{"product_id":"deleuze-and-film-9781441113405","title":"Deleuze and Film","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eOffers a feminist introduction to Gilles Deleuze's work on cinema that proposes a way of thinking about the cinematic viewing experience by exploring it as a bodily and emotional experience. This book introduces Deleuze and Felix Guattari's concept of the assemblage and uses it to understand the relationship between film and viewer.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA highly readable feminist introduction to Deleuze's Cinema volumes by foregrounding the bodily and affective nature of the cinematic viewing experience ... Rizzo's book is undoubtedly a valuable contribution to both Deleuze and feminist film studies -- Sergey Toymentsey * Film Criticism *\u003cbr\u003e[An] accessible and interesting book ... [\u003ci\u003eDeleuze and Film\u003c\/i\u003e] provides a compelling method for identifying films that challenge static gender categories. As such, the book will doubtless be a useful tool for feminist researchers wanting to pursue questions of spectatorship -- Janice Loreck, Monash University, Australia * New Review of Film and Television Studies *\u003cbr\u003e‘Both an accessible introduction  to Deleuze's cinema philosophy and a major advance in feminist film theory,  this is a tour de force of lucid and creative thought. Rizzo's focus on the  body of the viewer provides a provocative reconfiguration of Deleuze's  cinematic taxonomy while opening lines of inquiry beyond the psychoanalytic  models and theories of spectatorship currently dominant in film theory. An  essential contribution to the field.' -- Ronald Bogue, Distinguished Research Professor at University of Georgia, USA and author of Deleuze on Cinema (Routledge)\u003cbr\u003e‘In Deleuze and Film: A Feminist IntroductionTeresa Rizzo presents  us with a ‘third Deleuze', that is a Deleuze who is a cineaste and a feminist.  In this way we are given not only a new and rich introduction to Deleuze's  thinking and writing on film, but also a provocative rethinking of his work  from the perspectives of gender and film-making. This is an important  intervention into the growing body of work on the intersection between Deleuze  and cinema.' -- Ian Buchanan, Editor of Deleuze Studies\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction; 1. The Cinematic Apparatus and the Transcendental Subject; 2. Re-thinking Representation: New Lines of Thought in Feminist Philosophy; 3. Cinematic Assemblages: An Ethological Approach to Film-viewing; 4. The Slasher Film: A Deleuzian Feminist Analysis; 5. The Alien Series: Alien-Becomings, Human-Becomings; 6. The Molecular Poetics of the Assemblage: Before Night Falls; Conclusion: A Feminist Cinematic Assemblage; Bibliography; Index.","brand":"Bloomsbury Publishing (UK)","offers":[{"title":"Default Title","offer_id":51769644384599,"sku":"9781441113405","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781441113405.jpg?v=1758722028","url":"https:\/\/bookcurl.com\/products\/deleuze-and-film-9781441113405","provider":"Book Curl","version":"1.0","type":"link"}