{"product_id":"modernitys-ear-9781479867011","title":"Modernitys Ear","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eInside the global music industry and the racialized and gendered assumptions we make about what we hear \u003c\/b\u003e\u003cbr\u003eFearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early songcatchers were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the other' that made them.\u003cbr\u003eIn Modernity's Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Khesht\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eEngaging an impressive range of methodologies,Modernitys Earoffers an astute look into the world music culture industry through the lens of ethnographic entrapment and phonographic subjectivity. With sharp insight, Kheshti explores the nexus between bodies and sounds at the intersection of racial and gender identities to make a crucial point about phonographic listening as an important venue for performative and philosophical reflection. -- Alexander Weheliye,author of Phonographies: Grooves in Sonic Afro-Modernity\u003cbr\u003eRich in ethnographic fieldwork,Modernitys Earis a thunderous unsettling of the gendered and racialized assumptions we make about sound and listening. Innovatively pushing the limits of queer studies and critical race studies, Kheshti stretches the listening ear and retunes theoretical approaches to consider not only the way race sounds but how it is configured as sensually \u0026amp; other. A field-changing book for queer studies and sound studies alike. -- Deborah R. Vargas,author of Dissonant Divas in Chicana Music: The Limits of La Onda\u003cbr\u003eIn this tightly structured book, Kheshti offers not only an aesthetic and stylistic history of world music but also an analysis of race and gender in the \u0026amp; world music culture industry. * Choice *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments ix Preface: Playing by Ear xv  Introduction 1 1. The Female Sound Collector and Her Talking Machine 15 2. Listen, Inc.: Aural Modernity and Incorporation 39 3. Losing the Listening Self in the Aural Other 65 4. Racial Noise, Hybridity, and Miscegenation in World Music 82 5. The World Music Culture of Incorporation 108  Epilogue: Modernity's Radical Ear and the Sonic Infidelity of Zora Neale Hurston's Recordings 125 Notes 143 References 165 Index 173 About the Author\u003c\/p\u003e","brand":"New York University Press","offers":[{"title":"Default Title","offer_id":49409084227927,"sku":"9781479867011","price":70.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781479867011.jpg?v=1730505384","url":"https:\/\/bookcurl.com\/products\/modernitys-ear-9781479867011","provider":"Book Curl","version":"1.0","type":"link"}