{"product_id":"design-and-order-9781119539513","title":"Design and Order","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eTeaches the principles behind the successful planning and creation of inspired built forms and urban places\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThis book offers an integrated understanding of both the principles and the perception of the design of built environments and public spaces. It outlines the fundamental characteristics that are evident in the creation of built form and illustrates how they determine the experience of resultant places. It also consolidates the key criteria that need to be taken into consideration in the development of these areas. All of the above-mentioned aims to provide designers with a solid understanding of the implications of their decisions on perception and behavior during the creation of new spaces.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eDesign and Order: Perceptual experience of built form - Principles in the Planning and Making of Place \u003c\/i\u003estarts by examining the designing of natural environments and the affect that they have on humans. It teaches readers how people experience and are shaped by a\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOutline xix\u003c\/p\u003e \u003cp\u003ePreface xxiii\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSection I The Environment \u003c\/b\u003e\u003cb\u003e1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I The Environment – Natural, Ecological and Historical (Topography) \u003c\/b\u003e\u003cb\u003e3\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 Natural Sites and Places \u003c\/b\u003e\u003cb\u003e5\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1.1 Nature and Landscape 5\u003c\/p\u003e \u003cp\u003e1.2 Natural Places and Characteristics 5\u003c\/p\u003e \u003cp\u003e1.3 Creation of Man-Made Places 6\u003c\/p\u003e \u003cp\u003e1.4 Existential Space and Place 7\u003c\/p\u003e \u003cp\u003e1.5 Natural Landscape and Sensing 9\u003c\/p\u003e \u003cp\u003eFurther Reading 10\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 Ecological and Climatic Context and Basic Protection Needs \u003c\/b\u003e\u003cb\u003e11\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e2.1 Primitive Needs 11\u003c\/p\u003e \u003cp\u003e2.2 Climatic Zones and Natural Materials for Shelter 11\u003c\/p\u003e \u003cp\u003e2.3 Shelter Types, Uses and Purposes 13\u003c\/p\u003e \u003cp\u003e2.4 Socio-Cultural Factors and Human Needs 14\u003c\/p\u003e \u003cp\u003e2.5 Theory of Human Needs 15\u003c\/p\u003e \u003cp\u003eExhibit 2.1 Basic Human Needs 18\u003c\/p\u003e \u003cp\u003eFurther Reading 19\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 Historical and Regional Development \u003c\/b\u003e\u003cb\u003e21\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e3.1 Historic Eras and Development 21\u003c\/p\u003e \u003cp\u003e3.2 Regional Variations, Early Cultures and Settlements 22\u003c\/p\u003e \u003cp\u003e3.3 Topography, Climate and Materials – Form Determinants 23\u003c\/p\u003e \u003cp\u003eExhibit 3.1 Individual Dwelling Types 24\u003c\/p\u003e \u003cp\u003eFurther Reading 27\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSection II Human Behaviour and Design \u003c\/b\u003e\u003cb\u003e29\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Human Behaviour (Neuro-Physiology) \u003c\/b\u003e\u003cb\u003e31\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 The Brain, the Mind and Sensing \u003c\/b\u003e\u003cb\u003e33\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e4.1 The Brain and Neurological Systems – Seeing, Touching and Hearing 33\u003c\/p\u003e \u003cp\u003e4.2 Seeing – Visual Processing and Memory 33\u003c\/p\u003e \u003cp\u003e4.3 Touching and Hearing 35\u003c\/p\u003e \u003cp\u003e4.4 The Mind – Mental Learning