{"product_id":"elena-ferrante-as-world-literature-9781501371912","title":"Elena Ferrante as World Literature","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eA model of academic praxis.\u003c\/b\u003e - \u003cb\u003e\u003ci\u003ePublic Books\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003eElena Ferrante as World Literature\u003c\/i\u003e is the first English-language monograph on Italian writer Elena Ferrante, whose four Neapolitan Novels (2011-2014) became a global phenomenon. The book proposes that Ferrante constructs a theory of feminine experience which serves as the scaffolding for her own literary practice. Drawing on the writer's entire textual corpus to date, Stiliana Milkova examines the linguistic, psychical, and corporeal-spatial realities that constitute the female subjects Ferrante has theorized. At stake in Ferrante's theory\/practice is the articulation of a feminine subjectivity that emerges from the structures of patriarchal oppression and that resists, bypasses, or subverts these very structures. Milkova's inquiry proceeds from Ferrante's theory of \u003ci\u003efrantumaglia \u003c\/i\u003eand \u003ci\u003esmarginatura\u003c\/i\u003e to explore mechanisms for controlling and containing the female body and mind, forms of female authorship and\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eStiliana Milkova has written a compelling and highly readable study of Ferrante’s fiction [that] is interested more than anything about what the text itself reveals about Ferrante’s poetics and politics, explaining as a result, what makes Ferrante’s texts so addictive to read and such a pleasure to analyze. This one is for the academics and casual fans alike. * EuropeNow *\u003cbr\u003eWritten with remarkable competence and flair, and accompanied by a rich bibliography, \u003ci\u003eElena \u003c\/i\u003e\u003ci\u003eFerrante as World Literature\u003c\/i\u003e constitutes an essential reference for Ferrante scholars and an ideal textbook for any university course on Elena Ferrante in the anglophone world. * Italian Studies *\u003cbr\u003eStiliana Milkova leads us on a tour through Ferrante’s world of women and female subjectivity, exploring the themes of mothers and daughters, friendships between women, women and their bodies, girls and their dolls, women reading and writing--and their connections from novel to novel--in a fascinating and thought-provoking way that makes us want to go back to the books with a new understanding. * Ann Goldstein, English Translator of Elena Ferrante’s novels *\u003cbr\u003eA very rich and original perspective. * Leggendaria (trans. by Bloomsbury Academic) *\u003cbr\u003eMilkova stands as a rightful successor to the Ferrantean exegetic legacy. She does not read against Ferrante, but alongside her, turning what others might perceive as an intrusive presence into a stamp of approval. * Public Books *\u003cbr\u003eEssential for exploring the urban and topographical plan of Ferrante's work. * Bollettino '900 (trans. by Bloomsbury Academic) *\u003cbr\u003e\u003ci\u003eElena Ferrante as World Literature\u003c\/i\u003e makes a compelling argument for the exceptionality of Elena Ferrante's work as a site of entanglement of multiple cultural traditions, interdisciplinary lines of enquiry, and trans-linguistic negotiation. While engaging in productive dialogue with existing scholarship, this book proposes its own profoundly original reading of the entire Ferrante corpus. Subverting traditional discourses of motherhood and femininity by de-constructing and de-framing women's bodies, Ferrante's new subjects emerge, in Stiliana Milkova's powerful account, from the 'male cage' of patriarchal structures to build new genealogies of women as creators, authors, translators. This is a milestone in Ferrante scholarship and an essential tool for teachers and students of Ferrante's oeuvre. * Enrica Maria Ferrara, Teaching Fellow of Italian, Trinity College Dublin, Ireland, and editor of Posthumanism in