{"product_id":"design-roots-9781350103412","title":"Design Roots","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eStuart Walker\u003c\/b\u003e is Professor of Design for Sustainability at Lancaster University, UK.\u003cb\u003eMartyn Evans\u003c\/b\u003e is Professor of Design at Manchester Metropolitan University, UK.\u003cb\u003eTom Cassidy \u003c\/b\u003eis Chair of Design at the University of Leeds, UK.\u003cb\u003eJeyon Jung\u003c\/b\u003e is Research Associate at Lancaster University, UK.\u003cb\u003eAmy Twigger Holroyd\u003c\/b\u003e is Associate Professor of Fashion and Sustainability at Nottingham Trent University, UK.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eCraft has deep roots and heritage but these material skills and ways of working are just as relevant today as they were centuries ago. Critical writing on craft, such as \u003ci\u003eDesign Roots\u003c\/i\u003e, is crucial to ensure it continues to evolve and thrive. \u003ci\u003e\u003c\/i\u003e * Rosy Greenlees OBE, Executive Director of the Crafts Council, UK *\u003cbr\u003eA balanced, insightful, integrated agenda... a collaboration of thoughtful practitioners that offers fruitful research... The insightful editors and creative contributors managed to avoid most difficulties seen in edited volumes: the range of quality, the consistency of the essays, and the enlarged sum of the book impressed me... These pages do not offer sentimentality and nostalgia but promote the evolving, innovative, and adaptive nature of traditional, culturally significant designs, products and practices... [I] enjoyed the satisfaction of an admirable accomplishment... I would recommend this edited volume to thinking practitioners and researchers looking for inspiration – it is full of ideas worth pursuing. * K. Scott Swan writing for the Design Journal, Routledge *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eEditorial Introduction, \u003ci\u003eStuart Walker (Lancaster University, UK)\u003c\/i\u003e   \u003cb\u003ePart I\u003c\/b\u003e  Introduction: Culturally Significant Designs, Products and Practices, \u003ci\u003eMartyn Evans (Manchester Metropolitan University, UK)\u003c\/i\u003e 1. Creative Ecologies: Contextualising Culturally Significant Designs, Products and Practices, \u003ci\u003eJeyon Jung and Stuart Walker (Lancaster University, UK)\u003c\/i\u003e 2. Forging New Futures: Cultural Significance, Revitalisation and Authenticity, \u003ci\u003eAmy Twigger Holroyd (Nottingham Trent University, UK)\u003c\/i\u003e 3. Culturally Significant Artefacts and Their Relationship to Tradition and Sustainability, \u003ci\u003eStuart Walker (Lancaster University, UK)\u003c\/i\u003e 4. Making and its Cultural Ecological Foundations, \u003ci\u003ePatrick Dillon (University of Exeter, UK)\u003c\/i\u003e   \u003cb\u003ePart II \u003c\/b\u003e Introduction: Authenticity and Tradition in Material Culture, \u003ci\u003eAmy Twigger Holroyd (Nottingham Trent University, UK)\u003c\/i\u003e 5. The Aran Jumper, \u003ci\u003eSiún Carden (University of the Highlands and Islands, UK)\u003c\/i\u003e 6. Chok Weaving and Textile Enterprises from Northern Thailand, \u003ci\u003eDisaya Chudasri (Lancaster University, UK)\u003c\/i\u003e 7. Oltu-Stone Prayer Beads: A Journey into the Art of Carving Tasbih, \u003ci\u003eHazal Gümüs Çiftçi (Lancaster University, UK) \u003c\/i\u003e8. The Mian Sara: Traditional Iranian Homes and Sustainability, \u003ci\u003ePoone Yazdanpanah and Stuart Walker (Lancaster University, UK)\u003c\/i\u003e 9. IKEA: Mass-produced National Design Identity, \u003ci\u003eSara S. Kristoffersson (\u003c\/i\u003e\u003ci\u003eKonstfack University College, Sweden)\u003c\/i\u003e   \u003cb\u003ePart III\u003c\/b\u003e  Introduction: Revitalisation by Design, \u003ci\u003eTom Cassidy (University of Leeds, UK)\u003c\/i\u003e 10. Culture