and Thinking – Cognition 36\u003c\/p\u003e \u003cp\u003e4.5 The Mind – Visceral Feelings – Emotion and Motivation 38\u003c\/p\u003e \u003cp\u003e4.6 Consciousness and Self 39\u003c\/p\u003e \u003cp\u003e4.7 Human Body and the Sensing of Form 40\u003c\/p\u003e \u003cp\u003e4.8 Meaning, Intentionality and Imagination 41\u003c\/p\u003e \u003cp\u003e4.9 Metaphor and Consciousness 42\u003c\/p\u003e \u003cp\u003eExhibit 4.1 The Human Brain – Neurological Sensing 45\u003c\/p\u003e \u003cp\u003eFurther Reading 52\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5 The Eyes and the Visual System \u003c\/b\u003e\u003cb\u003e55\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e5.1 Visual Perception 55\u003c\/p\u003e \u003cp\u003e5.2 Visual World and Visual Field 57\u003c\/p\u003e \u003cp\u003e5.3 Visual Perception and Affordances 61\u003c\/p\u003e \u003cp\u003e5.4 Perceptual Experience – Visual System 62\u003c\/p\u003e \u003cp\u003e5.5 Visual System and Optic Arrays 63\u003c\/p\u003e \u003cp\u003e5.6 Recognition, Eye Movements and Analogue Theory 65\u003c\/p\u003e \u003cp\u003eExhibit 5.1 The Human Eye 66\u003c\/p\u003e \u003cp\u003eExhibit 5.2 Affordances 72\u003c\/p\u003e \u003cp\u003eExhibit 5.3 Perspective – Sensory Shifts 73\u003c\/p\u003e \u003cp\u003eFurther Reading 74\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6 The Senses \u003c\/b\u003e\u003cb\u003e75\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e6.1 The System of Senses 75\u003c\/p\u003e \u003cp\u003e6.2 The Senses 76\u003c\/p\u003e \u003cp\u003e6.3 Further Senses 78\u003c\/p\u003e \u003cp\u003e6.4 The Senses and Multi-Sensory Experience 81\u003c\/p\u003e \u003cp\u003e6.5 Multi-Sensory Emotions, Feelings and Aspirations 83\u003c\/p\u003e \u003cp\u003e6.6 Pleasure 85\u003c\/p\u003e \u003cp\u003eExhibit 6.1 The Human Ear 86\u003c\/p\u003e \u003cp\u003eExhibit 6.2 The Human Senses 88\u003c\/p\u003e \u003cp\u003eFurther Reading 89\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Perceptual Experience of Form (Psychology and Phenomenology) \u003c\/b\u003e\u003cb\u003e91\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7 Aesthetic Theories and Perception of Built Form \u003c\/b\u003e\u003cb\u003e93\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e7.1 Perception 93\u003c\/p\u003e \u003cp\u003e7.2 Theories of Perception 93\u003c\/p\u003e \u003cp\u003e7.3 Schematisation and Phenomena 94\u003c\/p\u003e \u003cp\u003e7.4 Equilibrium, Wholes and Re-centring 96\u003c\/p\u003e \u003cp\u003e7.5 Parts and the ‘Whole’ 96\u003c\/p\u003e \u003cp\u003e7.6 Perceptual Properties 98\u003c\/p\u003e \u003cp\u003e7.7 Perception of Form 98\u003c\/p\u003e \u003cp\u003e7.8 Psychology of Form 99\u003c\/p\u003e \u003cp\u003e7.9 Dynamics of Space 100\u003c\/p\u003e \u003cp\u003e7.10 Perception and Cognition 102\u003c\/p\u003e \u003cp\u003e7.11 Meaning and Symbols 104\u003c\/p\u003e \u003cp\u003e7.12 Synopsis – Perceptual Experience 106\u003c\/p\u003e \u003cp\u003eExhibit 7.1 Principles of Configuration 108\u003c\/p\u003e \u003cp\u003eExhibit 7.2 Perspective 111\u003c\/p\u003e \u003cp\u003eFurther Reading 113\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Grammar and Syntax of Form, and Composition \u003c\/b\u003e\u003cb\u003e115\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8 Architectural Ordering, Composition, Form and Beauty \u003c\/b\u003e\u003cb\u003e117\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e8.1 Order 117\u003c\/p\u003e \u003cp\u003e8.2 Grammar of Design and Syntax 118\u003c\/p\u003e \u003cp\u003e8.3 Composition and Characteristics 122\u003c\/p\u003e \u003cp\u003e8.4 Rhythm and Harmony 124\u003c\/p\u003e \u003cp\u003e8.5 Purposiveness 125\u003c\/p\u003e \u003cp\u003e8.6 Objects and Arrangements 125\u003c\/p\u003e \u003cp\u003e8.7 Composition and Type 126\u003c\/p\u003e \u003cp\u003e8.8 Ways of Ordering 