{"product_id":"dpassage-9780822355250","title":"DPassage","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThe world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha discusses the potentials and impact of new technology on cinema culture and explores its effects on creative practice.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"In a world of intervals—spaces between things—Trinh has the unique ability to connect things and to articulate their interdependence. Presence requires absence, something nothing, reality illusion, and being nonbeing. Trinh's perspective enables her to shed considerable light on the way digital technology 'impacts upon the foundation of our knowledge and upon our perceptions of the world.'\" -- John Belton * Film Quarterly *\u003cbr\u003e\"Trinh meditates on the complex interrelations between individual selves speaking from unique and particular places in space and time . . . between speakers-writers and readers-hearers. I would argue that embedded in that meditation are the traditional philosophical issues of nature of self, reality, and knowledge. Most important, however, Trinh touches on what I take as the core essence of philosophy, the reinvention of thought adequate to a changing world.\"\u003cbr\u003e -- Andrea Nye * Hypatia *\u003cbr\u003e“On formal grounds alone, \u003ci\u003eD-Passage \u003c\/i\u003eachieves a miraculous level of pushing the basis of academic publishing forward and calls into question the motivations behind any kind of ‘safe’ work, be it in the name of art or academia. Fortunately, Trinh is not only a provocateur in the best sense, but also a rigorous intellectual who is fully capable of managing experimental approaches without allowing these potentially unwieldy attempts to overwhelm the content of her work. Even better still – she appears to have a wicked sense of humor about it all.” -- Clayton Dillard * Journal of American Culture *\u003cbr\u003e\"Trinh consistently challenges the readers to deform and form their understandings of digital arts and film, particularly in thinking of the impact of technology on the spirit of cinema. \u003ci\u003eD-Passage\u003c\/i\u003e transcends the clarity that academic discourse demands and makes itself readable for those who are willing to take up the challenge.\" -- Arezou Zalipour * Media International Australia *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments vii\u003cbr\u003e I. Prelude \u003cbr\u003e Lotus Eye (Reading Miyazawa Kenji and Making \u003ci\u003eNight Passage\u003c\/i\u003e) 3\u003cbr\u003e II. Script \u003cbr\u003e Night Passage (Film Script) 21\u003cbr\u003e III. Conversations \u003cbr\u003e A Sound Print in the Human Archive \u003ci\u003ewith Sidsel Nelund\u003c\/i\u003e 65\u003cbr\u003e The Depth of Time \u003ci\u003ewith Alison Rowleyo\u003c\/i\u003e 89\u003cbr\u003e What's Eons New? \u003ci\u003ewith Rosa Reitsamer\u003c\/i\u003e 121\u003cbr\u003e The Politics of Forms and Forces \u003ci\u003ewith Eva Hohenberger\u003c\/i\u003e 141\u003cbr\u003e IV. Installation \u003cbr\u003e L'Autre marche (The Other Walk) 171\u003cbr\u003e L'Entre-musée: The World, with Each Step \u003ci\u003ewith Elvan Zabunyan\u003c\/i\u003e 183\u003cbr\u003e Illustrations, Filmography, and Distribution 205\u003cbr\u003e Index 207","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":49406077075799,"sku":"9780822355250","price":76.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780822355250.jpg?v=1730494447","url":"https:\/\/bookcurl.com\/products\/dpassage-9780822355250","provider":"Book Curl","version":"1.0","type":"link"}