{"product_id":"digital-slr-photography-allinone-for-dummies-9781119711704","title":"Digital SLR Photography AllinOne For Dummies","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eIntroduction\u003c\/b\u003e\u003cb\u003e 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAbout This Book 2\u003c\/p\u003e \u003cp\u003eIcons Used in This Book 2\u003c\/p\u003e \u003cp\u003eWhere to Go from Here 3\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBook 1: Pursuing Digital SLR Photography 5\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: Embracing Digital SLRs\u003c\/b\u003e\u003cb\u003e 7\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroducing the Digital SLR 7\u003c\/p\u003e \u003cp\u003eNaming and Classifying Digital SLRs 9\u003c\/p\u003e \u003cp\u003eMake and model 9\u003c\/p\u003e \u003cp\u003eSensor size 11\u003c\/p\u003e \u003cp\u003ePixel count 12\u003c\/p\u003e \u003cp\u003eLens mount 13\u003c\/p\u003e \u003cp\u003eMirror and viewfinder type 15\u003c\/p\u003e \u003cp\u003eLenses 16\u003c\/p\u003e \u003cp\u003eWrapping it up 16\u003c\/p\u003e \u003cp\u003ePricing Digital SLRs 16\u003c\/p\u003e \u003cp\u003eConsumer dSLRs 17\u003c\/p\u003e \u003cp\u003eMid-range models 18\u003c\/p\u003e \u003cp\u003eProfessional cameras 18\u003c\/p\u003e \u003cp\u003eDelving into Camera Specifications 19\u003c\/p\u003e \u003cp\u003eBasic information 20\u003c\/p\u003e \u003cp\u003eCrop factor 20\u003c\/p\u003e \u003cp\u003eISO 21\u003c\/p\u003e \u003cp\u003eShutter speeds 21\u003c\/p\u003e \u003cp\u003eAutofocus system 22\u003c\/p\u003e \u003cp\u003eMovies 23\u003c\/p\u003e \u003cp\u003eShooting modes and scenes 24\u003c\/p\u003e \u003cp\u003eIn-camera processing 25\u003c\/p\u003e \u003cp\u003eFilters and other creative effects 25\u003c\/p\u003e \u003cp\u003eMedia 26\u003c\/p\u003e \u003cp\u003eViewfinder specs 26\u003c\/p\u003e \u003cp\u003eImage stabilization 27\u003c\/p\u003e \u003cp\u003eFollowing Recent dSLR Developments 29\u003c\/p\u003e \u003cp\u003eShopping for a dSLR 31\u003c\/p\u003e \u003cp\u003eUnderstanding the system 31\u003c\/p\u003e \u003cp\u003eGoing shopping 31\u003c\/p\u003e \u003cp\u003eInvesting in accessories 33\u003c\/p\u003e \u003cp\u003eEmbracing dSLRs 35\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Handling, Cleaning, and Protecting Your Camera\u003c\/b\u003e\u003cb\u003e 39\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAnatomy of a dSLR 39\u003c\/p\u003e \u003cp\u003eFront and center 40\u003c\/p\u003e \u003cp\u003eAround back 40\u003c\/p\u003e \u003cp\u003eTop and bottom 42\u003c\/p\u003e \u003cp\u003eBoth sides 43\u003c\/p\u003e \u003cp\u003eWorking the Controls 45\u003c\/p\u003e \u003cp\u003eGripping the Camera 47\u003c\/p\u003e \u003cp\u003eStandard grip 47\u003c\/p\u003e \u003cp\u003eVertical grip 48\u003c\/p\u003e \u003cp\u003eOver-the-shoulder grip 49\u003c\/p\u003e \u003cp\u003eLive View grip 49\u003c\/p\u003e \u003cp\u003eProviding Additional Support 50\u003c\/p\u003e \u003cp\u003eHandling an Articulated Monitor 52\u003c\/p\u003e \u003cp\u003eUsing a Touchscreen 53\u003c\/p\u003e \u003cp\u003eChanging Batteries 54\u003c\/p\u003e \u003cp\u003eChecking battery power 54\u003c\/p\u003e \u003cp\u003eInserting a battery 55\u003c\/p\u003e \u003cp\u003eRemoving a battery 56\u003c\/p\u003e \u003cp\u003eInserting and Removing Memory Cards 57\u003c\/p\u003e \u003cp\u003eInserting a memory card 57\u003c\/p\u003e \u003cp\u003eRemoving a memory card 58\u003c\/p\u003e \u003cp\u003eCleaning Your Camera 59\u003c\/p\u003e \u003cp\u003eWiping off the camera body 59\u003c\/p\u003e \u003cp\u003eCleaning monitors and LCD panels 60\u003c\/p\u003e \u003cp\u003eCleaning inside the camera 61\u003c\/p\u003e \u003cp\u003eProtecting Your Camera 63\u003c\/p\u003e \u003cp\u003eUsing a camera strap 63\u003c\/p\u003e \u003cp\u003eCarrying a camera bag 64\u003c\/p\u003e \u003cp\u003eBuying extra lens and camera caps 64\u003c\/p\u003e \u003cp\u003eArmoring your camera 65\u003c\/p\u003e \u003cp\u003eDealing with adverse weather 65\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Learning about Lenses \u003c\/b\u003e\u003cb\u003e69\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIdentifying and Naming Lenses 69\u003c\/p\u003e \u003cp\u003eBrand name 71\u003c\/p\u003e \u003cp\u003eLens mount 72\u003c\/p\u003e \u003cp\u003eFocal length 72\u003c\/p\u003e \u003cp\u003eAperture 73\u003c\/p\u003e \u003cp\u003eImage stabilization 74\u003c\/p\u003e \u003cp\u003eOther identifiers 74\u003c\/p\u003e \u003cp\u003eOther lens characteristics 75\u003c\/p\u003e \u003cp\u003eOlder lenses 76\u003c\/p\u003e \u003cp\u003eCategorizing Lenses 77\u003c\/p\u003e \u003cp\u003eNormal lenses 78\u003c\/p\u003e \u003cp\u003eWide-angle lenses 78\u003c\/p\u003e \u003cp\u003eTelephoto lenses 79\u003c\/p\u003e \u003cp\u003ePrime lenses 80\u003c\/p\u003e \u003cp\u003eGeneral-purpose zoom lenses 81\u003c\/p\u003e \u003cp\u003eWide-angle zoom lenses 81\u003c\/p\u003e \u003cp\u003eTelephoto zoom lenses 82\u003c\/p\u003e \u003cp\u003eSpecialty lenses 82\u003c\/p\u003e \u003cp\u003eLooking at Lens Anatomy 85\u003c\/p\u003e \u003cp\u003eWorking with Lenses 88\u003c\/p\u003e \u003cp\u003eGetting a grip 88\u003c\/p\u003e \u003cp\u003eMounting a lens 91\u003c\/p\u003e \u003cp\u003eRemoving a lens 93\u003c\/p\u003e \u003cp\u003eZooming in and out 94\u003c\/p\u003e \u003cp\u003eSwitching from auto to manual focus 95\u003c\/p\u003e \u003cp\u003eManually focusing 96\u003c\/p\u003e \u003cp\u003eActivating lens-based image stabilization 97\u003c\/p\u003e \u003cp\u003eCleaning Lenses 98\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: Exploring Menus and Camera Settings\u003c\/b\u003e\u003cb\u003e 101\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding How Menus Are Organized 101\u003c\/p\u003e \u003cp\u003eOpening and Using the Menu 103\u003c\/p\u003e \u003cp\u003eSetting Up Your Camera 106\u003c\/p\u003e \u003cp\u003eDate and time 106\u003c\/p\u003e \u003cp\u003eLanguage 107\u003c\/p\u003e \u003cp\u003eFeature guides and expanded help 107\u003c\/p\u003e \u003cp\u003eReview time 107\u003c\/p\u003e \u003cp\u003eAuto power off 108\u003c\/p\u003e \u003cp\u003eSound 108\u003c\/p\u003e \u003cp\u003eTouchscreen settings 108\u003c\/p\u003e \u003cp\u003eNo card 109\u003c\/p\u003e \u003cp\u003eSetting Typical Shooting Options 109\u003c\/p\u003e \u003cp\u003eImage size and quality 109\u003c\/p\u003e \u003cp\u003eUsing multiple memory cards 110\u003c\/p\u003e \u003cp\u003eISO settings 111\u003c\/p\u003e \u003cp\u003ePicture control or creative style 111\u003c\/p\u003e \u003cp\u003eColor space 112\u003c\/p\u003e \u003cp\u003eHighlight and shadow options 112\u003c\/p\u003e \u003cp\u003eNoise reduction 113\u003c\/p\u003e \u003cp\u003eAspect ratio 113\u003c\/p\u003e \u003cp\u003eRed-eye reduction 113\u003c\/p\u003e \u003cp\u003eFlash options 114\u003c\/p\u003e \u003cp\u003eMovie options 114\u003c\/p\u003e \u003cp\u003eMaking Other Choices 114\u003c\/p\u003e \u003cp\u003eDisplay settings 114\u003c\/p\u003e \u003cp\u003eDisplay brightness and color 116\u003c\/p\u003e \u003cp\u003eFilenaming and numbering 116\u003c\/p\u003e \u003cp\u003eFile and folder structure 117\u003c\/p\u003e \u003cp\u003eAuto Rotate (camera orientation) 117\u003c\/p\u003e \u003cp\u003eCopyright 117\u003c\/p\u003e \u003cp\u003eWi-Fi connectivity 118\u003c\/p\u003e \u003cp\u003eVideo mode or system 118\u003c\/p\u003e \u003cp\u003eControlling Playback 118\u003c\/p\u003e \u003cp\u003eProtect Images 119\u003c\/p\u003e \u003cp\u003eRotate 119\u003c\/p\u003e \u003cp\u003eErase\/Delete 119\u003c\/p\u003e \u003cp\u003ePrint order 119\u003c\/p\u003e \u003cp\u003eSlide show 120\u003c\/p\u003e \u003cp\u003eRetouch 120\u003c\/p\u003e \u003cp\u003eKeeping Everything Running Smoothly 120\u003c\/p\u003e \u003cp\u003eShowing battery information 120\u003c\/p\u003e \u003cp\u003eFormatting memory cards 121\u003c\/p\u003e \u003cp\u003eCleaning the image sensor 121\u003c\/p\u003e \u003cp\u003eCreating