{"product_id":"handbook-of-museum-textiles-volume-2-9781119983385","title":"Handbook of Museum Textiles Volume 2","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePreface xv\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 Damage Caused by Physical and Chemical Agents and Their Prevention 1\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eSuza Ahmed, Mohammad Mohsin Ul Hoque and Abubakar Siddik\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e1.1 Introduction 1\u003c\/p\u003e \u003cp\u003e1.2 Characteristics of Typical Museum Textiles 2\u003c\/p\u003e \u003cp\u003e1.3 Agents Causing Damage to Textile Materials 2\u003c\/p\u003e \u003cp\u003e1.4 Deterioration of Textiles by Mechanical Stresses 3\u003c\/p\u003e \u003cp\u003e1.4.1 Dimensional Changes 4\u003c\/p\u003e \u003cp\u003e1.4.2 Change in Modulus 4\u003c\/p\u003e \u003cp\u003e1.5 Deterioration of Textiles by Light and Radiation 5\u003c\/p\u003e \u003cp\u003e1.5.1 Deterioration of Textiles by Photochemical Tendering 5\u003c\/p\u003e \u003cp\u003e1.5.2 Fading of Dyes 6\u003c\/p\u003e \u003cp\u003e1.5.3 Accelerated Photochemical Tendering 6\u003c\/p\u003e \u003cp\u003e1.5.4 Light Ageing 7\u003c\/p\u003e \u003cp\u003e1.6 Deterioration of Textiles by Humidity and Temperature 7\u003c\/p\u003e \u003cp\u003e1.6.1 Temperature 7\u003c\/p\u003e \u003cp\u003e1.6.2 Relative Humidity 7\u003c\/p\u003e \u003cp\u003e1.6.3 Fluctuating Humidity and Temperature 8\u003c\/p\u003e \u003cp\u003e1.7 Deterioration by Acid, Alkali, and Water 8\u003c\/p\u003e \u003cp\u003e1.8 Deterioration of Textiles by Gaseous and Solid Contaminants 8\u003c\/p\u003e \u003cp\u003e1.8.1 Gaseous Contaminants 9\u003c\/p\u003e \u003cp\u003e1.8.2 Particulate Contaminants 9\u003c\/p\u003e \u003cp\u003e1.9 Deterioration of Textiles to Biological Agents 9\u003c\/p\u003e \u003cp\u003e1.9.1 Insects and Pests 9\u003c\/p\u003e \u003cp\u003e1.9.2 Mold 11\u003c\/p\u003e \u003cp\u003e1.9.3 Source of Biological Agents 11\u003c\/p\u003e \u003cp\u003e1.10 Cases of Damages in Museum Textiles 11\u003c\/p\u003e \u003cp\u003e1.11 Other Factors Influencing the Damages to Textiles 13\u003c\/p\u003e \u003cp\u003e1.11.1 Alienation 13\u003c\/p\u003e \u003cp\u003e1.11.2 Fire 13\u003c\/p\u003e \u003cp\u003e1.11.3 Theft or Vandalism 13\u003c\/p\u003e \u003cp\u003e1.12 Avoiding Damages 13\u003c\/p\u003e \u003cp\u003e1.12.1 Temperature and Humidity 13\u003c\/p\u003e \u003cp\u003e1.12.2 Avoiding Damages Caused by Light and UV Radiation 14\u003c\/p\u003e \u003cp\u003e1.12.2.1 Measuring Light and UV Levels 14\u003c\/p\u003e \u003cp\u003e1.12.3 Avoiding Damages Caused by Pest 15\u003c\/p\u003e \u003cp\u003e1.12.4 Avoiding Damages Caused by Pollutants 15\u003c\/p\u003e \u003cp\u003e1.12.5 Avoiding Environmental Damages 15\u003c\/p\u003e \u003cp\u003e1.13 Conservation of Museum Textiles 16\u003c\/p\u003e \u003cp\u003e1.13.1 Moth Management 16\u003c\/p\u003e \u003cp\u003e1.13.2 Integrated Pest Management 16\u003c\/p\u003e \u003cp\u003e1.13.2.1 Monitoring the Collections 17\u003c\/p\u003e \u003cp\u003e1.13.2.2 Insect Trapping 18\u003c\/p\u003e \u003cp\u003e1.13.2.3 Traditional Method 18\u003c\/p\u003e \u003cp\u003e1.13.2.4 Hygienic Control of Pests 18\u003c\/p\u003e \u003cp\u003e1.13.2.5 Pest-Proofing 18\u003c\/p\u003e \u003cp\u003e1.13.3 Laser Cleaning of Tarnished Silver and Copper Threads in Museum Textiles 19\u003c\/p\u003e \u003cp\u003e1.14 Conclusion 19\u003c\/p\u003e \u003cp\u003eReferences 20\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 Biological Damage to Textiles and Prevention Methods 23\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eKurmo Konsa, Theodora Kormpaki and Janika