{"product_id":"home-land-women-citizenship-photographies-9781800349230","title":"Home\/Land: Women, Citizenship, Photographies","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eHome\/Land: Women, Citizenship, Photographies\u003c\/i\u003e is an extensive compendium of texts and images, combining scholarly, creative and critical writing on photography with new work in photography. The contributions to the compendium range from academic essays on fine art and documentary photographies to photo-essays, community-based and pedagogical photographic projects, personal testimonies, creative writing, activist interventions and accounts of participatory action research using photography.  \u003cbr\u003e\u003cbr\u003e\u003ci\u003eHome\/Land\u003c\/i\u003e is global in its reach, exploring women’s lives in Britain and other European nations, the United States, Canada, the Middle East, South Africa, Asia and Australia. Bringing together texts and images produced by an international group of feminist scholars, activists, artists and educators, the book demonstrates how women have used photographic practices to find places for themselves as citizens, denizens, exiles or guests, within or beyond the nation as currently conceived, and, in so doing, how they actively produce new and different forms of identity, community and belonging.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eReviews 'This book emerged from the Lens of Empowerment project, a highly creative and intellectual initiative consisting of an international research network and conference (2009–12). The project’s engagements of “lens-based power” were inspired by photography’s ubiquity and the artistic potential of passport photos, holiday Polaroids, advertising, and documentary film. The authors of Home\/Land: Women, Citizenship, Photographies dispel the negative stereotypes ascribed to the figure of globalization by portraying the experiences of women who have confronted the “settled, contested and lost” conditions of home and nation.'\u003cbr\u003eJane Chin Davidson, \u003ci\u003eCollege Art Association\u003c\/i\u003e\u003cbr\u003e\u003ci\u003e'Home\/Land: Women, Citizenship, Photographies\u003c\/i\u003einterrogates the ways in which women both use and interpret photography in order to engage with histories, geographies and processes of representation related to home and land, with a particular focus on the concepts of women and citizenship. While the terms home and land are often linked together, their conjunction in the title signifies an increasingly fractured relationship. It is this disjuncture that the book seeks to explore.'\u003cbr\u003eRoberta McGrath, \u003ci\u003eVisual Studies\u003c\/i\u003e\u003cbr\u003e'Challenging the ‘objective voice of reason’ associated with academic writing, the editors suggest a need for new feminist approaches to lens-based practices on the part of artists and scholars.'\u003cbr\u003e\u003ci\u003eThe Burlington\u003c\/i\u003e\u003cbr\u003e'This volume will prove valuable to anyone engaged with photographies, feminist art histories, South African visual studies, memory studies or issues in the humanities or social sciences of migration and citizenship.'Irene Bronner, \u003ci\u003eDe Arte\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction: Home, Land, Homeland and  Home\/Land  \u003c\/p\u003e    \u003cp\u003eMarsha Meskimmon and Marion Arnold  \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cb\u003eSection  I: Terrain\u003c\/b\u003e\u003c\/p\u003e    \u003cp\u003eChapter 1: Contested Terrains: In Search of  a Place Called Home\u003c\/p\u003e    \u003cp\u003eBerni Searle\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 2: Unsettling: \u003cem\u003eThe  photographic work of Sue Ford and Anne Ferran\u003c\/em\u003e   \u003c\/p\u003e    \u003cp\u003eHelen Ennis\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 3: Embodying Otherness\u003c\/p\u003e    \u003cp\u003eKaren Frostig     \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 4: Myth, trauma and memory in the  Angolan landscapes of Jo Ratcliffe\u003c\/p\u003e    \u003cp\u003eLiese van der Watt \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 5: The Story of a South African  Farm: Vlakplaas photographed by Gillian Edelstein, Jo Ractliffe and Renzske  Scholtz\u003c\/p\u003e    \u003cp\u003eSvea Josephy\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 6: Loughborough International Artists’ Residency: Three responses to place\u003c\/p\u003e    \u003cp\u003eJean Brundrit, Sarah Ciurysek, Nina  Mangalanayagam\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 7: Conspicuous Consumption: photographs  of pleasure and loss, personal and public, in an Australian snowfield\u003c\/p\u003e    \u003cp\u003eDenise