{"product_id":"literature-and-film-9780631230540","title":"Literature and Film","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eLiterature and Film\u003c\/i\u003e is a cornucopia of vibrant essays that chart the history and confluence of literature and film. It explores in detail a wide and international spectrum of novels and adaptations, bringing together the very latest scholarship in the field.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“Stam and Raengo's \u003ci\u003eLiterature and Film\u003c\/i\u003e offers a wonderful collection of approaches to the multifaceted and sometimes contradictory relationship between the written word and the filmic image, bringing into the discussion a refreshing series of examples drawn from international and minority cinemas.”\u003cbr\u003e \u003cp\u003eRichard Pea, Columbia University\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of Illustrations. \u003cp\u003eNotes on Contributors.\u003c\/p\u003e \u003cp\u003ePreface.\u003c\/p\u003e \u003cp\u003eAcknowledgments.\u003c\/p\u003e \u003cp\u003eIntroductory Essay: The Theory and Practice of Adaptation: Robert Stam.\u003c\/p\u003e \u003cp\u003e1. Improvements and Reparations at Mansfield Park: Tim Watson (Princeton University).\u003c\/p\u003e \u003cp\u003e2. Keeping the Carcass in Motion: Adaptation and Transmutations of the National in The Last of the Mohicans: Jacquelyn Kilpatrick (California State University, Channel Islands).\u003c\/p\u003e \u003cp\u003e3. The Discreet Charm of the Leisure Class: Terence Davies's The House of Mirth: Richard Porton (Cineaste magazine).\u003c\/p\u003e \u003cp\u003e4. In Search of Adaptation: Proust and Film: Melissa Anderson (CUNY Graduate Center).\u003c\/p\u003e \u003cp\u003e5. The Grapes of Wrath: Thematic Emphasis through Visual Style: Vivian C. Sobchack (UCLA).\u003c\/p\u003e \u003cp\u003e6. Cape Fear and Trembling: Familial Dread: Kirsten Thompson (Wayne State University).\u003c\/p\u003e \u003cp\u003e7. The Carnival of Repression: German Left Wing Politics and The Lost Honor of Katarina Blum: Alexandra Seibel (New York University).\u003c\/p\u003e \u003cp\u003e8. Serial Time: Bluebeard in Stepford: Bliss Cua Lim (University of California, Irvine).\u003c\/p\u003e \u003cp\u003e9. Boyz ‘N the Hood Chronotope: Spike Lee, Richard Price, and the Changing Authorship of Clockers: Paula J. Massood (Brooklyn College, CUNY).\u003c\/p\u003e \u003cp\u003e10. Defusing The English Patient: Patrick Deer (New York University).\u003c\/p\u003e \u003cp\u003e11. Carnivals and Goldfish: History and Crisis in The Butcher Boy: Jessica Scarlata (New York University).\u003c\/p\u003e \u003cp\u003e12. Mild Revisionism, Failed Revolts: Esquivel's and Arau's Like Water for Chocolate, A Retrospective View: Dianna C. Niebylski (University of Kentucky).\u003c\/p\u003e \u003cp\u003e13. Beloved: The Adaptation of an American Slave Narrative: Mia Mask (New York University).\u003c\/p\u003e \u003cp\u003e14. Oral Traditions, Literature and Cinema in Africa: Mbye Cham (Howard University).\u003c\/p\u003e \u003cp\u003e15. Memory and History in the Politics of Adaptation: Revisiting the Partition of India in Tamas: Ranjani Mazundar (Jamia Millia Islamia).\u003c\/p\u003e \u003cp\u003e16. The Written Scene: Writers as Figures of Cinematic Redemption: Paul Arthur (Montclair State University).\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49403451867479,"sku":"9780631230540","price":99.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780631230540.jpg?v=1730483513","url":"https:\/\/bookcurl.com\/products\/literature-and-film-9780631230540","provider":"Book Curl","version":"1.0","type":"link"}