{"product_id":"global-cinema-networks-9780813592732","title":"Global Cinema Networks","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eGlobal Cinema Networks\u003c\/i\u003e brings together internationally acclaimed film scholars to investigate the evolving forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection examines shifting sites of global filmmaking in an era of digital reproduction, amidst new modes of circulation and aesthetic convergence. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“Assembling an impressive group of internationally recognized scholars, this ambitious volume offers a sustained engagement with cultural infrastructures like film festivals, visual motifs of the global, with a capaciousness that stretches global cinema across a century.”  -- Nitin Govil * author of Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eTable of Contents\u003cbr\u003e\u003cbr\u003e Chapter 1: Introduction: Global Cinemas in a Time of Networks\u003cbr\u003e Elena Gorfinkel, King’s College London (U.K.)\u003cbr\u003e\u003cbr\u003e Part 1: Cartographies, Geopolitics, Aesthetics\u003cbr\u003e\u003cbr\u003e Chapter 2: Beyond and Beneath the Map of World Cinema\u003cbr\u003e Dudley Andrew, Yale University\u003cbr\u003e\u003cbr\u003e Chapter 3: Frame\u003cbr\u003e Adrian Martin, Monash University (Australia)\u003cbr\u003e\u003cbr\u003e Chapter 4: Abstraction and the Geopolitical: Lessons from Antonioni’s Trip to China\u003cbr\u003e John David Rhodes, University of Cambridge\u003cbr\u003e\u003cbr\u003e Chapter 5: The City of Bits and Urban Rule: Media Archaeology, Urban Space, and Contemporary Chinese Documentary\u003cbr\u003e James Tweedie, University of Washington\u003cbr\u003e\u003cbr\u003e Part 2: Global Ideality, History, Representation\u003cbr\u003e\u003cbr\u003e Chapter 6: Toward an Archeology of Global Rhythms: Melodie der Welt (Melody of the World, 1929) and its Reception in France\u003cbr\u003e Laurent Guido, University of Lille (France)\u003cbr\u003e\u003cbr\u003e Chapter 7: When Cinema was Humanism\u003cbr\u003e Karl Schoonover, University of Warwick\u003cbr\u003e\u003cbr\u003e Chapter 8: African Cinema: Digital Media and Expanding Frames of Representation\u003cbr\u003e N. Frank Ukadike, Tulane University, New Orleans\u003cbr\u003e\u003cbr\u003e Chapter 9: Changing Circumstances: Global Flows of Lesbian Cinema\u003cbr\u003e Patricia White, Swarthmore College\u003cbr\u003e\u003cbr\u003e Part 3: Kinships, Identifications, Genres\u003cbr\u003e\u003cbr\u003e Chapter 10: Hermano and La hora cero: Violence and Transgressive Subjectivities in Venezuelan Youth Cinema\u003cbr\u003e Luisela Alvaray, DePaul University\u003cbr\u003e\u003cbr\u003e Chapter 11: Between Love and the Moral Law: The Fatal Mother in Park Chan-wook’s Sympathy for Lady Vengeance\u003cbr\u003e Peter Y. Paik, Yonsei University (Korea)\u003cbr\u003e\u003cbr\u003e Chapter 12: The Queer Mexican Cinema of Julián Hernández\u003cbr\u003e Gilberto M. Blasini, University of Wisconsin–Milwaukee\u003cbr\u003e\u003cbr\u003e Chapter 13: The Gangster Film as World Cinema\u003cbr\u003e Jian Xu, University of Wisconsin–Milwaukee\u003cbr\u003e\u003cbr\u003e Chapter 14: Epilogue: 24 Frames: Regarding the Past and Future of Global Cinema\u003cbr\u003e Tami Williams, University of Wisconsin–Milwaukee","brand":"MW - Rutgers University Press","offers":[{"title":"Default Title","offer_id":49958476054871,"sku":"9780813592732","price":105.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780813592732.jpg?v=1738993324","url":"https:\/\/bookcurl.com\/products\/global-cinema-networks-9780813592732","provider":"Book Curl","version":"1.0","type":"link"}