{"product_id":"early-medieval-text-and-image-volume-2-9781032091808","title":"Early Medieval Text and Image Volume 2","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eA collection of seventeen essays on the manuscript art of early medieval Ireland and England.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e‘Most users of these books will have read several of these essays before, but having them in one place is more than a convenience: it allows us to note continuities both within Jennifer O’Reilly’s work (thus making for a more fruitful engagement with her researches) and also to recognize continuities in the artefacts themselves. Moreover, we have not simply been given reproductions of the earlier papers ... but the works have been reset and all the appropriate illustrations have been reproduced in colour — more than 150 in total — close to where they are discussed allowing us to see exactly what is meant in the various iconographical analyses. These sharp, clear colour images, along with two indices, make these books works of scholarship in their own right. We are indebted to the editors for their work for us, as well as for having given us such an appropriate monument to a great scholar’ - \u003cb\u003eThomas O’Loughlin, Irish Theological Quarterly 2020, Vol 85 (3).\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e‘Everyone looked at the Book of Kells differently when they heard Jennifer O’Reilly talk about it. Her scholarship changed the landscape of the subject’ - \u003cb\u003eBernard Meehan, Peritia\u003ci\u003e, \u003c\/i\u003e31 (2022)\u003c\/b\u003e.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eList of Illustrations\u003c\/p\u003e\u003cp\u003ePreface\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eThe Codex Amiatinus\u003c\/p\u003e\u003cp\u003e1. \u003cb\u003eThe library of Scripture: views from Vivarium and Wearmouth-Jarrow\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eNew offerings, ancient treasures. Studies in medieval art for George Henderson\u003c\/i\u003e, ed. P. Binski and W. Noel (Alan Sutton, Stroud 2001) 3–39)\u003c\/p\u003e\u003cp\u003e2. \u003cb\u003eCeltic art and the Gospel\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eSearch\u003c\/i\u003e 24 (2001) 34–42)\u003c\/p\u003e\u003cp\u003e3. \u003cb\u003eThe art of authority\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eAfter Rome\u003c\/i\u003e, ed. T. Charles-Edwards (Oxford University Press, 2003) 141–189)\u003c\/p\u003e\u003cp\u003e4. \u003cb\u003e\"All that Peter stands for\": the romanitas of the Codex Amiatinus reconsidered\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eAnglo-Saxon\/Irish relations before the Vikings\u003c\/i\u003e, ed. J. Graham-Campbell and M. Ryan, Proceedings of the British Academy, vol. 157 (Oxford, 2009) 367–95. © British Academy 2009)\u003c\/p\u003e\u003cp\u003e5. \u003cb\u003eThe Book of Kells, folio 114: a mystery revealed yet concealed\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eThe age of migrating ideas: early medieval art in Britain and Ireland\u003c\/i\u003e, ed. J. Higgitt and R.M. Spearman (Alan Sutton and National Museums of Scotland, Stroud 1993) 106–114)\u003c\/p\u003e\u003cp\u003eThe Book of Kells\u003c\/p\u003e\u003cp\u003e6. \u003cb\u003eThe Book of Kells and two Breton gospel books\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eIrlande et Bretagne. Actes du colloque de Rennes 1993\u003c\/i\u003e, ed. C. Laurent and H. Davis (Terre de Brume Editions, Rennes 1994)\u003c\/p\u003e\u003cp\u003e7. \u003cb\u003eExegesis and the Book of Kells: the Lucan genealogy\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eThe Book of Kells, ed. F. O’Mahony\u003c\/i\u003e (Scolar Press; Aldershot 1994) 344–97. Reprinted in \u003ci\u003eScriptural interpretation in the Fathers\u003c\/i\u003e, ed. T. Finn and V. Twomey (Four Courts Press, Dublin 1995) 315–55)\u003c\/p\u003e\u003cp\u003e8. \u003cb\u003eEntry on the Book of Kells, folios 29 and 34\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eHistoire de l’écriture,\u003c\/i\u003e ed. A.M. Christin (Flammarion, Paris 1997; English version 2002. © Flammarion, S.A., Paris, 2001, 2002 and 2012)\u003c\/p\u003e\u003cp\u003e9. \u003cb\u003eTwo pages from the Book of Kells \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e(\u003ci\u003eVisual practices across the University\u003c\/i\u003e, ed. J. Elkins, (Munich 2007) 164–69)\u003c\/p\u003e\u003cp\u003e10. \u003cb\u003eThe Book of Kells, folio 114\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eTreasures of Irish Christianity: people and places, images and texts\u003c\/i\u003e, ed. S. Ryan and B. Leahy (Dublin: Veritas, 2012) 49–52)\u003c\/p\u003e\u003cp\u003e11. \u003cb\u003eThe body of Christ in the Book of Kells\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eProceedings of the International Symposium of Theology: The Ecclesiology of Communion\u003c\/i\u003e (Dublin: Veritas, 2013), 52–62)\u003c\/p\u003e\u003cp\u003eThe Anglo-Saxon and Later English Traditions\u003c\/p\u003e\u003cp\u003e12. \u003cb\u003eAn Anglo-Saxon portable altar: inscription and iconography\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e((with Elisabeth Okasha), \u003ci\u003eJournal of the Warburg and Courtauld Institutes\u003c\/i\u003e 47 (1984) 32–51)\u003c\/p\u003e\u003cp\u003e13. \u003cb\u003eSt John as a figure of the contemplative life: text and image in the art of the Anglo-Saxon Benedictine reform\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eSt Dunstan: his life, times and cult\u003c\/i\u003e, ed. N.L. Ramsay, M.J. Sparks and T. Tatton-Brown (Boydell and Brewer, Woodbridge 1992) 165–85)\u003c\/p\u003e\u003cp\u003e14. \u003cb\u003eThe rough-hewn cross in Anglo-Saxon art \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e(\u003ci\u003eIreland and insular art A.D. 500–1200, Conference Proceedings\u003c\/i\u003e, ed. M. Ryan (Royal Irish Academy, Dublin 1987; reprinted 2002) 153–58)\u003c\/p\u003e\u003cp\u003e15. \u003cb\u003eText and Image in the Anglo-Saxon Benedictine Reform\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e(\u003ci\u003eBenedetto l’Eredità Artistica\u003c\/i\u003e, ed. R. Casanelli and E. López-Tello García (Jaca Books, Milan 2007) 95–110)\u003c\/p\u003e\u003cp\u003e16. \u003cb\u003eSigns of the Cross\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eThe History of British Art 600–1600\u003c\/i\u003e, ed. T. Ayers, (Tate Britain and the Yale Center for British Art 2008) 176–99. © Tate 2008, reproduced by permission of the Tate Trustees)\u003c\/p\u003e\u003cp\u003e17. \u003cb\u003eThe medieval iconography of the two trees in Eden\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e(\u003ci\u003eA walk in the garden: biblical, iconographical and literary images of Eden\u003c\/i\u003e, ed. P. Morris and D. Sawyer, \u003ci\u003eJournal for the Study of the Old Testament, supplement \u003c\/i\u003eseries 136, (Sheffield Academic Press 1992) 167–204, used by permission of Bloomsbury Publishing Plc.)\u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":51018832937303,"sku":"9781032091808","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781032091808.jpg?v=1750778324","url":"https:\/\/bookcurl.com\/products\/early-medieval-text-and-image-volume-2-9781032091808","provider":"Book Curl","version":"1.0","type":"link"}