{"product_id":"modernism-9780631204497","title":"Modernism","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eModernism: An Anthology is the most comprehensive anthology of Anglo-American modernism ever to be published.   * Amply represents the giants of modernism - James Joyce, Gertrude Stein, Virginia Woolf, T.S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, Samuel Beckett.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Lawrence Rainey, one of the leading modernist scholars in the world today, has produced an anthology ideally suited for the classroom. The attention to Continental developments as well as central Anglo-American texts distinguishes the volume from others now available to students. The range of writers, the judiciousness of the selection, and the expert introduction should make this the leading text in the field.\" \u003ci\u003eProfessor Michael Levenson, University of Virginia\u003c\/i\u003e\u003cbr\u003e \u003cp\u003e\"He has been marvelously selective. There are no secret traditionalists here, no writers included merely for their prominence in modernism's historical moment or for modern themes alone; all are hardcore, the real thing.\" \u003ci\u003eJames Joyce Quarterly\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments. \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eA Note on the Selection, Texts, and Order of Presentation.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCONTINENTAL INTERLUDE I: Futurism (1909–14)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eF. T. Marinetti The Founding and the Manifesto of Futurism (Feb. 1909).\u003c\/p\u003e \u003cp\u003eF. T. Marinetti Futurist Speech to the English (Dec. 1910).\u003c\/p\u003e \u003cp\u003eF. T. Marinetti Contempt for Woman (from Le Futurisme, 1911).\u003c\/p\u003e \u003cp\u003eBalla, Boccioni, Carra`, Russolo, Severini The Exhibitors to the Public (Feb. 1912) F. T. Marinetti Technical Manifesto of Futurist Literature (May 1912).\u003c\/p\u003e \u003cp\u003eF. T. Marinetti A Response to Objections (Aug. 1912).\u003c\/p\u003e \u003cp\u003eLuigi Russolo The Art of Noises: A Futurist Manifesto (Mar. 1913).\u003c\/p\u003e \u003cp\u003eF. T. Marinetti Destruction of Syntax–Wireless.\u003c\/p\u003e \u003cp\u003eImagination–Words-in-Freedom (May 1913).\u003c\/p\u003e \u003cp\u003eF. T. Marinetti The Variety Theater (Sept. 1913).\u003c\/p\u003e \u003cp\u003eEzra Pound.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eThe Seafarer (1911).\u003c\/p\u003e \u003cp\u003ePortrait d’une Femme (1912).\u003c\/p\u003e \u003cp\u003eThe Return (1912).\u003c\/p\u003e \u003cp\u003eIn a Station of the Metro (1913).\u003c\/p\u003e \u003cp\u003eSalutation the Third (1914).\u003c\/p\u003e \u003cp\u003eMeditatio (1914).\u003c\/p\u003e \u003cp\u003eSong of the Bowmen of Shu (1915).\u003c\/p\u003e \u003cp\u003eThe River-Merchant’s Wife: A Letter (1915).\u003c\/p\u003e \u003cp\u003ePoem by the Bridge at Ten-Shin (1915).\u003c\/p\u003e \u003cp\u003eThe Jewel Stairs’ Grievance (1915).\u003c\/p\u003e \u003cp\u003eThe Coming of War: Actaeon (1915).\u003c\/p\u003e \u003cp\u003eShop Girl (1915).\u003c\/p\u003e \u003cp\u003eO Atthis (1916).\u003c\/p\u003e \u003cp\u003eThe Lake Isle (1916).\u003c\/p\u003e \u003cp\u003eHugh Selwyn Mauberley (1920).\u003c\/p\u003e \u003cp\u003eFrom The Cantos.\u003c\/p\u003e \u003cp\u003eCanto I (1917\/1925).\u003c\/p\u003e \u003cp\u003eThe Malatesta Cantos, VIII to XI (1923).