Turu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2.1 Introduction 23\u003c\/p\u003e \u003cp\u003e2.2 Biodeterioration of Textiles Caused by Microorganisms (Bacteria, Fungi) 25\u003c\/p\u003e \u003cp\u003e2.2.1 Most Common Species of Microorganisms in Textile Collections 25\u003c\/p\u003e \u003cp\u003e2.2.2 Deterioration Caused by Microorganisms 26\u003c\/p\u003e \u003cp\u003e2.2.3 Methods of Examination and Identification of Microorganisms 27\u003c\/p\u003e \u003cp\u003e2.3 Biodeterioration of Textiles Caused by Insects 28\u003c\/p\u003e \u003cp\u003e2.3.1 Most Common Species of Insects in Textile Collections 28\u003c\/p\u003e \u003cp\u003e2.3.2 Deterioration Caused by Insects 29\u003c\/p\u003e \u003cp\u003e2.3.3 Monitoring and Identification of Insects in Textile Collections 30\u003c\/p\u003e \u003cp\u003e2.4 The Control of Biodeterioration of Textiles 30\u003c\/p\u003e \u003cp\u003e2.4.1 Prevention Methods 31\u003c\/p\u003e \u003cp\u003e2.4.1.1 Construction Aspects 31\u003c\/p\u003e \u003cp\u003e2.4.1.2 Storage Conditions 31\u003c\/p\u003e \u003cp\u003e2.4.1.3 Storage 32\u003c\/p\u003e \u003cp\u003e2.4.1.4 Room Monitoring 32\u003c\/p\u003e \u003cp\u003e2.4.2 Remediation Methods 33\u003c\/p\u003e \u003cp\u003e2.4.2.1 Low Temperatures (Freezing) 34\u003c\/p\u003e \u003cp\u003e2.4.2.2 High Temperatures (Heating) 34\u003c\/p\u003e \u003cp\u003e2.4.2.3 Gamma Radiation 34\u003c\/p\u003e \u003cp\u003e2.4.2.4 Modified Atmospheres 35\u003c\/p\u003e \u003cp\u003e2.4.2.5 Mechanical Removal 35\u003c\/p\u003e \u003cp\u003e2.4.3 Chemical Control Methods 35\u003c\/p\u003e \u003cp\u003e2.4.4 New Methods for the Control of Biodeterioration of Textiles 36\u003c\/p\u003e \u003cp\u003e2.5 Biological and Chemical Risk Factors in the Preservation and Conservation of Textiles 37\u003c\/p\u003e \u003cp\u003e2.6 Conclusion 37\u003c\/p\u003e \u003cp\u003eReferences 38\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 Microscopy of Historical Textiles 45\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eHana Lukesova\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3.1 Introduction 45\u003c\/p\u003e \u003cp\u003e3.2 Optical Microscopy 46\u003c\/p\u003e \u003cp\u003e3.2.1 Stereomicroscopes 46\u003c\/p\u003e \u003cp\u003e3.2.1.1 Textile Techniques 47\u003c\/p\u003e \u003cp\u003e3.2.1.2 Finishing 47\u003c\/p\u003e \u003cp\u003e3.2.1.3 Repairs and Changes 48\u003c\/p\u003e \u003cp\u003e3.2.1.4 Reflected Light Microscopy 48\u003c\/p\u003e \u003cp\u003e3.2.2 Transmitted White Light and Polarized Light Microscopy 48\u003c\/p\u003e \u003cp\u003e3.2.2.1 Transmitted White Light Microscopy 48\u003c\/p\u003e \u003cp\u003e3.2.2.2 Polarized Light Microscopy 49\u003c\/p\u003e \u003cp\u003e3.2.2.3 Fiber Identification 50\u003c\/p\u003e \u003cp\u003e3.2.2.4 Finishing 51\u003c\/p\u003e \u003cp\u003e3.2.2.5 Microbiological Attack 52\u003c\/p\u003e \u003cp\u003e3.2.3 Digital Microscopy 52\u003c\/p\u003e \u003cp\u003e3.3 Electron Microscopy 53\u003c\/p\u003e \u003cp\u003e3.3.1 Scanning Electron Microscopy 53\u003c\/p\u003e \u003cp\u003e3.3.1.1 Sample Preparation 53\u003c\/p\u003e \u003cp\u003e3.3.1.2 Fiber Identification of Animal Hairs 53\u003c\/p\u003e \u003cp\u003e3.3.1.3 Finishing 54\u003c\/p\u003e \u003cp\u003e3.3.1.4 Dyeing 54\u003c\/p\u003e \u003cp\u003e3.3.1.5 Quality 54\u003c\/p\u003e \u003cp\u003e3.3.1.6 Degradation 55\u003c\/p\u003e \u003cp\u003e3.3.2 Transmission Electron Microscopy 55\u003c\/p\u003e \u003cp\u003e3.3.2.1 Sample Preparation 56\u003c\/p\u003e \u003cp\u003e3.4 Conclusion 56\u003c\/p\u003e \u003cp\u003eReferences 57\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 Computational Structural Analysis 