127\u003c\/p\u003e \u003cp\u003e8.9 Objective Properties 129\u003c\/p\u003e \u003cp\u003eExhibit 8.1 Principles of Composition 130\u003c\/p\u003e \u003cp\u003eExhibit 8.2 Basic Rules of Composition for Order and Unity 132\u003c\/p\u003e \u003cp\u003eFurther Reading 140\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V Planning and Design Process, and Programme Requirements (Methodology) \u003c\/b\u003e\u003cb\u003e141\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9 Design Framework, Methods and Approaches \u003c\/b\u003e\u003cb\u003e143\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e9.1 Problem Formulation 143\u003c\/p\u003e \u003cp\u003e9.2 Setting 143\u003c\/p\u003e \u003cp\u003e9.3 Fitness and Fit 144\u003c\/p\u003e \u003cp\u003e9.4 Self-Conscious Design Approach 145\u003c\/p\u003e \u003cp\u003e9.5 Affordances and Behaviour Settings 146\u003c\/p\u003e \u003cp\u003e9.6 Programme Requirements 146\u003c\/p\u003e \u003cp\u003e9.7 Designing and Design Approaches 147\u003c\/p\u003e \u003cp\u003e9.8 Design Process, Reflection and Appraisal 149\u003c\/p\u003e \u003cp\u003e9.9 Intended Results and Evaluation 155\u003c\/p\u003e \u003cp\u003e9.10 Design of ‘Good’ Form 157\u003c\/p\u003e \u003cp\u003eExhibit 9.1 Nature of Design Requirements, Invention and Making 158\u003c\/p\u003e \u003cp\u003eExhibit 9.2 Modern Design Approach – Programme, Brief and Process 161\u003c\/p\u003e \u003cp\u003eFurther Reading 164\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10 ‘Pattern Language’ Approach \u003c\/b\u003e\u003cb\u003e167\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e10.1 Form Language 167\u003c\/p\u003e \u003cp\u003e10.2 Order and Life – ‘Wholeness’ 169\u003c\/p\u003e \u003cp\u003e10.3 Life-Creating Transformations of Centres 171\u003c\/p\u003e \u003cp\u003e10.4 Language of Form 173\u003c\/p\u003e \u003cp\u003e10.5 Fundamental Maxim – ‘Unity’ of the ‘Whole’ 175\u003c\/p\u003e \u003cp\u003eExhibit 10.1 Pattern Language – Properties 176\u003c\/p\u003e \u003cp\u003eExhibit 10.2 Rules of Scale in Order 180\u003c\/p\u003e \u003cp\u003eExhibit 10.3 Ambience 184\u003c\/p\u003e \u003cp\u003eExhibit 10.4 ‘Well’ Building 186\u003c\/p\u003e \u003cp\u003eFurther Reading 188\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSection III Form, Function and Fit \u003c\/b\u003e\u003cb\u003e189\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI Form and Fit \u003c\/b\u003e\u003cb\u003e191\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11 Physical Built Form in Space \u003c\/b\u003e\u003cb\u003e193\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e11.1 Form – Mass and Spatial Volume 193\u003c\/p\u003e \u003cp\u003e11.2 Transformation of Form 193\u003c\/p\u003e \u003cp\u003e11.3 Additive Form 194\u003c\/p\u003e \u003cp\u003e11.4 Integration of Forms 196\u003c\/p\u003e \u003cp\u003e11.5 Form and Space 196\u003c\/p\u003e \u003cp\u003e11.6 Horizontal Planes 197\u003c\/p\u003e \u003cp\u003e11.7 Vertical Planes 197\u003c\/p\u003e \u003cp\u003e11.8 Architectural Space, Enclosures and Vistas 200\u003c\/p\u003e \u003cp\u003e11.9 Spatial Qualities and Layout 201\u003c\/p\u003e \u003cp\u003e11.10 Light, Sound and Atmospheric Qualities in Built Form 202\u003c\/p\u003e \u003cp\u003eExhibit 11.1 Principles of Articulation and Conjugation 204\u003c\/p\u003e \u003cp\u003eFurther Reading 205\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12 Geometrical Layout and Organisation – Axes, Shapes and Repeating Patterns \u003c\/b\u003e\u003cb\u003e207\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e12.1 Datum and Axes 207\u003c\/p\u003e \u003cp\u003e12.2 Ordering Principles 207\u003c\/p\u003e \u003cp\u003e12.3 Hierarchy and Scale 208\u003c\/p\u003e \u003cp\u003e12.4 Rhythm and Repetition 208\u003c\/p\u003e \u003cp\u003e12.5 Symmetry 208\u003c\/p\u003e \u003cp\u003e12.6 Transformations 