{"product_id":"lockdown-shakespeare-9781350247840","title":"Lockdown Shakespeare","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eGemma Kate Allred\u003c\/b\u003e is a doctoral researcher at the Université de Neuchâtel, Switzerland.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBenjamin Broadribb\u003c\/b\u003e is a doctoral researcher at The Shakespeare Institute, University of Birmingham, UK.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eErin Sullivan \u003c\/b\u003eis Reader in Shakespeare at The Shakespeare Institute, University of Birmingham, UK.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA remarkably cathartic read. * Shakespeare Survey *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eIntroduction: Cultural Cartography of The Digital Lockdown Landscape  \u003c\/b\u003e\u003ci\u003eGemma Kate Allred (Université de Neuchâtel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  Part One: Analyses 1. The Screen Language of Lockdown:      Connection and Choice in Split-Screen Performance \u003ci\u003eJohn Wyver (University of Westminster, London, UK)\u003c\/i\u003e  2. Lockdown Shakespeare and the      Metamodern Sensibility \u003ci\u003eBenjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  3. Notions of Liveness in Lockdown      Performance \u003ci\u003eGemma Kate Allred (Université de Neuchâtel, Switzerland)\u003c\/i\u003e  4. Creation Theatre and Big Telly’s      \u003ci\u003eThe Tempest\u003c\/i\u003e: Digital Theatre and      the Performing Audience \u003ci\u003ePascale Aebischer and Rachael Nicholas (University of Exeter, UK)\u003c\/i\u003e  5. Immersion in a Time of      Distraction: ‘The Under Presents: \u003ci\u003eTempest\u003c\/i\u003e’            \u003ci\u003eErin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  \u003ci\u003e6. What You Will\u003c\/i\u003e in the Time of COVID-19: Exploring the Digital Arts,      Race and Flexible Resistance \u003ci\u003eDavid Sterling Brown (Trinity College, Connecticut, USA\u003c\/i\u003e \u003ci\u003e) and Ben Crystal (The Shakespeare Ensemble, Global)\u003c\/i\u003e  Part Two: Case Studies 7. ‘Shakespeare for Everyone’ The Show Must Go Online\u003ci\u003e in conversation with Gemma Kate Allred (Université de Neuchâtel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  \u003ci\u003e8. Ricardo II\u003c\/i\u003e: una producción bilingüe de Merced Shakespearefest \u003ci\u003eWilliam Wolfgang (University of Warwick, UK) and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  9. ‘Your play needs no excuse’ \u003ci\u003eCtrlAltRepeat in conversation with Gemma Kate Allred (Université de Neuchâtel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  10. ‘Are we all met?’: Responding to      Shakespeare’s Canon through Online Community Performance \u003ci\u003eJennifer Moss Waghorn, Katrin Bauer, Sarah Hodgson, Diane Lowman, Kathryn Twigg and Martin Wiggins (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  11. ‘Present fears are less than      horrible imaginings’ \u003ci\u003eBig Telly Theatre Company in conversation with Gemma Kate Allred (Université de Neuchâtel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  12. Teaching Shakespearean      Performance in Lockdown               \u003ci\u003eAndrew James Hartley (University of North Carolina at Charlotte, USA), Sarah Hatchuel (Université Paul-Valéry, Montpellier, France) and Yu Umemiya (Waseda University, Tokyo, Japan)\u003c\/i\u003e\u003ci\u003e in conversation with Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e      Part Three:  \u003cb\u003eLockdown Digital Arts: An Extended Year in Review\u003c\/b\u003e \u003ci\u003eGemma Kate Allred (Université de Neuchâtel, Switzerland), Benjamin Broadribb and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e                                 I.            Spring                               II.            Summer                             III.            Autumn                             IV.            Winter \/ Spring  \u003cb\u003eConclusion: Shakespeare after Lockdown  \u003c\/b\u003e\u003ci\u003eErin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)\u003c\/i\u003e  \u003ci\u003eNotes\u003c\/i\u003e \u003ci\u003eIndex\u003c\/i\u003e","brand":"Bloomsbury Publishing (UK)","offers":[{"title":"Default Title","offer_id":53187290595671,"sku":"9781350247840","price":28.99,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/bookcurl.com\/products\/lockdown-shakespeare-9781350247840","provider":"Book Curl","version":"1.0","type":"link"}