61\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eRana Al Ali, Mohamed Dallel, Boumediene Nedjar and Elhem Ghorbel\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4.1 Introduction 61\u003c\/p\u003e \u003cp\u003e4.2 Mechanical Modeling of Textile 62\u003c\/p\u003e \u003cp\u003e4.2.1 Microscopic Modeling of Textiles 63\u003c\/p\u003e \u003cp\u003e4.2.2 Mesoscoping Modeling of Textiles 63\u003c\/p\u003e \u003cp\u003e4.2.3 Macroscopic Modeling of Textiles 65\u003c\/p\u003e \u003cp\u003e4.3 Historical Textiles’ Modeling 67\u003c\/p\u003e \u003cp\u003e4.3.1 Creep in Structural Analysis 67\u003c\/p\u003e \u003cp\u003e4.3.2 Finite Element Method 68\u003c\/p\u003e \u003cp\u003e4.3.3 The Rheological Model 68\u003c\/p\u003e \u003cp\u003e4.3.3.1 Kinematic Associated with Elastic Behavior 70\u003c\/p\u003e \u003cp\u003e4.3.3.2 Constitutive Equations Associated to the Elastoplastic Branch [I] 71\u003c\/p\u003e \u003cp\u003e4.3.3.3 Constitutive Equations Associated to the Viscoelastic Branch [II] 76\u003c\/p\u003e \u003cp\u003e4.4 Application to Tapestries: Case Studies 76\u003c\/p\u003e \u003cp\u003e4.4.1 Application 1: The Importance of Considering the Orthotropy 77\u003c\/p\u003e \u003cp\u003e4.4.2 Application 2: Effect of Hanging System 78\u003c\/p\u003e \u003cp\u003e4.4.3 Application 3: Presence of Tears and Slits 79\u003c\/p\u003e \u003cp\u003e4.5 Conclusion 79\u003c\/p\u003e \u003cp\u003eAcknowledgement 80\u003c\/p\u003e \u003cp\u003eReferences 80\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5 Characterization of Ancient Dyes and Prints 85\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eHannah Dewey, Meghan Lord and Januka Budhathoki-Uprety\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5.1 Introduction 85\u003c\/p\u003e \u003cp\u003e5.2 Characterization Methods 87\u003c\/p\u003e \u003cp\u003e5.2.1 Thin Layer Chromatography 87\u003c\/p\u003e \u003cp\u003e5.2.2 High-Performance Liquid Chromatography 89\u003c\/p\u003e \u003cp\u003e5.2.2.1 Dyestuff Analysis 90\u003c\/p\u003e \u003cp\u003e5.2.2.2 Sample Preparation and Extraction Methods 90\u003c\/p\u003e \u003cp\u003e5.2.2.3 Detectors 92\u003c\/p\u003e \u003cp\u003e5.2.2.4 Limitations 93\u003c\/p\u003e \u003cp\u003e5.2.3 Raman Spectroscopy 94\u003c\/p\u003e \u003cp\u003e5.2.4 Infrared Spectroscopy 96\u003c\/p\u003e \u003cp\u003e5.2.5 Fluorescence Spectroscopy 97\u003c\/p\u003e \u003cp\u003e5.2.6 Fiber Optic Reflectance Spectroscopy 99\u003c\/p\u003e \u003cp\u003e5.2.7 Mass Spectrometry 100\u003c\/p\u003e \u003cp\u003e5.3 Printing Techniques 101\u003c\/p\u003e \u003cp\u003e5.4 Conclusion 102\u003c\/p\u003e \u003cp\u003eReferences 103\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6 State-of-the-Art Characterization Methods for Historic Textiles 107\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eReza Assefi Pour, Mazeyar Parvinzadeh Gashti and Jinxin He\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6.1 Introduction 108\u003c\/p\u003e \u003cp\u003e6.2 Dating of Textiles 108\u003c\/p\u003e \u003cp\u003e6.2.1 Radiocarbon Dating 109\u003c\/p\u003e \u003cp\u003e6.2.1.1 Advantages and Limitations of Radiocarbon Dating 109\u003c\/p\u003e \u003cp\u003e6.2.1.2 Radiocarbon Dating Measurements 110\u003c\/p\u003e \u003cp\u003e6.2.1.3 The AMS Method of Radiocarbon Dating 110\u003c\/p\u003e \u003cp\u003e6.2.2 Micromechanical Method for Textiles Dating 111\u003c\/p\u003e \u003cp\u003e6.3 Molecular Analysis 112\u003c\/p\u003e \u003cp\u003e6.3.1 DNA Analysis 112\u003c\/p\u003e \u003cp\u003e6.3.2 Amino Acid Composition 114\u003c\/p\u003e \u003cp\u003e6.4 Proteomics 115\u003c\/p\u003e \u003cp\u003e6.4.1 Principle and Evaluation Process of