209\u003c\/p\u003e \u003cp\u003e12.7 Generative Design Processes 211\u003c\/p\u003e \u003cp\u003e12.8 Fractals 212\u003c\/p\u003e \u003cp\u003e12.9 Other Forms of Geometry – Non-Euclidean 212\u003c\/p\u003e \u003cp\u003e12.10 Patterns of Repeating Elements for Decoration 213\u003c\/p\u003e \u003cp\u003eExhibit 12.1 Principles in the Design of Decorative, Geometric and Motif Patterns 214\u003c\/p\u003e \u003cp\u003eFurther Reading 216\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13 Proportion, Symmetry and Harmony \u003c\/b\u003e\u003cb\u003e217\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e13.1 Proportion – History 217\u003c\/p\u003e \u003cp\u003e13.2 Proportion and Physical Relationships 220\u003c\/p\u003e \u003cp\u003e13.3 Symmetry 220\u003c\/p\u003e \u003cp\u003e13.4 Human Proportions 222\u003c\/p\u003e \u003cp\u003e13.5 Room Proportions 222\u003c\/p\u003e \u003cp\u003e13.6 Regulating Lines 224\u003c\/p\u003e \u003cp\u003e13.7 Latent Geometric Relationships 226\u003c\/p\u003e \u003cp\u003e13.8 Good Proportioning 226\u003c\/p\u003e \u003cp\u003e13.9 Anthropometrics and Human Factors 227\u003c\/p\u003e \u003cp\u003e13.10 Scale 227\u003c\/p\u003e \u003cp\u003e13.11 Harmony 228\u003c\/p\u003e \u003cp\u003e13.12 Expressions of Form 229\u003c\/p\u003e \u003cp\u003eExhibit 13.1 Principles of Proportion and Symmetry 230\u003c\/p\u003e \u003cp\u003eExhibit 13.2 Types of Series, Proportion, Symmetry and Natural Growth 233\u003c\/p\u003e \u003cp\u003eExhibit 13.3 Principles of Rhythm and Harmony 249\u003c\/p\u003e \u003cp\u003eExhibit 13.4 Essay on Harmony as It Relates to Building – Robert Morris 251\u003c\/p\u003e \u003cp\u003eExhibit 13.5 Musical Harmony 252\u003c\/p\u003e \u003cp\u003eExhibit 13.6 Rhythm and Syncopation in Built Form by Era 257\u003c\/p\u003e \u003cp\u003eFurther Reading 258\u003c\/p\u003e \u003cp\u003ePhotos 259\u003c\/p\u003e \u003cp\u003e\u003cb\u003e14 Organisational Forms and Layout \u003c\/b\u003e\u003cb\u003e261\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e14.1 Linear Organisation 261\u003c\/p\u003e \u003cp\u003e14.2 Centralised Organisation 261\u003c\/p\u003e \u003cp\u003e14.3 Radial Organisation 261\u003c\/p\u003e \u003cp\u003e14.4 Grid 262\u003c\/p\u003e \u003cp\u003e14.5 Clustered Organisation 263\u003c\/p\u003e \u003cp\u003e14.6 Interior Enclosed Space 264\u003c\/p\u003e \u003cp\u003eExhibit 14.1 Principles of Organisation and Arrangement 265\u003c\/p\u003e \u003cp\u003eExhibit 14.2 The Modulor 267\u003c\/p\u003e \u003cp\u003eExhibit 14.3 Japanese Design Arrangements for Dwelling 271\u003c\/p\u003e \u003cp\u003eFurther Reading 272\u003c\/p\u003e \u003cp\u003e\u003cb\u003e15 Functional Purpose and Use of Space \u003c\/b\u003e\u003cb\u003e275\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e15.1 Function 275\u003c\/p\u003e \u003cp\u003e15.2 Utility, Significance and Purposefulness 275\u003c\/p\u003e \u003cp\u003e15.3 Use, Activities and Spatial Requirements 275\u003c\/p\u003e \u003cp\u003e15.4 Structural System and Components 276\u003c\/p\u003e \u003cp\u003e15.5 Materials 277\u003c\/p\u003e \u003cp\u003e15.6 Personal Space 278\u003c\/p\u003e \u003cp\u003e15.7 Territoriality 279\u003c\/p\u003e \u003cp\u003e15.8 Defensible Space 280\u003c\/p\u003e \u003cp\u003eExhibit 15.1 Principles of Function and Purpose 283\u003c\/p\u003e \u003cp\u003eExhibit 15.2 Purposiveness 285\u003c\/p\u003e \u003cp\u003eExhibit 15.3 Principles of Universal Design 286\u003c\/p\u003e \u003cp\u003eFurther Reading 286\u003c\/p\u003e \u003cp\u003e\u003cb\u003e16 Circulation, Plan and Elevation \u003c\/b\u003e\u003cb\u003e287\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e16.1 Approach 287\u003c\/p\u003e \u003cp\u003e16.2 Entrance 287\u003c\/p\u003e \u003cp\u003e16.3 Dynamic Spatial Experience 288\u003c\/p\u003e \u003cp\u003e16.4 Configuration for Communication 