\u003c\/p\u003e \u003cp\u003eCanto LXXXI (1948).\u003c\/p\u003e \u003cp\u003eFrom Canto CXV (1969).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eImagisme (1912).\u003c\/p\u003e \u003cp\u003eA Few Don’ts by an Imagiste (1912).\u003c\/p\u003e \u003cp\u003eVortex. Pound. (1914).\u003c\/p\u003e \u003cp\u003eThe Chinese Written Character as Medium for Poetry (1918).\u003c\/p\u003e \u003cp\u003eT. S. Eliot.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eThe Love Song of J. Alfred Prufrock (1915).\u003c\/p\u003e \u003cp\u003eLa Figlia che piange (1916).\u003c\/p\u003e \u003cp\u003eSweeney Among the Nightingales (1918).\u003c\/p\u003e \u003cp\u003eSweeney Erect (1919).\u003c\/p\u003e \u003cp\u003eGerontion (1920).\u003c\/p\u003e \u003cp\u003eThe Waste Land (1922).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDrama\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eSweeney Agonistes (1932).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eTradition and the Individual Talent (1919).\u003c\/p\u003e \u003cp\u003eThe Lesson of Baudelaire (1921).\u003c\/p\u003e \u003cp\u003eLondon Letter: May 1921.\u003c\/p\u003e \u003cp\u003eLondon Letter: November 1922 (Marie Lloyd).\u003c\/p\u003e \u003cp\u003eUlysses, Order, and Myth (1923).\u003c\/p\u003e \u003cp\u003eCharles Baudelaire (Introduction to Journaux intimes) (1930).\u003c\/p\u003e \u003cp\u003eWyndham Lewis.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eEnemy of the Stars (1914).\u003c\/p\u003e \u003cp\u003eBestre (1922).\u003c\/p\u003e \u003cp\u003eThe Death of the Ankou (1927).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eManifesto (1914).\u003c\/p\u003e \u003cp\u003eInferior Religions (1917).\u003c\/p\u003e \u003cp\u003eForeword to Tyros and Portraits (1921).\u003c\/p\u003e \u003cp\u003eThe Children of the New Epoch (1921).\u003c\/p\u003e \u003cp\u003eJames Joyce.\u003c\/p\u003e \u003cp\u003eAraby (1914), from Dubliners.\u003c\/p\u003e \u003cp\u003eA Little Cloud (1914), from Dubliners.\u003c\/p\u003e \u003cp\u003eAeolus (1922), from Ulysses.\u003c\/p\u003e \u003cp\u003eNausicaa (1922), from Ulysses.\u003c\/p\u003e \u003cp\u003eAnna Livia Plurabelle (1939), from Finnegans Wake.\u003c\/p\u003e \u003cp\u003eW. B. Yeats.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eA Coat (1914).\u003c\/p\u003e \u003cp\u003eThe Wild Swans at Coole (1917).\u003c\/p\u003e \u003cp\u003eIn Memory of Major Robert Gregory (1918).\u003c\/p\u003e \u003cp\u003eEaster, 1916 (1920).\u003c\/p\u003e \u003cp\u003eThe Second Coming (1920).\u003c\/p\u003e \u003cp\u003eThe Tower (1928).\u003c\/p\u003e \u003cp\u003eSailing to Byzantium (1927).\u003c\/p\u003e \u003cp\u003eThe Tower (1927).\u003c\/p\u003e \u003cp\u003eMeditations in Time of Civil War (1923).\u003c\/p\u003e \u003cp\u003eNineteen Hundred and Nineteen (1921).\u003c\/p\u003e \u003cp\u003eThe Wheel (1922).\u003c\/p\u003e \u003cp\u003eYouth and Age (1924).\u003c\/p\u003e \u003cp\u003eThe New Faces (1922).\u003c\/p\u003e \u003cp\u003eA Prayer for my Son (1922).\u003c\/p\u003e \u003cp\u003eTwo Songs from a Play (1927).\u003c\/p\u003e \u003cp\u003eWisdom (1927).\u003c\/p\u003e \u003cp\u003eLeda and the Swan (1924).\u003c\/p\u003e \u003cp\u003eOn a Picture of a Black Centaur by Edmund Dulac (1922).\u003c\/p\u003e \u003cp\u003eAmong School Children (1927).\u003c\/p\u003e \u003cp\u003eColonus’ Praise (1928).\u003c\/p\u003e \u003cp\u003eThe Hero, the Girl, and the Fool (1922).\u003c\/p\u003e \u003cp\u003eOwen Ahern and his Dancers (1924).