{"product_id":"german-song-onstage-9780253047014","title":"German Song Onstage","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThe essays herein should appeal to a wide range of readers from the informed concert-goer who enjoys vocal music to conservatory students to the professoriate who will appreciate the exemplary scholarly apparatus. The editors are to be commended for a fine compilation that will pique interest in discovering or re-visiting the wide range of German song repertoire and the acclaimed artists who presented these cultural offerings to the world.\u003c\/p\u003e -- Barry Zaslow * Music Reference Services Quarterly *\u003cbr\u003e\u003cp\u003eThis volume offers a multifaceted overview of the rich history of German song, and challenges contemporary performers and audiences, like Janus with a wide angle lens, to look at the totality oflieder's history to determine performance practice. It is highly recommended.\u003c\/p\u003e -- Debra Greschner * Journal of Singing *\u003cbr\u003e\u003cp\u003eThe editors are to be commended for a fine compilation that will pique interest in discovering or re-visiting the wide range of German song repertoire and the acclaimed artists who presented these cultural offerings to the world.\u003c\/p\u003e -- Barry Zaslow - Miami University * Music Reference Services Quarterly *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAcknowledgments \u003c\/p\u003e\u003cbr\u003e\u003cp\u003eIntroduction: Restaging German Song \/ Laura Tunbridge\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e1. \"Eine wahre Olla Patrida [sic]:\" Anna Milder-Hauptmann, Schubert, and Programming the Orient \/ Susan Youens\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e2. Song in Concert as Observed by the Schumanns: Toward the Personalization of the Public Stage \/ Benjamin Binder\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e3. From Miscellanies to Musical Works: Julius Stockhausen, Clara Schumann and \u003ci\u003eDichterliebe \u003c\/i\u003e\/\u003ci\u003e \u003c\/i\u003eNatasha Loges\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e4. Natalia Macfarren and the English German Lied \/ Katy Hamilton\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e5. \"For Any Ordinary Performer It Would Be Absurd, Ridiculous or Offensive\": Performing Lieder Cycles on the American Stage \/ Heather Platt\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e6. The Concert Hall as a Gender-Neutral Space: The Case of Amalie Joachim, née Schneeweiss \/ Beatrix Borchard, Translated by Jeremy Coleman \u003c\/p\u003e\u003cbr\u003e\u003cp\u003e7. Nikolai Medtner: Championing the German Lied and Russian Spirit \/ Maria Razumovskaya\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e8. From the Benefit Concert to the Solo Song Recital in London, 1870–1914 \/ Simon McVeigh and William Weber\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e9. German Song and the Working Classes in Berlin, 1890–1914 \/ Wiebke Rademacher\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e10. Lilli Lehmann's Dedicated Lieder Recitals \/ Rosamund Cole\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e11. \"Eine Reihe bunter Zauberbilder\": Thomas Mann, Hans Pfitzner, and the Politics of Song Accompaniment \/ Nicholas Attfield\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e12. Performers' Reflections \/ Natasha Loges and Laura Tunbridge\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eTimeline\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":49400598233431,"sku":"9780253047014","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780253047014.jpg?v=1730471071","url":"https:\/\/bookcurl.com\/products\/german-song-onstage-9780253047014","provider":"Book Curl","version":"1.0","type":"link"}