289\u003c\/p\u003e \u003cp\u003e16.5 Access Paths 289\u003c\/p\u003e \u003cp\u003e16.6 Internal Circulation 289\u003c\/p\u003e \u003cp\u003e16.7 Stairs and Staircases 290\u003c\/p\u003e \u003cp\u003e16.8 Built Section 290\u003c\/p\u003e \u003cp\u003eExhibit 16.1 Principles of Communication and Circulation 292\u003c\/p\u003e \u003cp\u003eFurther Reading 293\u003c\/p\u003e \u003cp\u003e\u003cb\u003e17 Colour and Contrast \u003c\/b\u003e\u003cb\u003e295\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e17.1 Light and Spectrum 295\u003c\/p\u003e \u003cp\u003e17.2 Colour Pigments 295\u003c\/p\u003e \u003cp\u003e17.3 Pigments for Printing 297\u003c\/p\u003e \u003cp\u003e17.4 Complementary Colours 299\u003c\/p\u003e \u003cp\u003e17.5 Features of Colour 300\u003c\/p\u003e \u003cp\u003e17.6 Colour Circle, Sphere and Star 303\u003c\/p\u003e \u003cp\u003e17.7 Perceptual Basis of Colour 304\u003c\/p\u003e \u003cp\u003e17.8 Colour Interaction 307\u003c\/p\u003e \u003cp\u003e17.9 Colour Serialisation 308\u003c\/p\u003e \u003cp\u003eExhibit 17.1 Principles of Colour and Contrast 309\u003c\/p\u003e \u003cp\u003eExhibit 17.2 Colour Parameters and Principles 311\u003c\/p\u003e \u003cp\u003eExhibit 17.3 Contrast in Colour 317\u003c\/p\u003e \u003cp\u003eFurther Reading 319\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VII Building Structure and Types \u003c\/b\u003e\u003cb\u003e321\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e18 Structure \u003c\/b\u003e\u003cb\u003e323\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e18.1 Beginnings 323\u003c\/p\u003e \u003cp\u003e18.2 Laws of Nature 323\u003c\/p\u003e \u003cp\u003e18.3 Lateral Stability 324\u003c\/p\u003e \u003cp\u003e18.4 Materials 324\u003c\/p\u003e \u003cp\u003e18.5 Design Methods 325\u003c\/p\u003e \u003cp\u003e18.6 Connections and Jointing 325\u003c\/p\u003e \u003cp\u003e18.7 Structural Types 326\u003c\/p\u003e \u003cp\u003e18.8 Maintainability and Sustainability 328\u003c\/p\u003e \u003cp\u003e18.9 Generative Parametrics 328\u003c\/p\u003e \u003cp\u003e18.10 Resiliency 328\u003c\/p\u003e \u003cp\u003eExhibit 18.1 Principles of Structure 329\u003c\/p\u003e \u003cp\u003eFurther Reading 331\u003c\/p\u003e \u003cp\u003ePhotos 331\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSection IV Built and Urban Form \u003c\/b\u003e\u003cb\u003e335\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VIII ‘Good’ Practice – Built Form \u003c\/b\u003e\u003cb\u003e337\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e19 Buildings and Dwellings \u003c\/b\u003e\u003cb\u003e339\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e19.1 Space and Human Interaction 339\u003c\/p\u003e \u003cp\u003e19.2 Creation of ‘Place’ 340\u003c\/p\u003e \u003cp\u003e19.3 ‘Good’ Building 341\u003c\/p\u003e \u003cp\u003e19.4 Built Form Determinants 342\u003c\/p\u003e \u003cp\u003e19.5 Re-Use 345\u003c\/p\u003e \u003cp\u003e19.6 Use Types of Buildings 346\u003c\/p\u003e \u003cp\u003e19.7 Goals of ‘Good’ Built Form 347\u003c\/p\u003e \u003cp\u003eExhibit 19.1 Principles of Assembly – Built Form 349\u003c\/p\u003e \u003cp\u003eExhibit 19.2 Selective Modern ‘Good’ Building Practice by Use Type 352\u003c\/p\u003e \u003cp\u003eExhibit 19.3 Examples of Built Type Forms 354\u003c\/p\u003e \u003cp\u003eExhibit 19.4 Modern Movements and Practitioners 358\u003c\/p\u003e \u003cp\u003eExhibit 19.5 Iconic Modern Buildings 360\u003c\/p\u003e \u003cp\u003eExhibit 19.6 Modern Iconic US Buildings 365\u003c\/p\u003e \u003cp\u003eFurther Reading 368\u003c\/p\u003e \u003cp\u003ePhotos 368\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IX ‘Good’ Practice – Urban Form \u003c\/b\u003e\u003cb\u003e375\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e20 Urban Form \u003c\/b\u003e\u003cb\u003e377\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e20.1 Form Determinants in