{"product_id":"keeping-the-window-open-interviews-statements-alarms-excursions-9781940696690","title":"Keeping \/ the window open: Interviews,","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA rich array of materials coalesce here into a vibrant portrait, in text and image, of two extraordinary artists and collaborators. For nearly sixty years, the Waldrops have influenced multiple generations of writers through their own poetry and fiction, translations, teaching, and their press, Burning Deck, which published some of the most influential authors of late-twentieth-century avant-garde literature. This collection seeks to illustrate the many ways in which the Waldrops have expanded the possibilities of bookcraft, art, community, and literature.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction, Aaron Kunin\u003c\/p\u003e \u003cp\u003e\u003cem\u003eLight Travels\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cem\u003eCeci n'est pas Keith, Ceci n'est pas Rosmarie\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eThe Wolgamot Interstice\u003c\/em\u003e (1961)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eAesthetic Uses of Obscenity\u003c\/em\u003e, Keith Waldrop (graduate thesis, U Michigan)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eAgainst Language?,\u003c\/em\u003e Rosmarie Waldrop (graduate thesis, U Michigan)\u003c\/p\u003e \u003cp\u003e\u003cem\u003eChange of Address\u003c\/em\u003e (1968, cover photo by Walt Odets)\u003c\/p\u003e \u003cp\u003e\"Paris\" from \u003cem\u003eThe Form of a City Changes Faster Alas Than the Human Heart\u003c\/em\u003e (Jacques Roubaud, tr. Keith and Rosmarie Waldrop, 2006)\u003c\/p\u003e \u003cp\u003ephoto from Jabes house, Jabes drawing\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eThe Book of Questions\u003c\/em\u003e (Edmond Jabès, tr. Rosmarie Waldrop, 1976)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eLavish Absence: Recalling and Rereading Edmond Jabès\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eEtat\u003c\/em\u003e (Anne-Marie Albiach, tr. Keith Waldrop)\u003c\/p\u003e \u003cp\u003eClaude Royet-Journoud: translation and letters \u003c\/p\u003e \u003cp\u003efrom \"An Interview with Claude Royet-Journoud by Keith \u0026amp; Rosmarie Waldrop\" (1985) Translation as Collaboration (KW)\u003c\/p\u003e \u003cp\u003e \"XXIV\" and \"XXV\" from \u003cem\u003eA Test of Solitude\u003c\/em\u003e (Emmanuel Hocquard, tr. Rosmarie Waldrop, Serie d'Ecriture #12, 2000)\u003c\/p\u003e \u003cp\u003eIrreducible Strangeness (2001)\u003c\/p\u003e \u003cp\u003e\"1st Weather\" from \u003cem\u003eHeiligenastalt\u003c\/em\u003e (Friederike Mayrocker, tr. Rosmarie Waldrop, Dicten= #1, 1994)\u003cbr\u003e from \"Music Is an Oversimplification of the Situation We Are In (in memory of John Cage)\" from \u003cem\u003eA Dark Octave\u003c\/em\u003e (Burning Deck, 1967)\u003c\/p\u003e \u003cp\u003eauthor photo and poems from Aggressive \u003cem\u003eWays of the Casual Stranger\u003c\/em\u003e (1972)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eWhen They Have Senses\u003c\/em\u003e (1980)\u003c\/p\u003e \u003cp\u003ephoto (Paol Keineg)\u003c\/p\u003e \u003cp\u003eThinking of Follows (1996)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eDifferences for Four Hands\u003c\/em\u003e (1984) \u003c\/p\u003e \u003cp\u003eWhy I Write Prose Poems (1987)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eReproduction of Profiles\u003c\/em\u003e (1987)\u003c\/p\u003e \u003cp\u003ephoto (Mangoldt, 1995)\u003c\/p\u003e \u003cp\u003efrom Interview with Matthew Cooperman\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eA Key into The Language of America\u003c\/em\u003e (1994)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eA Form \/ Of Taking \/ It All\u003c\/em\u003e (1990)\u003c\/p\u003e \u003cp\u003eAlarms and Excursions (1988)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eHanky of Pippin's Daughter\u003c\/em\u003e (1986)\u003c\/p\u003e \u003cp\u003efrom Interview with Joan Retallack \u003c\/p\u003e \u003cp\u003eCut With the Kitchen Knife (2016)\u003c\/p\u003e \u003cp\u003eRosmarie Waldrop, Interview with Ben Lerner (2017)\u003c\/p\u003e \u003cp\u003eposter from Wastepaper Theater \u003c\/p\u003e \u003cp\u003eThe Resemblance Begins, play by Keith Waldrop (1976\/1994)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eTank Line\u003c\/em\u003e (1966)\u003c\/p\u003e \u003cp\u003e\"Connecticut Elegy\" (Burning Deck,1969)\u003c\/p\u003e \u003cp\u003eDO NOT DISTURB (song) from \u003cem\u003eSongs from the Decline of the West\u003c\/em\u003e (1970)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eMy Nodebook in December\u003c\/em\u003e (1971)\u003c\/p\u003e \u003cp\u003e\"To Rosmarie in Bad Kissingen\" from the \u003cem\u003eNew Yorker\u003c\/em\u003e (October 30, 1971)\u003c\/p\u003e \u003cp\u003e \"Concept of Through\" (from \u003cem\u003eThe Garden of Effort\u003c\/em\u003e, 1976, written 1971)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eThe Quest for Mount Misery\u003c\/em\u003e \u003c\/p\u003e \u003cp\u003e\"Statement on Collage\" (from \u003cem\u003eA Grammar of Collage\u003c\/em\u003e, edited by François Hugot, 1993) Collage(s) by Keith Waldrop (unpublished)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eShipwreck in Haven\/Transcendental Studies\u003c\/em\u003e \u003c\/p\u003e \u003cp\u003ePeter Gizzi and Keith Waldrop, REAL SHADOWS: INTERVIEW (1993–1997)\u003c\/p\u003e \u003cp\u003estills from \u003cem\u003eThe Logical Structure of the World\u003c\/em\u003e (film by Keith Waldrop)\u003c\/p\u003e \u003cp\u003efrom \u003cem\u003eLight While There Is Light\u003c\/em\u003e\u003cbr\u003e Photo of Keith and Rosmarie Waldrop at printer [year, photographer]\u003c\/p\u003e \u003cp\u003eselections from \u003cem\u003eBurning Deck\u003c\/em\u003e magazine, issues one through four (1962–1965) \u003cbr\u003e Introduction to \u003cem\u003eA Century in Two Decades: A Burning Deck Anthology, 1961–1981\u003c\/em\u003e Introduction to \u003cem\u003eBurning Deck: One Score More\u003c\/em\u003e (2002)\u003c\/p\u003e \u003cp\u003e \"W\" from \u003cem\u003eFlat with No Key\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e****\u003c\/p\u003e \u003cp\u003eRosmarie Waldrop bibliography\u003c\/p\u003e \u003cp\u003eKeith Waldrop bibliography\u003c\/p\u003e \u003cp\u003eAcknowledgments\u003c\/p\u003e","brand":"Wave Books","offers":[{"title":"Default Title","offer_id":51043317088599,"sku":"9781940696690","price":20.89,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781940696690.jpg?v=1750957815","url":"https:\/\/bookcurl.com\/products\/keeping-the-window-open-interviews-statements-alarms-excursions-9781940696690","provider":"Book Curl","version":"1.0","type":"link"}