{"product_id":"godards-contempt-9781444339314","title":"Godards Contempt","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eCombining work from established film critics and the very freshest of voices, this collection brings to bear a wide range of cultural and disciplinary backgrounds on one of the most intriguing films of the twentieth century.  \u003cul\u003e \u003cli\u003eFeatures contributions from a wide range of cultural and disciplinary backgrounds\u003c\/li\u003e \u003cli\u003eEssays are brought together to form the basis of a new analysis of one of the most intriguing films of the twentieth century\u003c\/li\u003e \u003cli\u003eIncorporates essays from students studying in the London Consortium, a partnership of five institutions including the Architectural Association, Birkbeck, University of London, the Institute of Contemporary Arts, the Science Museum, and the Tate\u003c\/li\u003e \u003cli\u003eContains an introduction and post-script from the editors\u003c\/li\u003e \u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePreface (Laura Mulvey and Colin MacCabe)\u003c\/p\u003e \u003cp\u003eIntroduction: Essays from the London Consortium (Colin MacCabe)\u003c\/p\u003e \u003cp\u003e1. Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a ‘fabric of quotations’ (Laura Mulvey)\u003c\/p\u003e \u003cp\u003e2. Foreground, Background, Drama: The Cinematic Space of Le Mépris (Ross Exo Adams)\u003c\/p\u003e \u003cp\u003e3. Godard’s Apart-ment Architectures: The Reality of Abandonment in Le Mépris (Alice Gavin)\u003c\/p\u003e \u003cp\u003e4. ‘O gods . . .’ Hidden Homeric Deities in Godard’s Le Mépris (James Wilkes)\u003c\/p\u003e \u003cp\u003e5. Godard’s Women (Nicky Falkof)\u003c\/p\u003e \u003cp\u003e6. The Signature of the French New Wave (Godard’s Le Mépris) (Jake Reeder)\u003c\/p\u003e \u003cp\u003e7. Le Mépris and the Hollywood musical (John Shanks)\u003c\/p\u003e \u003cp\u003e8. The written and the writing Or how Godard’s film functions textually (Elia Ntaousani)\u003c\/p\u003e \u003cp\u003e9. Pure Cinema? Blanchot, Godard, Le Mépris (Oliver H. Harris)\u003c\/p\u003e \u003cp\u003e10. Stasis and statuary in Bazinian cinema (Jonathan Law)\u003c\/p\u003e \u003cp\u003e11. ‘FAUX RACCORD’: Mismatch, Noise and Transformation in the Work of Jean-Luc Godard (Rob Gallagher)\u003c\/p\u003e \u003cp\u003e12. Anti-theatricality and gesture as antidotes to the commodification of cinema: Godard’s Le Mépris and Pasolini’s La Ricotta (Elena Crippa)\u003c\/p\u003e \u003cp\u003e13. ‘Not necessarily in that order’: Contempt, Adaptation and the Metacinematic (William Viney)\u003c\/p\u003e \u003cp\u003e14. ‘So What Am I Supposed To Do?’ Thoughts of Action and Actions of Thought in Godard’s Contempt (Richard Martin)\u003c\/p\u003e \u003cp\u003e15. In Translation: re-conceptualising ‘‘home’’ through Le Mépris and its source texts (Jonathan Gross)\u003c\/p\u003e \u003cp\u003e16. Producing Prokosch: Godard, Levine, Palance, Minnelli and a lament to lost Hollywood (Walter Stabb)\u003c\/p\u003e \u003cp\u003e17. Experimenting with Cinema in Godard’s Le Me´pris: The Past and the Present Between Possibility and Impossibility (Raphaelle J Burns)\u003c\/p\u003e \u003cp\u003e18. Cinema at the Intervals of Cinema (Burhanuddin Baki)\u003c\/p\u003e \u003cp\u003e19. Godard’s Lingering Camera From Le Mépris to Passion and Back (Anna Manubens)\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49408393970007,"sku":"9781444339314","price":19.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781444339314.jpg?v=1730502738","url":"https:\/\/bookcurl.com\/products\/godards-contempt-9781444339314","provider":"Book Curl","version":"1.0","type":"link"}