{"product_id":"how-to-make-art-at-the-end-of-the-world-9781478003724","title":"How to Make Art at the End of the World","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eNatalie Loveless examines the institutionalization of artistic research-creation—a scholarly activity that considers art practices as research methods in their own right—and its significance to North American higher education.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“In this beautifully argued, eminently readable book, stories are the center of attention. Morphing art and knowledge in the neoliberal university situates thinking and pedagogy. Curiosity-driven transdisciplinary practice is both motor and object of analysis. Natalie Loveless asks how stories craft worlds in politically and sensually attuned modes. I treasure the extensive knowledge of modernist performance art and art activism broadly, as well as rich semiotic and psychoanalytic readings of stories and performance. This book is itself a loving act of research-creation.” -- Donna J. Haraway, author of * Staying with the Trouble: Making Kin in the Chthulucene *\u003cbr\u003e“In her evocative book \u003ci\u003eHow to Make Art at the End of the World\u003c\/i\u003e, Natalie Loveless has captured the most urgent and far-reaching question concerning our cultural environment, that is, how to inhabit it in an era of geopolitical uncertainty. This is a daunting task; her ambitious answer, grounded in examples of alternative critical pedagogies, aims to reduce the toxic colonial footprint in arts education by developing a sustainable research-creation model based on differential multiplicities. And that gives us hope.” -- Mary Kelly, Judge Widney Professor, USC Roski School of Art and Design\u003cbr\u003e“In this succinct book, Natalie Loveless explores the claim that art-making practices are well situated to challenge and change existing knowledge-making practices in the contemporary research university…. Her primary audience, researchers in art and fine art, will find the manifesto gives a sophisticated form to an emerging desire—an eros and 'attunement'—to not just study the world, but to have an impact on it.” -- David Theodore * RACAR *\u003cbr\u003e\u003cp\u003e “A necessary read for artists and scholars who are drawn to, or already working with, artistically driven methods of teaching and researching.... Through the text, readers will gain a deeper understanding of how research-creation, beyond doing artistic research, is about creatively intervening in feminist and anti-racist research practices.”\u003c\/p\u003e -- Jo Billows and Stephanie Springgay * Journal for Artistic Research *","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":49408974324055,"sku":"9781478003724","price":67.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781478003724.jpg?v=1730504926","url":"https:\/\/bookcurl.com\/products\/how-to-make-art-at-the-end-of-the-world-9781478003724","provider":"Book Curl","version":"1.0","type":"link"}