbr\u003e276. An Invitation to Phillis\t\t\tCharles Cotton\u003cbr\u003e277. On the Execrable Murder of Charles I\t\tAnthony Spinedge\u003cbr\u003eIndex of Authors\u003cbr\u003eIndex of Titles and First Lines\u003c\/p\u003e","brand":"Manchester University Press","offers":[{"title":"Default Title","offer_id":48884293796183,"sku":"9780719096822","price":76.5,"currency_code":"GBP","in_stock":false}],"url":"https:\/\/bookcurl.com\/products\/pastoral-poetry-of-the-english-renaissance-an-anthology-the-manchester-spenser-9780719096822","provider":"Book Curl","version":"1.0","type":"link"}