{"product_id":"feminist-literary-theory-9781405183130","title":"Feminist Literary Theory","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eNow in its third edition, \u003ci\u003eFeminist Literary Theory\u003c\/i\u003e remains the most comprehensive, single volume introduction to a vital and diverse field  \u003cul\u003e \u003cli\u003eFully revised and updated to reflect changes in the field over the last decade\u003c\/li\u003e \u003cli\u003eIncludes extracts from all the major critics, critical approaches and theoretical positions in contemporary feminist literary studies\u003c\/li\u003e \u003cli\u003eFeatures a new section, \u003ci\u003eWriting ''Glocal''\u003c\/i\u003e, which covers feminism''s dialogue with postcolonial, global and spatial studies\u003c\/li\u003e \u003cli\u003eRevised chapter introductions provide readers with helpful contextual information while extensive notes offer recommendations for further reading\u003c\/li\u003e \u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“Feminist Literary Theory: A Reader\u003c\/i\u003e is an indispensable guide, companion and handbook for students and teachers of women’s literature. No other anthology offers so many bite-sized tasters of work on gendered authorship, literary production, critical reception, sexuality and genre – from romantic fiction to travel writing. Mary Eagleton’s clear and informative introductions contextualize the debates represented by each extract, suggest connections between them and point to further reading. This third edition maintains and develops the irreplaceable breadth of the previous editions with several new pieces on such areas as autobiography, science fiction and border talk. The extra section, ‘Writing “Glocal”’, investigates dynamically evolving dialogues between feminism and postcolonialism, diaspora narratives and transculturalism. Whether you read from start to finish or choose to sample selectively, this rich collection will expand your knowledge and understanding of feminist thought, both as an historical discipline and as an excitingly relevant and progressive set of ideas.”\u003cbr\u003e —\u003ci\u003eJane Dowson\u003c\/i\u003e, De Montfort University\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePreface xii\u003c\/p\u003e \u003cp\u003eAcknowledgments xvi\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 Finding a Female Tradition\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 1\u003c\/p\u003e \u003cp\u003eExtracts from:\u003c\/p\u003e \u003cp\u003eA Room of One’s Own\u003cbr\u003e \u003ci\u003eVirginia Woolf\u003c\/i\u003e 9\u003c\/p\u003e \u003cp\u003eA Literature of Their Own: British Women Novelists from Brontë to Lessing\u003cbr\u003e \u003ci\u003eElaine Showalter \u003c\/i\u003e11\u003c\/p\u003e \u003cp\u003e‘Compulsory Heterosexuality and Lesbian Existence’\u003cbr\u003e \u003ci\u003eAdrienne Rich\u003c\/i\u003e 15\u003c\/p\u003e \u003cp\u003eFeminist Practice and Poststructuralist Theory\u003cbr\u003e \u003ci\u003eChris Weedon \u003c\/i\u003e19\u003c\/p\u003e \u003cp\u003e‘The Rise of Black Feminist Literary Studies’ \u003cbr\u003e \u003ci\u003eAnn Ducille\u003c\/i\u003e 21\u003c\/p\u003e \u003cp\u003e‘Race and Gender in the Shaping of the American Literary Canon: A Case Study from the Twenties’\u003cbr\u003e \u003ci\u003ePaul Lauter \u003c\/i\u003e26\u003c\/p\u003e \u003cp\u003e‘Telling Feminist Stories’ \u003cbr\u003e \u003ci\u003eClare Hemmings\u003c\/i\u003e 