Urban Settlements – Natural and Man-Made Features 377\u003c\/p\u003e \u003cp\u003e20.2 Historical Developments 379\u003c\/p\u003e \u003cp\u003e20.3 Different Regional and Cultural Typologies 381\u003c\/p\u003e \u003cp\u003e20.4 Multi-Nucleus and Mixed Development 383\u003c\/p\u003e \u003cp\u003e20.5 Modern Developments 385\u003c\/p\u003e \u003cp\u003e20.6 Elements of Urban Form 386\u003c\/p\u003e \u003cp\u003e20.7 Legibility 388\u003c\/p\u003e \u003cp\u003e20.8 Organisation 389\u003c\/p\u003e \u003cp\u003e20.9 Life Space and Topology 391\u003c\/p\u003e \u003cp\u003e20.10 Urban Form and Life 391\u003c\/p\u003e \u003cp\u003e20.11 Layout of Urban Neighbourhoods 393\u003c\/p\u003e \u003cp\u003e20.12 Development 395\u003c\/p\u003e \u003cp\u003e20.13 ‘Good’ City Form 396\u003c\/p\u003e \u003cp\u003e20.14 Urban ‘Open’ Forms 398\u003c\/p\u003e \u003cp\u003e20.15 Goals of ‘Good’ Urban Form 398\u003c\/p\u003e \u003cp\u003eExhibit 20.1 Principles of Emplacement – Urban Form 400\u003c\/p\u003e \u003cp\u003eExhibit 20.2 Urban Space Requirements 403\u003c\/p\u003e \u003cp\u003eExhibit 20.3 Selective Modern ‘Good’ Urbanistic Practice 406\u003c\/p\u003e \u003cp\u003eExhibit 20.4 Urban Type Forms by Use Purpose 410\u003c\/p\u003e \u003cp\u003eFurther Reading 411\u003c\/p\u003e \u003cp\u003ePhotos 412\u003c\/p\u003e \u003cp\u003eSummary 419\u003c\/p\u003e \u003cp\u003eBibliography 423\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendices – Part I \u003c\/b\u003e\u003cb\u003e433\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix I.3.1 Ancient Settings – Europe, Near East, Asia and Americas \u003c\/b\u003e\u003cb\u003e435\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eI.3.1.1 Neolithic Age 10 000–3000 BC – Mid East and Europe 435\u003c\/p\u003e \u003cp\u003eI.3.1.2 Bronze Age 3000–1000 BC – Europe and Mid East 436\u003c\/p\u003e \u003cp\u003eI.3.1.3 Ancient Iron Age 1000 BC to 0 AD – Mid East 437\u003c\/p\u003e \u003cp\u003eI.3.1.4 Early Age 0–1000 AD – Europe and Mid East 439\u003c\/p\u003e \u003cp\u003eI.3.1.5 Mesoamerica to 1500 AD 440\u003c\/p\u003e \u003cp\u003eI.3.1.6 North America to 1500 AD 440\u003c\/p\u003e \u003cp\u003eI.3.1.7 Asia and the Orient to 1500 AD 441\u003c\/p\u003e \u003cp\u003eI.3.1.8 Africa to 1500 AD 443\u003c\/p\u003e \u003cp\u003eI.3.1.9 Europe – Mediaeval Cities After 1000 AD 443\u003c\/p\u003e \u003cp\u003eFurther Reading 444\u003c\/p\u003e \u003cp\u003ePhotos 444\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix I.3.2 Ancient City Places \u003c\/b\u003e\u003cb\u003e449\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFurther Reading 451\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendices – Part II \u003c\/b\u003e\u003cb\u003e453\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix II.6.1 Feelings of Space and Form in the Environment \u003c\/b\u003e\u003cb\u003e455\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eII.6.1.1 Natural Light 455\u003c\/p\u003e \u003cp\u003eII.6.1.2 Movement 455\u003c\/p\u003e \u003cp\u003eII.6.1.3 Complementarity of Form 456\u003c\/p\u003e \u003cp\u003eII.6.1.4 Balance 457\u003c\/p\u003e \u003cp\u003eII.6.1.5 Individuality 457\u003c\/p\u003e \u003cp\u003eII.6.1.6 Opaque Geometry and Occlusion 457\u003c\/p\u003e \u003cp\u003eII.6.1.7 Sense of Spatial Perception 458\u003c\/p\u003e \u003cp\u003eII.6.1.8 Form Sensing 459\u003c\/p\u003e \u003cp\u003eFurther Reading 459\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix II.6.2 Artificial Perception \u003c\/b\u003e\u003cb\u003e461\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFurther Reading 462\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendices – Part IV \u003c\/b\u003e\u003cb\u003e463\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix IV.8.1 ‘The Classical Orders’ \u003c\/b\u003e\u003cb\u003e465\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIV.8.1.1 