{"product_id":"filmquake-9780711259713","title":"FilmQuake","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eDiscover films that dared to be different, risked reputations and put careers in jeopardy. This is what happens when filmmakers take tradition and rip it up.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e\u003ci\u003eFilmQuake \u003c\/i\u003eintroduces 50 movies that shook the cinematic world, telling the \u003cb\u003efascinating stories\u003c\/b\u003e behind their \u003cb\u003ecreation, reception and legacy\u003c\/b\u003e.\u003cbr\u003e\u003cbr\u003e From unbelievable developments in technology (\u003cb\u003e\u003ci\u003eCitizen Kane\u003c\/i\u003e\u003c\/b\u003e, 1941) to feminist triumphs (\u003cb\u003e\u003ci\u003eWanda\u003c\/i\u003e\u003c\/b\u003e, 1970); films that kickstarted New Queer Cinema (\u003cb\u003e\u003ci\u003eParis is Burning\u003c\/i\u003e\u003c\/b\u003e, 1990) to others that challenged lawmakers (\u003cb\u003e\u003ci\u003eA Short Film About Killing\u003c\/i\u003e\u003c\/b\u003e, 1988) – \u003ci\u003eFilmQuake\u003c\/i\u003e presents the movies that \u003cb\u003equestioned boundaries\u003c\/b\u003e, \u003cb\u003echallenged the status quo\u003c\/b\u003e and \u003cb\u003emade shockwaves\u003c\/b\u003e we are still feeling today.\u003cbr\u003e\u003cbr\u003e From film's first innovators, people like the \u003cb\u003eLumière brothers,\u003c\/b\u003e whose short film of a train arriving was reported to have terrified audiences \u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e “\u003ci\u003eSmith’s selections are often startling and surprising…”\u003c\/i\u003e -- Christopher Schobert * The Film Stage *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction\u003cbr\u003e\u003cb\u003eTHE SHOCK OF THE NEW: 1895–1929\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Arrival of a Train at La Ciotat Station\u003c\/i\u003e: Auguste and Louis Lumière\u003cbr\u003e Women in Film\u003cbr\u003e\u003ci\u003eThe Birth of a Nation\u003c\/i\u003e: D.W. Griffith\u003cbr\u003e\u003ci\u003eWithin Our Gates\u003c\/i\u003e: Oscar Micheaux\u003cbr\u003e\u003ci\u003eNosferatu\u003c\/i\u003e: F.W. Murnau\u003cbr\u003e German Expressionism\u003cbr\u003e Nanook of the North: Robert Flaherty\u003cbr\u003e\u003ci\u003eBattleship Potemkin\u003c\/i\u003e: Sergei Eisenstein\u003cbr\u003e Soviet Cinema\u003cbr\u003e\u003ci\u003eThe Passion of Joan of Arc\u003c\/i\u003e: Carl Theodor Dreyer\u003cbr\u003e Sound in Film\u003cbr\u003e\u003cb\u003eA WORLD IN FLUX: 1930–1959\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Golden Age\u003c\/i\u003e: Luis Buñuel\u003cbr\u003e Avant-Garde Cinema\u003cbr\u003e\u003ci\u003eL’Atalante\u003c\/i\u003e: Jean Vigo\u003cbr\u003e\u003ci\u003eTriumph of the Will:\u003c\/i\u003e Leni Riefenstahl\u003cbr\u003e Propaganda on Film\u003cbr\u003e\u003ci\u003eThe Great Dictator\u003c\/i\u003e: Charles Chaplin\u003cbr\u003e\u003ci\u003eCitizen Kane\u003c\/i\u003e: Orson Welles\u003cbr\u003e Auteur Cinema\u003cbr\u003e\u003ci\u003eRome, Open City\u003c\/i\u003e: Roberto Rossellini\u003cbr\u003e Italian Neorealism\u003cbr\u003e\u003ci\u003eRashomon\u003c\/i\u003e: Akira Kurosawa\u003cbr\u003e\u003ci\u003ePather Panchali:\u003c\/i\u003e Satyajit Ray\u003cbr\u003e\u003ci\u003eThe Seventh Seal:\u003c\/i\u003e Ingmar Bergman\u003cbr\u003e Art Film\u003cbr\u003e The Rise of Animation\u003cbr\u003e\u003ci\u003eSome Like It Hot\u003c\/i\u003e: Billy Wilder\u003cbr\u003e\u003cb\u003eBREAKING ALL THE RULES: 1960–1979\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eBreathless\u003c\/i\u003e: