{"product_id":"longman-anthology-of-world-literature-the-9780205625918","title":"Longman Anthology of World Literature The","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eVOLUME E: THE NINETEENTH CENTURY\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWILLIAM WORDSWORTH (1770-1850)\u003c\/p\u003e \u003cp\u003eLines Written a Few Miles above Tintern Abbey\u003c\/p\u003e \u003cp\u003eNutting\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Preface to \u003cem\u003eLyrical Ballads\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eComposed Upon Westminster Bridge\u003c\/p\u003e \u003cp\u003eMy heart leaps up\u003c\/p\u003e \u003cp\u003eOde: Intimations of Immortality from Recollections of Early Childhood\u003c\/p\u003e \u003cp\u003eTo the Cuckoo\u003c\/p\u003e \u003cp\u003eMark the concen'tred hazels that enclose\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e The Prelude\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Book Fifth: Books (The Dream of the Arab)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Book Sixth: Cambridge and the Alps (Crossing the Alps)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Book Eleventh: France\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Book Fourteenth: Conclusion (Ascent of Snowdon)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePerspectives: Romantic Nature\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eJean-Jacques Rousseau (1712-1778)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Reveries of a Solitary Walker — Fifth Walk (\u003cem\u003etrans. Peter France\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eImmanuel Kant (1724-1804)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Critique of Practical Reason (\u003cem\u003etrans. T. K. Abbott\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eWilliam Blake (1757-1827)\u003c\/p\u003e \u003cp\u003eThe Ecchoing Green\u003c\/p\u003e \u003cp\u003eThe Tyger\u003c\/p\u003e \u003cp\u003eJohn Keats (1795-1821)\u003c\/p\u003e \u003cp\u003eOde to a Nightingale\u003c\/p\u003e \u003cp\u003eTo Autumn\u003c\/p\u003e \u003cp\u003eAnnette von Droste-Hülshoff (1797-1848)\u003c\/p\u003e \u003cp\u003eThe Man on the Heath (\u003cem\u003etrans. Jane K. Brown\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eIn the Grass\u003c\/p\u003e \u003cp\u003eGiacomo Leopardi (1798-1837)\u003c\/p\u003e \u003cp\u003eThe Infinite (\u003cem\u003etrans. Iris Origo and John Heath-Stubbs\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eDialogue Between Nature and an Icelander\u003c\/p\u003e \u003cp\u003eRalph Waldo Emerson (1803-1882)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Nature\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Self-Reliance\u003c\/p\u003e \u003cp\u003eHenry David Thoreau (1817-1862)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Walden\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCrosscurrents\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eJOHANN WOLFGANG VON GOETHE (1749-1832)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFaust (\u003cem\u003etrans. David Luke\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003ePart I\u003c\/p\u003e \u003cp\u003eDedication\u003c\/p\u003e \u003cp\u003ePrelude on the Stage\u003c\/p\u003e \u003cp\u003ePrologue in Heaven\u003c\/p\u003e \u003cp\u003eNight\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Outside the Town Wall\u003c\/p\u003e \u003cp\u003eFaust's Study (1)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Faust's Study (2)\u003c\/p\u003e \u003cp\u003eA Witch's Kitchen\u003c\/p\u003e \u003cp\u003eEvening\u003c\/p\u003e \u003cp\u003eA Promenade\u003c\/p\u003e \u003cp\u003eThe Neighbor's House\u003c\/p\u003e \u003cp\u003eA Street\u003c\/p\u003e \u003cp\u003eA Garden\u003c\/p\u003e \u003cp\u003eA Summerhouse\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e A Forest Cavern\u003c\/p\u003e \u003cp\u003eGretchen's Room\u003c\/p\u003e \u003cp\u003eMartha's Garden\u003c\/p\u003e \u003cp\u003eAt the Well\u003c\/p\u003e \u003cp\u003eBy a Shrine Inside the Town Wall\u003c\/p\u003e \u003cp\u003eNight. The Street Outside Gretchen's Door\u003c\/p\u003e \u003cp\u003eA Cathedral\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e A Walpurgis Night\u003c\/p\u003e \u003cp\u003ePart II\u003c\/p\u003e \u003cp\u003eAct 1\u003c\/p\u003e \u003cp\u003eA Beautiful Landscape\u003c\/p\u003e \u003cp\u003eA Dark Gallery\u003c\/p\u003e \u003cp\u003eAct 5\u003c\/p\u003e \u003cp\u003eOpen Country\u003c\/p\u003e \u003cp\u003eA Palace\u003c\/p\u003e \u003cp\u003eDeep Night\u003c\/p\u003e \u003cp\u003eMidnight\u003c\/p\u003e \u003cp\u003eThe Great Forecourt of the Palace\u003c\/p\u003e \u003cp\u003eBurial Rules\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Mountain Gorges\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTranslations:\u003c\/strong\u003e Goethe's Faust\u003c\/p\u003e \u003cp\u003eTo the Moon (\u003cem\u003etrans. Jane K. Brown\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eErlking\u003c\/p\u003e \u003cp\u003eDusk Descended from on High\u003c\/p\u003e \u003cp\u003eBlissful Yearning\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTranslations:\u003c\/strong\u003e Goethe's Mignon\u003c\/p\u003e \u003cp\u003eGEORGE GORDON, LORD BYRON (1788-1824)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Don Juan, Cantos 2-4\u003c\/p\u003e \u003cp\u003eGHALIB (1797-1869)\u003c\/p\u003e \u003cp\u003eI'm neither the loosening of song nor the close-drawn tent of music (\u003cem\u003etrans. Adrienne Rich)\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eCome now: I want you: my only peace (\u003cem\u003etrans. Adrienne Rich)\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eWhen I look out, I see no hope for change (\u003cem\u003etrans. Robert Bly and Sunil Dutta\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eIf King Jamshid's diamond cup breaks, that's it\u003c\/p\u003e \u003cp\u003eOne can sigh, but a lifetime is needed to finish it\u003c\/p\u003e \u003cp\u003eWhen the Great One gestures to me\u003c\/p\u003e \u003cp\u003eFor tomorrow's sake, don't skimp with me on wine today.\u003c\/p\u003e \u003cp\u003eI'm confused: should I cry over my heart, or slap my chest?\u003c\/p\u003e \u003cp\u003eShe has a habit of torture, but doesn't mean to end the love\u003c\/p\u003e \u003cp\u003eFor my weak heart this living in the sorrow house\u003c\/p\u003e \u003cp\u003eReligious people are always praising the Garden of Paradise\u003c\/p\u003e \u003cp\u003eOnly a few faces show up as roses\u003c\/p\u003e \u003cp\u003eI agree that I'm in a cage, and I'm crying\u003c\/p\u003e \u003cp\u003eEach time I open my mouth, the Great One says\u003c\/p\u003e \u003cp\u003eMy heart is becoming restless again\u003c\/p\u003e \u003cp\u003e\u003cem\u003eResonances\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eAgha Shahid Ali: Ghalib's Ghazal\u003c\/p\u003e \u003cp\u003eAgha Shahid Ali: Of Snow\u003c\/p\u003e \u003cp\u003eALEXANDER SERGEYEVICH PUSHKIN (1799-1837)\u003c\/p\u003e \u003cp\u003eI visited Again (\u003cem\u003etrans. Avram Yarmolinsky\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eThe Bronze Horseman (\u003cem\u003etrans. Charles Johnston\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Eugene