33\u003c\/p\u003e \u003cp\u003eDoing Time: Feminist Theory and Postmodernist Culture\u003cbr\u003e \u003ci\u003eRita Felski\u003c\/i\u003e 37\u003c\/p\u003e \u003cp\u003e‘Happy Families? Feminist Reproduction and Matrilineal Thought’ \u003cbr\u003e \u003ci\u003eLinda R. Williams\u003c\/i\u003e 41\u003c\/p\u003e \u003cp\u003eLiterary Relations: Kinship and the Canon \u003cbr\u003e \u003ci\u003eJane Spence\u003c\/i\u003er 45\u003c\/p\u003e \u003cp\u003e‘Parables and Politics: Feminist Criticism in 1986’\u003cbr\u003e \u003ci\u003eNancy K. Mille\u003c\/i\u003er 47\u003c\/p\u003e \u003cp\u003e‘What Women’s Eyes See’ \u003cbr\u003e \u003ci\u003eViviane Forrester\u003c\/i\u003e 50\u003c\/p\u003e \u003cp\u003e‘Women and Madness: The Critical Phallacy’ \u003cbr\u003e \u003ci\u003eShoshana Felman\u003c\/i\u003e 51\u003c\/p\u003e \u003cp\u003eWriting Women’s Literary History \u003cbr\u003e \u003ci\u003eMargaret J. M. Ezell\u003c\/i\u003e 52\u003c\/p\u003e \u003cp\u003eThe Professionalization of Women Writers in Eighteenth-Century Britain\u003cbr\u003e \u003ci\u003eBetty A. Schellenberg\u003c\/i\u003e 56\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 Women and Literary Production \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 61\u003c\/p\u003e \u003cp\u003eExtracts from:\u003c\/p\u003e \u003cp\u003eA Room of One’s Own \u003cbr\u003e \u003ci\u003eVirginia Woolf\u003c\/i\u003e 70\u003c\/p\u003e \u003cp\u003e‘Professions for Women’\u003cbr\u003e \u003ci\u003eVirginia Woolf\u003c\/i\u003e 75\u003c\/p\u003e \u003cp\u003eSilences \u003cbr\u003e \u003ci\u003eTillie Olsen\u003c\/i\u003e 77\u003c\/p\u003e \u003cp\u003eThe Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination\u003cbr\u003e \u003ci\u003eSandra M. Gilbert and Susan Gubar\u003c\/i\u003e 82\u003c\/p\u003e \u003cp\u003e‘Writing Like a Woman: A Question of Politics’ \u003cbr\u003e \u003ci\u003eTerry Lovell\u003c\/i\u003e 90\u003c\/p\u003e \u003cp\u003eThe Rise of the Woman Novelist: From Aphra Behn to Jane Austen \u003cbr\u003e \u003ci\u003eJane Spencer\u003c\/i\u003e 93\u003c\/p\u003e \u003cp\u003e‘Emily Brontë in the Hands of Male Critics’ \u003cbr\u003e \u003ci\u003eCarol Ohmann\u003c\/i\u003e 95\u003c\/p\u003e \u003cp\u003e‘Toward a Black Feminist Criticism’ \u003cbr\u003e \u003ci\u003eBarbara Smith\u003c\/i\u003e 98\u003c\/p\u003e \u003cp\u003e‘Christina Rossetti: Diary of a Feminist Reading’\u003cbr\u003e \u003ci\u003eIsobel Armstrong\u003c\/i\u003e 103\u003c\/p\u003e \u003cp\u003e‘Conversations’ \u003cbr\u003e \u003ci\u003eHélène Cixous Et Al\u003c\/i\u003e. 106\u003c\/p\u003e \u003cp\u003e‘Mapping Contemporary Women’s Fiction after Bourdieu’\u003cbr\u003e \u003ci\u003eMary Eagleton\u003c\/i\u003e 110\u003c\/p\u003e \u003cp\u003eMarketing Literature: The Making of Contemporary Writing in Britain \u003cbr\u003e \u003ci\u003eClaire Squires\u003c\/i\u003e 115\u003c\/p\u003e \u003cp\u003eThe Postcolonial Exotic: Marketing the Margins\u003cbr\u003e \u003ci\u003eGraham Huggan\u003c\/i\u003e 119\u003c\/p\u003e \u003cp\u003eThe Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace 1678–1730\u003cbr\u003e \u003ci\u003ePaula Mcdowell\u003c\/i\u003e 123\u003c\/p\u003e \u003cp\u003e‘Black Woman Talk’ \u003cbr\u003e \u003ci\u003eBlack Woman Talk Collective\u003c\/i\u003e 126\u003c\/p\u003e \u003cp\u003e‘Introduction’, Let It be Told: Essays by Black Women in Britain\u003cbr\u003e \u003ci\u003e Lauretta Ngcobo\u003c\/i\u003e 127\u003c\/p\u003e \u003cp\u003eMixed Media: Feminist Presses and Publishing Politics\u003cbr\u003e \u003ci\u003eSimone Murray\u003c\/i\u003e 129\u003c\/p\u003e \u003cp\u003e‘Pushed to the Margins: The Slow Death and Possible Rebirth of the Feminist Bookstore’ \u003cbr\u003e \u003ci\u003eKathryn Mcgrath\u003c\/i\u003e 131\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 Gender and Genre\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 135\u003c\/p\u003e \u003cp\u003eA Room of One’s Own \u003cbr\u003e \u003ci\u003eVirginia Woolf\u003c\/i\u003e 143\u003c\/p\u003e \u003cp\u003eLiterary Women\u003cbr\u003e \u003ci\u003eEllen Moers\u003c\/i\u003e 145\u003c\/p\u003e \u003cp\u003e‘Femininity, Narrative and Psychoanalysis’\u003cbr\u003e \u003ci\u003eJuliet Mitchell\u003c\/i\u003e 147\u003c\/p\u003e \u003cp\u003eDesire and Domestic Fiction: A Political History of the Novel \u003cbr\u003e \u003ci\u003eNancy Armstrong\u003c\/i\u003e 151\u003c\/p\u003e \u003cp\u003e‘Towards a Feminist Narratology’\u003cbr\u003e \u003ci\u003eSusan S. Lanser\u003c\/i\u003e 154\u003c\/p\u003e \u003cp\u003eHeterosexual Plots and Lesbian Narratives\u003cbr\u003e \u003ci\u003eMarilyn R. Farwell\u003c\/i\u003e 158\u003c\/p\u003e \u003cp\u003eHaving a Good Cry: Effeminate Feelings and Pop-Culture Forms \u003cbr\u003e \u003ci\u003eRobyn R. Warhol\u003c\/i\u003e 161\u003c\/p\u003e \u003cp\u003e‘Introduction’, Aurora Leigh and Other Poems\u003cbr\u003e \u003ci\u003eCora Kaplan\u003c\/i\u003e 163\u003c\/p\u003e \u003cp\u003e‘Small Island People: Black British Women Playwrights’\u003cbr\u003e \u003ci\u003eMeenakshi Ponnuswami\u003c\/i\u003e 166\u003c\/p\u003e \u003cp\u003e‘Varieties of Women’s Writing’ \u003cbr\u003e \u003ci\u003eClare Brant\u003c\/i\u003e 167\u003c\/p\u003e \u003cp\u003eFantasy: The Literature of Subversion \u003cbr\u003e \u003ci\u003eRosemary Jackson\u003c\/i\u003e 172\u003c\/p\u003e \u003cp\u003eFemale Desire: Women’s Sexuality Today \u003cbr\u003e \u003ci\u003eRosalind Coward\u003c\/i\u003e 173\u003c\/p\u003e \u003cp\u003eForever England: Femininity, Literature and Conservatism Between the Wars \u003cbr\u003e \u003ci\u003eAlison Light\u003c\/i\u003e 177\u003c\/p\u003e \u003cp\u003eThe Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism \u003cbr\u003e \u003ci\u003eNicola Humble\u003c\/i\u003e 182\u003c\/p\u003e \u003cp\u003e‘Afterword: The New Woman’s Fiction’ \u003cbr\u003e \u003ci\u003eShari Benstock\u003c\/i\u003e 186\u003c\/p\u003e \u003cp\u003eMyth and Fairy Tale in Contemporary Women’s Fiction\u003cbr\u003e \u003ci\u003eSusan Sellers\u003c\/i\u003e 187\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 Towards Definitions of Feminist Writing\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 191\u003c\/p\u003e \u003cp\u003e‘“This Novel Changes Lives”: Are Women’s Novels Feminist Novels? A Response to Rebecca O’Rourke’s Article “Summer Reading”’ \u003cbr\u003e \u003ci\u003eRosalind Coward\u003c\/i\u003e 199\u003c\/p\u003e \u003cp\u003e‘Feminism and the Definition of Cultural Politics’\u003cbr\u003e \u003ci\u003eMichèle Barrett\u003c\/i\u003e 203\u003c\/p\u003e \u003cp\u003e‘What is Lesbian Literature? Forming a Historical Canon’\u003cbr\u003e \u003ci\u003eLillian Faderman\u003c\/i\u003e 207\u003c\/p\u003e \u003cp\u003e‘American Feminist Literary Criticism: A Bibliographical Introduction’ \u003cbr\u003e \u003ci\u003eCheri Register\u003c\/i\u003e 210\u003c\/p\u003e \u003cp\u003e‘Introduction’, Feminism Meets Queer