{"product_id":"new-patterns-in-global-television-formats-9781783207121","title":"New Patterns in Global Television Formats","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThe past twenty years have seen major changes in the ways that television formats and programming are developed and replicated internationally for different markets – with locally focused repackagings of hit reality shows leading the way. But in a sense, that’s not new: TV formats have been being exported for decades, with the approach and methods changing along with changes in broadcast technology, markets, government involvement and audience interest. This book brings together scholars of TV formats from around the world to analyse and discuss those changes and offer an up-to the-minute analysis of the current state of TV formats and their use and adaptation worldwide.\u003c\/p\u003e  Publication Forum (Finland) lists this book as a Level 2 publication, where ‘the highest-level publications are directed as a result of extensive competition and demanding peer-review’. For Intellect’s full listings in this catalogue, please click here.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eAcknowledgements\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eForeword\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eToby Miller\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIntroduction: A Changing Format Mosaic\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eKarina Aveyard, Pia Majbritt Jensen and Albert Moran\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart 1: Overviews\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 1: Television Format as a Transnational Production Model\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMats Nylund\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 2: The Hybrid Status of Global Television Formats\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eClaudio Coletta\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 3: Formatting Reality: On Reality Television as a Format, a Genre and a Meta-Genre\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDaniel Biltereyst and Lennart Soberon\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 4: Seventy Years in the Making: The Advent of the Transnational Television Format Trading System\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eJean K. Chalaby\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart 2: History\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 5: Medea’s Children: The Italian Version of The War of the Worlds\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMilly Buonanno\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 6: Cultural Negotiation in an Early Programme Format: The Finnish Adaptation of Romper Room\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eHeidi Keinonen\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 7: Song Contests in Europe during the Cold War\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eYulia Yurtaeva and Lothar Mikos\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 8: “Do It, but Do It Dancing!”: Television and Format Adaptations in Colombia in the 1980s and Early 1990s\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eHernan David Espinosa‑Medina and Enrique Uribe‑Jongbloed\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart 3: Industry Players, Big and Small\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 9: From Marginal Trader to Corporate Giant: The Emergence of FremantleMedia\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eAlbert Moran and Karina Aveyard\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 10: Formats and Localization in the Children’s Audiovisual Sector\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eJeanette Steemers\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 11: Wallander at the BBC: Trading Fiction Formats and Producing Culture for UK Public Service Broadcasting in the Contemporary Age\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eJanet McCabe\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 12: Television Formats as Media Ritual Work Practices: Discourses of Freedom, Nationalism and Good Neighbours\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eTiina Räisä\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart 4: Territories and Markets\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 13: The Social Contexts of Format Adaptation: Remaking Formats to Fit in China\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMichael Keane and Coco Ma\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 14: The Political Economy of Television Formats in Africa: The Case of Big Brother and Idols\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMartin Nkosi Ndlela\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 15: Global Reality Television and the Concept of Recursion: Idols in African Contexts\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eTess Conner\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 16: Decentring Innovation: The Israeli Television Industry and the Format-driven Transnational Turn in Content Development\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eSharon Shahaf\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart 5: Producers and Audiences\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 17: Take a Look at the Lawman: Interrogating Critical Responses to the US Version of Life on Mars\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eChristopher Hogg\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 18: Sense of Place: Producers and Audiences of International Drama Format at \u003cem\u003eThe Bridge\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eAnnette Hill\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 19: The Duality of Banal Transnationalism and Banal Nationalism: Television Audiences and the Musical Talent Competition Genre\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eAndrea Esser, Pia Majbritt Jensen, Heidi Keinonen and Anna Maria Lemor\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 20: The Voice of Queer Italy: The Politics of the the Representation of GLBTQI (Gay, Lesbian, Bisexual, Transgender, Queer and Intersexual) Characters in Italian Talent Shows and Their Reception in Online Discussions\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eElisa Giomi and Marta Perrotta\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eAbout the Contributors\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndex\u003c\/strong\u003e\u003c\/p\u003e","brand":"Intellect Books","offers":[{"title":"Default Title","offer_id":51042266808663,"sku":"9781783207121","price":36.86,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781783207121.jpg?v=1750953696","url":"https:\/\/bookcurl.com\/products\/new-patterns-in-global-television-formats-9781783207121","provider":"Book Curl","version":"1.0","type":"link"}