{"product_id":"expressive-intersections-in-brahms-essays-in-analysis-and-meaning-musical-meaning-and-interpretation-9780253357052","title":"Expressive Intersections in Brahms Essays in","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eShows how Brahms organized musical elements for expressive purposes\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThrough its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in \u003ci\u003eExpressive Intersections in Brahms \u003c\/i\u003ewill have a profound impact on the current scholarly discourse surrounding Brahms analysis. Because the analyses are so engaged with expressivity, performers too, will likely find many of them enlightening and perhaps critical in helping to hone their interpretations.\u003c\/p\u003e * Notes *\u003cbr\u003e\u003cp\u003eThis exceptionally fine collection brings together many of the best analysts of Brahms, and nineteenth-century music generally, in the English-speaking world today. \u003c\/p\u003e * Nineteenth-Century Music Review *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAckowledgements\u003cbr\u003ePart I\u003cbr\u003e1. \"The Wondrous Transformation of Thought into Sound\": Some Preliminary Reflections on Musical Meaning in Brahms, Heather Platt and Peter H. Smith\u003cbr\u003e2. The Learned Self: Artifice in Brahms's Late Intermezzi, Steven Rings \u003cbr\u003ePart II\u003cbr\u003e3. \"Alte Liebe\" and the Birds of Spring: Text, Music, and Image in Max Klinger's Brahms Fantasy, Yonatan Malin\u003cbr\u003e4. Brahms's Maidens in their Cultural Context, Heather Platt\u003cbr\u003e5. Ancient Tragedy and Anachronism: Form as Expression in Brahms's Gesang der Parzen, Margaret Notley\u003cbr\u003ePart III\u003cbr\u003e6. Sequence as Culmination in the Chamber Music of Brahms, Ryan McClelland\u003cbr\u003e7. 'Phantasia Subitanea': Temporal Caprice in Brahms's Op. 116, nos. 1 and 7, Frank Samarotto\u003cbr\u003e8. Monumentality and Formal Processes in the First Movement of Brahms's Piano Concerto No. 1 in D Minor, op. 15, James Hepokoski\u003cbr\u003e9. The Drama of Tonal Pairing in Chamber Music of Schumann and Brahms, Peter H. Smith\u003cbr\u003eBibliography\u003cbr\u003eList of Contributors\u003cbr\u003eIndex\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":48883924992343,"sku":"9780253357052","price":31.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780253357052.jpg?v=1722529619","url":"https:\/\/bookcurl.com\/products\/expressive-intersections-in-brahms-essays-in-analysis-and-meaning-musical-meaning-and-interpretation-9780253357052","provider":"Book Curl","version":"1.0","type":"link"}