{"product_id":"jazz-internationalism-9780252082863","title":"Jazz Internationalism","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eJazz emerged during the political and social upheaval of world war, communist revolution, Red Scares, and the Black Migration. The tumult bred disagreements about the cultural significance of jazz that concerned both its African American roots and its international appeal. The questions about what was new or even radical about the music initiated debates that writers recapitulated for decades. \u003cp\u003e\u003ci\u003eJazz Internationalism\u003c\/i\u003e offers a bold reconsideration of jazz''s influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore \u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Recommended.\"--\u003ci\u003eChoice\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e\"Lowney is at his best when he turns his attention to the specific forms of jazz and its literatures. He is a careful close reader with an expert eye for minute technical correspondence between literary and musical forms.\" --\u003ci\u003eAfrican American Review\u003c\/i\u003e\u003cbr\u003e\"\u003ci\u003eJazz Internationalism\u003c\/i\u003e is thought provoking. . . certain to stimulate the intellectual interests of a wide array of scholars of black radicalism, Afro-modernism, and jazz.\" --\u003ci\u003eThe Journal of African American History\u003c\/i\u003e\u003cbr\u003e\"Indispensable to African American literary and cultural studies, jazz studies, and internationalist leftist studies. Its discussion of how jazz is called forth as a form of utopianism as well as social and political criticism in radical African American writing marks an important step in the contemporary critical reconsideration of how conventionally discrete areas of history and culture may be seen in intersectional terms.\"--Gary Edward Holcomb, author of \u003ci\u003eClaude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance\u003c\/i\u003e\u003c\/p\u003e","brand":"MO - University of Illinois Press","offers":[{"title":"Default Title","offer_id":51767206969687,"sku":"9780252082863","price":19.79,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780252082863.jpg?v=1758712513","url":"https:\/\/bookcurl.com\/products\/jazz-internationalism-9780252082863","provider":"Book Curl","version":"1.0","type":"link"}