{"product_id":"indian-cinema-in-the-time-of-celluloid-9780253352682","title":"Indian Cinema in the Time of Celluloid","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eArgues that any exploration of the social uses to which cinema is put in a place like India can only make sense if it transforms our understanding of cinema itself. This work examines three moments of crisis for the Indian State in which cinema played a central role.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eBy analyzing theories of spectatorship, Rajadhyaksha defines the aesthetic that is Bollywood. . . . Recommended.May 2010\u003c\/p\u003e * Choice *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e1. Introduction\u003c\/p\u003e\u003cp\u003ePART I: THE 'CINEMA-EFFECT' OUTSIDE THE CINEMA: 'BOLLYWOOD' AND THE PERFORMING CITIZEN\u003c\/p\u003e\u003cp\u003e2. 'Bollywood' 2004: The Globalized Freak Show of what was Cinema\u003c\/p\u003e\u003cp\u003e3. When Was Bollywood?\u003c\/p\u003e\u003cp\u003e4. The 'Cinema-Effect': Cultural Rights Vs. The Production Of Authenticity\u003c\/p\u003e\u003cp\u003e5. Social Lineages of the Cinema-Effect: Demonstrating Spectatorial Ability\u003c\/p\u003e\u003cp\u003eAfterword: Bollywood And The Cinema-Effect: A Concluding Note\u003c\/p\u003e\u003cp\u003ePART II: ADMINISTERING THE SYMBOLS OF AUTHENTICITY-PRODUCTION: THE CINEMA-EFFECT AND THE STATE - AND REVISITING A 1990s CONTROVERSY\u003c\/p\u003e\u003cp\u003e6. Administering The Symbols Of Authenticity-Production\u003c\/p\u003e\u003cp\u003e7. 'You Can See Without Looking': The Cinematic 'Author' and Freedom Of Expression in the Cinema\u003c\/p\u003e\u003cp\u003e8. 'People-Nation' And Spectatorial Rights: The Political 'Authenticity-Effect', the Shiv Sena and a Very Bombay History\u003c\/p\u003e\u003cp\u003ePART III: 1970S QUESTIONS: THE CINEMA-EFFECT, THE NATIONAL SYMBOLIC AND THE AVANT-GARDE\u003c\/p\u003e\u003cp\u003e9. The Nation Detours\u003c\/p\u003e\u003cp\u003e10. The Indian Emergency\u003c\/p\u003e\u003cp\u003e11. The Problem, and a 'Coproduction Of Modernities'\u003c\/p\u003e\u003cp\u003e12. 'Taking' The Shot': Alternative Beginnings To The Mechanism\u003c\/p\u003e\u003cp\u003e13. The Practice: Two Films And A Painting (1): Bhupen Khakhar's List\u003c\/p\u003e\u003cp\u003e14. The Practice: Two Films And A Painting (2): Mani Kaul And The 'Cinematic Object' - Uski Roti\u003c\/p\u003e\u003cp\u003e15. The Practice: Two Films And A Painting (3): Gautam Ghose's Maabhoomi, Territorial Realism And The 'Narrator'\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":49400680972631,"sku":"9780253352682","price":55.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780253352682.jpg?v=1730471281","url":"https:\/\/bookcurl.com\/products\/indian-cinema-in-the-time-of-celluloid-9780253352682","provider":"Book Curl","version":"1.0","type":"link"}