Historic Textiles 115\u003c\/p\u003e \u003cp\u003e6.4.2 Why Proteomics Is Preferred 117\u003c\/p\u003e \u003cp\u003e6.5 Isotopic Tracing 118\u003c\/p\u003e \u003cp\u003e6.5.1 The Strontium Isotope Tracing System 118\u003c\/p\u003e \u003cp\u003e6.5.2 Benefits of Sr Isotope Tracing 119\u003c\/p\u003e \u003cp\u003e6.5.3 Limitations of Sr Isotope Tracing 119\u003c\/p\u003e \u003cp\u003e6.6 Thermal Analysis 120\u003c\/p\u003e \u003cp\u003e6.7 Optical Measurement Tests 121\u003c\/p\u003e \u003cp\u003e6.8 Analytical Methods for Dye Analysis 122\u003c\/p\u003e \u003cp\u003e6.8.1 Mass Spectrometry 123\u003c\/p\u003e \u003cp\u003e6.8.2 Chromatography 123\u003c\/p\u003e \u003cp\u003e6.8.3 Electrophoresis 124\u003c\/p\u003e \u003cp\u003e6.8.4 Microextraction 124\u003c\/p\u003e \u003cp\u003e6.9 Conclusion 126\u003c\/p\u003e \u003cp\u003eReferences 126\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7 Nondestructive Testing of Historic Textiles 131\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eAnna Klisińska-Kopacz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7.1 Introduction 131\u003c\/p\u003e \u003cp\u003e7.2 Sampling 132\u003c\/p\u003e \u003cp\u003e7.3 Analytical Investigation Techniques Using X-Rays 133\u003c\/p\u003e \u003cp\u003e7.3.1 X-Ray Radiography 133\u003c\/p\u003e \u003cp\u003e7.3.2 X-Ray Fluorescence 135\u003c\/p\u003e \u003cp\u003e7.3.3 Scanning Electron Microscopy with X-Ray Microanalysis 137\u003c\/p\u003e \u003cp\u003e7.3.4 X-Ray Diffraction 139\u003c\/p\u003e \u003cp\u003e7.4 Vibrational Spectroscopy 140\u003c\/p\u003e \u003cp\u003e7.4.1 Fourier Transform Infrared Spectroscopy 141\u003c\/p\u003e \u003cp\u003e7.4.2 Raman Spectroscopy and Surface-Enhanced Raman Spectroscopy 143\u003c\/p\u003e \u003cp\u003e7.5 Case Studies 144\u003c\/p\u003e \u003cp\u003e7.5.1 17th Century Painted Silk Banner 144\u003c\/p\u003e \u003cp\u003e7.5.2 16th Century Carpet 146\u003c\/p\u003e \u003cp\u003eReferences 148\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8 NDT of Historic Textiles—Brief on Theory and Applications 151\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eAnuradha Sankaran, Namitha Nandanan Nedumpillil and Seiko Jose\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8.1 Introduction 151\u003c\/p\u003e \u003cp\u003e8.2 X-Ray Fluorescence Spectroscopy 152\u003c\/p\u003e \u003cp\u003e8.3 Atomic Force Microscopy 154\u003c\/p\u003e \u003cp\u003e8.4 Raman Spectroscopy 154\u003c\/p\u003e \u003cp\u003e8.5 Computed Tomography 156\u003c\/p\u003e \u003cp\u003e8.6 X-Ray Photoelectron Spectroscopy 157\u003c\/p\u003e \u003cp\u003e8.7 Optical Microscope 157\u003c\/p\u003e \u003cp\u003e8.8 Scanning Electron Microscope and Energy Dispersive X-Ray Spectrometer 159\u003c\/p\u003e \u003cp\u003e8.9 Carbon Dating 161\u003c\/p\u003e \u003cp\u003e8.10 X-Ray Diffraction 162\u003c\/p\u003e \u003cp\u003e8.11 Ultraviolet-Visible Spectroscopy 163\u003c\/p\u003e \u003cp\u003e8.12 Fourier Transform Infrared Spectroscopy 164\u003c\/p\u003e \u003cp\u003e8.13 Conclusion 165\u003c\/p\u003e \u003cp\u003eReferences 165\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9 Non-Invasive Analytical Techniques for the Study of Dyes and Pigments in Historical Textiles 171\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eLavinia de Ferri and Fabrizio Andriulo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9.1 Introduction 171\u003c\/p\u003e \u003cp\u003e9.2 Photographic Methods 172\u003c\/p\u003e \u003cp\u003e9.2.1 Infrared Reflectography (IRR) 173\u003c\/p\u003e \u003cp\u003e9.2.2 Visible-Induced Visible Luminescence\/Fluorescence 173\u003c\/p\u003e \u003cp\u003e9.2.3 UV-Fluorescence (or