Onegin (\u003cem\u003etrans. J.E. Falen\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePerspectives: The National Poet\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eNguyen Du (1765-1820)\u003c\/p\u003e \u003cp\u003eReading Hsiao-ching (\u003cem\u003etrans. Nguyen Ngoc Bich w\/ Burton Raffle\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e The Tale of Kieu (\u003cem\u003etrans. Huynh Sanh Thong\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cem\u003eResonance\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eChe Lan Vien, Thoughts on Nguyen (\u003cem\u003etrans. Huynh Sanh\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eAnna Laetitia Barbauld (1743-1825)\u003c\/p\u003e \u003cp\u003eThe Mouse's Petition to Dr. Priestly\u003c\/p\u003e \u003cp\u003eWashing Day\u003c\/p\u003e \u003cp\u003eEighteen Hundred and Eleven\u003c\/p\u003e \u003cp\u003e\u003cem\u003eResonance\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eJohn Wilson Croker, \u003cem\u003efrom\u003c\/em\u003e A Review of Eighteen Hundred and Eleven\u003c\/p\u003e \u003cp\u003eAdam Mickiewicz (1798-1855)\u003c\/p\u003e \u003cp\u003eChatir Dah (\u003cem\u003etrans. John Saly\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eThe Ruins of the Castle of Balaklava (\u003cem\u003etrans. Louise Bogan\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eZosia in the Kitchen Garden (\u003cem\u003etrans. Donald Davie\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eThe Lithuanian Forest (\u003cem\u003etrans. John Saly\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eHands That Fought (\u003cem\u003etrans. Clark Mills\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eTo a Polish Mother (\u003cem\u003etrans. Michael J. Miks\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eSong of the Bard\u003c\/p\u003e \u003cp\u003eDionysios Solomos (1798-1857)\u003c\/p\u003e \u003cp\u003eThe Free Besieged (\u003cem\u003etrans. M. B. Raizas\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eRalph Waldo Emerson (1803-1882)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e The Poet\u003c\/p\u003e \u003cp\u003eWalt Whitman (1819-1892)\u003c\/p\u003e \u003cp\u003eI Hear America Singing\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Song of Myself\u003c\/p\u003e \u003cp\u003eCrossing Brooklyn Ferry\u003c\/p\u003e \u003cp\u003eAs I Lay with My Head in Your Lap camerado\u003c\/p\u003e \u003cp\u003eO Captain! My Captain!\u003c\/p\u003e \u003cp\u003ePrayer of Columbus\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCrosscurrents\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePerspectives: On the Colonial Frontier\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eMikhail Lermontov (1814-1841)\u003c\/p\u003e \u003cp\u003e\u003cem\u003e from\u003c\/em\u003e A Hero of our Time, trans. Paul Foote\u003c\/p\u003e \u003cp\u003eDomingo Faustino Sarmiento (1811-1888)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Life of Juan Facundo Quiroga: Civilization and Barbarism, trans. Mary Mann\u003c\/p\u003e \u003cp\u003eCharles A. Eastman (Ohiyesa)(Sioux)\u003c\/p\u003e \u003cp\u003e\u003cem\u003e from\u003c\/em\u003e From the Deep Woods to Civilization\u003c\/p\u003e \u003cp\u003eHawaiian Poems (\u003cem\u003etrans. M.K. Pukui and A.L. Korn\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eForest Trees of the Sea\u003c\/p\u003e \u003cp\u003ePiano at Evening\u003c\/p\u003e \u003cp\u003eBill the Ice Skater\u003c\/p\u003e \u003cp\u003eThe Pearl\u003c\/p\u003e \u003cp\u003eA Feather Chant for Ka-pi'o-lani at Wai-mãnalo\u003c\/p\u003e \u003cp\u003eThe