{"product_id":"dslr-cinema-9780415793544","title":"DSLR Cinema","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThe DSLR cinema revolution began over ten years ago. Professional filmmakers, students, video journalists, event video shooters, production houses, and others jumped at the opportunity to shoot cinematic images on these low budget cameras. The first edition of \u003ci\u003eDSLR Cinema\u003c\/i\u003e mapped the way focusing exclusively on DSLRs. This new edition show\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"A huge thank you to Kurt Lancaster for giving a voice to DSLRs in this new trail-blazing book.\" \u003c\/p\u003e\u003cp\u003e—Shane Hurlbut, ASC, DP of \u003ci\u003eTerminator Salvation \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"This book should be in every camera bag. A rich, comprehensive, and poetic examination of how filmmakers and cinematographers are creating stunning moving imagery.\" \u003c\/p\u003e\u003cp\u003e—Rodney Charters, ASC, DP of the TV series \u003ci\u003e24 \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"Kurt has written a masterpiece in DSLR books—something that everyone starting to make a movie should read.\" \u003c\/p\u003e\u003cp\u003e—planetMitch (planet5D.com) \u003c\/p\u003e\u003cp\u003e\"Out of nowhere, two DSLR cameras came out, and over a period of 18 months, they have been embraced by everyone from Lucasfilm to keen enthusiasts. This is easily the most exciting time I have experienced in my 20 or so years in the business.\" \u003c\/p\u003e\u003cp\u003e—Philip Bloom, DP, director, filmmaker (philipbloom.net)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eForeword by Shane Hurlburt, ASC\u003c\/p\u003e\u003cp\u003eAcknowledgements\u003c\/p\u003e\u003cp\u003eAbout the Website\u003c\/p\u003e\u003cp\u003eIntroduction – The Rise and Fall of the DSLR Cinema Revolution\u003c\/p\u003e\u003cp\u003eChapter 1 – Composition, Lenses, Blocking, and Camera Movement\u003c\/p\u003e\u003cp\u003eChapter 2 – Lighting\u003c\/p\u003e\u003cp\u003eChapter 3 – Exposure\u003c\/p\u003e\u003cp\u003eChapter 4 – Recording Quality Audio \u003c\/p\u003e\u003cp\u003eChapter 5 – Postproduction Workflow \u003c\/p\u003e\u003cp\u003eChapter 6 – Telling Better Stories \u003c\/p\u003e\u003cp\u003eChapter 7 – Cinematic Gear on a Budget\u003c\/p\u003e\u003cp\u003eChapter 8 – David Tembleque: Blackmagic’s Pocket Cinema Camera in \u003ci\u003eDear Tom\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003eChapter 9 – Joe Simon: Canon’s C100 Mark II in \u003ci\u003eFragments\u003c\/i\u003e by Dana Beasley\u003c\/p\u003e\u003cp\u003eChapter 10 – Philip Bloom: Canon’s 7D in \u003ci\u003eA Day at the Races\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eChapter 11 – Kiril Kirkov: Documentary Intimacy with the Canon 5D Mark III in \u003ci\u003eArt of the People\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003eChapter 12 – Po Chan and Shane Hurlbut: Canon’s 5D Mark II in \u003ci\u003eThe Last 3 Minutes\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eChapter 13 – J. Van Auken: Filming Action with Panasonic’s GH5 in \u003ci\u003eUnmasked\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eChapter 14 – Mari Cleven: Filmming Documentaries on the Canon C100 Mark II\u003c\/p\u003e\u003cp\u003eChapter 15 – Bibbi Abruzzini: Filmming Documentaries on the Canon 5D Mark IV\u003c\/p\u003e\u003cp\u003eConclusion\u003c\/p\u003e\u003cp\u003eIndex \u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":48864580731223,"sku":"9780415793544","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780415793544.jpg?v=1722272588","url":"https:\/\/bookcurl.com\/products\/dslr-cinema-9780415793544","provider":"Book Curl","version":"1.0","type":"link"}