{"product_id":"fiction-100-9780205175413","title":"Fiction 100","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u0026amp;\u0026gt; \u003cp\u003eLouisa May Alcott, “Contraband”\u003c\/p\u003e \u003cp\u003eSherman Alexie, “This Is What It Means to Say Phoenix, Arizona”\u003c\/p\u003e \u003cp\u003eSherwood Anderson, “The Egg”\u003c\/p\u003e \u003cp\u003eMargaret Atwood, “Rape Fantasies”\u003c\/p\u003e \u003cp\u003eMary Hunter Austin, “The Basket Maker”\u003c\/p\u003e \u003cp\u003eJames Baldwin, “Sonny’s Blues”\u003c\/p\u003e \u003cp\u003eToni Cade Bambara, “The Lesson”\u003c\/p\u003e \u003cp\u003eAndrea Barrett, “The Littoral Zone”\u003c\/p\u003e \u003cp\u003eJohn Barth, “Lost in the Funhouse”\u003c\/p\u003e \u003cp\u003eRick Bass, “Antlers” *\u003c\/p\u003e \u003cp\u003eAnn Beattie, “Janus”\u003c\/p\u003e \u003cp\u003eAlison Bechdel, From \u003cem\u003eFun Home\u003c\/em\u003e *\u003c\/p\u003e \u003cp\u003eSaul Bellow, “Looking for Mr. Green”\u003c\/p\u003e \u003cp\u003eAmbrose Bierce, “An Occurrence at Owl Creek Bridge”\u003c\/p\u003e \u003cp\u003eJorge Luis Borges, “The Garden of Forking Paths”\u003c\/p\u003e \u003cp\u003eElizabeth Bowen, “The Demon Lover”\u003c\/p\u003e \u003cp\u003eKay Boyle, “Astronomer’s Wife”\u003c\/p\u003e \u003cp\u003eT. Coraghessan Boyle, “Greasy Lake” *\u003c\/p\u003e \u003cp\u003eRay Bradbury, “August 2002: Night Meeting”\u003c\/p\u003e \u003cp\u003eRaymond Carver, “Cathedral”\u003c\/p\u003e \u003cp\u003eWilla Cather, “Paul’s Case”\u003c\/p\u003e \u003cp\u003eJohn Cheever, “The Swimmer” *\u003c\/p\u003e \u003cp\u003eAnton Chekhov, “The Darling”\u003c\/p\u003e \u003cp\u003eAnton Chekhov, “The Lady with the Dog”\u003c\/p\u003e \u003cp\u003eKate Chopin, “The Storm”\u003c\/p\u003e \u003cp\u003eKate Chopin, “The Story of an Hour”\u003c\/p\u003e \u003cp\u003eSandra Cisneros, “The House on Mango Street”\u003c\/p\u003e \u003cp\u003eSamuel L. Clemens, “The Celebrated Jumping Frog of Calaveras County”\u003c\/p\u003e \u003cp\u003eGrace Stone Coates, “Wild Plums”\u003c\/p\u003e \u003cp\u003eJoseph Conrad, “Heart of Darkness”\u003c\/p\u003e \u003cp\u003eStephen Crane, “The Blue Hotel”\u003c\/p\u003e \u003cp\u003eStephen Crane, “The Bride Comes to Yellow Sky”\u003c\/p\u003e \u003cp\u003eCharles Dickens, “The Signal-Man” *\u003c\/p\u003e \u003cp\u003eE.L. Doctorow, \"Wakefield\"\u003c\/p\u003e \u003cp\u003eArthur Conan Doyle, “The Adventure of the Speckled Band” *\u003c\/p\u003e \u003cp\u003eFedor Dostoevski, “The Grand Inquisitor”\u003c\/p\u003e \u003cp\u003eAnne Enright, “Natalie” *\u003c\/p\u003e \u003cp\u003eRalph Ellison, “King of the Bingo Game”\u003c\/p\u003e \u003cp\u003eLouise Erdrich, “The Red Convertible”\u003c\/p\u003e \u003cp\u003eWilliam Faulkner, “Barn Burning”\u003c\/p\u003e \u003cp\u003eWilliam Faulkner, “A Rose