The Orders 465\u003c\/p\u003e \u003cp\u003eIV.8.1.2 Tuscan 467\u003c\/p\u003e \u003cp\u003eIV.8.1.3 Doric 467\u003c\/p\u003e \u003cp\u003eIV.8.1.4 Ionic 467\u003c\/p\u003e \u003cp\u003eIV.8.1.5 Corinthian 467\u003c\/p\u003e \u003cp\u003eIV.8.1.6 Composite 468\u003c\/p\u003e \u003cp\u003eIV.8.1.7 Entasis 469\u003c\/p\u003e \u003cp\u003eIV.8.1.8 Composition 469\u003c\/p\u003e \u003cp\u003eIV.8.1.9 Language – Elements of Architecture 470\u003c\/p\u003e \u003cp\u003eFurther Reading 471\u003c\/p\u003e \u003cp\u003ePhotos 471\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix IV.8.2 Aesthetic Judgement and Beauty \u003c\/b\u003e\u003cb\u003e473\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIV.8.2.1 Utility and Delight 473\u003c\/p\u003e \u003cp\u003eIV.8.2.2 Qualities 473\u003c\/p\u003e \u003cp\u003eIV.8.2.3 Beauty 474\u003c\/p\u003e \u003cp\u003eIV.8.2.4 Assessment of Beauty 475\u003c\/p\u003e \u003cp\u003eIV.8.2.5 Interest and State of ‘Disinterestedness’ 476\u003c\/p\u003e \u003cp\u003eIV.8.2.6 Form and Elegance 476\u003c\/p\u003e \u003cp\u003eIV.8.2.7 Aesthetic Theories and Self-Conscious Design 478\u003c\/p\u003e \u003cp\u003eIV.8.2.8 Sense of Beauty as Described in Different Eras 478\u003c\/p\u003e \u003cp\u003eFurther Reading 481\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendices – Part V \u003c\/b\u003e\u003cb\u003e483\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix V.9.1 Design Methods – Comparative Historical Design Approaches and Pedagogy \u003c\/b\u003e\u003cb\u003e485\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eV.9.1.1 Classical Design 486\u003c\/p\u003e \u003cp\u003eV.9.1.2 Renaissance Design 486\u003c\/p\u003e \u003cp\u003eV.9.1.3 European Design Methods 487\u003c\/p\u003e \u003cp\u003eV.9.1.4 Modern International Design Methods 491\u003c\/p\u003e \u003cp\u003eV.9.1.5 Purist Design 493\u003c\/p\u003e \u003cp\u003eV.9.1.6 Rational Geometric Design 496\u003c\/p\u003e \u003cp\u003eV.9.1.7 Organicist Design 497\u003c\/p\u003e \u003cp\u003eV.9.1.8 Modern Design Methods and Systems Approach 500\u003c\/p\u003e \u003cp\u003eV.9.1.9 Generative Computerised Design 502\u003c\/p\u003e \u003cp\u003eFurther Reading 504\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix V.10.1 Pattern Language – Design and Human Needs (Illustration) \u003c\/b\u003e\u003cb\u003e505\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFurther Reading 508\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendices – Part VI \u003c\/b\u003e\u003cb\u003e509\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix VI.13.1 Decoration – Patterns, Features, Motifs and Geometrics of Repeating Elements \u003c\/b\u003e\u003cb\u003e511\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eVI.13.1.1 Decoration – Materials, Methods and Techniques 511\u003c\/p\u003e \u003cp\u003eVI.13.1.2 Features 512\u003c\/p\u003e \u003cp\u003eVI.13.1.3 Pattern Groups – Floral, Figurative, Geometric and Representational 512\u003c\/p\u003e \u003cp\u003eVI.13.1.4 Pattern Arrangements – Lattices, Powdering, Borders and Features 514\u003c\/p\u003e \u003cp\u003eVI.13.1.5 Emergent Forms 517\u003c\/p\u003e \u003cp\u003eVI.13.1.6 Special Motifs and Symbols 521\u003c\/p\u003e \u003cp\u003eFurther Reading 524\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix VI.13.2 Ornament in Earlier Times and Historic Era \u003c\/b\u003e\u003cb\u003e525\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eVI.13.2.1 Antiquity 525\u003c\/p\u003e \u003cp\u003eVI.13.2.2 Mediaeval 526\u003c\/p\u003e \u003cp\u003eVI.13.2.3 The Renaissance 527\u003c\/p\u003e \u003cp\u003eVI.13.2.4 Recent 527\u003c\/p\u003e \u003cp\u003eVI.13.2.5 ‘General principles in the arrangement of form and colour in architecture and the decorative arts’, – The Grammar of Ornament – Owen Jones 529\u003c\/p\u003e \u003cp\u003eVI.13.2.6 