{"product_id":"making-it-heard-a-history-of-brazilian-sound-art-9781501383205","title":"Making It Heard A History of Brazilian Sound Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eRui Chaves\u003c\/b\u003e is a sound artist, performer, and researcher. He has presented his work in several institutions and events throughout the United Kingdom, Brazil, France, Canada, Portugal, and Germany. As a researcher, he is interested in developing accounts of contemporary sound artworks produced within the Global South.  \u003cb\u003eFernando Iazzetta\u003c\/b\u003e is a Brazilian composer, performer, and Professor of Music and Technology at the University of Sao Paulo, Brazil, as well as the director of NuSomResearch Centre on Sonology. As a researcher he is interested in the investigation of experimental forms of music and sound art.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eMaking it Heard\u003c\/i\u003e is the result of an astounding collaboration of Brazilian sound artists and researchers that undertook a profound analysis and study of historical and contemporary practices of sound art. This volume conveys new ideas for listening and reveals new aesthetic forms due to the geopolitical and social context of Brazil's rich crossbreeding culture. * Manuel Rocha Iturbide, Composer and Sound Artist, Universidad Autonoma Metropolitana, Mexico *\u003cbr\u003eI am very glad that a book like this is finally available! Thanks to Rui Chaves, Fernando Iazzetta, and all others involved, we now have a very comprehensive guide to the Brazilian sound art of this century. Dealing with a dense and assorted body of contemporary works, the essays in this book shed light on paradigmatic works and artists and discuss a significant variety of issues tackled by them. I am sure that, through this book, English-speaking readers will have a great opportunity to be introduced to an indispensable part of Brazil's artistic production. * Rodolfo Caesar, Composer and Writer, Universidade Federal do Rio de Janeiro, Brazil *\u003cbr\u003e\u003ci\u003eMaking It Heard\u003c\/i\u003e is the first book in English that critically interrogates contemporary sound arts in Brazil and, as such, offers a serious window into sound arts practices outside the dominant European and North American canon. These essays, written by a younger generation of Brazilian artists, academics, and critics are a necessary and welcome addition to international sound art practice and scholarship. * Cathy Lane, Professor of Sound Arts, University of the Arts London, UK, and Director of CRiSAP (Creative Research in Sound Arts Practice) *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eList of Figures\u003c\/i\u003e Foreword: The Clash between Body and Artwork (\u003ci\u003eRicardo Basbaum, \u003c\/i\u003e\u003ci\u003eFluminense Federal University, \u003c\/i\u003e\u003ci\u003eBrazil)\u003c\/i\u003e \u003ci\u003eAcknowledgements\u003c\/i\u003e Introduction\u003ci\u003e (Rui Chaves and Fernando Iazzetta, University of São Paulo, Brazil)\u003c\/i\u003e \u003cb\u003ePart One: Abre-Alas\u003c\/b\u003e 1. Sounds from Elsewhere: Episodes for a History of Brazilian Sound Art \u003ci\u003e(Fernando Iazzetta, University of São Paulo, Brazil)\u003c\/i\u003e 2. Making Oneself Heard in Public, through Art and in Sound-Based Scholarship \u003ci\u003e(Rui Chaves, \u003c\/i\u003e\u003ci\u003eUniversity of São Paulo, Brazil\u003c\/i\u003e\u003ci\u003e)\u003c\/i\u003e \u003cb\u003ePart Two: Bateria\u003c\/b\u003e 3. Music Is What I Make\u003ci\u003e (Vivian Caccuri, \u003c\/i\u003e\u003ci\u003eFederal University of Rio de Janeiro, Brazil)\u003c\/i\u003e 4. Radio Art, Cassette Culture, and Networked Artistic Practices: The International Ra(u)dio Art Show (IRAS) in Recife \u003ci\u003e(Yuri Bruscky, \u003c\/i\u003e\u003ci\u003eFederal University of Pernambuco, Brazil)\u003c\/i\u003e \u003cb\u003ePart Three: Barracão\u003c\/b\u003e 5. Gambiarra’s Perspective \u003ci\u003e(Giuliano Obici, \u003c\/i\u003e\u003ci\u003eFluminense \u003c\/i\u003e\u003ci\u003eFederal University, Brazil)\u003c\/i\u003e 6. Listening to the Debris: Brazilian Sound Art and the Low-Technology Economy\u003ci\u003e (Andre Damião, University of São Paulo, Brazil)\u003c\/i\u003e \u003cb\u003ePart Four: Avenida\u003c\/b\u003e 7. Being in the Field: Process, Narrativity, and Discovery in the Field-Recording Work of Thelmo Cristovam and Alexandre Fenerich \u003ci\u003e(Paulo Dantas, Federal University of the State of Rio de Janeiro, Brazil)\u003c\/i\u003e 8. Other Paths to Sonic Cartographies: \"Mapa Sonoro CWB\" and Its Untethered Soundwalks \u003ci\u003e(Thaís Aragão, \u003c\/i\u003e\u003ci\u003eFederal University of Ceará, Brazil)\u003c\/i\u003e \u003cb\u003ePart Five: Batucada\u003c\/b\u003e 9. Out of the Mainstream: Noise and Otherness in the Work of Marie Carangi, Paula Garcia, and Sofia Caesar \u003ci\u003e(Lílian Campesato, \u003c\/i\u003e\u003ci\u003eUniversity of São Paulo\u003c\/i\u003e\u003ci\u003e, Brazil)\u003c\/i\u003e 10. Counter-Tradition: Toward the Black Vanguard of Contemporary Brazil \u003ci\u003e(GG Albuquerque, Federal University of Pernambuco, Brazil)     \u003c\/i\u003e 11. Engaged Sonorities: Politics and Gender in the Work of Vanessa De Michelis\u003ci\u003e (Tânia Mello Neiva, \u003c\/i\u003e\u003ci\u003eFederal University of Paraíba, Brazil)\u003c\/i\u003e Afterword: The Audibility of Brazilian Sound Art \u003ci\u003e(Ana M. Ochoa Gautier, \u003c\/i\u003e\u003ci\u003eColumbia University, USA)\u003c\/i\u003e \u003ci\u003eList of Contributors Index\u003c\/i\u003e","brand":"Bloomsbury Publishing (UK)","offers":[{"title":"Default Title","offer_id":52084975960407,"sku":"9781501383205","price":31.99,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/bookcurl.com\/products\/making-it-heard-a-history-of-brazilian-sound-art-9781501383205","provider":"Book Curl","version":"1.0","type":"link"}