a dust reference photo 121\u003c\/p\u003e \u003cp\u003eResetting the camera 122\u003c\/p\u003e \u003cp\u003eUpdating the firmware 122\u003c\/p\u003e \u003cp\u003eExploring Advanced Options 123\u003c\/p\u003e \u003cp\u003eUsing custom functions and settings 124\u003c\/p\u003e \u003cp\u003eCreating custom shooting profiles 124\u003c\/p\u003e \u003cp\u003eTweaking autofocus settings 124\u003c\/p\u003e \u003cp\u003eConfiguring bracketing settings 125\u003c\/p\u003e \u003cp\u003eCustomizing the controls 125\u003c\/p\u003e \u003cp\u003eCreating custom menus 126\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5: Taking Pictures with Your dSLR\u003c\/b\u003e\u003cb\u003e 127\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSeeing the Big Picture 127\u003c\/p\u003e \u003cp\u003ePlanning Ahead 128\u003c\/p\u003e \u003cp\u003eUnpacking and Readying Your Gear 129\u003c\/p\u003e \u003cp\u003eSetting Up Your Camera 131\u003c\/p\u003e \u003cp\u003ePerforming an initial checkup 131\u003c\/p\u003e \u003cp\u003ePreparing for still photography 132\u003c\/p\u003e \u003cp\u003eChoosing a shooting mode 132\u003c\/p\u003e \u003cp\u003eSetting the image quality 144\u003c\/p\u003e \u003cp\u003eChoosing a viewing mode 144\u003c\/p\u003e \u003cp\u003eConfiguring the display 146\u003c\/p\u003e \u003cp\u003eSetting exposure controls 146\u003c\/p\u003e \u003cp\u003eSetting other parameters 147\u003c\/p\u003e \u003cp\u003eTaking and Reviewing Photos 154\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBook 2: Looking Through Lenses 161\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: Appreciating Standard Zoom Lenses 163\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eEmbodying Versatility 163\u003c\/p\u003e \u003cp\u003eTaking Wide-Angle Shots 165\u003c\/p\u003e \u003cp\u003eWorking with Normal Focal Lengths 168\u003c\/p\u003e \u003cp\u003eZooming In 170\u003c\/p\u003e \u003cp\u003eCapturing telephoto shots 171\u003c\/p\u003e \u003cp\u003eCapturing portraits 172\u003c\/p\u003e \u003cp\u003eCapturing close-ups 173\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Enjoying Wide-Angle Lenses\u003c\/b\u003e\u003cb\u003e 177\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWide-Angle Whatzit 177\u003c\/p\u003e \u003cp\u003eLooking at Landscapes 179\u003c\/p\u003e \u003cp\u003eCapturing Wide-Angle Cityscapes 180\u003c\/p\u003e \u003cp\u003eFocusing on Single Buildings 182\u003c\/p\u003e \u003cp\u003ePhotographing Interiors 184\u003c\/p\u003e \u003cp\u003eShooting Wide-Angle Portraits 185\u003c\/p\u003e \u003cp\u003eImproving Your Wide-Angle Shots 186\u003c\/p\u003e \u003cp\u003eFrame tall objects from afar 186\u003c\/p\u003e \u003cp\u003eGet up close and personal 187\u003c\/p\u003e \u003cp\u003eUse the vertical 188\u003c\/p\u003e \u003cp\u003eCombine different elements into one shot 189\u003c\/p\u003e \u003cp\u003eEmphasize height 189\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Capturing Macros and Close-ups \u003c\/b\u003e\u003cb\u003e193\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDefining Macro and Close-up Photography 194\u003c\/p\u003e \u003cp\u003eShooting at Close Ranges 195\u003c\/p\u003e \u003cp\u003eManaging Depth of Field 196\u003c\/p\u003e \u003cp\u003eShooting Handheld with a Flash 197\u003c\/p\u003e \u003cp\u003eMaximizing Shutter Speed 198\u003c\/p\u003e \u003cp\u003eShooting in Controlled Conditions 199\u003c\/p\u003e \u003cp\u003eExploring Creative Alternatives 201\u003c\/p\u003e \u003cp\u003eRelaxing your angle of view 201\u003c\/p\u003e \u003cp\u003eShooting close-ups with everyday lenses 202\u003c\/p\u003e \u003cp\u003eUsing telephoto lenses 202\u003c\/p\u003e \u003cp\u003eUsing Holga lenses 203\u003c\/p\u003e \u003cp\u003eShooting with Special Accessories 204\u003c\/p\u003e \u003cp\u003eUsing a teleconverter 205\u003c\/p\u003e \u003cp\u003eUsing extension tubes 205\u003c\/p\u003e \u003cp\u003eUsing diopters 207\u003c\/p\u003e \u003cp\u003eUsing reverse rings 209\u003c\/p\u003e \u003cp\u003eUsing a macro bellows 211\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: Reaching Out with Telephoto Lenses\u003c\/b\u003e\u003cb\u003e 213\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLearning the Lingo 213\u003c\/p\u003e \u003cp\u003eUsing a Super Telephoto Lens 216\u003c\/p\u003e \u003cp\u003eCapturing Action with Telephoto Lenses 219\u003c\/p\u003e \u003cp\u003eUsing Telephoto Lenses for Close-ups 221\u003c\/p\u003e \u003cp\u003eCapturing Portraits 223\u003c\/p\u003e \u003cp\u003ePhotographing Animals 225\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5: Exploring Other Lenses\u003c\/b\u003e\u003cb\u003e 229\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFisheye Lenses 229\u003c\/p\u003e \u003cp\u003eTilt-Shift Lenses 233\u003c\/p\u003e \u003cp\u003eHolga Lenses 236\u003c\/p\u003e \u003cp\u003eLensbaby Lenses 239\u003c\/p\u003e \u003cp\u003ePinhole Lenses 241\u003c\/p\u003e \u003cp\u003eDiana F+ Lenses 242\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBook 3: Taking Creative Control\u003c\/b\u003e \u003cb\u003e245\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: Making Sense of Exposure\u003c\/b\u003e\u003cb\u003e 247\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding Exposure 247\u003c\/p\u003e \u003cp\u003eEvaluating exposure 248\u003c\/p\u003e \u003cp\u003eControlling exposure 249\u003c\/p\u003e \u003cp\u003eComparing exposure intervals 250\u003c\/p\u003e \u003cp\u003eKeeping an Eye on Exposure Information 252\u003c\/p\u003e \u003cp\u003eReading the exposure level 252\u003c\/p\u003e \u003cp\u003eViewing exposure settings 253\u003c\/p\u003e \u003cp\u003ePaying attention to warnings 255\u003c\/p\u003e \u003cp\u003eMeasuring Light by Metering 255\u003c\/p\u003e \u003cp\u003eGeneral metering methods 256\u003c\/p\u003e \u003cp\u003eCamera metering modes 256\u003c\/p\u003e \u003cp\u003eChanging metering modes 258\u003c\/p\u003e \u003cp\u003eMetering the scene with your camera 258\u003c\/p\u003e \u003cp\u003eUsing an external light meter 259\u003c\/p\u003e \u003cp\u003eReviewing and Analyzing Your Photos 260\u003c\/p\u003e \u003cp\u003eDelving into photo playback 260\u003c\/p\u003e \u003cp\u003eInterpreting histograms 262\u003c\/p\u003e \u003cp\u003eTroubleshooting Exposure 268\u003c\/p\u003e \u003cp\u003eUsing exposure compensation 268\u003c\/p\u003e \u003cp\u003eSetting the exposure manually 269\u003c\/p\u003e \u003cp\u003eUsing AE lock 271\u003c\/p\u003e \u003cp\u003eAutoexposure bracketing (AEB) 274\u003c\/p\u003e \u003cp\u003eUsing other exposure tricks 275\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Setting the Aperture\u003c\/b\u003e\u003cb\u003e 277\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eInvestigating f-numbers and Apertures 277\u003c\/p\u003e \u003cp\u003eLearning about f-numbers 277\u003c\/p\u003e \u003cp\u003eLenses and apertures 278\u003c\/p\u003e \u003cp\u003eSetting the Aperture 281\u003c\/p\u003e \u003cp\u003eFrom the camera 281\u003c\/p\u003e \u003cp\u003eFrom the lens 282\u003c\/p\u003e \u003cp\u003eDigging into Depth of Field 283\u003c\/p\u003e \u003cp\u003eControlling the depth of field 283\u003c\/p\u003e \u003cp\u003ePreviewing the depth of field 285\u003c\/p\u003e \u003cp\u003ePaying attention to the blurry parts 286\u003c\/p\u003e \u003cp\u003eBeing realistic 287\u003c\/p\u003e \u003cp\u003eDesigning with Depth of Field 288\u003c\/p\u003e \u003cp\u003eLandscapes 288\u003c\/p\u003e \u003cp\u003ePortraits 289\u003c\/p\u003e \u003cp\u003eMacros and close-ups 292\u003c\/p\u003e \u003cp\u003eAction 293\u003c\/p\u003e \u003cp\u003eTilt-shift lenses 294\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Choosing a Shutter Speed\u003c\/b\u003e\u003cb\u003e 295\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDecoding Shutter Speed 295\u003c\/p\u003e \u003cp\u003eLearning about the shutter 296\u003c\/p\u003e \u003cp\u003eReading the speed 298\u003c\/p\u003e \u003cp\u003eShutter speed and exposure 