{"product_id":"intimate-distance-9780822352358","title":"Intimate Distance","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis is a book about Andean music, its reception in Japan, and the resultant transcultural connection. Michelle Bigenho toured Japan with Bolivian musicians and dancers and describes how the two nationalites connected with each other through song and dance.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Michelle Bigenho does a brilliant job of combing the Japanese literature (in English), integrating theory, and pushing her own theoretical contribution. The creativity and analytic perspective of the approach makes the work add considerably to existing literature. To the ethnomusicological literature, Bigenho adds theoretical rigor and broad perspectives such as race projects, nationhood, and the ethnographic project. To the race literature, she adds a new transnational perspective that is grounded in performance.\"—\u003cb\u003eChristine Yano\u003c\/b\u003e, author of \u003ci\u003eAirborne Dreams: \"Nisei\" Stewardesses and Pan American World Airways\u003c\/i\u003e\u003cbr\u003e\"Michelle Bigenho's dazzling new book probes the fascinating, unexpected story of Japan's romance with Andean music. Her ethnography tacks between Bolivia and Japan, and illuminates an economy of music, livelihood, and attraction that Bigenho triangulates through her own research as an anthropologist and a mistress herself of the Andean fiddle. Her smart, sophisticated analysis speaks to debates about indigeneity, music and performance, and the dialectics of history, desire, and globalization in a multipolar world. It's a book as adroit, intricate, and sometimes very moving as the lilting Andean folk melodies that Bigenho and her Bolivian bandmates played so many nights as they toured throughout the islands.\"—\u003cb\u003eOrin Starn\u003c\/b\u003e, author of \u003ci\u003eIshi's Brain: In Search of America's Last \"Wild\u003c\/i\u003e\"\u003ci\u003e Indian\u003c\/i\u003e\u003cbr\u003e“Michelle Bigenho’s ambitious and valuable new book represents a welcome contribution on many fronts. Not only does this work introduce a little-known world of Japanese enthusiasts of Andean ‘folklore’ music, but it also reevaluates conceptual dichotomies in popular cultural studies.” -- Taku Suzuki * Journal of Asian Studies *\u003cbr\u003e“The book provides a much-needed insight into one of the many complex and imbalanced instances of cultural exchange.”  -- Christiaan M. De Beukelaer * Popular Music *\u003cbr\u003e“On the whole,\u003ci\u003e Intimate Distance\u003c\/i\u003e is a useful addition to the existing literature regarding ethnomusicological theory, specifically as it pertains to musical globalization and appropriation.” -- Tenley Martin * Ethnomusicology Forum *\u003cbr\u003e“The author masters a personal and self-reflexive narrative, yet maintains theoretical rigour, making this not only a helpful addition to anthropological and ethnomusicological literature, but also a book appealing to the non-specialized reader.” -- Fiorella Montero Diaz * Journal of the Royal Anthropological Institute *\u003cbr\u003e“\u003ci\u003eIntimate Distance\u003c\/i\u003e is a valuable contribution to the anthropology of music, particularly with regard to the originality of the author’s topic, analytical approaches, and methodology.” -- Catherine Gauthier-Mercier * Notes *\u003cbr\u003e“Michelle Bigenho’s fascinating \u003ci\u003eIntimate Distance\u003c\/i\u003e is one of a growing number of recent multisited studies that explore a musical relationship in which Europe and North America are de-centered (as much as possible).”  -- E. Taylor Atkins * Journal of Japanese Studies *\u003cbr\u003e“Michelle Bigenho’s book is an excellent contribution to Latin American Studies, highlighting interdisciplinary connections with Asian Studies and ably conveying readers around the duality of Area Studies as the field was conceived after the Cold War.”  -- Zelideth Maria Rivas * The Americas *\u003cbr\u003e\"Ultimately, Bigenho leaves her readers with an eloquent record of a transnational musical scene that may soon vanish despite the efforts of musical practitioners who reproduce intimacy and difference in their performance of indigenous Bolivian musical traditions that are not their own.\" -- Shanna Lorenz * Ethnohistory *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments ix\u003cbr\u003e 1. Setting the Transnational Stage 1\u003cbr\u003e 2. \"What's Up with You, Condor?\": Performing Indigeneities 32\u003cbr\u003e 3. \"The Chinese Food of Ethnic Music\": Work and Value in Musical Otherness 60\u003cbr\u003e 4. A Hobby, a Sojourn, and a Job 91\u003cbr\u003e 5. Intimate Distance 122\u003cbr\u003e 6. Gringa in Japan 149\u003cbr\u003e 7. Conclusion: One's Own Music, Someone Else's Nation 167\u003cbr\u003e Notes 179\u003cbr\u003e Bibliography 201\u003cbr\u003e Index 219","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":49406070456663,"sku":"9780822352358","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780822352358.jpg?v=1730494425","url":"https:\/\/bookcurl.com\/products\/intimate-distance-9780822352358","provider":"Book Curl","version":"1.0","type":"link"}