Theory\u003cbr\u003e \u003ci\u003eElizabeth Weed\u003c\/i\u003e 216\u003c\/p\u003e \u003cp\u003e‘Dancing through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism’ \u003cbr\u003e \u003ci\u003eAnnette Kolodny\u003c\/i\u003e 219\u003c\/p\u003e \u003cp\u003e‘Towards a Feminist Poetics’ \u003cbr\u003e \u003ci\u003eElaine Showalter\u003c\/i\u003e 222\u003c\/p\u003e \u003cp\u003eSexual\/Textual Politics: Feminist Literary Theory \u003cbr\u003e \u003ci\u003eToril Moi\u003c\/i\u003e 225\u003c\/p\u003e \u003cp\u003eGynesis: Configurations of Woman and Modernity\u003cbr\u003e \u003ci\u003eAlice A. Jardine\u003c\/i\u003e 228\u003c\/p\u003e \u003cp\u003e‘Flight Reservations: The Anglo-American\/French Divide in Feminist Criticism’ \u003cbr\u003e \u003ci\u003eRachel Bowlby\u003c\/i\u003e 230\u003c\/p\u003e \u003cp\u003e‘Social Criticism Without Philosophy: An Encounter Between Feminism and Postmodernism’\u003cbr\u003e \u003ci\u003eNancy Fraser And Linda J. Nicholson\u003c\/i\u003e 234\u003c\/p\u003e \u003cp\u003e‘Mapping the Lesbian Postmodern’\u003cbr\u003e \u003ci\u003eRobyn Wiegman\u003c\/i\u003e 235\u003c\/p\u003e \u003cp\u003eYearning: Race, Gender, and Cultural Politics \u003cbr\u003e \u003ci\u003eBell Hooks\u003c\/i\u003e 238\u003c\/p\u003e \u003cp\u003eSigns and Cities: Black Literary Postmodernism\u003cbr\u003e \u003ci\u003eMadhu Dubey\u003c\/i\u003e 241\u003c\/p\u003e \u003cp\u003eMappings: Feminism and the Cultural Geographies of Encounter \u003cbr\u003e \u003ci\u003eSusan Stanford Friedman\u003c\/i\u003e 244\u003c\/p\u003e \u003cp\u003eThe Radical Aesthetic \u003cbr\u003e \u003ci\u003eIsobel Armstrong\u003c\/i\u003e 248\u003c\/p\u003e \u003cp\u003eWhat is a Woman? And Other Essays \u003cbr\u003e \u003ci\u003eToril Moi\u003c\/i\u003e 251\u003c\/p\u003e \u003cp\u003eUndoing Gender \u003cbr\u003e \u003ci\u003eJudith Butler\u003c\/i\u003e 254\u003c\/p\u003e \u003cp\u003e‘The Race for Theory’\u003cbr\u003e \u003ci\u003eBarbara Christian\u003c\/i\u003e 257\u003c\/p\u003e \u003cp\u003e‘Woman Can Never Be Defined’ \u003cbr\u003e \u003ci\u003eJulia Kristeva\u003c\/i\u003e 261\u003c\/p\u003e \u003cp\u003e‘Discursive Desire: Catherine Belsey’s Feminism’\u003cbr\u003e \u003ci\u003eMarysa Demoor And Jürgen Pieters\u003c\/i\u003e 262\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5 Writing, Reading and Difference\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 266\u003c\/p\u003e \u003cp\u003eLiterary Women \u003cbr\u003e \u003ci\u003eEllen Moers\u003c\/i\u003e 275\u003c\/p\u003e \u003cp\u003eThinking about Women \u003cbr\u003e \u003ci\u003eMary Ellmann\u003c\/i\u003e 277\u003c\/p\u003e \u003cp\u003e‘Writing Like a Woman’ \u003cbr\u003e \u003ci\u003ePeggy Kamuf\u003c\/i\u003e 280\u003c\/p\u003e \u003cp\u003eReading Woman: Essays in Feminist Criticism\u003cbr\u003e \u003ci\u003eMary Jacobus\u003c\/i\u003e 282\u003c\/p\u003e \u003cp\u003e‘Talking about Polylogue’ \u003cbr\u003e \u003ci\u003eJulia Kristeva\u003c\/i\u003e 284\u003c\/p\u003e \u003cp\u003eSubject to Change: Reading Feminist Writing\u003cbr\u003e \u003ci\u003eNancy K. Miller\u003c\/i\u003e 286\u003c\/p\u003e \u003cp\u003eThe Resisting Reader \u003cbr\u003e \u003ci\u003eJudith Fetterley\u003c\/i\u003e 288\u003c\/p\u003e \u003cp\u003e‘Reading as a Woman’ \u003cbr\u003e \u003ci\u003eJonathan Culler\u003c\/i\u003e 291\u003c\/p\u003e \u003cp\u003e‘Reading Like a Man’ \u003cbr\u003e \u003ci\u003eRobert Scholes\u003c\/i\u003e 294\u003c\/p\u003e \u003cp\u003e‘How to Read a “Culturally Different” Book’\u003cbr\u003e \u003ci\u003eGayatri Chakravorty Spivak \u003c\/i\u003e296\u003c\/p\u003e \u003cp\u003eThe Woman Reader, 1837–1914 \u003cbr\u003e \u003ci\u003eKate Flint\u003c\/i\u003e 300\u003c\/p\u003e \u003cp\u003eProvincial Readers in Eighteenth-Century England\u003cbr\u003e \u003ci\u003eJan Fergus\u003c\/i\u003e 303\u003c\/p\u003e \u003cp\u003eReading Groups \u003cbr\u003e \u003ci\u003eJenny Hartley\u003c\/i\u003e 306\u003c\/p\u003e \u003cp\u003e‘The Powers of Discourse and the Subordination of the Feminine’ \u003cbr\u003e \u003ci\u003eLuce Irigaray\u003c\/i\u003e 308\u003c\/p\u003e \u003cp\u003e‘The Laugh of the Medusa’\u003cbr\u003e \u003ci\u003e Hélène Cixous\u003c\/i\u003e 311\u003c\/p\u003e \u003cp\u003e‘Castration or Decapitation?’ \u003cbr\u003e \u003ci\u003eHélène Cixous\u003c\/i\u003e 314\u003c\/p\u003e \u003cp\u003e‘Language and Revolution: The Franco–American Dis-connection’ \u003cbr\u003e \u003ci\u003eDomna C. Stanton\u003c\/i\u003e 316\u003c\/p\u003e \u003cp\u003e‘Made in America: “French Feminism” in Academia’\u003cbr\u003e \u003ci\u003eClaire Goldberg Moses\u003c\/i\u003e 318\u003c\/p\u003e \u003cp\u003eHélène Cixous Rootprints: Memory and Life Writing\u003cbr\u003e \u003ci\u003eHélène Cixous And Mireille Calle-Gruber\u003c\/i\u003e 321\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6 Locating the Subject\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 325\u003c\/p\u003e \u003cp\u003e‘A Question of Subjectivity: An Interview’\u003cbr\u003e \u003ci\u003eJulia Kristeva\u003c\/i\u003e 333\u003c\/p\u003e \u003cp\u003e‘Femininity and Its Discontents’ \u003cbr\u003e \u003ci\u003eJacqueline Rose\u003c\/i\u003e 335\u003c\/p\u003e \u003cp\u003eCritical Practice \u003cbr\u003e \u003ci\u003eCatherine Belsey\u003c\/i\u003e 340\u003c\/p\u003e \u003cp\u003eWhat Does a Woman Want? Reading and Sexual Difference\u003cbr\u003e \u003ci\u003eShoshana Felman\u003c\/i\u003e 343\u003c\/p\u003e \u003cp\u003eA Feeling for Books: The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire\u003cbr\u003e \u003ci\u003eJanice A. Radway\u003c\/i\u003e 347\u003c\/p\u003e \u003cp\u003e‘Sexual Difference and Collective Identities: The New Global Constellation’\u003cbr\u003e \u003ci\u003eSeyla Benhabib\u003c\/i\u003e 349\u003c\/p\u003e \u003cp\u003e‘Cultural Feminism versus Post-Structuralism: The Identity Crisis in Feminist Theory’\u003cbr\u003e  \u003ci\u003eLinda Alcoff\u003c\/i\u003e 352\u003c\/p\u003e \u003cp\u003e‘Upping the Anti (Sic) in Feminist Theory’\u003cbr\u003e \u003ci\u003eTeresa De Lauretis\u003c\/i\u003e 355\u003c\/p\u003e \u003cp\u003eEssentially Speaking: Feminism, Nature and Difference\u003cbr\u003e \u003ci\u003eDiana Fuss\u003c\/i\u003e 358\u003c\/p\u003e \u003cp\u003e‘A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s’\u003cbr\u003e \u003ci\u003eDonna Haraway\u003c\/i\u003e 361\u003c\/p\u003e \u003cp\u003eBorderlands\/La Frontera: The New Mestiza\u003cbr\u003e \u003ci\u003eGloria Anzaldúa\u003c\/i\u003e 366\u003c\/p\u003e \u003cp\u003eBlack Women, Writing and Identity: Migrations of the Subject \u003cbr\u003e \u003ci\u003eCarole Boyce Davies\u003c\/i\u003e 369\u003c\/p\u003e \u003cp\u003e‘The Straight Mind’ \u003cbr\u003e \u003ci\u003eMonique Wittig\u003c\/i\u003e 372\u003c\/p\u003e \u003cp\u003eEpistemology of the Closet \u003cbr\u003e \u003ci\u003eEve Kosofsky Sedgwick\u003c\/i\u003e 375\u003c\/p\u003e \u003cp\u003e‘Of