300\u003c\/p\u003e \u003cp\u003eSetting the Shutter Speed 301\u003c\/p\u003e \u003cp\u003eCombating Blur and Noise 302\u003c\/p\u003e \u003cp\u003eCamera shake, rattle, and roll 302\u003c\/p\u003e \u003cp\u003eShooting moving targets 307\u003c\/p\u003e \u003cp\u003eEnabling Long Exposure Noise Reduction 308\u003c\/p\u003e \u003cp\u003eDesigning with Shutter Speed 308\u003c\/p\u003e \u003cp\u003eShooting crisp photos 309\u003c\/p\u003e \u003cp\u003eAccounting for flash sync speed 311\u003c\/p\u003e \u003cp\u003ePhotographing action 312\u003c\/p\u003e \u003cp\u003eBeing creative with water 313\u003c\/p\u003e \u003cp\u003eWorking with slow shutter speeds 315\u003c\/p\u003e \u003cp\u003eUsing Bulb mode 316\u003c\/p\u003e \u003cp\u003eShooting macros 316\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: Selecting an ISO\u003c\/b\u003e\u003cb\u003e 319\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding ISO 319\u003c\/p\u003e \u003cp\u003eA bit of history 320\u003c\/p\u003e \u003cp\u003eInside the numbers 321\u003c\/p\u003e \u003cp\u003eGenerating noise with high ISOs 323\u003c\/p\u003e \u003cp\u003eThe funny thing about noise 324\u003c\/p\u003e \u003cp\u003eSetting ISO 325\u003c\/p\u003e \u003cp\u003eControlling ISO yourself 325\u003c\/p\u003e \u003cp\u003eUsing Auto ISO 326\u003c\/p\u003e \u003cp\u003eRestricting Auto ISO 327\u003c\/p\u003e \u003cp\u003eUsing High ISO Noise Reduction 328\u003c\/p\u003e \u003cp\u003eManaging ISO 329\u003c\/p\u003e \u003cp\u003eISO Gallery 331\u003c\/p\u003e \u003cp\u003eElevated ISO 331\u003c\/p\u003e \u003cp\u003eHigh ISO levels 332\u003c\/p\u003e \u003cp\u003eExtreme ISO settings 334\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5: Using Filters \u003c\/b\u003e\u003cb\u003e337\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLearning about Filters 337\u003c\/p\u003e \u003cp\u003eLooking at how filters work 337\u003c\/p\u003e \u003cp\u003eConsidering filter pros and cons 339\u003c\/p\u003e \u003cp\u003eUsing filters with dSLRs 341\u003c\/p\u003e \u003cp\u003eTaking Shape with Filter Systems 342\u003c\/p\u003e \u003cp\u003eCircular (screw-in) 343\u003c\/p\u003e \u003cp\u003eRectangular frame slide-in 345\u003c\/p\u003e \u003cp\u003eUsing Filters for Different Purposes 346\u003c\/p\u003e \u003cp\u003eProtective 346\u003c\/p\u003e \u003cp\u003eCircular polarizer 347\u003c\/p\u003e \u003cp\u003eUltraviolet (UV) 348\u003c\/p\u003e \u003cp\u003eNeutral density (ND) 349\u003c\/p\u003e \u003cp\u003eND graduated 351\u003c\/p\u003e \u003cp\u003eColor filter 351\u003c\/p\u003e \u003cp\u003eColor grad filter 352\u003c\/p\u003e \u003cp\u003eOther filters 352\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBook 4: Lighting the Scene\u003c\/b\u003e \u003cb\u003e355\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: Working with Ambient Light \u003c\/b\u003e\u003cb\u003e357\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWorking in Natural Light 357\u003c\/p\u003e \u003cp\u003eShooting during the morning golden hour 358\u003c\/p\u003e \u003cp\u003eFighting with the light at noon 359\u003c\/p\u003e \u003cp\u003eGoing out in the early evening 360\u003c\/p\u003e \u003cp\u003eEnjoying the evening golden hour 360\u003c\/p\u003e \u003cp\u003ePhotographing the sunset 361\u003c\/p\u003e \u003cp\u003eCapturing twilight 362\u003c\/p\u003e \u003cp\u003eShooting at night 363\u003c\/p\u003e \u003cp\u003eDealing with Weather 364\u003c\/p\u003e \u003cp\u003eCapturing clouds 364\u003c\/p\u003e \u003cp\u003eWorking in the snow 365\u003c\/p\u003e \u003cp\u003eUsing fog 366\u003c\/p\u003e \u003cp\u003eShooting Inside 367\u003c\/p\u003e \u003cp\u003ePhotographing in large interior spaces 367\u003c\/p\u003e \u003cp\u003ePhotographing in living spaces 368\u003c\/p\u003e \u003cp\u003eUsing stage lighting 369\u003c\/p\u003e \u003cp\u003eBeing Creative in Different Situations 370\u003c\/p\u003e \u003cp\u003eWorking with indirect light 370\u003c\/p\u003e \u003cp\u003eCapturing reflections 370\u003c\/p\u003e \u003cp\u003eDealing with glare and haze 371\u003c\/p\u003e \u003cp\u003eShooting high-contrast scenes 372\u003c\/p\u003e \u003cp\u003ePhotographing low contrast scenes 373\u003c\/p\u003e \u003cp\u003eThe Shadow knows! 