{"product_id":"get-the-money-9780872868953","title":"Get the Money","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"Ted Berrigan wrote wonderful poems and experimented brilliantly with various prose forms and strategies. Full of surprises, \u003ci\u003eGet the Money! Collected Prose (1961-1983)\u003c\/i\u003e will be indispensable to students of Berrigan and the New York School.\"—\u003cb\u003eDavid Lehman, series editor, \u003ci\u003eThe Best American Poetry\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"What a gift to have \"Get the Money - collected prose (1961-1983)\" by Ted Berrigan, just new from City Lights Books. Here we have a large collection of Berrigan's journals, reviews, essays, poems and more! What a pleasure to drop into the whirlwind of creative energy that is Ted's language, Ted's world, at the center of the New York City poetry and art worlds of the 1960s . Grab a pepsi, maybe some desoxyn, and enjoy the ride with Ted and his friends! Meet up with Frank O'Hara, John Ashbery, Ron Padgett, Joe Brainard, Bernadette Mayer, Alice Notley and many more - and remember, as Ted reminds us, \"Don't forget to love me.\" With this book, we won't forget.\"—\u003cb\u003eGary Lawless\u003c\/b\u003e\u003cb\u003e, Owner, \u003c\/b\u003e\u003cb\u003eGulf of Maine Bookstore\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“This, ultimately, is the composite picture that emerges of Berrigan: a maker of poems who listens honestly to his own best work and then continuously listens for the sound of the next kind of poem for as long as the poems will have him.”\u003cb\u003e—Jordan Davis, \u003ci\u003eThe Poetry Foundation\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eAnnotated Table of Contents for \u003ci\u003eGet the Money! Collected Prose 1961–1983\u003c\/i\u003e by Ted Berrigan\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTB = Ted Berrigan\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e’60s JOURNALS\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe ’60s Journals stem from TB’s first stint living in NYC beginning in 1961; it’s a record of his early days, touching on his earliest breakthroughs as a poet, his relationship with his first wife, Sandy Berrigan, his friendships with the likes of poet Ron Padgett and artist Joe Brainard, who also moved from Tulsa, OK (where TB was going to school on the G.I. Bill after a stint in the army), and his meeting the first-generation poets of the NY School, like Frank O’Hara. A look at his early bohemian life.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eSOME NOTES ABOUT “C”\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThis is a 1964 account of TB’s influential mimeo magazine “C” and the various lengths to which he went to get it made. Appearances by John Ashbery, Frank O’Hara, Kenneth Koch, Barbara Guest, James Schuyler, Andy Warhol, Joe Brainard, Alex Katz, Jasper Johns, Bill Berkson, Edwin Denby, Tony Towle, Gerard Malanga, Jim Brodey, Joe Ceravolo, etc.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eREVIEWS\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Art and Literature: An International Review\u003c\/i\u003e, edited by John Ashbery, Ann Dunn, Rodrigo Moynihan, and Sonia Orwell (#1, March 1964, $2.00)\"\u003cbr\u003eCheeky review of the first issue of a well-heeled magazine John Ashbery co-edited in Paris; the two major early perfect-bound journals of the NY School are \u003ci\u003eArt and Literature\u003c\/i\u003e and \u003ci\u003eLocus Solus\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Lines About Hills Above Lakes\u003c\/i\u003e, Jonathan Williams (Roman Books, $3.00)\"\u003cbr\u003eReview of a pamphlet by the Jargon Books publisher and New Directions poet that TB suggests you steal rather than buy, given the exorbitant price.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Lunch Poems\u003c\/i\u003e, Frank O’Hara (City Lights Books, $1.25)\"\u003c\/p\u003e\u003cp\u003eExcellent review of City Lights’ homegrown classic.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Poems from Oklahoma\u003c\/i\u003e (Hardware Poets) and \u003ci\u003eThe Bloodletting\u003c\/i\u003e (Renegade Press), Allen Katzman\"\u003c\/p\u003e\u003cp\u003eReview of a now-obscure poet who founded the East Village Other, an alt-weekly.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Poems\u003c\/i\u003e: Aram Saroyan, Richard Kolmar, and Jenni Caldwell (Acadia Press)\"\u003c\/p\u003e\u003cp\u003eA review of a joint publication; Aram Saroyan is the only major figure here (a concrete\/minimalist poet and the son of William Saroyan).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"In Advance of the Broken Arm\u003c\/i\u003e, Ron Padgett, w\/ cover and drawings by Joe Brainard (C Press)\"\u003c\/p\u003e\u003cp\u003eReview of a mimeo booklet TB himself published under the “C” Press imprint; basically Padgett’s debut volume.