{"product_id":"documenting-performance-9781472588173","title":"Documenting Performance","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003ePerformance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; \u003ci\u003eDocumenting Performance \u003c\/i\u003eis the first book to provide a collection of key writings about the \u003ci\u003eprocess\u003c\/i\u003e of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on:* the contemporary context for documenting performance* processes of documenting performance* documenting bodies in motion* documenting to createIn each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists hav\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e[Offers] new insights into emerging documenting processes and methodologies. * South African Theatre Journal *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e1. Documenting Performance: An Introduction  Toni Sant (University of Hull, United Kingdom)    Part I: Documenting Performance in a Digital Curation Context  2. Performing Arts and Their Memories  Daniela Salazar (New University of Lisbon, Portugal)  3. Description Models for Documenting Performance  Alberto Pendón (Miguel de Cervantes Municipal Theatre, Spain) and   Gema Bueno (Charles III University of Madrid, Spain)  4. Intellectual Property Matters for Documenting Performance  Jeanine Rizzo (Fenech \u0026amp; Fenech Advocates, Malta)  5. Expanding Documentation, or making the most of the cracks in the wall  Annet Dekker (Piet Zwart Institute, the Netherlands),   Gabriella Giannachi (University of Exeter, United Kingdom), and   Vivian van Saaze (Maastricht University, the Netherlands)    Part II: Ways of Documenting   6. Remembering Performance Through the Practice of Oral History  Panayiota Demitriou (University of Bristol, United Kingdom)  7. Translating Performance: desire, intention and interpretation in photographic documents  Helen Newall (Edge Hill University, United Kingdom),   Amy Skinner (University of Hull, United Kingdom), and   Allan Taylor (University of East London, United Kingdom)  8. Documenting Audience Experience: Social Media as Lively Stratification  Joanna Bucknall (The University of Portsmouth, United Kingdom) and   Kirsty Sedgman (United Kingdom)  9. Web Archiving and Participation: the future history of performance?  Vanessa Bartlett (University of New South Wales, Australia)  10. Documenting Digital Performance Artworks  Adam Nash (RMIT University, Australia) and   Laurene Vaughan (RMIT University, Australia)    Part III: Documenting and Archiving   11. Paradocumentation and NT Live’s ‘CumberHamlet’  Daisy Abbott (Glasgow School of Art, United Kingdom) and   Claire Read (University of Roehampton, United Kingdom)  12. Archiving Shakespeare and Thinking Virtually in a Distracted Globe  Alvin Eng Hui Lim (National University of Singapore, Singapore)  13. From Copper-Plate Inscriptions to Interactive Websites: Documenting Javanese Wayang Theatre  Miguel Escobar (National University of Singapore, Singapore)  14. Documenting Music Performance in the Western Australian New Music Archive  Cat Hope (Western Australian Academy of Performing Arts, Australia),   Adam Trainer (Western Australian Academy of Performing Arts, Australia), and Lelia Green (Western Australian Academy of Performing Arts, Australia)  15. Participation and Presence: Propositional Frameworks for Engaging Users in the Design of the Circus Oz Living Archive  Laurene Vaughan (RMIT University, Australia)    Part IV: Documenting Bodies in Motion     16. What do we document? Dense video and the epistemology of practice  Ben Spatz (University of Huddersfield, United Kingdom)  17. The Pleasures of Writing about the Pleasures of the Practice: Documenting Psychophysical Performer Training  Alissa Clarke (De Montfort University, United Kingdom)  18. Dance Archival Futures: Embodied Knowledge and the Digital Archive of Dance  Laura Griffiths (Leeds Beckett University, United Kingdom)  19. Documenting Dance: Tools, Frameworks and Digital Transformation  Sarah Whatley (Coventry University, United Kingdom)    List of Contributors  Notes  Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":51019905401175,"sku":"9781472588173","price":25.64,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781472588173.jpg?v=1750781676","url":"https:\/\/bookcurl.com\/products\/documenting-performance-9781472588173","provider":"Book Curl","version":"1.0","type":"link"}