for Emily”\u003c\/p\u003e \u003cp\u003eF. Scott Fitzgerald, “Winter Dreams”\u003c\/p\u003e \u003cp\u003e E. M. Forster, “The Road from Colonus” \u003cbr\u003e\u003c\/p\u003e \u003cp\u003eMary Wilkins Freeman, “A New England Nun”\u003c\/p\u003e \u003cp\u003eGabriel Garcia Marquez, “A Very Old Man with Enormous Wings”\u003c\/p\u003e \u003cp\u003eCharlotte Perkins Gilman, “If I Were a Man”\u003c\/p\u003e \u003cp\u003eCharlotte Perkins Gilman, “The Yellow Wall-Paper”\u003c\/p\u003e \u003cp\u003eSusan Glaspell, “A Jury of Her Peers”\u003c\/p\u003e \u003cp\u003eNickolai Gogol, “The Overcoat”\u003c\/p\u003e \u003cp\u003eNadine Gordimer, “A Beneficiary”\u003c\/p\u003e \u003cp\u003eThomas Hardy, “The Three Strangers”\u003c\/p\u003e \u003cp\u003eBret Harte, “Tennessee’s Partner”\u003c\/p\u003e \u003cp\u003eNathaniel Hawthorne “My Kinsman, Major Molineux”\u003c\/p\u003e \u003cp\u003eNathaniel Hawthorne, “Young Goodman Brown”\u003c\/p\u003e \u003cp\u003eErnest Hemingway, “Hills Like White Elephants”\u003c\/p\u003e \u003cp\u003ePam Houston, “How to Talk to a Hunter”\u003c\/p\u003e \u003cp\u003eWashington Irving, “The Legend of Sleepy Hollow”\u003c\/p\u003e \u003cp\u003eWashington Irving, “Rip Van Winkle”\u003c\/p\u003e \u003cp\u003eShirley Jackson, “The Lottery”\u003c\/p\u003e \u003cp\u003eW. W. Jacobs, “The Monkey’s Paw”\u003c\/p\u003e \u003cp\u003eHenry James, “The Real Thing”\u003c\/p\u003e \u003cp\u003eGish Jen, “In the American Society”\u003c\/p\u003e \u003cp\u003eSarah Orne Jewett, “A White Heron”\u003c\/p\u003e \u003cp\u003eHa Jin, “Saboteur”\u003c\/p\u003e \u003cp\u003eJames Joyce, “Araby”\u003c\/p\u003e \u003cp\u003eJames Joyce, “The Dead”\u003c\/p\u003e \u003cp\u003eBel Kaufman, “Sunday in the Park”\u003c\/p\u003e \u003cp\u003eJamaica Kincaid, “Girl” *\u003c\/p\u003e \u003cp\u003eW. P. Kinsella, “Shoeless Joe Jackson Comes to Iowa”\u003c\/p\u003e \u003cp\u003eRudyard Kipling, “They”\u003c\/p\u003e \u003cp\u003eWilliam Kittredge, “We Are Not in This Together”\u003c\/p\u003e \u003cp\u003eJhumpa Lahiri, “Interpreter of Maladies” *\u003c\/p\u003e \u003cp\u003eD.H. Lawrence, “Odour of Chrysanthemums” *\u003c\/p\u003e \u003cp\u003eUrsula K. Le Guin, “Horse Camp”\u003c\/p\u003e \u003cp\u003eDoris Lessing, “Wine”\u003c\/p\u003e \u003cp\u003eJack London, “To Build a Fire”\u003c\/p\u003e \u003cp\u003eKatherine Mansfield, “Her First Ball”\u003c\/p\u003e \u003cp\u003eKatherine Mansfield, “Miss Brill”\u003c\/p\u003e \u003cp\u003eBobbie-Ann Mason, “Shiloh” *\u003c\/p\u003e \u003cp\u003eGuy De Maupassant, “The Necklace”\u003c\/p\u003e \u003cp\u003eGuy De Maupassant, “Rust”\u003c\/p\u003e \u003cp\u003eMaile Meloy, “Travis, B.”