Moresque Principles of Ornament – Owen Jones 531\u003c\/p\u003e \u003cp\u003eFurther Reading 534\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendices – Part VIII \u003c\/b\u003e\u003cb\u003e535\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix VIII.19.1 Building Materials and House Types in Vernacular Britain \u003c\/b\u003e\u003cb\u003e537\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eVIII.19.1.1 Walling 537\u003c\/p\u003e \u003cp\u003eVIII.19.1.2 Roofing 540\u003c\/p\u003e \u003cp\u003eVIII.19.1.3 Types – Plan and Section 542\u003c\/p\u003e \u003cp\u003eFurther Reading 546\u003c\/p\u003e \u003cp\u003ePhotos 547\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix VIII.19.2 Building Elements and Features \u003c\/b\u003e\u003cb\u003e553\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eVIII.19.2.1 Floors, Walls and Ceilings 553\u003c\/p\u003e \u003cp\u003eVIII.19.2.2 Windows and Doors 554\u003c\/p\u003e \u003cp\u003eVIII.19.2.3 Mouldings 554\u003c\/p\u003e \u003cp\u003eVIII.19.2.4 Assembly 555\u003c\/p\u003e \u003cp\u003eFurther Reading 555\u003c\/p\u003e \u003cp\u003ePhotos 556\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix VIII.19.3 Architectural Styles, Periods and Practitioners \u003c\/b\u003e\u003cb\u003e565\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eVIII.19.3.1 Western Architecture 565\u003c\/p\u003e \u003cp\u003eVIII.19.3.2 Religious Periods 566\u003c\/p\u003e \u003cp\u003eVIII.19.3.3 Composition Methods – Theorists and Key Practitioners by Era 567\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix VIII.19.4 Historic Ecclesiastic and Civic Buildings; Geometric Modern and Iconic Modern US Buildings \u003c\/b\u003e\u003cb\u003e569\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eVIII.19.4.1 Historic Ecclesiastical Buildings 569\u003c\/p\u003e \u003cp\u003eVIII.19.4.2 Historic Civic Buildings 571\u003c\/p\u003e \u003cp\u003ePhotos 574\u003c\/p\u003e \u003cp\u003eVIII.19.4.3 Modern Geometric Buildings 581\u003c\/p\u003e \u003cp\u003eVIII.19.4.4 Modern Iconic Tower Buildings 588\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendices – Part IX \u003c\/b\u003e\u003cb\u003e593\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix IX.20.1 Urban Places \u003c\/b\u003e\u003cb\u003e595\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIX.20.1.1 Urban City Form – Historic Places 595\u003c\/p\u003e \u003cp\u003eIX.20.1.2 Modern 20th Century Places 598\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix IX.20.2 Sustaining Principles \u003c\/b\u003e\u003cb\u003e601\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIX.20.2.1 ‘Ten Theses on Architecture’ – Rob Krier 601\u003c\/p\u003e \u003cp\u003eIX.20.2.2 ‘Ten Principles on Which We Can Build’ – HRH The Prince of Wales 602\u003c\/p\u003e \u003cp\u003eIX.20.2.3 ‘The Hannover Principles’ – Expo 2000World Fair, William McDonough 603\u003c\/p\u003e \u003cp\u003eIX.20.2.4 ‘One Planet – Living Communities Programme’ 604\u003c\/p\u003e \u003cp\u003eIX.20.2.5 Biophilic Design Principles 605\u003c\/p\u003e \u003cp\u003eFurther Reading 610\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix IX.20.3 Urban Settlement Models and Patterns \u003c\/b\u003e\u003cb\u003e611\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIX.20.3.1 Urban Form and Use Types 611\u003c\/p\u003e \u003cp\u003eIX.20.3.2 Urban Layout Principles 613\u003c\/p\u003e \u003cp\u003eIX.20.3.3 Organising Features 614\u003c\/p\u003e \u003cp\u003eIX.20.3.4 Building Form Types 616\u003c\/p\u003e \u003cp\u003eIndex 617\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49528858247511,"sku":"9781119539513","price":51.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781119539513.jpg?v=1731873302","url":"https:\/\/bookcurl.com\/products\/design-and-order-9781119539513","provider":"Book Curl","version":"1.0","type":"link"}