{"product_id":"musicians-and-their-audiences-performance-speech-and-mediation-9780367230579","title":"Musicians and their Audiences Performance Speech","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eHow do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician\/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eJonathan P.J. Stock – Foreword: Audiencing\u003c\/p\u003e\u003cp\u003eIoannis Tsioulakis \u0026amp; Elina Hytönen-Ng – Introduction to Musicians and Audiences\u003c\/p\u003e\u003cp\u003ePART I: CONCEPTUALISING THE AUDIENCE-PERFORMER ENGAGEMENT\u003c\/p\u003e\u003col\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eBruce Johnson – In the Body of the Audience\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eLaura Leante – Observing Musicians\/Audience Interaction in North Indian Classical Music Performance\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eMary Louise O’Donnell \u0026amp; Jonathan Henderson – ‘One Step Above the Ornamental Greenery’: A Survivor’s Guide to Playing to an Audience Who Does Not Listen\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e \u003c\/b\u003e\u003cp\u003ePART II: LIVE RELATIONSHIPS: NEGOTIATIONS OF PERFORMANCE\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eElina Hytönen-Ng – Contemporary British Jazz Musicians’ Relationship with the Audience: Renditions of We-Relations and Intersubjectivity\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eBarbara Bradby – Performer-Audience Interaction in Live Concerts: Ritual or Conversation?\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eAndrew Pace – Refiguring Maltese Heritage through Musical Performance: Audience Complicity and the Role of Venues in Etnika’s Stage Shows\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e \u003c\/b\u003e \u003cp\u003ePART III: TECHNOLOGICAL MEDIATIONS: THE VIRTUAL AND THE MATERIAL\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eHillegonda C. Rietveld – Authenticity and Liveness in Digital DJ Performance\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eRichard Osborne – That’s Me in the Spotlight: Audiences and Musicians on Screen\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eIoannis Tsioulakis – ‘Soon You’ll Wish They Would Shut Up!’: The Digitised Political Voices of Music Stars and their Audiences in Recession Greece\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e \u003c\/b\u003e \u003cp\u003ePART IV: OFF-STAGE DISCOURSES AND THE POWER OF FANDOM\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eNancy Bruseker – ‘Where are the girls of the old brigade?’: Vesta Tilley and Her Female Audience in Correspondence\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eMark Duffett – From Secret Fantasies to Social Systems: Re-reading \u003ci\u003eStarlust\u003c\/i\u003e as a Portrait of the Dedicated Popular Music Audience\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003eWalter van de Leur – Afterword: ‘Moved to the point where she could no longer contain herself’: Ellington and Audience Interaction at the Newport Jazz Festival\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd (Sales)","offers":[{"title":"Default Title","offer_id":51017854484823,"sku":"9780367230579","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780367230579.jpg?v=1750774895","url":"https:\/\/bookcurl.com\/products\/musicians-and-their-audiences-performance-speech-and-mediation-9780367230579","provider":"Book Curl","version":"1.0","type":"link"}