{"product_id":"heroine-of-the-harlem-renaissance-and-beyond-9780271080970","title":"Heroine of the Harlem Renaissance and Beyond","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eExplores the role of writer Gwendolyn Bennett as an important contributor to the Harlem Renaissance. Includes Bennett’s published and unpublished poetry, fiction, essays, diaries, letters, and artwork.  \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e“This superbly edited collection will introduce many readers to a more versatile and accomplished Gwendolyn Bennett than they have known before. It includes the unpublished political poetry that extends her range and impact, making her a key figure of the 1930s.”\u003c\/p\u003e\u003cp\u003e—Cary Nelson,author of \u003ci\u003eRepression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910–1945\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“Wheeler and Parascandola have done a great service in finding and gathering work by Bennett, an important writer, editor, and artist who has received much less attention than she deserves.”\u003c\/p\u003e\u003cp\u003e—C. A. Bily \u003ci\u003eChoice\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eContents\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eForeword by Maureen Honey\u003c\/p\u003e\u003cp\u003eAcknowledgments \u003c\/p\u003e\u003cp\u003eNote on the Text\u003c\/p\u003e\u003cp\u003eBennett Timeline\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePublished Work\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePoetry\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eNocturne (1923)\u003c\/p\u003e\u003cp\u003eHeritage (1923)\u003c\/p\u003e\u003cp\u003eTo Usward (1924)\u003c\/p\u003e\u003cp\u003eSong (1925)\u003c\/p\u003e\u003cp\u003eStreet Lamps in Early Spring (1926)\u003c\/p\u003e\u003cp\u003eHatred (1926)\u003c\/p\u003e\u003cp\u003eLines Written at the Grave of Alexander Dumas (1926)\u003c\/p\u003e\u003cp\u003eMoon Tonight (1926)\u003c\/p\u003e\u003cp\u003eDear Things (1926)\u003c\/p\u003e\u003cp\u003eAdvice (1927)\u003c\/p\u003e\u003cp\u003eFantasy (1927)\u003c\/p\u003e\u003cp\u003eQuatrains (1927)\u003c\/p\u003e\u003cp\u003eSecret (1927)\u003c\/p\u003e\u003cp\u003eTo a Dark Girl (1927)\u003c\/p\u003e\u003cp\u003eEpitaph (1934)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArt\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003ePainting\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled [River Landscape]\u003c\/i\u003e (1931)\u003c\/p\u003e\u003cp\u003eMagazine Covers\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePipes of Pan \u003c\/i\u003e(March 1924)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled \u003c\/i\u003e(January 1926)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled \u003c\/i\u003e(July 1926)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShort Stories\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eWedding Day (1926)\u003c\/p\u003e\u003cp\u003eTokens (1927)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEditorials\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eThe Ebony Flute (August 1926)\u003c\/p\u003e\u003cp\u003eThe Ebony Flute (April 1927)\u003ci\u003e\t\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eThe Ebony Flute (July 1927)\u003c\/p\u003e\u003cp\u003eThe Ebony Flute (September 1927)\u003c\/p\u003e\u003cp\u003eThe Ebony Flute (April 1928)\u003ci\u003e\t\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eHeartbreak and North Carolina Sunshine: \u003ci\u003eThe Lonesome Road\u003c\/i\u003e— by Paul Green (1926)\u003c\/p\u003e\u003cp\u003eBlue-Black Symphony: \u003ci\u003eHome to Harlem\u003c\/i\u003e, by Claude McKay (1928)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBanjo\u003c\/i\u003e, by Claude McKay (1929)\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePlum-Bun\u003c\/i\u003e, by Jessie Redmon Fauset (1929)\u003c\/p\u003e\u003cp\u003eThe Emperors Jones (1930)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCultural and Social Articles\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eThe Future of the Negro in Art (1924)\u003c\/p\u003e\u003cp\u003eThe American Negro Paints (1928)\u003c\/p\u003e\u003cp\u003eThe Plight of the Negro Is Tragic (1934)\u003c\/p\u003e\u003cp\u003eI Go to Camp (1934)\u003c\/p\u003e\u003cp\u003eThe Harlem Artists Guild (1937)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUnpublished Work\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePoetry\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eTwo Poems (1925)\u003c\/p\u003e\u003cp\u003eThin Laughter (1928)\u003c\/p\u003e\u003cp\u003eTrain Monotony (1928)\u003c\/p\u003e\u003cp\u003eDirge for a Free Spirit (1933)\t\u003c\/p\u003e\u003cp\u003eFulfillment (1935)\t\u003ci\u003e000\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e[Give me your hand, beloved] (1935)\t\u003c\/p\u003e\u003cp\u003eI Build America (1938)\u003c\/p\u003e\u003cp\u003eSweat (1938)\u003c\/p\u003e\u003cp\u003eWise Guys (1938)\u003c\/p\u003e\u003cp\u003eThe Hungry Ones (1938)\u003c\/p\u003e\u003cp\u003eThrenody for Spain (1939)\u003c\/p\u003e\u003cp\u003e[Across a room when other ones are there] (n.d.)