\u003c\/p\u003e \u003cp\u003eHerman Melville, “Bartleby the Scrivener”\u003c\/p\u003e \u003cp\u003eAlice Munro, “Passion” *\u003c\/p\u003e \u003cp\u003eH. H. Munro (“Saki”), “The Open Window”\u003c\/p\u003e \u003cp\u003eH.H. Munro (“Saki”), “Sredni Vashtar”\u003c\/p\u003e \u003cp\u003eJoyce Carol Oates, “The Lady with the Pet Dog”\u003c\/p\u003e \u003cp\u003eJoyce Carol Oates, “Where Are You Going? Where Have You Been?” *\u003c\/p\u003e \u003cp\u003eTim O’Brien, “The Things They Carried”\u003c\/p\u003e \u003cp\u003eFlannery O’Connor, “A Good Man Is Hard to Find”\u003c\/p\u003e \u003cp\u003eFrank O’Connor, “Guests of the Nation”\u003c\/p\u003e \u003cp\u003eEdgar Allan Poe, “The Cask of Amontillado”\u003c\/p\u003e \u003cp\u003eEdgar Allan Poe, “The Fall of the House of Usher”\u003c\/p\u003e \u003cp\u003eKatherine Anne Porter, “The Grave”\u003c\/p\u003e \u003cp\u003eAnnie Proulx, “Them Old Cowboy Songs” *\u003c\/p\u003e \u003cp\u003eAnnette Sanford, “Nobody Listens When I Talk”\u003c\/p\u003e \u003cp\u003eGeorge Saunders, “Puppy” *\u003c\/p\u003e \u003cp\u003eIrwin Shaw, “The Girls in Their Summer Dresses”\u003c\/p\u003e \u003cp\u003eLeslie Marmon Silko, “Yellow Woman”\u003c\/p\u003e \u003cp\u003eIsaac Bashevis Singer, “Gimpel the Fool”\u003c\/p\u003e \u003cp\u003eJohn Steinbeck, “The Chrysanthemums”\u003c\/p\u003e \u003cp\u003eRobert Louis Stevenson, “Markheim”\u003c\/p\u003e \u003cp\u003eBram Stoker, “Dracula’s Guest” *\u003c\/p\u003e \u003cp\u003eAmy Tan, “Two Kinds” *\u003c\/p\u003e \u003cp\u003eShaun Tan, From \u003cem\u003eThe Arrival\u003c\/em\u003e *\u003c\/p\u003e \u003cp\u003eJames Thurber, “The Catbird Seat”\u003c\/p\u003e \u003cp\u003eLeo Tolstoy, “The Death of Ivan Ilych”\u003c\/p\u003e \u003cp\u003eJudy Troy, “The Order of Things” *\u003c\/p\u003e \u003cp\u003eIvan Turgenev, “The Country Doctor”\u003c\/p\u003e \u003cp\u003eJohn Updike, “A\u0026amp;P” *\u003c\/p\u003e \u003cp\u003eJohn Updike, “Separating”\u003c\/p\u003e \u003cp\u003eAlice Walker, “Nineteen Fifty-Five” *\u003c\/p\u003e \u003cp\u003eEudora Welty, “A Worn Path”\u003c\/p\u003e \u003cp\u003eDorothy West, “My Baby”\u003c\/p\u003e \u003cp\u003eEdith Wharton, “Roman Fever” *\u003c\/p\u003e \u003cp\u003eWilliam Carlos Williams, “The Use of Force”\u003c\/p\u003e \u003cp\u003eTobias Wolff, “Powder”\u003c\/p\u003e \u003cp\u003eRichard Wright, “The Man Who Was Almost a Man”\u003c\/p\u003e \u003cp\u003ePatricia Zelver, \"Love Letters\"\u003c\/p\u003e \u003cp\u003eBiographical Notes\u003c\/p\u003e \u003cp\u003eA Short Story Handbook\u003c\/p\u003e \u003cp\u003eCredits\u003cbr\u003e\u003c\/p\u003e","brand":"Pearson Education (US)","offers":[{"title":"Default Title","offer_id":49524626325847,"sku":"9780205175413","price":156.02,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780205175413.jpg?v=1731857520","url":"https:\/\/bookcurl.com\/products\/fiction-100-9780205175413","provider":"Book Curl","version":"1.0","type":"link"}