UV-Luminescence) (UVF-UVL) and UV Reflectance (UVR) 174\u003c\/p\u003e \u003cp\u003e9.2.4 False-Color Imaging 174\u003c\/p\u003e \u003cp\u003e9.2.5 Multispectral\/Hyperspectral Imaging 175\u003c\/p\u003e \u003cp\u003e9.3 Colorimetry 176\u003c\/p\u003e \u003cp\u003e9.4 Reflectance Spectroscopy 177\u003c\/p\u003e \u003cp\u003e9.5 Fluorimetry 185\u003c\/p\u003e \u003cp\u003e9.6 Diffuse Reflectance Infrared Fourier-Transform (DRIFT) Spectroscopy 186\u003c\/p\u003e \u003cp\u003e9.7 Matrix-Transfer Surface-Enhanced Raman Scattering (SERS) 187\u003c\/p\u003e \u003cp\u003eReferences 187\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10 Micro-Invasive Analytical Techniques for the Study of Dyes and Pigments in Historical Textiles 191\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eLavinia de Ferri and Fabrizio Andriulo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10.1 Introduction 191\u003c\/p\u003e \u003cp\u003e10.2 Spectroscopic Methods 192\u003c\/p\u003e \u003cp\u003e10.2.1 Elemental Techniques: Energy Dispersive System\/Energy Dispersive X-Ray (EDS\/EDX) and Laser Induced Breakdown Spectroscopy (LIBS) 192\u003c\/p\u003e \u003cp\u003e10.2.2 Ultraviolet-Visible (UV-VIS) 193\u003c\/p\u003e \u003cp\u003e10.2.3 Surface-Enhanced Raman Scattering (SERS) and Fourier Transform (FT)-Raman 195\u003c\/p\u003e \u003cp\u003e10.2.4 Fourier Transform-Infrared (FT-IR) Spectroscopy 201\u003c\/p\u003e \u003cp\u003e10.3 Chromatographic Methods 202\u003c\/p\u003e \u003cp\u003e10.3.1 Paper and Thin Layer Chromatography (PC and TLC) 202\u003c\/p\u003e \u003cp\u003e10.3.2 High-Pressure\/-Performance Liquid Chromatography (HPLC) 204\u003c\/p\u003e \u003cp\u003e10.3.3 Ultra High-Performance Liquid Chromatography (UHPLC) 205\u003c\/p\u003e \u003cp\u003e10.3.4 Gas Chromatography-Mass Spectrometry 206\u003c\/p\u003e \u003cp\u003e10.4 Other Techniques 208\u003c\/p\u003e \u003cp\u003eReferences 209\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11 Destructive Analytical Techniques for the Analysis of Historic Textiles 215\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eNamitha Nandanan Nedumpillil, Anuradha Sankaran, Seiko Jose, Sneha George and Sabu Thomas\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11.1 Introduction 215\u003c\/p\u003e \u003cp\u003e11.2 NMR Spectroscopy 216\u003c\/p\u003e \u003cp\u003e11.3 Mass Spectrometry 217\u003c\/p\u003e \u003cp\u003e11.4 Secondary Ion Mass Spectrometry (SIMS) 217\u003c\/p\u003e \u003cp\u003e11.5 Inductively Coupled Plasma Mass Spectroscopy 218\u003c\/p\u003e \u003cp\u003e11.6 Laser Ablation Inductively Coupled Plasma Time of Flight Mass Spectrometry (LA-ICP-TOF-MS) 218\u003c\/p\u003e \u003cp\u003e11.7 Matrix-Assisted Laser Desorption Ionization-Time of Flight (MALDI-TOF) 219\u003c\/p\u003e \u003cp\u003e11.8 Transmission Electron Microscope 221\u003c\/p\u003e \u003cp\u003e11.9 Thermo Gravimetric Analysis 221\u003c\/p\u003e \u003cp\u003e11.10 DNA Analysis 222\u003c\/p\u003e \u003cp\u003e11.11 Amino Acid Composition 223\u003c\/p\u003e \u003cp\u003e11.12 Peptide Mass Fingerprinting 223\u003c\/p\u003e \u003cp\u003e11.13 Chromatographic Techniques 225\u003c\/p\u003e \u003cp\u003e11.14 High-Performance Liquid Chromatography 226\u003c\/p\u003e \u003cp\u003e11.15 Thin Layer Chromatography 228\u003c\/p\u003e \u003cp\u003e11.16 Gas Chromatography 229\u003c\/p\u003e \u003cp\u003e11.17 Inductively Coupled Plasma-Optical Emission Spectroscopy 229\u003c\/p\u003e \u003cp\u003e11.18 Conclusions 230\u003c\/p\u003e \u003cp\u003eReferences 231\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12 Assessment of Degradation, Repair, and Stabilization of Antique Textiles with a Focus on