373\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Exploring Basic Flash Photography\u003c\/b\u003e\u003cb\u003e 375\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFinding the Flash 376\u003c\/p\u003e \u003cp\u003eUsing the Flash Automatically 377\u003c\/p\u003e \u003cp\u003eSetting a flash-friendly shooting mode 377\u003c\/p\u003e \u003cp\u003ePreventing the built-in flash from firing 378\u003c\/p\u003e \u003cp\u003eCustomizing automatic flash settings 378\u003c\/p\u003e \u003cp\u003eManually Activating the Built-in Flash 379\u003c\/p\u003e \u003cp\u003eUsing the built-in flash 379\u003c\/p\u003e \u003cp\u003eKnowing when to use flash 381\u003c\/p\u003e \u003cp\u003eDisabling the built-in flash 384\u003c\/p\u003e \u003cp\u003eTips on Using the Built-in Flash 384\u003c\/p\u003e \u003cp\u003eGetting Fancy with the Flash 386\u003c\/p\u003e \u003cp\u003eEnabling red-eye reduction 387\u003c\/p\u003e \u003cp\u003eUsing flash compensation 388\u003c\/p\u003e \u003cp\u003eUsing FE Lock 389\u003c\/p\u003e \u003cp\u003eControlling the flash strength manually 389\u003c\/p\u003e \u003cp\u003eUnlocking more advanced features 390\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Using an External Flash and Accessories\u003c\/b\u003e\u003cb\u003e 393\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGetting to Know External Flash Units 393\u003c\/p\u003e \u003cp\u003eLooking at the front 395\u003c\/p\u003e \u003cp\u003eFrom the back and sides 397\u003c\/p\u003e \u003cp\u003eAccessorizing your external flash 399\u003c\/p\u003e \u003cp\u003eHandling an External Flash 402\u003c\/p\u003e \u003cp\u003eAttaching it to your camera 402\u003c\/p\u003e \u003cp\u003eRemoving the flash 403\u003c\/p\u003e \u003cp\u003eTilting and swiveling the flash head 404\u003c\/p\u003e \u003cp\u003eAttaching a mini stand 405\u003c\/p\u003e \u003cp\u003eWorking the controls 405\u003c\/p\u003e \u003cp\u003eConfiguring Your External Flash 407\u003c\/p\u003e \u003cp\u003eTrying Different Techniques 408\u003c\/p\u003e \u003cp\u003eUsing high-speed sync 408\u003c\/p\u003e \u003cp\u003eBouncing and diffusing 409\u003c\/p\u003e \u003cp\u003eUsing an umbrella 410\u003c\/p\u003e \u003cp\u003eFocusing light with a snoot 411\u003c\/p\u003e \u003cp\u003eUsing a stand 412\u003c\/p\u003e \u003cp\u003eElevating the flash with a bracket 413\u003c\/p\u003e \u003cp\u003eCords galore 413\u003c\/p\u003e \u003cp\u003eGoing wireless 414\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBook 5: Managing and Processing Your Shots\u003c\/b\u003e\u003cb\u003e 417\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: Transferring and Managing Files \u003c\/b\u003e\u003cb\u003e419\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGetting a Workflow 419\u003c\/p\u003e \u003cp\u003eEarly Decisions 422\u003c\/p\u003e \u003cp\u003eTransferring Files 422\u003c\/p\u003e \u003cp\u003eConnecting 422\u003c\/p\u003e \u003cp\u003eDownloading 426\u003c\/p\u003e \u003cp\u003eGetting a Grip on Your Pictures 428\u003c\/p\u003e \u003cp\u003eManual management 428\u003c\/p\u003e \u003cp\u003eMedia-management software 429\u003c\/p\u003e \u003cp\u003eProcessing and managing software 430\u003c\/p\u003e \u003cp\u003ePhoto editors 433\u003c\/p\u003e \u003cp\u003eManaging Photos 434\u003c\/p\u003e \u003cp\u003eQuickly Processing the Good Ones 435\u003c\/p\u003e \u003cp\u003eAdvanced Editing When Desired 436\u003c\/p\u003e \u003cp\u003ePublishing 436\u003c\/p\u003e \u003cp\u003eGeneral considerations 436\u003c\/p\u003e \u003cp\u003eResizing options 438\u003c\/p\u003e \u003cp\u003eSaving and exporting 439\u003c\/p\u003e \u003cp\u003eArchiving 440\u003c\/p\u003e \u003cp\u003ePlaying it safe 441\u003c\/p\u003e \u003cp\u003ePutting the plan into action 