Sprinkler\u003c\/p\u003e \u003cp\u003eJosé Rizal (1861-1896)\u003c\/p\u003e \u003cp\u003e\u003cem\u003e from\u003c\/em\u003e Noli Me Tangere (\u003cem\u003etrans. Soledad Lacson-Locsin\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCrosscurrents\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTHE ROMANTIC FANTASTIC\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eSAMUEL TAYLOR COLERIDGE (1772-1834)\u003c\/p\u003e \u003cp\u003eKubla Khan\u003c\/p\u003e \u003cp\u003eThe Rime of the Ancient Mariner\u003c\/p\u003e \u003cp\u003eLUDWIG TIECK (1773-1853)\u003c\/p\u003e \u003cp\u003eFair-haired Eckbert (\u003cem\u003etrans. Thomas Carlyle\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eHONORÉ DE BALZAC (1799-1850)\u003c\/p\u003e \u003cp\u003eSarrasine (\u003cem\u003etrans. Richard Miller\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eEDGAR ALLAN POE (1809-1849)\u003c\/p\u003e \u003cp\u003eThe Pit and the Pendulum\u003c\/p\u003e \u003cp\u003eGUSTAVE FLAUBERT (1821-1880)\u003c\/p\u003e \u003cp\u003eA Simple Heart (\u003cem\u003etrans. A. McDowell\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Travels in Egypt (\u003cem\u003etrans. Francis Steegmuller\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePerspectives: Occidentalism — Europe Through Foreign Eyes\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eNajaf Kuli Mirza (Early 19\u003csup\u003eth\u003c\/sup\u003e Century)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Journal of a Residence in England (\u003cem\u003etrans. Assad Kayat\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eMustafa Sami Effendi (c. 1790-1855)\u003c\/p\u003e \u003cp\u003eOn the General Conditions of Europe (\u003cem\u003etrans. Laurent Magon\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eHattori Bushô (1842-1908)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom \u003c\/em\u003eThe Western Peep Show (\u003cem\u003etrans. Donald Keene\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eOkakura Kakuzo (1862-1913)\u003c\/p\u003e \u003cp\u003eThe Cup of Humanity\u003c\/p\u003e \u003cp\u003eResonance\u003c\/p\u003e \u003cp\u003eChiang Yee: \u003cem\u003efrom\u003c\/em\u003e The Silent Traveller in London\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCrosscurrents\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eELIZABETH BARRENT BROWNING (1806-1861)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom \u003c\/em\u003eAurora Leigh\u003c\/p\u003e \u003cp\u003eCHARLES BAUDELAIRE (1821-1867)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Les Fleurs Du Mal (\u003cem\u003etrans. Richard Howard\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eTo the Reader\u003c\/p\u003e \u003cp\u003eThe Albatross\u003c\/p\u003e \u003cp\u003eCorrespondences\u003c\/p\u003e \u003cp\u003eThe Head of Hair\u003c\/p\u003e \u003cp\u003eCarrion\u003c\/p\u003e \u003cp\u003eInvitation to the Voyage\u003c\/p\u003e \u003cp\u003eSpleen (II)\u003c\/p\u003e \u003cp\u003eThe Swan\u003c\/p\u003e \u003cp\u003eIn Passing\u003c\/p\u003e \u003cp\u003eTwilight: Daybreak\u003c\/p\u003e \u003cp\u003eRagpickers' Wine\u003c\/p\u003e \u003cp\u003eA Martyr\u003c\/p\u003e \u003cp\u003eTravelers\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e The Painter of Modern Life (\u003cem\u003etrans. P.E. CharvetI\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Paris Spleen (\u003cem\u003etrans. E. Kaplan\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eTo Each His Chimera\u003c\/p\u003e \u003cp\u003eCrowds\u003c\/p\u003e \u003cp\u003eInvitation to the Voyage\u003c\/p\u003e \u003cp\u003eGet High\u003c\/p\u003e \u003cp\u003eAny Where Out of the World\u003c\/p\u003e \u003cp\u003eLet's Beat Up the Poor!