Tapestries 235\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eRosa Costantini\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12.1 Introduction 235\u003c\/p\u003e \u003cp\u003e12.2 Mechanical Damage Mechanisms in Historic Tapestries 236\u003c\/p\u003e \u003cp\u003e12.3 Conserving Tapestries 237\u003c\/p\u003e \u003cp\u003e12.3.1 Current Methods for Structural Support and Image Reintegration 238\u003c\/p\u003e \u003cp\u003e12.3.2 Current Display Methods 239\u003c\/p\u003e \u003cp\u003e12.4 Evaluating the Mechanical Behavior of Tapestries: Invasive Techniques 239\u003c\/p\u003e \u003cp\u003e12.4.1 Evaluating the Efficacy of Conservation Strategies Using Tensile Testing 240\u003c\/p\u003e \u003cp\u003e12.5 Evaluating the Mechanical Behavior of Tapestries: Noninvasive Techniques 241\u003c\/p\u003e \u003cp\u003e12.5.1 Evaluating the Efficacy of Conservation Strategies Using DIC 242\u003c\/p\u003e \u003cp\u003e12.6 Conclusions 243\u003c\/p\u003e \u003cp\u003eReferences 243\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13 Antique Tapestries and Carpets: A Multidisciplinary Experimental Research Method for Their Diagnosis and Dating 247\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eGianpaolo Rosati, Carol Monticelli, Matteo Tommasini, Chiara Zanchi and Alessandra Zanelli\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13.1 Introduction 248\u003c\/p\u003e \u003cp\u003e13.2 Antiques Textile Surfaces, Means of Cultural Testimony and Way of Improving the Comfort in Historical Buildings 248\u003c\/p\u003e \u003cp\u003e13.3 Recent Research and Case Studies on Ancient Carpets 252\u003c\/p\u003e \u003cp\u003e13.4 Recent Research and Case Studies on Ancient Tapestries 255\u003c\/p\u003e \u003cp\u003e13.5 IR Spectroscopy to the Molecular Wool Characterization: Implications for Dating Purposes 258\u003c\/p\u003e \u003cp\u003e13.6 Conclusion 262\u003c\/p\u003e \u003cp\u003eAcknowledgment 263\u003c\/p\u003e \u003cp\u003eReferences 263\u003c\/p\u003e \u003cp\u003e\u003cb\u003e14 Scientific Study of Fibers and Natural Dyes Used in 19th Century Prayer Carpet From Jiwajirao Scindia Museum Gwalior, Using LC-MS and UV-VIS 267\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eMd. Ali Nasir, Satish. C. Pandey and M.V. Nair\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14.1 Introduction 267\u003c\/p\u003e \u003cp\u003e14.2 Materials and Methods 269\u003c\/p\u003e \u003cp\u003e14.2.1 Preparation of Samples 269\u003c\/p\u003e \u003cp\u003e14.2.2 Instrumentation 269\u003c\/p\u003e \u003cp\u003e14.3 Extraction of Dyes 270\u003c\/p\u003e \u003cp\u003e14.3.1 Liquid Chromatography-Mass Spectrometry (LC-MS) 270\u003c\/p\u003e \u003cp\u003e14.3.2 UV Spectroscopic Measurements 270\u003c\/p\u003e \u003cp\u003e14.4 Result and Discussion 270\u003c\/p\u003e \u003cp\u003e14.4.1 Dyes Identified in 19th Century Carpet from Jiwaji Scindia Museum, Gwalior Sample 271\u003c\/p\u003e \u003cp\u003e14.4.2 Red Dye 271\u003c\/p\u003e \u003cp\u003e14.4.3 UV-Visible Spectroscopy 271\u003c\/p\u003e \u003cp\u003e14.4.4 Green Dye 273\u003c\/p\u003e \u003cp\u003e14.4.5 UV-Visible Spectroscopy 275\u003c\/p\u003e \u003cp\u003e14.4.6 Yellow Dye 275\u003c\/p\u003e \u003cp\u003e14.4.7 Black Dye 276\u003c\/p\u003e \u003cp\u003e14.4.8 UV-Visible Spectroscopy 278\u003c\/p\u003e \u003cp\u003e14.5 Future Scope and Studies 280\u003c\/p\u003e \u003cp\u003e14.6 Conclusion 280\u003c\/p\u003e \u003cp\u003eAcknowledgment 280\u003c\/p\u003e \u003cp\u003eReferences 281\u003c\/p\u003e \u003cp\u003e\u003cb\u003e15 Analysis and Visualization of Historical Textiles for the Needs of Museum Conservation and Exhibition 