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Nova Express\u003c\/i\u003e, William Burroughs (Grove, $5.00)\"\u003c\/p\u003e\u003cp\u003e“Review” that is really a cut-up of Burroughs’ novel, which in itself probably was a cut-up of some variety.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Art Chronicle\"\u003c\/p\u003e\u003cp\u003eRound-up of the art shows TB saw and often reviewed for \u003ci\u003eARTnews\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"The Anxious Object, Art Today and Its Audience\u003c\/i\u003e, Harold Rosenberg (Horizon Press, $7.50)\"\u003c\/p\u003e\u003cp\u003eAttack on the critic who coined the phrase “Action Painting,” which is sometimes used instead of “Abstract Expressionism” (the terms refer to the same group of NY abstract painters).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"The Doors of Stone, Poems, 1938–1962\u003c\/i\u003e, F.T. Prince (Rupert-Hart-Davis)\"\u003c\/p\u003e\u003cp\u003eReview of a British poet championed by John Ashbery, among other people.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Pavilions\u003c\/i\u003e, Kenward Elmslie (Tibor de Nagy, $2.00)\"\u003c\/p\u003e\u003cp\u003eKenward Elmslie (a grandson of Joseph Pulitzer) was an important force in the NY School, lover of Joe Brainard and publisher of Z Press. He is still in print from Coffee House. Elmslie is still alive (93) but is no longer active.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Saturday Night: Poems\u003c\/i\u003e, Bill Berkson (Tibor de Nagy, $2.00)\"\u003c\/p\u003e\u003cp\u003eReview of Bill Berkson’s first book, published by the still-extant NYC art gallery (who also published first books by Ashbery, O’Hara, Guest, Frank Lima, etc.)\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"New Directions 14\u003c\/i\u003e, ed. James Laughlin ($1.65)\"\u003c\/p\u003e\u003cp\u003e“Review” of an old issue of \u003ci\u003eNew Directions\u003c\/i\u003e, seemingly written just to talk about James Schuyler’s contribution to it.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Peace Eye: Poems\u003c\/i\u003e, Ed Sanders (Frontier Press, $1.50)\"\u003c\/p\u003e\u003cp\u003eReview of the Beat poet and Fugs founder Ed Sanders; “Peace Eye” was also the name of Sanders’ bookstore in NYC. Ferlinghetti published Sanders’ \u003ci\u003ePoem from Jail\u003c\/i\u003e as a City Lights pamphlet.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Desolation Angels\u003c\/i\u003e, Jack Kerouac (Coward-McCann)\"\u003c\/p\u003e\u003cp\u003eReview of a later Kerouac novel. Kerouac was a huge influence on TB, who considered himself a “late beat” rather than a NY School poet. TB interviewed Kerouac for the \u003ci\u003eParis Review\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Painter to the New York Poets\"\u003c\/p\u003e\u003cp\u003eReview of a show by figurative painter friend of O’Hara and Ashbery Jane Freilicher; she is the “Jane” frequently referred to in O’Hara poems.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Red Power\"\u003c\/p\u003e\u003cp\u003eReview of a figurative NY School painter.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Sentences from the Short Reviews\"\u003c\/p\u003e\u003cp\u003eA collage made by Anselm Berrigan of some of the best sentences from TB’s stint as a reviewer for \u003cem\u003eARTnews\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Joe Brainard\"\u003c\/p\u003e\u003cp\u003e\"Red Grooms\"\u003c\/p\u003e\u003cp\u003eThese are the two \u003cem\u003eARTnews\u003c\/em\u003e reviews we did include, as they are significant painters associated with the NY School.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Alice Neel’s Portraits of Joe Gould\"\u003c\/p\u003e\u003cp\u003eA review of a solo show published in Peter Schjeldahl’s \u003cem\u003eMother\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFRANK O’HARA DEAD AT 40\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAn obituary for O’Hara published in the \u003cem\u003eEast Village Other\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e4 JOURNALS\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"The Chicago Report\"\u003c\/p\u003e\u003cp\u003eA rollicking letter to Ron Padgett about a roadtrip TB goes on with his friend Harry Fainlight to go see Kenneth Koch read with. Anne Sexton in Chicago in the ’60s.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"From Journals (1970–1971)\"\u003c\/p\u003e\u003cp\u003e\"Southampton\"\u003c\/p\u003e\u003cp\u003e\"Bolinas\"\u003c\/p\u003e\u003cp\u003e\"Selections from a Journal: 1 Nov 1977 to 17 May 1978\"\u003c\/p\u003e\u003cp\u003eMore journal extracts, including TB and Alice Notley’s brief stint in Bolinas with the \u003cem\u003eOn the Mesa\u003c\/em\u003e crowd.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"On the Road Again, an Old Man\"\u003c\/p\u003e\u003cp\u003eLoose “translation” of Basho poems (TB didn’t know Japanese, so he’s making versions based on previous translations).