\u003c\/p\u003e \u003cp\u003e\u003cem\u003eResonances\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eJules and Edmund Goncourt: \u003cem\u003efrom\u003c\/em\u003e Journal (\u003cem\u003etrans. Baldick\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eStephane Mallarmé: The Tomb of Charles Baudelaire (\u003cem\u003etrans. Bosley\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eArthur Rimbaud: Vowels, City, Departure (\u003cem\u003etrans. Wallace Fowlie\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eLEO TOLSTOY (1828-1910)\u003c\/p\u003e \u003cp\u003eThe Death of Ivan Ilych (\u003cem\u003etrans. Louise and Alymer Maude\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eFYODOR DOSTOEVSKY (1822-1881)\u003c\/p\u003e \u003cp\u003eNotes from Underground (\u003cem\u003etrans. Ralph E. Matlaw\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cem\u003eResonances\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eFriedrich Nietzsche: \u003cem\u003efrom\u003c\/em\u003e Daybreak (\u003cem\u003etrans. R. J. Hollingdale\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eIshikawa Takuboku: The Romaji Diary (\u003cem\u003etrans. D. Keene\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOTHER AMERICAS\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHATHALI NEZ AND WASHINGTON MATTHEWS (1843-1905)\u003c\/p\u003e \u003cp\u003eThe Story of Emergence\u003c\/p\u003e \u003cp\u003e\u003cem\u003eResonance\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eNicholas Black Elk and John G. Neihardt: \u003cem\u003efrom\u003c\/em\u003e Black Elk Speaks\u003c\/p\u003e \u003cp\u003eHERMAN MELVILLE (1819-1891)\u003c\/p\u003e \u003cp\u003eBartleby the Scrivener\u003c\/p\u003e \u003cp\u003eFREDERICK DOUGLASS (1817-1895)\u003c\/p\u003e \u003cp\u003eNarrative of the Life of Frederick Douglass\u003c\/p\u003e \u003cp\u003eHARRIET JACOBS (1813-1897)\u003c\/p\u003e \u003cp\u003e\u003cem\u003efrom\u003c\/em\u003e Incidents in the Life of a Slave Girl\u003c\/p\u003e \u003cp\u003eEMILY DICKINSON (1830-1886)\u003c\/p\u003e \u003cp\u003eI never lost as much but twice\u003c\/p\u003e \u003cp\u003eTitle divine–is mine!\u003c\/p\u003e \u003cp\u003eThere came a day at summer's full\u003c\/p\u003e \u003cp\u003eIt was not Death, for I stood up\u003c\/p\u003e \u003cp\u003eAfter great pain, a formal feeling comes\u003c\/p\u003e \u003cp\u003eI died for Beauty\u003c\/p\u003e \u003cp\u003eI dwell in Possibility\u003c\/p\u003e \u003cp\u003eI heard a Fly buzz–when I died\u003c\/p\u003e \u003cp\u003eI live with Him–I see His face\u003c\/p\u003e \u003cp\u003eMy Life had stood–a Loaded Gun\u003c\/p\u003e \u003cp\u003eFurther in Summer than the Birds\u003c\/p\u003e \u003cp\u003eTell all the Truth but tell it slant–\u003c\/p\u003e \u003cp\u003eJOACHIM MARÍA MACHADO DE ASSIS (1839-1908)\u003c\/p\u003e \u003cp\u003eThe Psychiatrist (\u003cem\u003etrans. William L. Grossman\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eCHARLOTTE PERKINS GILMAN (1860-1935)\u003c\/p\u003e \u003cp\u003eThe Yellow Wallpaper\u003c\/p\u003e \u003cp\u003eRUBÉN DARÍO (1867-1916)\u003c\/p\u003e \u003cp\u003eFirst, A Look (\u003cem\u003etrans. Alberto Acereda and Will Derusha\u003c\/em\u003e)\u003c\/p\u003e \u003cp\u003eWalt Whitman\u003c\/p\u003e \u003cp\u003eTo Roosevelt\u003c\/p\u003e \u003cp\u003eI Pursue a Form....\u003c\/p\u003e \u003cp\u003eWhat Sign Do You Give...?\u003c\/p\u003e \u003cp\u003eHENRIK IBSEN (1828-1906)\u003c\/p\u003e \u003cp\u003eA Doll's House (\u003cem\u003etrans. 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