283\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eMaria Cybulska\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15.1 Introduction 283\u003c\/p\u003e \u003cp\u003e15.2 Deterioration of Textiles 284\u003c\/p\u003e \u003cp\u003e15.3 Methods of Analysis of Historical Textiles 285\u003c\/p\u003e \u003cp\u003e15.4 Analysis of Fibers 285\u003c\/p\u003e \u003cp\u003e15.5 Analysis of Threads 290\u003c\/p\u003e \u003cp\u003e15.6 Analysis of Woven and Other Textile Objects 292\u003c\/p\u003e \u003cp\u003e15.7 Identification of Dyes and Color Analysis 293\u003c\/p\u003e \u003cp\u003e15.8 Visualization and Virtual Reconstruction of Textiles 294\u003c\/p\u003e \u003cp\u003e15.9 Conclusion 299\u003c\/p\u003e \u003cp\u003eReferences 300\u003c\/p\u003e \u003cp\u003e\u003cb\u003e16 Conservation of a Coptic Tapestry Fragment from Red Monastery Excavation 303\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eNeven Fahim\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16.1 Introduction 303\u003c\/p\u003e \u003cp\u003e16.2 Documentation and Condition 304\u003c\/p\u003e \u003cp\u003e16.2.1 Description of Archaeological Object 304\u003c\/p\u003e \u003cp\u003e16.2.2 The Analytical Method and Technical Study 305\u003c\/p\u003e \u003cp\u003e16.2.3 Dating of the Object 305\u003c\/p\u003e \u003cp\u003e16.2.4 State of Deterioration 305\u003c\/p\u003e \u003cp\u003e16.3 Testing and Analysis 307\u003c\/p\u003e \u003cp\u003e16.3.1 Morphological Study 307\u003c\/p\u003e \u003cp\u003e16.3.2 Scanning Electron Microscope 307\u003c\/p\u003e \u003cp\u003e16.3.3 Fourier Transform Infrared Analysis 307\u003c\/p\u003e \u003cp\u003e16.3.4 Analysis of Color Values 308\u003c\/p\u003e \u003cp\u003e16.4 Results and Discussion 308\u003c\/p\u003e \u003cp\u003e16.4.1 Stereo Microscope 308\u003c\/p\u003e \u003cp\u003e16.4.2 Scanning Electron Microscope 308\u003c\/p\u003e \u003cp\u003e16.4.3 FTIR Analysis 310\u003c\/p\u003e \u003cp\u003e16.4.4 Colorimetric Measurements 312\u003c\/p\u003e \u003cp\u003e16.5 Treatment Methodology 312\u003c\/p\u003e \u003cp\u003e16.5.1 Humidification Process 313\u003c\/p\u003e \u003cp\u003e16.5.2 Testing the Acidity 313\u003c\/p\u003e \u003cp\u003e16.5.3 Cleaning Process 313\u003c\/p\u003e \u003cp\u003e16.5.3.1 Chemical Cleaning 313\u003c\/p\u003e \u003cp\u003e16.5.3.2 Wet Cleaning 313\u003c\/p\u003e \u003cp\u003e16.5.4 Preparation of Foam and Textile Support 314\u003c\/p\u003e \u003cp\u003e16.5.5 Permanent Fixation 314\u003c\/p\u003e \u003cp\u003e16.6 Conclusion 315\u003c\/p\u003e \u003cp\u003eAcknowledgment 315\u003c\/p\u003e \u003cp\u003eReferences 316\u003c\/p\u003e \u003cp\u003e\u003cb\u003e17 Synthetic Coatings in Fashion Collections: Identification and Preservation Issues 319\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eS. França de Sá, K. Verkens, A. Rizzo, G. Petersen, S. Scaturro, I. Correia and M. Carita\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17.1 Introduction 320\u003c\/p\u003e \u003cp\u003e17.2 Conservation Challenges in Fashion Museum Collections Holding Polyurethane and Plasticised Poly(Vinyl Chloride) Coatings 321\u003c\/p\u003e \u003cp\u003e17.2.1 The Entrance of TPU and p-PVC in Fashion 321\u003c\/p\u003e \u003cp\u003e17.2.2 Degradation of TPU and p-PVC 322\u003c\/p\u003e \u003cp\u003e17.2.3 Issues and Recommendations for the Preservation of TPU and p-PVC Coatings in Museum Collections 322\u003c\/p\u003e \u003cp\u003e17.2.4 Case Studies From MUDE, MET and MoMu Collections 324\u003c\/p\u003e \u003cp\u003e17.2.4.1 TPU Coatings 327\u003c\/p\u003e \u003cp\u003e17.2.4.2 p-PVC Coatings 332\u003c\/p\u003e \u003cp\u003e17.2.4.3 Mixed Compositions 335\u003c\/p\u003e \u003cp\u003e17.2.4.4 Main