442\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Quickly Sprucing Up Shots\u003c\/b\u003e\u003cb\u003e 445\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSoftware for Sprucing Up Photos 445\u003c\/p\u003e \u003cp\u003eDeciding on an Image Quality 446\u003c\/p\u003e \u003cp\u003eBenefits of Raw images 446\u003c\/p\u003e \u003cp\u003eChallenges of working with Raw photos 447\u003c\/p\u003e \u003cp\u003eNon-destructive editing 448\u003c\/p\u003e \u003cp\u003eGetting Started 448\u003c\/p\u003e \u003cp\u003eReviewing and flagging good photos 448\u003c\/p\u003e \u003cp\u003eSwitching to the Develop module 451\u003c\/p\u003e \u003cp\u003eSetting the lens profile 451\u003c\/p\u003e \u003cp\u003eTesting the waters 452\u003c\/p\u003e \u003cp\u003eetting Brightness and Contrast 453\u003c\/p\u003e \u003cp\u003eAdjusting the exposure 453\u003c\/p\u003e \u003cp\u003eImproving contrast 454\u003c\/p\u003e \u003cp\u003eProtecting highlights and shadows 455\u003c\/p\u003e \u003cp\u003eSetting the black and white points 456\u003c\/p\u003e \u003cp\u003eWorking with texture, clarity, and haze 457\u003c\/p\u003e \u003cp\u003eCorrecting and Improving Color 459\u003c\/p\u003e \u003cp\u003eChecking the white balance 459\u003c\/p\u003e \u003cp\u003eAdjusting color vibrancy and saturation 459\u003c\/p\u003e \u003cp\u003eMaking Additional Improvements 461\u003c\/p\u003e \u003cp\u003eFinishing Up 463\u003c\/p\u003e \u003cp\u003eStraightening and cropping 463\u003c\/p\u003e \u003cp\u003eExporting images 464\u003c\/p\u003e \u003cp\u003eProcessing Photos In-Camera 464\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Digging Deeper into Photo Editing\u003c\/b\u003e\u003cb\u003e 467\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSoftware for Editing Photos 468\u003c\/p\u003e \u003cp\u003eDealing with the Mundane Stuff 468\u003c\/p\u003e \u003cp\u003eCreating a Photoshop file 468\u003c\/p\u003e \u003cp\u003eHelpful Photoshop features 470\u003c\/p\u003e \u003cp\u003eCoping with color management 471\u003c\/p\u003e \u003cp\u003eSaving your final images 472\u003c\/p\u003e \u003cp\u003eDodging and Burning 472\u003c\/p\u003e \u003cp\u003eUsing High Pass to Sharpen 474\u003c\/p\u003e \u003cp\u003eMaking Minor Adjustments 476\u003c\/p\u003e \u003cp\u003eApplying Changes Selectively with Masks 477\u003c\/p\u003e \u003cp\u003eMashing Up Versions of the Same Shot 478\u003c\/p\u003e \u003cp\u003eStamping Out Imperfections and Distractions 480\u003c\/p\u003e \u003cp\u003eDusting and cleaning 480\u003c\/p\u003e \u003cp\u003eRemoving other distractions 482\u003c\/p\u003e \u003cp\u003eImproving complexions 482\u003c\/p\u003e \u003cp\u003eAdjusting Final Composition 484\u003c\/p\u003e \u003cp\u003eWords of Caution and Encouragement 486\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: Expressing Your Artistry\u003c\/b\u003e\u003cb\u003e 489\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWhy Be Creative? 490\u003c\/p\u003e \u003cp\u003eSoftware for Your Artistic Endeavors 491\u003c\/p\u003e \u003cp\u003eConverting to Black and White 492\u003c\/p\u003e \u003cp\u003eUsing black-and-white adjustment layers 493\u003c\/p\u003e \u003cp\u003ePhoto gallery 495\u003c\/p\u003e \u003cp\u003eColorizing Your Photos 498\u003c\/p\u003e \u003cp\u003eTinting the fast and easy way 498\u003c\/p\u003e \u003cp\u003eColorizing with Hue\/Saturation 500\u003c\/p\u003e \u003cp\u003eSplit toning using Color Balance 500\u003c\/p\u003e \u003cp\u003eCross-processing with Curves 502\u003c\/p\u003e \u003cp\u003eUsing color layers 503\u003c\/p\u003e \u003cp\u003eCreating duotones 506\u003c\/p\u003e \u003cp\u003eExperimenting with Artistic Filters 508\u003c\/p\u003e \u003cp\u003eUsing the Filter Gallery 508\u003c\/p\u003e \u003cp\u003eApplying other filters 510\u003c\/p\u003e \u003cp\u003eSmart Filters 510\u003c\/p\u003e \u003cp\u003eFilter fun 511\u003c\/p\u003e \u003cp\u003eUsing In-Camera Creative Styles and Filters 514\u003c\/p\u003e \u003cp\u003eUsing