{"product_id":"interpreting-musical-gestures-topics-and-trope-mozart-beethoven-schubert-9780253344595","title":"Interpreting Musical Gestures Topics and Trope","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA study of Mozart, Beethoven, and Schubert by an award-winning author.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar ... in questions of musical meaning... Both how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded.\" oPatrick McCreless\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments\u003cbr\u003eIntroduction\u003cbr\u003ePart I. Markedness, Topics, and Tropes\u003cbr\u003e1. Semiotic Grounding in Markedness and Style: Interpreting a Style Type in the Opening of Beethoven's Ghost Trio, Op. 70, no. 1\u003cbr\u003e2. Expressive Doubling, Topics, Tropes, and Shifts in Level of Discourse: Interpreting the Third Movement of Beethoven's String Quartet in B-flat Major, Op. 130\u003cbr\u003e3. From Topic to Premise and Mode: The Pastoral in Schubert's Piano Sonata in G Major, D. 894\u003cbr\u003e4. The Troping of Topics, Genres, and Forms: Bach, Mozart, Beethoven, Schubert, Schumann, Brahms, Bruckner, Mahler\u003cbr\u003ePart II. Musical Gesture\u003cbr\u003eIntroduction to Part II\u003cbr\u003e5. Foundational Principles of Human Gesture\u003cbr\u003e6. Toward a Theory of Musical Gesture\u003cbr\u003e7. Stylistic Types and Strategic Functions of Gestures\u003cbr\u003e8. Thematic Gesture in Schubert: The Piano Sonatas in A Major, D. 959, and A Minor, D. 784\u003cbr\u003e9. Thematic Gesture in Beethoven: Sonata for Piano and Cello in C Major, Op. 102, no. 1\u003cbr\u003e10. Gestural Troping and Agency\u003cbr\u003eConclusion to Part II\u003cbr\u003ePart III. Continuity and Discontinuity\u003cbr\u003eIntroduction to Part III\u003cbr\u003e11. From Gestural Continuity to Continuity as Premise\u003cbr\u003e12. Discontinuity and Beyond\u003cbr\u003eConclusion\u003cbr\u003eNotes\u003cbr\u003eBibliography\u003cbr\u003eIndex of Names and Works\u003cbr\u003eIndex of Concepts\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":49400677728599,"sku":"9780253344595","price":35.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780253344595.jpg?v=1730471272","url":"https:\/\/bookcurl.com\/products\/interpreting-musical-gestures-topics-and-trope-mozart-beethoven-schubert-9780253344595","provider":"Book Curl","version":"1.0","type":"link"}