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTHE ARRIVAL REPORT\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAn account of the birth of Edmund Berrigan, which took place in Colchester, UK, while TB was teaching there.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLONGER WORKS OF THE MORE ACADEMIC TYPE\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"Get the Money\"\u003c\/p\u003e\u003cp\u003eA loosely jointed piece written for the \u003cem\u003eEast Village Other\u003c\/em\u003e; poetic goofing around.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"An Interview with John Cage\"\u003c\/p\u003e\u003cp\u003e“Interview” with John Cage collaged together by TB from various sources, none of whom were John Cage. (TB also hired Dick Gallup to work on it.) Peter Schjeldahl published it in his magazine \u003cem\u003eMother\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Introduction to \u003cem\u003eIn\u003c\/em\u003e by Aram Saroyan\"\u003c\/p\u003e\u003cp\u003eBrief note on an Aram Saroyan volume.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Ten Things About the Boston Trip: An Aside to Ron \u0026amp; Tom\"\u003c\/p\u003e\u003cp\u003eNote to Padgett and Tom Clark about a trip to Boston on some poetry business.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"An Interview with John Ashbery\"\u003c\/p\u003e\u003cp\u003eAlso written according to the principles behind the John Cage interview.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Brain Damage (Some Notes, and a Case History)\"\u003c\/p\u003e\u003cp\u003eOff-beat bit of creative prose (probably a cut-up of a medical text about the human brain).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Note on Jim Brodey’s Poems \u0026amp; Him\"\u003c\/p\u003e\u003cp\u003eAs it says; Brodey is out of print but a known and significant second- or third-generation NY School poet.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Introduction for Tom Clark at the Folklore Center\"\u003c\/p\u003e\u003cp\u003eAs it says; intro for a reading by Tom Clark.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Jim Carroll\"\u003c\/p\u003e\u003cp\u003eVery early piece about the author of \u003cem\u003eThe Basketball Diaries\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Anne Waldman: Character Analysis\"\u003c\/p\u003e\u003cp\u003ePiece about Anne Waldman (more about her than her poetry).\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cem\u003e\"Maya\u003c\/em\u003e by Anselm Hollo\"\u003c\/p\u003e\u003cp\u003eReview of longtime Naropa professor and close friend of TB’s Anselm Hollo; Coffee House is prepping a collected Hollo (early stages yet).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"A Few Hard Words on Tom Raworth\"\u003c\/p\u003e\u003cp\u003eAn introduction for a book by the experimental British poet.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cem\u003e\"In Time: Poems 1962–68\u003c\/em\u003e, Joel Oppenheimer (Bobbs-Merrill, $5.95)\"\u003c\/p\u003e\u003cp\u003eReview of poet Joel Oppenheimer (somewhat neglected these days and largely out of print but a familiar name for any serious student of the New American Poetry of the ’60s).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Teaching with the School Teachers\"\u003c\/p\u003e\u003cp\u003eFascinating piece written as a report to his employers about a workshop he gave for teachers who wanted to teach poetry.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Note on Alice Notley, Not Used, for \u003cem\u003e165 Meeting House Lane\u003c\/em\u003e, Published by “C” Press in 1971\"\u003c\/p\u003e\u003cp\u003eAs it says.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cem\u003e\"Sensation \u003c\/em\u003eby Anselm Hollo\"\u003c\/p\u003e\u003cp\u003eAnother review of Anselm Hollo (see above).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"From \u003cem\u003eThe Autobiography of God\"\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eAnother cut-up? Random piece of creative prose.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"The NY Jets: A Movie\"\u003c\/p\u003e\u003cp\u003eWritten as though a filmscript, just goofing around about the NY Jets.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"The Life of Turner\"\u003c\/p\u003e\u003cp\u003eAnother cut-up? Random piece of creative prose.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Words for Joanne Kyger\"\u003c\/p\u003e\u003cp\u003eFrom a letter to and about Joanne Kyger.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Scorpio Birthday\"\u003c\/p\u003e\u003cp\u003eA horoscope.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Three Book Reviews\"\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\"Air\u003c\/em\u003e by Tom Clark (Harper \u0026amp; Row)\"\u003c\/p\u003e\u003cp\u003e\"\u003cem\u003eThe Poetry Room\u003c\/em\u003e by Lewis MacAdams (Harper \u0026amp; Row)\"\u003c\/p\u003e\u003cp\u003e\"\u003cem\u003eGreat Balls of Fire\u003c\/em\u003e by Ron Padgett\"\u003c\/p\u003e\u003cp\u003eThree “reviews” that TB made by collaging lines from the various poems in each book in order to make a new poem.