{"product_id":"negotiated-moments-9780822360964","title":"Negotiated Moments","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003ePlacing the body at the center of critical improvisation studies, the contributors to \u003ci\u003eNegotiated Moments\u003c\/i\u003e explore the challenges of negotiating subjectivity through improvisation in various forms—from jazz, Japanese taiko drumming, and Iranian classical music to sound walking and political street theater.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Collective insights touch on a number of themes that cut to the core of critical improvisation studies. . . . The editors of \u003ci\u003eNegotiated Moments\u003c\/i\u003e have assembled an impressive and diverse array of studies.\" -- Joel V. Hunt * Notes *\u003cbr\u003e\"A timely and relevant collection guiding the way for a radically inclusive approach to critical studies of improvisation. . . . One of the outstanding intellectual contributions of this book lies in its presentation of so many viable alternatives to prevailing dominant views about improvised music focused on individual genius and legitimacy of lineage.\" -- Miki Kaneda * Journal of the Society for American Music *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments  xi\u003cbr\u003e\u003cbr\u003e Introduction: Improvising at the Nexus of Discursive and Material Bodies \/ Gillian Siddall and Ellen Waterman  1\u003cbr\u003e\u003cbr\u003e 1. Improvisation within a Scene of Constraint: An Interview with Judith Butler \/ Tracy McMullen  21\u003cbr\u003e\u003cbr\u003e Part I. Listening, Place, and Space\u003cbr\u003e\u003cbr\u003e 2. \"How Am I to Listen to You?\": Soundwalking, Intimacy, and Improvised Listening \/ Andra McCartney  37\u003cbr\u003e\u003cbr\u003e 3. Community Sound [e]Scapes: Improvising Bodies and Site\/Space\/Place in New Media Audio Art \/ Rebecca Caines  55\u003cbr\u003e\u003cbr\u003e Part II. Technology and Embodiment\u003cbr\u003e\u003cbr\u003e 4. Improvising Composition: How to Listen to the Time Between \/ Pauline Oliveros  75\u003cbr\u003e\u003cbr\u003e 5. The Networked Body: Physicality, Embodiment, and Latency in Multisite Performance \/ Jason Robinson  91\u003cbr\u003e\u003cbr\u003e 6. Openness from Closure: The Puzzle of Interagency in Improvised Music and a Neocybernetic Solution \/ David Borgo  113\u003cbr\u003e\u003cbr\u003e 7. Mediating the Improvising Body: Art Tatum's Postmortem Performance in a Posthuman World \/ Andrew Raffo Dewar  131\u003cbr\u003e\u003cbr\u003e Part III. Sensibility and Subjectivity\u003cbr\u003e\u003cbr\u003e 8. Banding Encounters: Embodied Practices in Improvisation \/ Introduction and Conclusion by Tomie Hahn; Essays by Louise Campbell, Lindsay Vogt, Simon Rose, George Blake, Catherine Lee, Sherrie Tucker, François Mouillot, Jovana Milovic, and Pete Williams\u003cbr\u003e\u003cbr\u003e 9. Learning to Go with the Flow: David Rokeby's \u003ci\u003eVery Nervous System\u003c\/i\u003e and the Improvising Body \/ Jesse Stewart  169\u003cbr\u003e\u003cbr\u003e 10. Stretched Boundaries: Improvising across Abilities \/ Introduction and Conclusion by Sherrie Tucker; Essays by Pauline Oliveros, Neil Rolnick, Christine Sun Kim, Clara Tomaz, David Whalen, Leif Miller, and Jaclyn Heyen  181\u003cbr\u003e\u003cbr\u003e Part IV. Gender, Trauma, and Memory\u003cbr\u003e\u003cbr\u003e 11. The Erotics of Improvisation in Ann-Marie MacDonald's \u003ci\u003eFall on Your Knees\u003c\/i\u003e \/ Gillian Sidall 201\u003cbr\u003e\u003cbr\u003e 12. \u003ci\u003eCorregidora\u003c\/i\u003e: Corporeal Archaeology, Embodied Memory, Improvisation \/ Nina Sun Eidsheim and Mandy-Suzanne Wong\u003cbr\u003e\u003cbr\u003e 13. Theorizing the Saxophonic Scream in Free Jazz Improvisation \/ Zachary Wallmark  233\u003cbr\u003e\u003cbr\u003e 14. Extemporaneous Genomics: Nicole Mitchell, Octavia Butler, and \u003ci\u003eXenogenesis\u003c\/i\u003e \/ Kevin McNeilly and Julie Dawn Smith  245\u003cbr\u003e\u003cbr\u003e Part V. Representation and Identity\u003cbr\u003e\u003cbr\u003e 15. Faster and Louder: Heterosexist Improvisation in North American Taiko \/ Deborah Wong   265\u003cbr\u003e\u003cbr\u003e 16. Improvisation and the Audibility of Difference: Safa, Canadian Multiculturalism, and the Politics of Recognition \/ Ellen Waterman  281\u003cbr\u003e\u003cbr\u003e 17. Performing the National Body Politic in Twenty-First-Century Argentina \/ Illa Carrillo Rodríguez and Berenice Corti  307\u003cbr\u003e\u003cbr\u003e Discography  327\u003cbr\u003e\u003cbr\u003e References  329\u003cbr\u003e\u003cbr\u003e Contributors  351\u003cbr\u003e\u003cbr\u003e Index  355\u003cbr\u003e  ","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":49406094442839,"sku":"9780822360964","price":27.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780822360964.jpg?v=1730494505","url":"https:\/\/bookcurl.com\/products\/negotiated-moments-9780822360964","provider":"Book Curl","version":"1.0","type":"link"}