Jean-Luc Goddard\u003cbr\u003e The French New Wave\u003cbr\u003e\u003ci\u003ePsycho\u003c\/i\u003e: Alfred Hitchcock\u003cbr\u003e New Adventures in Horror\u003cbr\u003e\u003ci\u003eVictim\u003c\/i\u003e: Basil Dearden\u003cbr\u003e\u003ci\u003eCleo from 5 to 7\u003c\/i\u003e: Agnès Varda\u003cbr\u003e\u003ci\u003eThe Battle of Algiers\u003c\/i\u003e: Gillo Pontecorvo\u003cbr\u003e\u003ci\u003eBonnie and Clyde\u003c\/i\u003e: Arthur Penn\u003cbr\u003e New Hollywood\u003cbr\u003e\u003ci\u003e2001: A Space Odyssey\u003c\/i\u003e: Stanley Kubrick\u003cbr\u003e\u003ci\u003eWanda\u003c\/i\u003e: Barbara Loden\u003cbr\u003e Feminist Film\u003cbr\u003e\u003ci\u003eSweet Sweetback’s Baadasssss\u003c\/i\u003e: Melvin Van Peebles\u003cbr\u003e Black Cinema in the US\u003cbr\u003e\u003ci\u003eTouki Bouki\u003c\/i\u003e: Djibril Diop Mambéty\u003cbr\u003e Cinema of Transgression\u003cbr\u003e\u003ci\u003eJeanne Dielman, 23, quai du Commerce, 1080 Bruxelles\u003c\/i\u003e: Chantal Akerman\u003cbr\u003e\u003ci\u003eJaws\u003c\/i\u003e: Steven Spielberg\u003cbr\u003e\u003ci\u003eApocalypse Now\u003c\/i\u003e: Francis Ford Coppola\u003cbr\u003e Developments in Sound\u003cbr\u003e\u003cb\u003eINDEPENDENCE AND INDUSTRY: 1980–1999\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eFitzcarraldo\u003c\/i\u003e: Werner Herzog\u003cbr\u003e An Epic Cinema\u003cbr\u003e\u003ci\u003eShoah\u003c\/i\u003e: Claude Lanzmann\u003cbr\u003e\u003ci\u003eThe Thin Blue Line\u003c\/i\u003e: Errol Morris\u003cbr\u003e\u003ci\u003eA Short Film About Killing\u003c\/i\u003e: Krzysztof Kieślowski\u003cbr\u003e Changing the World\u003cbr\u003e\u003ci\u003eDo the Right Thing\u003c\/i\u003e: Spike Lee\u003cbr\u003e\u003ci\u003eParis is Burning\u003c\/i\u003e: Jennie Livingston\u003cbr\u003e New Queer Cinema\u003cbr\u003e\u003ci\u003eDaughters of the Dust\u003c\/i\u003e: Julie Dash\u003cbr\u003e\u003ci\u003eTerminator 2\u003c\/i\u003e: Judgment Day: James Cameron\u003cbr\u003e\u003ci\u003eReservoir Dogs\u003c\/i\u003e: Quentin Tarantino\u003cbr\u003e US Indie Cinema\u003cbr\u003e\u003ci\u003eChungking Express\u003c\/i\u003e: Wong Kar-wai\u003cbr\u003e Cinema in Hong Kong, China\u003cbr\u003e Recent New Waves\u003cbr\u003e\u003ci\u003eLa Haine\u003c\/i\u003e: Mathieu Kassovitz\u003cbr\u003e\u003ci\u003eThe Blair Witch Project\u003c\/i\u003e: Daniel Myrick and Eduardo Sánchez\u003cbr\u003e Recent Horror\u003cbr\u003e\u003cb\u003eTHE FUTURE IS UNWRITTEN: 2000–PRESENT\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eRussian Ark\u003c\/i\u003e: Aleksandr Sokurov\u003cbr\u003e Cinema and Time\u003cbr\u003e Digital Cinema\u003cbr\u003e\u003ci\u003eBrokeback Mountain\u003c\/i\u003e: Ang Lee\u003cbr\u003e\u003ci\u003eUnited 93\u003c\/i\u003e: Paul Greengrass\u003cbr\u003e Cinema Post-9\/11\u003cbr\u003e\u003ci\u003eTangerine\u003c\/i\u003e: Sean Baker\u003cbr\u003e\u003ci\u003eGet Out\u003c\/i\u003e: Jordan Peele\u003cbr\u003e Film and Black Lives Matter\u003cbr\u003e Change for the Future\u003cbr\u003e\u003ci\u003eAtlantics\u003c\/i\u003e: Mati Diop\u003cbr\u003e\u003ci\u003eFor Sama\u003c\/i\u003e: Waad Al-Kateab and Edward Watts\u003cbr\u003e Citizen Journalism\u003cbr\u003e\u003ci\u003eParasite\u003c\/i\u003e: Bong Joon-Ho\u003cbr\u003e\u003cbr\u003e Glossary\u003cbr\u003e Further Reading\u003cbr\u003e Picture Credits\u003cbr\u003e Index\u003cbr\u003e\u003cbr\u003e  \u003cbr\u003e  ","brand":"Quarto Publishing PLC","offers":[{"title":"Default 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