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Introduction to \u003cem\u003eFresh Paint: An Anthology of Younger Poets\u003c\/em\u003e\"\u003c\/p\u003e\u003cp\u003eAs it says; not an anthology that anyone remembers these days but a good example of his generosity to the younger generation.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Larry Fagin\"\u003c\/p\u003e\u003cp\u003eShort notice concerning the longtime NY poet and editor.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Litany\"\u003c\/p\u003e\u003cp\u003eA collage, largely concerning TB’s friend, the poet Bernadette Mayer (published by New Directions these days).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"The Fastest Tongue on the Lower East Side\"\u003c\/p\u003e\u003cp\u003e“Review” largely consisting of a poem collaged from the subject of the review, poet Simon Schuchat.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Naropa Workshop Notes\"\u003c\/p\u003e\u003cp\u003eSome poetic notes from a workshop TB taught at Naropa.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"10 Favorite Books of 1980\"\u003c\/p\u003e\u003cp\u003eExactly what the title says, just a list.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Old Age and Decrepitude\"\u003c\/p\u003e\u003cp\u003eAnother general roundup of things TB’s read recently, including Hollo, Padgett, and Schuyler, written for the \u003cem\u003ePoetry Project Newsletter\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"George Schneeman at Holly Solomon\"\u003c\/p\u003e\u003cp\u003eReview of a gallery show by NY School painter George Schneeman, a close friend of TB’s and the painter of the cover of our book.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"On Franco Beltrametti\"\u003c\/p\u003e\u003cp\u003eText for the catalog of one of TB’s artist friends.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"3 Reviews\"\u003c\/p\u003e\u003cp\u003eThree short paragraphs reviewing \u003cem\u003eThe Early Auden\u003c\/em\u003e, an issue of the \u003cem\u003eParis Review\u003c\/em\u003e, and the Am Here Books catalog.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Business Personal\"\u003c\/p\u003e\u003cp\u003eA demand for the return of certain notebooks stolen from James Schuyler at the Chelsea Hotel.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"The Oral History Series Community Documentation Workshop\"\u003c\/p\u003e\u003cp\u003eInteresting piece about a series of pamphlets issued by St. Mark’s Community Documentation Workshop and devoted to the history of the neighborhood.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Running Commentary\"\u003c\/p\u003e\u003cp\u003eA general round up of recent poetry publications TB found interesting.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"\u003cem\u003eMillenium Dust\u003c\/em\u003e, Joe Ceravolo\"\u003c\/p\u003e\u003cp\u003eReview of second-generation NY School poet Joseph Ceravolo, whose \u003cem\u003eCollected Poems\u003c\/em\u003e were published Wesleyan about 10 years ago. Died obscure but considered a significant poet today.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"\u003cem\u003eNight Flight \u003c\/em\u003eby Lita Hornick\"\u003c\/p\u003e\u003cp\u003eLita Hornick was the publisher of \u003cem\u003eKulchur\u003c\/em\u003e, a NY magazine in which several of the pieces from the “Reviews” section were published; TB is reviewing her book about contemporary art.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"The Beeks\"\u003c\/p\u003e\u003cp\u003eText from a flyer promoting a punk rock band (poet Steve Carey’s brother Tom Carey was a member).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Public Proclamation \u0026amp; Advertisement of Sale\"\u003c\/p\u003e\u003cp\u003eA funny oddball piece blasting his friend Bernadette Mayer for censoring a poem TB and Alice Notley wrote for the \u003cem\u003ePoetry Project Newsletter\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"\u003cem\u003eThe White Snake\u003c\/em\u003e by Ed Friedman\"\u003c\/p\u003e\u003cp\u003eReview of a play by the future longtime director of St. Mark’s Poetry Project.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Harry Fainlight: In Memoriam (d. 1982, London)\"\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAn obituary for his best friend Harry Fainlight, an oddball minor poet TB would publish his poems in “\u003cem\u003eC\u003c\/em\u003e” magazine.\u003c\/p\u003e","brand":"City Lights Books","offers":[{"title":"Default Title","offer_id":48884897677655,"sku":"9780872868953","price":17.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780872868953.jpg?v=1722533963","url":"https:\/\/bookcurl.com\/products\/get-the-money-9780872868953","provider":"Book Curl","version":"1.0","type":"link"}