{"product_id":"grief-in-contemporary-horror-cinema-screening-loss-9781793633934","title":"Grief in Contemporary Horror Cinema: Screening","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eOver the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it represented both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing depictions of grief ranging from the intimate grief of a small family to the collective grief of an entire nation, the essays illustrate how these works serve to provide unity, catharsis, and—sometimes—healing.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eGrief in Contemporary Horror Cinema: Screening Loss is an accessible and wide-ranging exploration of grief as represented in many of the most interesting recent horror films on the topic. Of particular interest is the collection's inclusion of insightful essays addressing the socialization of grief through gender, sexuality, the family, and colonialism and how these complexities manifest in the themes and aesthetics of horror films. \u003c\/p\u003e -- Johanna Isaacson, Modesto Junior College\u003cbr\u003e\u003cp\u003eGrief in Contemporary Horror Cinema: Screening Loss offers a welcome multinational approach to the role played by, and complex and contradictory representations of, grief and loss in this genre. The various contributions demonstrate how universal themes of grief and loss are particularised in individual films and are often deployed to examine legacy and contemporary issues of national, familial and individual vulnerability. The book ultimately provides a valuable lens through which to examine a wide range of subgenres from arthouse to gothic horror. \u003c\/p\u003e -- Sarah Arnold, Maynooth University and author of Maternal Horror Film: Melodrama and Motherhood\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePart I: Loss and the Child: Grief and Endangered Youth\u003c\/p\u003e\u003cp\u003eChapter 1. Horror at the Crossroads: Mapping the Child’s Grief in Pan’s Labyrinth (2006)\u003c\/p\u003e\u003cp\u003eLindsey Scott\u003c\/p\u003e\u003cp\u003eChapter 2. “We Can Survive This”: An Examination of Loss and Grief in Juan Antonio Bayona’s Elorfanato (The Orphanage) (2007)\u003c\/p\u003e\u003cp\u003eErica Joan Dymond \u003c\/p\u003e\u003cp\u003eChapter 3. Elevating Grief: Ari Aster’s Hereditary (2018) and the A24 Horror Film\u003c\/p\u003e\u003cp\u003eAndrew Grossman and Todd K. Platts\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003ePart II: Loss and Gender: Grief and Motherhood\/Womanhood\u003c\/p\u003e\u003cp\u003eChapter 4. To Make You Feel My Love: Jennifer Kent’s The Babadook (2014), Motherhood, and Loss \u003c\/p\u003e\u003cp\u003eRebecca L. Willoughby\u003c\/p\u003e\u003cp\u003eChapter 5. The Myth of the Natural Woman: Horror and Grief in Ari Aster’s Midsommar (2019)\u003c\/p\u003e\u003cp\u003eAspen Taylor Ballas\u003c\/p\u003e\u003cp\u003ePart III: Loss and National Identity: Grief and History\u003c\/p\u003e\u003cp\u003eChapter 6. O Father, Where Art Thou?: Grief and Cannibal Culture in Jorge Michel Grau’s Somos lo que hay (We Are What We Are) (2010)\u003c\/p\u003e\u003cp\u003eMegan DeVirgilis\u003c\/p\u003e\u003cp\u003eChapter 7. Sadness is Rebellion: The Ontopolitics of Queer Loss in Mladen Đorđević’sŽivot i smrt porno bande (The Life and Death of a Porno Gang) (2009)\u003c\/p\u003e\u003cp\u003eAndrija Filipović\u003c\/p\u003e\u003cp\u003eChapter 8. The Grieving Dead: Haunting and the Haunted in The Spierig Brothers’ Winchester (2018)\u003c\/p\u003e\u003cp\u003eRacheal Harris\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003ePart IV: Loss and The Known World: Grief and Annihilation\u003c\/p\u003e\u003cp\u003eChapter 9. “No One Will Miss It”: Lars Von Trier’s Antichrist (2009) and Melancholia (2011) and the World-Without-Us\u003c\/p\u003e\u003cp\u003eMichael Brown\u003c\/p\u003e","brand":"Lexington Books","offers":[{"title":"Default Title","offer_id":51042666774871,"sku":"9781793633934","price":69.3,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781793633934.jpg?v=1750955084","url":"https:\/\/bookcurl.com\/products\/grief-in-contemporary-horror-cinema-screening-loss-9781793633934","provider":"Book Curl","version":"1.0","type":"link"}