\u003c\/p\u003e \u003cp\u003eA Man Young and Old (1927).\u003c\/p\u003e \u003cp\u003eThe Three Monuments (1927).\u003c\/p\u003e \u003cp\u003eFrom ‘Oedipus at Colonus’ (1927).\u003c\/p\u003e \u003cp\u003eThe Gift of Harun Al-Rashid (1924).\u003c\/p\u003e \u003cp\u003eAll Souls’ Night (1921).\u003c\/p\u003e \u003cp\u003ePoems after The Tower.\u003c\/p\u003e \u003cp\u003eCrazy Jane and the Bishop (1930).\u003c\/p\u003e \u003cp\u003eByzantium (1932).\u003c\/p\u003e \u003cp\u003eCoole and Ballylee, 1931 (1932).\u003c\/p\u003e \u003cp\u003eCome Gather Round Me Parnellites (1937).\u003c\/p\u003e \u003cp\u003eThe Statues (1939).\u003c\/p\u003e \u003cp\u003eThe Spur (1939).\u003c\/p\u003e \u003cp\u003eThe Circus Animals’ Desertion (1939).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDrama\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eAt the Hawk’s Well (1916).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eNote on the First Performance of ‘‘At the Hawk’s Well’’ (1917).\u003c\/p\u003e \u003cp\u003e‘‘Introduction’’ to Certain Noble Plays of Japan (1916).\u003c\/p\u003e \u003cp\u003eRapallo (1929).\u003c\/p\u003e \u003cp\u003eGertrude Stein.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eProse Poems and Portraits.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eTender Buttons (1914).\u003c\/p\u003e \u003cp\u003eTourty or Tourtebattre (1922).\u003c\/p\u003e \u003cp\u003eA Sweet Tail (Gypsies) (1922).\u003c\/p\u003e \u003cp\u003eA Description of the Fifteenth of November: A Portrait of T. S. Eliot (1924) \u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eComposition as Explanation (1926).\u003c\/p\u003e \u003cp\u003eWhat Are Master-pieces and Why Are There So Few of Them (1940).\u003c\/p\u003e \u003cp\u003eMina Loy.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eVirgins Plus Curtains Minus Dots (1915).\u003c\/p\u003e \u003cp\u003eThe Effectual Marriage, or the Insipid Narrative of Gina and Miovanni (1917).\u003c\/p\u003e \u003cp\u003eHuman Cylinders (1917).\u003c\/p\u003e \u003cp\u003eJoyce’s Ulysses (1922).\u003c\/p\u003e \u003cp\u003eBrancusi’s Golden Bird (1922).\u003c\/p\u003e \u003cp\u003eLunar Baedeker (1923).\u003c\/p\u003e \u003cp\u003eGertrude Stein (1924).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAphorisms on Futurism (1914).\u003c\/p\u003e \u003cp\u003ePsycho-Democracy (1921).\u003c\/p\u003e \u003cp\u003eGertrude Stein (1924).\u003c\/p\u003e \u003cp\u003eModern Poetry (1925).\u003c\/p\u003e \u003cp\u003eH.D.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eOrchard (1913).\u003c\/p\u003e \u003cp\u003eOread (1914).\u003c\/p\u003e \u003cp\u003eMid-day (1915).\u003c\/p\u003e \u003cp\u003eGarden (1915).\u003c\/p\u003e \u003cp\u003eSea Rose (1916).\u003c\/p\u003e \u003cp\u003eNight (1916).\u003c\/p\u003e \u003cp\u003eEurydice (1917).\u003c\/p\u003e \u003cp\u003eLeda (1921).\u003c\/p\u003e \u003cp\u003eShe Rebukes Hippolyta (1921).\u003c\/p\u003e \u003cp\u003eDemeter (1921).\u003c\/p\u003e \u003cp\u003eHelen (1924).\u003c\/p\u003e \u003cp\u003eTriplex (1931).\u003c\/p\u003e \u003cp\u003eMagician (1933).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCONTINENTAL INTERLUDE II: DADA (1916–22).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eRichard Huelsenbeck En Avant Dada: A History of Dadaism (1920).\u003c\/p\u003e \u003cp\u003eHugo Ball Dada Fragments (1916–17).\u003c\/p\u003e \u003cp\u003eTristan Tzara Dada Manifesto 1918.\u003c\/p\u003e \u003cp\u003eKurt Schwitters Merz (1920).