in-camera styles 514\u003c\/p\u003e \u003cp\u003eApplying in-camera filters 516\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5: Creating Panoramas\u003c\/b\u003e\u003cb\u003e 519\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eShooting Pan-tastic Panoramas 519\u003c\/p\u003e \u003cp\u003eGetting your camera ready 520\u003c\/p\u003e \u003cp\u003eShooting tripod-assisted panoramas 520\u003c\/p\u003e \u003cp\u003eShooting handheld panoramas 522\u003c\/p\u003e \u003cp\u003eStitching Photos Together 523\u003c\/p\u003e \u003cp\u003eCreating panoramas with Lightroom 523\u003c\/p\u003e \u003cp\u003eCreating panoramas with Photoshop 527\u003c\/p\u003e \u003cp\u003eStepping Up Your Game 530\u003c\/p\u003e \u003cp\u003eAdvanced blending in Photoshop 530\u003c\/p\u003e \u003cp\u003eUsing a panoramic tripod head 531\u003c\/p\u003e \u003cp\u003eUsing specialized panorama software 532\u003c\/p\u003e \u003cp\u003eShooting HDR panoramas 533\u003c\/p\u003e \u003cp\u003eShooting Automatic Panoramas 534\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 6: Enjoying HDR Photography\u003c\/b\u003e\u003cb\u003e 537\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eHDR Software 538\u003c\/p\u003e \u003cp\u003eLearning about HDR 538\u003c\/p\u003e \u003cp\u003eShooting Exposure Brackets for HDR 540\u003c\/p\u003e \u003cp\u003eConfiguring your camera 540\u003c\/p\u003e \u003cp\u003eSetting up automatic exposure bracketing (AEB) 541\u003c\/p\u003e \u003cp\u003eShooting the exposure brackets 543\u003c\/p\u003e \u003cp\u003eTone Mapping in Photomatix Pro 544\u003c\/p\u003e \u003cp\u003eCreating the HDR image 544\u003c\/p\u003e \u003cp\u003eTone mapping the HDR image 548\u003c\/p\u003e \u003cp\u003eTrying Alternative Techniques 552\u003c\/p\u003e \u003cp\u003eUsing your camera’s HDR modes 552\u003c\/p\u003e \u003cp\u003ePreparing your images differently 553\u003c\/p\u003e \u003cp\u003eTrying single-exposure HDR 554\u003c\/p\u003e \u003cp\u003eCreating your own brackets from a single shot 554\u003c\/p\u003e \u003cp\u003eManually bracketing exposures 555\u003c\/p\u003e \u003cp\u003eUsing other applications for HDR 555\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBook 6: Showcasing Different Scenes\u003c\/b\u003e\u003cb\u003e 559\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: Portraits\u003c\/b\u003e\u003cb\u003e 561\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCapturing Animal Portraits 561\u003c\/p\u003e \u003cp\u003eCopy What Works 563\u003c\/p\u003e \u003cp\u003eSnapping Casual Portraits 563\u003c\/p\u003e \u003cp\u003ePosing Group Photos 565\u003c\/p\u003e \u003cp\u003eSay Cheese! 566\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Landscapes\u003c\/b\u003e\u003cb\u003e 567\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUsing an Ultra Wide-Angle Lens 567\u003c\/p\u003e \u003cp\u003eGetting Up Early 568\u003c\/p\u003e \u003cp\u003eGoing Different Places 569\u003c\/p\u003e \u003cp\u003eGetting Out in the Weather 570\u003c\/p\u003e \u003cp\u003eThe Classic Sunset 571\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Action\u003c\/b\u003e\u003cb\u003e 573\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eTracking the Action 573\u003c\/p\u003e \u003cp\u003eUsing an External Flash 574\u003c\/p\u003e \u003cp\u003eFinding the Right Spot 575\u003c\/p\u003e \u003cp\u003eGreat Light is Great 576\u003c\/p\u003e \u003cp\u003ePushing to the Limits 577\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: Close-Ups\u003c\/b\u003e\u003cb\u003e 579\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eZoom In 579\u003c\/p\u003e \u003cp\u003eBe Ready to Grab Your Camera 580\u003c\/p\u003e \u003cp\u003eUsing Diopters 581\u003c\/p\u003e \u003cp\u003eWhatever Works, Works 583\u003c\/p\u003e \u003cp\u003eFocus on Small Details 584\u003c\/p\u003e \u003cp\u003eIndex 585\u003c\/p\u003e","brand":"John Wiley \u0026 Sons Inc","offers":[{"title":"Default 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