OncoMice and FemaleMen: Donna Haraway on Cyborg Ontology’ \u003cbr\u003e \u003ci\u003eKate Soper\u003c\/i\u003e 378\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7 Writing ‘Glocal’\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 381\u003c\/p\u003e \u003cp\u003eEn-gendering India: Woman and Nation in Colonial and Postcolonial Narratives \u003cbr\u003e \u003ci\u003eSangeeta Ray\u003c\/i\u003e 389\u003c\/p\u003e \u003cp\u003eCartographies of Diaspora: Contesting Identities\u003cbr\u003e \u003ci\u003eAvtar Brah\u003c\/i\u003e 391\u003c\/p\u003e \u003cp\u003eRethinking Orientalism: Women, Travel and the Ottoman Harem \u003cbr\u003e \u003ci\u003eReina Lewis\u003c\/i\u003e 393\u003c\/p\u003e \u003cp\u003e‘French Feminism in an International Frame’\u003cbr\u003e \u003ci\u003eGayatri Chakravorty Spivak\u003c\/i\u003e 396\u003c\/p\u003e \u003cp\u003e‘Under Western Eyes: Feminist Scholarship and Colonial Discourses’\u003cbr\u003e \u003ci\u003eChandra Talpade Mohanty\u003c\/i\u003e 399\u003c\/p\u003e \u003cp\u003eWoman, Native, Other: Writing Postcoloniality and Feminism \u003cbr\u003e \u003ci\u003eTrinh T. Minh-Ha\u003c\/i\u003e 402\u003c\/p\u003e \u003cp\u003e‘Woman Skin Deep: Feminism and the Postcolonial Condition’ \u003cbr\u003e \u003ci\u003eSara Suleri\u003c\/i\u003e 405\u003c\/p\u003e \u003cp\u003eWriting Diaspora: Tactics of Intervention in Contemporary Cultural Studies \u003cbr\u003e \u003ci\u003eRey Chow\u003c\/i\u003e 407\u003c\/p\u003e \u003cp\u003eImperial Eyes: Travel Writing and Transculturation\u003cbr\u003e \u003ci\u003eMary Louise Pratt\u003c\/i\u003e 411\u003c\/p\u003e \u003cp\u003eVictorian Travel Writing and Imperial Violence: British Writing on Africa 1855–1902 \u003cbr\u003e \u003ci\u003eLaura E. Franey\u003c\/i\u003e 415\u003c\/p\u003e \u003cp\u003e‘Introduction’, Going Global: The Transnational Reception of Third World Women Writers\u003cbr\u003e \u003ci\u003eAmal Amireh And Lisa Suhair Majaj\u003c\/i\u003e 417\u003c\/p\u003e \u003cp\u003ePostcolonial Studies: A Materialist Critique \u003cbr\u003e \u003ci\u003eBenita Parry\u003c\/i\u003e 420\u003c\/p\u003e \u003cp\u003eBlood, Bread, and Poetry: Selected Prose 1979–1985\u003cbr\u003e \u003ci\u003eAdrienne Rich\u003c\/i\u003e 423\u003c\/p\u003e \u003cp\u003eQuestions of Travel: Postmodern Discourses of Displacement \u003cbr\u003e \u003ci\u003eCaren Kaplan 425\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eImperial Leather: Race, Gender, and Sexuality in the Colonial Context \u003cbr\u003e \u003ci\u003eAnne Mcclintock\u003c\/i\u003e 428\u003c\/p\u003e \u003cp\u003eTransnational Women’s Fiction: Unsettling Home and Homeland \u003cbr\u003e \u003ci\u003eSusan Strehle 432\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eStories of Women: Gender and Narrative in the Postcolonial Nation \u003cbr\u003e \u003ci\u003eElleke Boehmer 434\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eNomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory\u003cbr\u003e \u003ci\u003eRosi Braidotti 437\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eBibliography of Extracts 439\u003c\/p\u003e \u003cp\u003eIndex 447\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49407914115415,"sku":"9781405183130","price":32.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781405183130.jpg?v=1730500941","url":"https:\/\/bookcurl.com\/products\/feminist-literary-theory-9781405183130","provider":"Book Curl","version":"1.0","type":"link"}