Considerations 336\u003c\/p\u003e \u003cp\u003e17.3 Experimental 337\u003c\/p\u003e \u003cp\u003e17.3.1 Met Museum 337\u003c\/p\u003e \u003cp\u003e17.4 Damage Atlas 337\u003c\/p\u003e \u003cp\u003e17.5 Conclusions 341\u003c\/p\u003e \u003cp\u003e17.6 Future Research 341\u003c\/p\u003e \u003cp\u003eReferences 342\u003c\/p\u003e \u003cp\u003e\u003cb\u003e18 Nanotechnology-Based Interventions in Museum Textiles 345\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eAnkita Shroff, Anjali Karolia and Patricia I. Dolez\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18.1 Introduction 346\u003c\/p\u003e \u003cp\u003e18.2 Applications of Nanotechnology in Museum Textiles 348\u003c\/p\u003e \u003cp\u003e18.2.1 Diagnosis of Museum Textiles Using Nano-Enabled Technologies 349\u003c\/p\u003e \u003cp\u003e18.2.2 Cleaning of Museum Textiles Using Nano-Enabled Technologies 350\u003c\/p\u003e \u003cp\u003e18.2.3 Consolidation and Protection of Museum Textiles Using Nano-Enabled Technologies 352\u003c\/p\u003e \u003cp\u003e18.3 Benefits and Opportunities for Future Developments in Preservative and Conservative Practices 354\u003c\/p\u003e \u003cp\u003e18.4 Conclusion 356\u003c\/p\u003e \u003cp\u003eAcknowledgments 357\u003c\/p\u003e \u003cp\u003eReferences 357\u003c\/p\u003e \u003cp\u003e\u003cb\u003e19 Digital Technologies and Virtual Museums—Novel Approach 361\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eKanika Sachdeva and Harshita Chaudhary\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19.1 Introduction 361\u003c\/p\u003e \u003cp\u003e19.2 History of Digital Technologies in Museums 362\u003c\/p\u003e \u003cp\u003e19.3 Why Do We Need Digital Technologies in Museums? 363\u003c\/p\u003e \u003cp\u003e19.4 Digital Technologies—Tools and Techniques 364\u003c\/p\u003e \u003cp\u003e19.4.1 Multimedia Materials 364\u003c\/p\u003e \u003cp\u003e19.4.2 The World Wide Web 364\u003c\/p\u003e \u003cp\u003e19.4.3 Computer-Mediated Conferencing 364\u003c\/p\u003e \u003cp\u003e19.4.4 Presentation Technologies 365\u003c\/p\u003e \u003cp\u003e19.4.5 Simulations and Models 365\u003c\/p\u003e \u003cp\u003e19.4.6 Microworlds and Games 365\u003c\/p\u003e \u003cp\u003e19.4.7 Streaming Digital Audio and Video 365\u003c\/p\u003e \u003cp\u003e19.4.8 Visualization-Based Utilities 365\u003c\/p\u003e \u003cp\u003e19.5 Applications of Digital Technologies in the Museum 368\u003c\/p\u003e \u003cp\u003e19.5.1 Offline Data Banks Like CD-ROMS 368\u003c\/p\u003e \u003cp\u003e19.5.2 Websites 369\u003c\/p\u003e \u003cp\u003e19.5.3 Online Databases (National Digital Repository for Museums of India) 370\u003c\/p\u003e \u003cp\u003e19.5.4 Virtual Museums 370\u003c\/p\u003e \u003cp\u003e19.5.5 Interactive Exhibition Resources\/Fusion Exhibitions (Sardar Patel Exhibition) 372\u003c\/p\u003e \u003cp\u003e19.5.6 Google Arts and Culture App 372\u003c\/p\u003e \u003cp\u003e19.5.7 Roboguides 373\u003c\/p\u003e \u003cp\u003e19.5.8 BYOD in Museums 373\u003c\/p\u003e \u003cp\u003e19.6 Pros and Cons of Digital Technologies as Compared to Traditional Exhibitions 374\u003c\/p\u003e \u003cp\u003e19.6.1 Pros 374\u003c\/p\u003e \u003cp\u003e19.6.2 Cons 376\u003c\/p\u003e \u003cp\u003e19.7 Conclusion 376\u003c\/p\u003e \u003cp\u003eReferences 377\u003c\/p\u003e \u003cp\u003eIndex 379\u003c\/p\u003e","brand":"John Wiley \u0026 Sons Inc","offers":[{"title":"Default Title","offer_id":49407199084887,"sku":"9781119983385","price":153.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781119983385.jpg?v=1730498536","url":"https:\/\/bookcurl.com\/products\/handbook-of-museum-textiles-volume-2-9781119983385","provider":"Book Curl","version":"1.0","type":"link"}