\u003c\/p\u003e \u003cp\u003eAndre´ Breton For Dada (1920).\u003c\/p\u003e \u003cp\u003eMarcel Duchamp and Man Ray New York Dada (1921).\u003c\/p\u003e \u003cp\u003eAndre´ Breton After Dada (1922).\u003c\/p\u003e \u003cp\u003eWilliam Carlos Williams.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSpring and All (1923).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMarianne Moore (1925).\u003c\/p\u003e \u003cp\u003eA Draft of XXX Cantos by Ezra Pound (1930).\u003c\/p\u003e \u003cp\u003eA Note on the Recent Work of James Joyce (1927).\u003c\/p\u003e \u003cp\u003eThe Work of Gertrude Stein (1930).\u003c\/p\u003e \u003cp\u003eFord Madox Ford.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePink Flannel (1919).\u003c\/p\u003e \u003cp\u003eThe Colonel’s Shoes (1920).\u003c\/p\u003e \u003cp\u003eThe Miracle (1928).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eOn Impressionism (1914).\u003c\/p\u003e \u003cp\u003eDorothy Richardson.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSunday (1919).\u003c\/p\u003e \u003cp\u003eDeath (1924).\u003c\/p\u003e \u003cp\u003eThe Garden (1924).\u003c\/p\u003e \u003cp\u003eSleigh Ride (1926).\u003c\/p\u003e \u003cp\u003eNook on Parnassus (1935).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Reality of Feminism (1917).\u003c\/p\u003e \u003cp\u003eWomen and the Future (1924).\u003c\/p\u003e \u003cp\u003eWomen in the Arts (1925).\u003c\/p\u003e \u003cp\u003eContinuous Performance (1932).\u003c\/p\u003e \u003cp\u003eAdventure for Readers (1939).\u003c\/p\u003e \u003cp\u003eWallace Stevens.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSunday Morning (1915).\u003c\/p\u003e \u003cp\u003eEarthy Anecdote (1918).\u003c\/p\u003e \u003cp\u003eLe Monocle de Mon Oncle (1918).\u003c\/p\u003e \u003cp\u003eThe Paltry Nude Starts on a Spring Voyage (1919).\u003c\/p\u003e \u003cp\u003eAnecdote of the Jar (1919).\u003c\/p\u003e \u003cp\u003eThe Snow Man (1921).\u003c\/p\u003e \u003cp\u003eTea at the Palaz of Hoon (1921).\u003c\/p\u003e \u003cp\u003eThe Ordinary Women (1922).\u003c\/p\u003e \u003cp\u003eThe Revolutionists Stop for Orangeade (1931).\u003c\/p\u003e \u003cp\u003eIdea of Order at Key West (1934).\u003c\/p\u003e \u003cp\u003eThe Poems of Our Climate (1938).\u003c\/p\u003e \u003cp\u003eEsthe´tique du Mal (1944).\u003c\/p\u003e \u003cp\u003eThe Auroras of Autumn (1948).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eProse.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Noble Rider and the Sound of Words (1942).\u003c\/p\u003e \u003cp\u003eMarianne Moore.\u003c\/p\u003e \u003cp\u003ePoems from Observations.\u003c\/p\u003e \u003cp\u003eTo a Steam Roller (1915).\u003c\/p\u003e \u003cp\u003ePedantic Literalist (1916).\u003c\/p\u003e \u003cp\u003eThe Fish (1918).\u003c\/p\u003e \u003cp\u003ePoetry (1919).\u003c\/p\u003e \u003cp\u003eEngland (1920).\u003c\/p\u003e \u003cp\u003eA Grave (1921).\u003c\/p\u003e \u003cp\u003eNew York (1921).\u003c\/p\u003e \u003cp\u003eMarriage (1923).\u003c\/p\u003e \u003cp\u003eTo a Snail (1924).\u003c\/p\u003e \u003cp\u003e[Moore’s Notes for Poems through 1924].\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems after Observations.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Steeple-Jack (1932).\u003c\/p\u003e \u003cp\u003eNo Swan so Fine (1932).\u003c\/p\u003e \u003cp\u003eThe Jerboa (1932).\u003c\/p\u003e \u003cp\u003eCamellia Sabina (1935).\u003c\/p\u003e \u003cp\u003eThe Paper Nautilus (1940).