Italian Literature and Film: Boundaries and Identity (2019) *\u003cbr\u003eStiliana Milkova masterfully leads her readers through the 'feminine labyrinth-polis' that Elena Ferrante has created. Like the figure of Ariadne that she examines, Milkova meticulously traces the rich web of motifs that generate Ferrante's 'universal feminine imaginary,' deftly accounting for the power of these novels. * Maria Truglio, Professor of Italian and Women's, Gender \u0026amp; Sexuality Studies, Pennsylvania State University, USA, and author of Italian Children’s Literature and National Identity: Childhood, Melancholy, Modernity (2017) *\u003cbr\u003e\u003ci\u003eElena Ferrante as World Literature\u003c\/i\u003e descends into the depths of Ferrante's novels to trace hitherto unexplored continuities between them and their dialogue with texts of other nations on themes and issues of transnational significance. Milkova's brilliant analysis sanctions Ferrante's socially, culturally, and spatially profoundly Italian stories as World Literature, thus providing scholarly foundations for an understanding of their high capacity for circulation across national borders and their resounding global success. This book will not only be an indispensable tool for scholars and students of Italian, comparative, and world literature worldwide; it will also appeal to the common readers and enthusiasts of Ferrante's fiction. * Adalgisa Giorgio, Senior Lecturer in Italian Studies, University of Bath, UK, and co-editor of Motherhood in Literature and Culture: Interdisciplinary Perspectives from Europe (2017) *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments  Chronology of Elena Ferrante’s Works and Abbreviations \u003cb\u003e1. Introduction: Elena Ferrante, World Literature, and the Work of Literary Translation \u003c\/b\u003e World Literature and the Creation of Elena Ferrante Ferrante’s Feminine Imaginary Ferrante’s Female Genealogies The Translator as Seamstress: Figures of Translation from the Periphery to the Center \u003ci\u003eElena Ferrante as World Literature\u003c\/i\u003e: An Overview \u003cb\u003e2. \u003ci\u003eFrantumaglia\u003c\/i\u003e and \u003ci\u003eSmarginatura\u003c\/i\u003e: The Borders of a Universal Feminine Imaginary\u003c\/b\u003e Incisions and Inscriptions of the Body The Parameters of \u003ci\u003eFrantumaglia\u003c\/i\u003e  \u003ci\u003eSmarginatura\u003c\/i\u003e in the Neapolitan Novels The “Mothers” of \u003ci\u003eSmarginatura\u003c\/i\u003e  Women Who Write  \u003cb\u003e3. Binding and Unbinding the Maternal Body and Voice \u003c\/b\u003e Desire and Disgust for the Mother Conflations and Inversions: Mothers, Daughters, Dolls  Enclosing the Maternal Body: Cellars, Locked Apartments, Clothes Laughing Bodies and Grotesque Gestures  Dead Mothers and Corporeal Flows  \u003cb\u003e4. Outside the Frame: The Aesthetics of Female Creativity and Authorship\u003c\/b\u003e Inside the Frame: The (Nude) Female Body-as-Parts Inside the Frame: Mirrors, Collages, Still Lifes Outside the Frame: Creating a Female Artistic Legacy The Neapolitan Novels and Female Friendship, Writing, Authorship \u003cb\u003e5. Mapping Urban Feminine Topographies \u003c\/b\u003e Walking the Streets of Topographic Memory in \u003ci\u003eTroubling Love\u003c\/i\u003e Symbolic and Literal Labyrinth in the Neapolitan Novels From Naples to Turin: Urban Itineraries of Abandonment  \u003cb\u003eEpilogue: Reverse Maps, Familial Objects, and Open Frames in \u003ci\u003eThe Lying Life of Adults\u003c\/i\u003e\u003c\/b\u003e \u003ci\u003eNotes\u003c\/i\u003e \u003ci\u003eWorks Cited \u003c\/i\u003e \u003ci\u003eIndex \u003c\/i\u003e","brand":"Bloomsbury Publishing Plc","offers":[{"title":"Default Title","offer_id":52084975698263,"sku":"9781501371912","price":35.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781501371912.jpg?v=1762207787","url":"https:\/\/bookcurl.com\/products\/elena-ferrante-as-world-literature-9781501371912","provider":"Book Curl","version":"1.0","type":"link"}