\u003c\/p\u003e\u003cp\u003e[Rapacious women who sit on steps at night] (n.d.)\t\u003c\/p\u003e\u003cp\u003e[So this is how it is] (n.d.)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUnfinished Novel\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eChapter Outline for the Unfinished Novel \u003ci\u003eThe Call \u003c\/i\u003e(n.d.)\u003c\/p\u003e\u003cp\u003eExcerpts from \u003ci\u003eThe Call \u003c\/i\u003e(1928–1932)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEssays\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eMy Father’s Story (n.d.)\u003c\/p\u003e\u003cp\u003e[Ward Place] (1941)\u003c\/p\u003e\u003cp\u003eLancaster, Pa. (n.d.)\u003c\/p\u003e\u003cp\u003eLet’s Go: In Gay Paree! (n.d.)\u003c\/p\u003e\u003cp\u003e25 (n.d.)\u003c\/p\u003e\u003cp\u003e[Life as a Javanese] (n.d.)\u003c\/p\u003e\u003cp\u003e[Ku Klux Klan Rides] (n.d.)\u003c\/p\u003e\u003cp\u003eLast Night I Nearly Killed My Husband! (n.d.)\u003c\/p\u003e\u003cp\u003e[Harlem Reflection] (n.d.)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDiaries \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eFrance\u003c\/p\u003e\u003cp\u003e\u003ci\u003eJune 26, 1925\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eJuly 26, 1925\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAugust 2, [1925]\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAugust 8, [1925]\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSeptember 27, [19]25\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSeptember 28, 1925\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eApril 29, 1926\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eUnited States\u003c\/p\u003e\u003cp\u003e\u003ci\u003e[April 7,] 1936\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eApril 8, 1936\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eApril 9, 1936\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eApril 18, 1936\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMay 7, 1936\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eJanuary 3, 1937\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eJune 19, 1985\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eJanuary 3, 1937\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eJune 19, 1958\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrespondence \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIntroduction \u003c\/p\u003e\u003cp\u003eLiterary Friends\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo W. E. B. Du Bois (January 19, 1925)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Countee Cullen (August 28, 1925)\t\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Langston Hughes (December 2, 1925)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Countee Cullen (January 14, 1926)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Harold Jackman (February 23, 1926)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Langston Hughes (1926)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Claude McKay (February 25, 1937)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo James Weldon Johnson (January 4, 1938)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Alain Locke (May 11, 1939)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Richard Wright (March 3, 1940)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Alain Locke (November 30, 1941)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Langston Hughes (May 13, 1942)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eFamily and Associates\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Joshua Bennett and Marechal Neil Bennett (January 5, 1925)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Marechal Neil Bennett (March 24, 1925)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Joshua Bennett (May 17, 1925)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Marechal Neil Bennett (July 27, 1928)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo James Vernon Herring (September 9, 1937)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Mayme (Abernathy) Pizarro (August 31, 1938)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Flora Dugan (October 6, 1947)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTo Everyone (September 27, 1968)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eNotes\u003c\/p\u003e\u003cp\u003eBibliography\u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Pennsylvania State University Press","offers":[{"title":"Default Title","offer_id":49400800182615,"sku":"9780271080970","price":20.66,"currency_code":"GBP","in_stock":false}],"url":"https:\/\/bookcurl.com\/products\/heroine-of-the-harlem-renaissance-and-beyond-9780271080970","provider":"Book Curl","version":"1.0","type":"link"}