\u003c\/p\u003e \u003cp\u003eWhat Are Years (1940).\u003c\/p\u003e \u003cp\u003eHe ‘‘Digesteth Harde Yron’’ (1941).\u003c\/p\u003e \u003cp\u003e[Moore’s Notes for Poems after 1924].\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Sacred Wood (1921).\u003c\/p\u003e \u003cp\u003eHymen (1923).\u003c\/p\u003e \u003cp\u003eWell Moused, Lion (1924).\u003c\/p\u003e \u003cp\u003eA Poet of the Quattrocento (1927).\u003c\/p\u003e \u003cp\u003eA House-Party (1928).\u003c\/p\u003e \u003cp\u003eA Draft of XXX Cantos (1931).\u003c\/p\u003e \u003cp\u003eIdeas of Order (1936).\u003c\/p\u003e \u003cp\u003eRebecca West.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIndissoluble Matrimony (1914).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Freewoman (1926).\u003c\/p\u003e \u003cp\u003eHigh Fountain of Genius (1928).\u003c\/p\u003e \u003cp\u003eWhat Is Mr. T.S. Eliot’s Authority as a Critic? (1932).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCONTINENTAL INTERLUDE III: SURREALISM (1922–39).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAndre´ Breton Manifesto of Surrealism (1924).\u003c\/p\u003e \u003cp\u003eAndre´ Breton The Mediums Enter (1922).\u003c\/p\u003e \u003cp\u003eRobert Desnos Midnight at Two O’Clock (1928).\u003c\/p\u003e \u003cp\u003eMichel Leiris From the Heart to the Absolute (1929).\u003c\/p\u003e \u003cp\u003eAndre´ Breton and Paul Eluard The Possessions, from the Immaculate.\u003c\/p\u003e \u003cp\u003eConception (1930).\u003c\/p\u003e \u003cp\u003eNancy Cunard.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWheels (1916).\u003c\/p\u003e \u003cp\u003eThe Carnivals of Peace (1916).\u003c\/p\u003e \u003cp\u003eEvenings (1921).\u003c\/p\u003e \u003cp\u003eVoyages North (1921).\u003c\/p\u003e \u003cp\u003eHorns in the Valley (1923).\u003c\/p\u003e \u003cp\u003eSimultaneous (1930).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays and Reportage.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBlack Man and White Ladyship (1931).\u003c\/p\u003e \u003cp\u003eHarlem Reviewed (1934).\u003c\/p\u003e \u003cp\u003eThe Exodus from SpaIn (1939).\u003c\/p\u003e \u003cp\u003eMary Butts.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSpeed the Plough (1921).\u003c\/p\u003e \u003cp\u003eWiddershins (1924).\u003c\/p\u003e \u003cp\u003eThe House-party (1930).\u003c\/p\u003e \u003cp\u003eGreen (1931).\u003c\/p\u003e \u003cp\u003eFriendship’s Garland (1925).\u003c\/p\u003e \u003cp\u003eHart Crane.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMy Grandmother’s Love Letters (1920).\u003c\/p\u003e \u003cp\u003eBlack Tambourine (1921).\u003c\/p\u003e \u003cp\u003eChaplinesque (1921).\u003c\/p\u003e \u003cp\u003ePraise for an Urn (1922).\u003c\/p\u003e \u003cp\u003eThe Wine Menagerie (1926).\u003c\/p\u003e \u003cp\u003eAt Melville’s Tomb (1926).\u003c\/p\u003e \u003cp\u003eVoyages (1926).\u003c\/p\u003e \u003cp\u003eO Carib Isle! (1927).\u003c\/p\u003e \u003cp\u003eIsland Quarry (1927).\u003c\/p\u003e \u003cp\u003eBacardi Spreads the Eagle’s Wings (1927).\u003c\/p\u003e \u003cp\u003eTo Emily Dickinson (1927).\u003c\/p\u003e \u003cp\u003eThe Mermen (1928).\u003c\/p\u003e \u003cp\u003eThe Broken Tower (1932).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Case against Nietzsche (1918).\u003c\/p\u003e \u003cp\u003eJoyce and Ethics (1918).\u003c\/p\u003e \u003cp\u003eModern Poetry (1930).\u003c\/p\u003e \u003cp\u003eVirginia Woolf.