Ferris\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cb\u003eSection  II: Dwelling\u003c\/b\u003e\u003c\/p\u003e    \u003cp\u003eChapter 8: A place-called-home\u003c\/p\u003e    \u003cp\u003eSuze Adams\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 9: Be\/longing and the suburban  dreamscape\u003c\/p\u003e    \u003cp\u003eRosy Martin\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 10: Photography, Building and Dwelling:  Fiona Tan’s Empty House\u003c\/p\u003e    \u003cp\u003eKathryn Brown\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 11: The Archaeological Spaces of Photography:  Portrayals of Nineteenth-Century Iranian Women in the Images of Yassaman Ameri\u003c\/p\u003e    \u003cp\u003eStaci Scheiwiller  \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 12: home. not home. (bayt. laysa bayt.)\u003c\/p\u003e    \u003cp\u003eAndrea Shaker\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 13\u003c\/p\u003e    \u003cp\u003eAnother Way of Telling: Tracey Derrick’s  EarthWorks: The Lives of Farm Labourers in the Swartland\u003c\/p\u003e    \u003cp\u003eMichael Godby\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 14: Kitchen Accounts\u003c\/p\u003e    \u003cp\u003eMo White\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cb\u003eSection  III: Migrating\u003c\/b\u003e\u003c\/p\u003e    \u003cp\u003eChapter 15: Hélène Amouzou: Citizenship through Photography\u003c\/p\u003e    \u003cp\u003eDanielle Leenaerts\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 16: Where are you from? A ‘Lost White Tribe’ –  the Eurasians of Sri Lanka\u003c\/p\u003e    \u003cp\u003eMenika v. d. Poorten\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 17: Against erasure: dance-writing  with the Russian ballerina Anna Robenne\u003c\/p\u003e    \u003cp\u003eAstrid von Rosen\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 18: Books on a White Background\u003c\/p\u003e    \u003cp\u003eAliza Levi\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 19: There  is no place like home. Explorations of a dislocated self and its home in Emily Jacir’s Where We Come From  \/(Im)mobility\u003c\/p\u003e    \u003cp\u003eClara Zarza\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 20: On Reflection: spatial and  metaphoric encounters with home and land, here and there, now and then\u003c\/p\u003e    \u003cp\u003eMarion Arnold\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cb\u003eSection  IV: Locating\u003c\/b\u003e\u003c\/p\u003e    \u003cp\u003eChapter 21: As a woman, my country is... : On imag(in)ed  communities  and the heresy of becoming-denizen\u003c\/p\u003e    \u003cp\u003eMarsha Meskimmon\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 22: Speaking out towards full citizenship:  strategies of representing complex lesbian identities through photovoice projects  in South Africa\u003c\/p\u003e    \u003cp\u003eJean Brundrit\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 23: Women’s Citizenship and  Identity in Stó:lō Territory: a collective essay from the University of the  Fraser Valley’s Lens Project (British Columbia, Canada)\u003c\/p\u003e    \u003cp\u003eStephanie Gould, Jacqueline Nolte, Shirley  Hardman, Sarah Ciurysek with Jessica Bennett, Andrea Smith, Jennifer Janik\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 24: Dis-locating the colony:  Utopia, dystopia and heterotopia in Svea Josephy’s Twin Towns\u003c\/p\u003e    \u003cp\u003eLize van Robbroeck\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 25: Whither the Roots? Photographing the Erased Home \u003c\/p\u003e    \u003cp\u003eNicky Bird\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 26: ‘Know me! But, remember that  this is only part of who I am’: a participatory photo research project with  migrant women sex workers in inner-city Johannesburg, South Africa\u003c\/p\u003e    \u003cp\u003eElsa Oliveira and Jo Vearey\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eChapter 27: Making Waves on International  Women’s Day: Cameroonian Women’s Dynamism\u003c\/p\u003e    \u003cp\u003eFlorence Ayisi\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003ePost-script: Afterword\u003c\/p\u003e    \u003cp\u003eHome-Land (one hyphenated word as a figure)  \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eNotes on Contributors\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eList of Illustrations\u003c\/p\u003e","brand":"Liverpool University Press","offers":[{"title":"Default Title","offer_id":51360135741783,"sku":"9781800349230","price":43.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781800349230.jpg?v=1754126773","url":"https:\/\/bookcurl.com\/products\/home-land-women-citizenship-photographies-9781800349230","provider":"Book Curl","version":"1.0","type":"link"}