{"product_id":"new-narratives-of-russian-and-east-european-art-9781032337845","title":"New Narratives of Russian and East European Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.\u003c\/p\u003e\u003cp\u003eThe Open Access version of this book, available at http:\/\/www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"The chronological and geographical coverage of the present volume from the 1830s to the 2010s and from Russia to Italy and the Baltics to the Balkans is truly remarkable. And while the publication does not pretend to be a general history or epochal outline, it brings to light many previously un-discussed or heavily ideologized issues. Also, taking the key events of politics and art throughout two centuries as historiographical points of rethinking unites the whole \u003cbr\u003ecollection and contextualizes various new narratives in the historical and cultural perspective.\"\u003c\/p\u003e\u003cp\u003e--H-Net Reviews\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction [Maria Taroutina and Galina Mardilovich]; \u003c\/p\u003e\u003cp\u003ePART I: Mobile Margins: Artists, Artworks, and Instituions; \u003c\/p\u003e\u003cp\u003eChapter One. Blood, Skin, and Paint: Karl Briullov in 1832: \u003ci\u003eAllison Leigh; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Two: \u003c\/i\u003eIaroslavna’s Lament and its Echoes in Late Nineteenth-Century Russian Art: \u003ci\u003eAlison Hilton; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Three: \u003c\/i\u003eAn Exercise in Close Looking: Ilia Repin’s \u003ci\u003eThey Did Not Expect Him: \u003c\/i\u003e\u003ci\u003eGalina Mardilovich; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Four:\u003c\/i\u003e \"Is disagreement among artists a good thing?\": The End of Salon-Type Exhibitions in Russia and Western Europe: \u003ci\u003eAndrey Shabanov; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Five: \u003c\/i\u003eBlurring Boundaries: Mikhail Vrubel’s Decorative Turn and the Rise of Russian Modernism: \u003ci\u003eMaria Taroutina; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Six: \u003c\/i\u003eIdiosyncrasy as an Alternative Modernist Narrative: \u003ci\u003eSteven Mansbach \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePART II: Visualizing Ideology: New systems, Cold War Aesthetics, and Post-Socialist Memory; \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eChapter Seven:\u003c\/b\u003e Art in the Age of Binary Inversion: Russian Constructivist Graphic Design and the Interwar Grid: \u003ci\u003eKristin Romberg; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Eight:\u003c\/i\u003e The Creative Mistakes of Socialist Realism: \u003ci\u003eMaria Mileeva; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Nine:\u003c\/i\u003e A Socialist Neo-Avant-Garde? The Case of Postwar Yugoslavia: \u003ci\u003eNikolas Drosos; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Ten: \u003c\/i\u003eThe Troubled Public Sphere: Understanding the Art Scene in Socialist Hungary: \u003ci\u003eKatalin Cseh-Varga; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Eleven: \u003c\/i\u003eThe Nonidentity Problem in Contemporary Belarusian Art: \u003ci\u003eTatsiana Zhurauliova; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Twelve: \u003c\/i\u003eMarking Memories, Mediating Histories in the Work of Deimantas Narkevicius: \u003ci\u003eKsenia Nouril; \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChapter Thirteen: \u003c\/i\u003eHistory in the Future Tense: On Recent Installations by Igor Makarevich and Elena Elagina: \u003ci\u003eJane A. Sharp\u003c\/i\u003e\u003c\/p\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":51018986324311,"sku":"9781032337845","price":39.99,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/bookcurl.com\/products\/new-narratives-of-russian-and-east-european-art-9781032337845","provider":"Book Curl","version":"1.0","type":"link"}