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBetween the Acts (1941).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eModern Fiction (1919\/1925).\u003c\/p\u003e \u003cp\u003eMr Bennet and Mrs Brown (1923).\u003c\/p\u003e \u003cp\u003eThe Narrow Bridge of Art (1927).\u003c\/p\u003e \u003cp\u003eThe Leaning Tower (1940).\u003c\/p\u003e \u003cp\u003eDjuna Barnes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction and Literary Drama.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eTo the Dogs (1923).\u003c\/p\u003e \u003cp\u003eMother (1920).\u003c\/p\u003e \u003cp\u003eA Night Among the Horses (1918).\u003c\/p\u003e \u003cp\u003eAller et Retour (1929).\u003c\/p\u003e \u003cp\u003eA Little Girl Tells a Story to a Lady (1925).\u003c\/p\u003e \u003cp\u003eThe Passion (1924).\u003c\/p\u003e \u003cp\u003eJean Rhys.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eVienne (1924).\u003c\/p\u003e \u003cp\u003eIllusion (1927).\u003c\/p\u003e \u003cp\u003eMannequin (1927).\u003c\/p\u003e \u003cp\u003eTea with an Artist (1927).\u003c\/p\u003e \u003cp\u003eMixing Cocktails (1927).\u003c\/p\u003e \u003cp\u003eAgain the Antilles (1927).\u003c\/p\u003e \u003cp\u003eElizabeth Bowen.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eComing Home (1923).\u003c\/p\u003e \u003cp\u003eFoothold (1929).\u003c\/p\u003e \u003cp\u003eThe Apple Tree (1934).\u003c\/p\u003e \u003cp\u003eAttractive Modern Homes (1941).\u003c\/p\u003e \u003cp\u003eIn the Square (1941).\u003c\/p\u003e \u003cp\u003eMysterious Kôr (1944).\u003c\/p\u003e \u003cp\u003eThe Happy Autumn Fields (1944).\u003c\/p\u003e \u003cp\u003eEugene Jolas.\u003c\/p\u003e \u003cp\u003eNotes (1928).\u003c\/p\u003e \u003cp\u003eRevolution of the Word (1929).\u003c\/p\u003e \u003cp\u003eNotes on Reality (1929).\u003c\/p\u003e \u003cp\u003eWhat is the Revolution of Language (1933).\u003c\/p\u003e \u003cp\u003eSamuel Beckett.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eTexts for Nothing (1955).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDrama.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eEndgame (1957).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEssays.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDante … Bruno . Vico . . Joyce (1929).\u003c\/p\u003e \u003cp\u003eThree Dialogues (1948).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoems.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWhoroscope (1930).\u003c\/p\u003e \u003cp\u003eEnnueg II (1935).\u003c\/p\u003e \u003cp\u003eEcho’s Bones (1935).\u003c\/p\u003e \u003cp\u003eOoftish (1938).\u003c\/p\u003e \u003cp\u003eWhat is the Word (1990).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCONTINENTAL INTERLUDE IV: THE FRANKFURT SCHOOL (1923–60).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWalter Benjamin Surrealism: the Last Snapshot of the European Intelligentsia (1929).\u003c\/p\u003e \u003cp\u003eWalter Benjamin The Work of Art in the Age of Mechanical Reproduction (1936).\u003c\/p\u003e \u003cp\u003eTheodor Adorno Looking Back on Surrealism (1956).\u003c\/p\u003e \u003cp\u003eTheodor Adorno Trying to Understand Endgame (1961).\u003c\/p\u003e \u003cp\u003eBibliography.\u003c\/p\u003e \u003cp\u003eIndex of Authors and Titles\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":53515456872791,"sku":"9780631204497","price":37.95,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/bookcurl.com\/products\/modernism-9780631204497","provider":"Book Curl","version":"1.0","type":"link"}