as a Resource for a Sustainable Future in Indigenous Communities: Strengthening Atikamekw Identity and Economics through Design, \u003ci\u003eAnne Marchand, Karine Awashish, Christian Coocoo, Solen Roth, Renata Marques Leitão, Cédric Sportes and Caoimhe Isha Beaulé (University of Montreal, Canada)\u003c\/i\u003e 11. Transforming Tradition in Indonesia: A Method for Maintaining Tradition in a Craft and Design Context, \u003ci\u003eAdhi Nugraha (Aalto University, Finland)\u003c\/i\u003e 12. New Translations of South Korean Patterns, \u003ci\u003eMeong Jin Shin (University of Leeds, UK)\u003c\/i\u003e 13. Revitalisation by Design, \u003ci\u003eSebastian Cox (Sebastian Cox Ltd, UK)\u003c\/i\u003e 14. New Caribbean Design: Revitalising Place-based Products, \u003ci\u003ePatty Johnson (Patty Johnson Design, Canada)\u003c\/i\u003e   \u003cb\u003ePart IV\u003c\/b\u003e  Introduction: Enterprise, Policy and Education for Positive Development, \u003ci\u003eJeyon Jung (Lancaster University, UK)\u003c\/i\u003e 15. Sustaining Culturally Significant Designs, Products and Practices: Lessons from the Hohokam, \u003ci\u003eJacques Giard (Arizona State University, USA)\u003c\/i\u003e 16. Accidents, Intentions, Movements and Makers: Artisan Economy in Portland, Oregon, USA,\u003ci\u003eSteven Marotta, Austin Cummins and Charles Heying (Portland State University, USA)\u003c\/i\u003e 17. The Role of Higher Education in Sustaining Culturally Significant Crafts in Estonia, \u003ci\u003eSirpa Kokko (University of Helsinki, Finland)\u003c\/i\u003e 18. The Challenge of Intellectual Property Rights for Culturally Significant Patterns, Products and Processes, \u003ci\u003eTom Cassidy and Tracy Diane Cassidy\u003c\/i\u003e\u003ci\u003e (University of Leeds, UK)\u003c\/i\u003e 19. The Case of the City Different: The Intersection of the Museum, the Artist and the Marketplace, \u003ci\u003eMarsha C. Bol (\u003c\/i\u003e\u003ci\u003eCarnegie Museum of Natural History, USA)\u003c\/i\u003e   \u003cb\u003ePart V\u003c\/b\u003e  Introduction: Design Futures, \u003ci\u003eStuart Walker (\u003c\/i\u003e\u003ci\u003eLancaster University, UK) \u003c\/i\u003e\u003ci\u003eand Martyn Evans (\u003c\/i\u003e\u003ci\u003eManchester Metropolitan University, UK)\u003c\/i\u003e 20. Research Approaches for Culturally Significant Design, \u003ci\u003eTom Cassidy\u003c\/i\u003e\u003ci\u003e (University of Leeds, UK)\u003c\/i\u003e 21. Digital Transformations, Amateur Making and the Revitalisation of Traditional Textile Crafts, \u003ci\u003eAmy Twigger Holroyd\u003c\/i\u003e\u003ci\u003e (Nottingham Trent University, UK)\u003c\/i\u003e 22. Design for Social Innovators, \u003ci\u003eAnna Meroni and Daniela Selloni (Politechnico di Milano, Italy)\u003c\/i\u003e 23. Integrated Scales of Design and Production for Sustainability with a Focus on Graduate Design Work in Lighting, \u003ci\u003eÇagla Dogan (Middle Eastern Technical University, Turkey)\u003c\/i\u003e 24. Designing Authentic Brands: How Designerly Approaches can Craft Authentic Brand Identity, \u003ci\u003eEmma Murphy (Glasgow School of Art, UK)\u003c\/i\u003e 25. Strategies for Revitalisation of Culturally Significant Designs, Products and Practices, \u003ci\u003eMartyn Evans (\u003c\/i\u003e\u003ci\u003eManchester Metropolitan University, UK)\u003c\/i\u003e\u003ci\u003e, Amy Twigger Holroyd (\u003c\/i\u003e\u003ci\u003eNottingham Trent University, UK),\u003c\/i\u003e\u003ci\u003e Stuart Walker and Jeyon Jung (Lancaster University, UK) and Tom Cassidy (University of Leeds, UK)\u003c\/i\u003e  Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":49407507202391,"sku":"9781350103412","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350103412.jpg?v=1730499612","url":"https:\/\/bookcurl.com\/products\/design-roots-9781350103412","provider":"Book Curl","version":"1.0","type":"link"}